NICKEL PLATED OMEGA POCKET WATCH. Circular white enamel dial with blued steel hands, outer minute track, black roman index and red 24 hour markings, sub seconds dial at 6 o'clock position, dial signed Omega and name of retailer in Cyrillic script, case back embossed with double headed Russian Eagle, inner case back cover stamped Omega Swiss Made, movement signed Omega 17 jewels, serial number 8105257 circa 1935. CONDITION REPORTWatch is currently functioning but timekeeping not tested.
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AN OPEN FACED SILVER POCKET WATCH. Circular white enamel dial with black roman index and outer minute track signed H Stone Leeds, plain case with escutcheon to the centre of the back, key wound movement signed H Stone Leeds, case hallmarked silver Chester 1898.CONDITION REPORTWatch is not currently functioning, part of the dial and hands are missing, recommended for spares or repairs purposes only.
A RECORD DREADNOUGHT POCKET WATCH, circular white enamel dial with black Roman index and outer minute track, separate seconds hand at 6 o'clock position, blued steel hands, case diameter 50mm, engine turned case back with escutcheon to centre, twin covers to rear stamped internally "guaranteed to be made of two plates of 10ct Gold with plate of composition and guaranteed to wear 20 years", also stamped "Moon ALD", high grade 17 jewel Swiss movement adjusted to 4 positionsCONDITION REPORTMovement is not currently functioning but is clean and the balance swings freely, a service is recommended.
AN ENAMEL AND DIAMOND BANGLE, a diamond set twin hearts motif to a blue guilloche enamel ground and within a fancy oval frame, with a hinged locket back, to a two colour double hinged back. Estimated total diamond weight 0.25ct, French gold assay marks, 6.3cm by 5.5cm inner diameter, 4cm wide, 46.9 gramsView 360 degree spin: https://sarlydro.sirv.com/Spins/X18/X18.spinCONDITION REPORTThe bangle is a marriage of parts, the twin heart frame being later applied to the bangle, the locket back is later and is fragile with play in the hinge, repair is recommended. Some possible touching in of the enamel.
A CAMEO BROOCH, circular form and carved depicting a classical female head, within a white enamel leaf border and a circular frame with beaded decoration, glazed locket back. 4.7cm diameter, 16.2 gramsCONDITION REPORTLight general wear, light repair to the reverse of one beaded section. Not hallmarked or stamped but in our opinion would test as gold.
CHARLES HORNER - A SILVER AND ENAMEL PENDANT NECKLACE, a scroll plaque filled with blue-green enamel, with enamelled pendant drops, suspended from an enamelled link to a fine trace chain. Maker's mark, hallmarked Chester 1908, pendant 2.8cm by 3.3cm, chain 49cm long CONDITION REPORTOne pendant drop possibly re-enamelled, good overall condition.
CHARLES HORNER - A SILVER AND ENAMEL PENDANT NECKLACE, a foliate plaque filled with blue-green enamel, with an enamelled pendant drop, suspended from an enamelled link to a long bar link chain. Maker's mark, hallmarked Chester 1909, pendant 3.5cm by 3.cm, chain 47cm long CONDITION REPORTGood overall condition.
CHARLES HORNER - A SILVER AND ENAMEL PENDANT NECKLACE, a scroll plaque filled with blue-green enamel, with an enamelled pendant drop, suspended from an enamelled link to a long bar link chain. Maker's mark, hallmarked Chester 1911, pendant 2.3cm by 3.2cm, chain 47cm long CONDITION REPORTCrazing/hairline to pendant drop.
ATTRIBUTED TO MURRLE BENNETT - A SILVER AND ENAMEL BRACELET, a central quatrefoil link with a celtic knot motif filled with blue-green enamel, to enamelled rectangular links. Indistinctly marked, 20cm long, 1.5cm wideCONDITION REPORTSome enamel to the rectangular links matte in appearance, possibly restored, marks are illegible but in our opinion it would test as silver.
CHARLES HORNER – A SILVER AND ENAMEL PENDANT NECKLACE, a triangular plaque with pierced and raised decoration and with a central reserve filled with blue-green enamel, to a fine trace chain. Maker’s mark, hallmarked Chester 1910, pendant 3.5cm by 3cm, chain 49cm longCONDITION REPORTGood overall condition
A PAIR OF PLIQUE A JOUR ENAMEL AND DIAMOND PENDANT EARRINGS, transitional round brilliant-cut diamonds to hexagonal grill frames filled with blue plique a jour enamel, suspended from articulated milgrain diamond links, to diamond set lozenge shaped surmounts, with hook fittings. Estimated total diamond weight 1.70ct, 4.5cm long, 1.4cm wide, 7.7 grams CONDITION REPORTGood condition. Estimated colour: H/I; estimated clarity: SI1/SI2. Not hallmarked or stamped but in our opinion would test as platinum.
AN ENAMEL AND DIAMOND RING, channel set with two bands of round brilliant-cut diamonds spaced by a band of black enamel. Estimated total diamond weight 0.25ct, hallmarked Birmingham, ring size Q, 10.0 gramsCONDITION REPORTGood condition. Estimated colour: H/I; estimated clarity: SI1/SI2. Not hallmarked or stamped but in our opinion would test as gold.
ARNO MALINOWSKI FOR GEORG JENSEN – A DANISH SILVER AND ENAMEL LAMB BROOCH, 284, designed as a kneeling lamb with beaded fleece, tied by green enamel leaves. 1933-1944 maker’s mark, marked ‘925’, ‘Sterling Denmark’, 3.3cm by 3.2cmCONDITION REPORTGood overall condition, enamel good with no noted damage or restoration.
A GROUP OF JEWELLERY, including; A CORAL BEAD NECKLACE; A CORAL BROOCH; A MICRO MOSAIC BRACELET; CAMEO AND ENAMEL BROOCHES in gilt frames; A JADE BANGLE; A SIMULATED CORAL BANGLE; AN ORANGE PLASTIC BEAD NECKLACE; A RED BAKELITE BEAD NECKLACE; A PAIR OF BUTLER & WILSON PASTE PENDANT EARRINGS (Qty)
A large Japanese Satsuma ware vase, Meiji period (1868-1912), of tapering form, finely decorated in enamels and gilt, with Shakyamuni buddha accompanied by a group of rakan, seated in a mountainous landscape, surrounded by blossoming trees and precious objects, the neck with ho-o roundels against a diapered ground, inscribed 'Dai Nihon Teikoku, Tanahashi Kae zo' to base,61.5cm highMinor surface scratches. Gilt and enamel losses in various locations. A small hairline crack issuing from foot rim up the body.
A Japanese Satsuma ware vase,Meiji period (1868-1912), by Okamoto Ryozan, the globular body rising to a flared mouth, finely decorated in enamels and gilt with figures flying kites, or birds and flowers in shaped panels, surrounded by scrolling flowers against a midnight-blue ground, signed on the base Ryozan with the Yasuda Company trade mark,9.5cm highMinute chips and enamel losses to foot rim. Minor gilt losses.
A Japanese cloisonné vase,Meiji period (1868-1912), in the style of Ando Jubei, the tapering body rising from a flared foot to an everted rim, decorated with three carp swimming beneath the surface of a partially cloudy river, all against a pale celadon ground, rim and foot rim applied with silver mountings, 24.5cm highFoot rim with surface scratches and minute dents. Enamel with minute chips/bubbles to body.
A collection of three Chinese famille rose plates, 18th century, the rounded sides rising from a circular foot, painted with pheasants among blossoming prunus and peony in a garden, 22 to 22.5cm diameter, and a saucer, with peony, 16.6cm diameter (4)Provenance: Three plates purchased at Lilla Bukowskis, Stockholm in March 2002.All with enamel losses.Three plates with minute chips to foot rims.
A Chinese famille rose bowl and cover, Guangxu (1875-1908), of tapering form, painted with shou characters surrounded by scrolling lotus and precious objects, the domed cover similarly decorated, six-character Tongzhi stamped mark, 12.5cm high (2)Cover chipped to rim and knop. Bowl chipped to rim. Some enamel and gilt losses.
A Chinese coral-ground bowl, 19th-20th century, the body with deep rounded sides covered in coral-red enamel decorated in reserve with bamboo shoots, the outlines of the leaves and divisions of the stems pencilled in iron-red, six-character Qianlong mark to base, 9.5cm diameterMinor surface scratches.
A collection of three Chinese export wares, 18th century, comprising a charger, a plate and a bowl, painted with florets or a blossoming tree, bowl 23cm diameter, plate 21.8cm diameter, charger 29cm diameter (3)Bowl - cracked.Plate - chipped.Charger - chipped and cracked.All with surface scratches and enamel losses.
A Chinese export famille rose vase,18th century, the globular body rising from a circular foot to an everted rim with a bulging central section to the neck, painted with ladies and boys in a garden, 25.5cm high, and a famille rose basin, similarly decorated, 26.7cm diameter (2)清十八世纪 外销粉彩婴戏图蒜头瓶 及 撇口盆 一组两件Both with enamel losses. Vase with mouth restored and very minute chips to foot rim.
A Chinese Canton enamelled famille rose vase and cover, 19th century, of hexagonal form, painted with figures, birds and flowers in shaped panels surrounded by butterflies and scrolling florets, the domed cover similarly decorated with a knop in the shape of a seated figure, 62cm high (2)清十九世纪 广东粉彩开光人物故事图六方盖瓶Mouth restored. Enamel losses. Cover chipped to corners.
A Chinese Canton enamelled famille rose vase and cover,19th century, of baluster form, painted with figures in a garden in shaped panels surrounded by butterflies and flowers, the domed cover similarly decorated with a Buddhist lion knop,44.5cm high (2)清十九世纪 广东粉彩人物故事图将军盖罐Small chips to rim of cover. Enamel losses.
A Chinese famille rose bowl,late Qing dynasty, the rounded sides rising from a circular foot, painted with two dragons among chrysanthemum against a yellow ground, the interior and base covered in a turquoise glaze, four-character Xiezhu Zhuren mark to base,16.9cm diameter 清晚期 黄地粉彩穿花龙纹碗 《嶰竹主人》矾红篆书款Some enamel and gilt losses.
A Chinese Canton famille rose vase,19th century, of tapering form flanked by two mask and ring handles, painted with figures, precious objects, birds and flowers in shaped panels, surrounded by butterflies and scrolling flowers, 62cm high清十九世纪 广东粉彩花鸟人物图瓶Enamel losses. Mouth chipped, cracked along the neck and covered with over paint. Foot rim with minute chips. Base with star cracks.
A Chinese famille rose vase,Republic period (1912-1949), the pear-shaped body rising from a tall flared foot, painted with blossoming prunus branches in leaf-shaped panels, surrounded by scrolling lotus against a blue ground, four-character Yongzheng mark to base,20.3cm high民国 粉彩开光缠枝莲纹胆瓶 《雍正年制》楷书款 Small chips and cracks to rim and body with enamel losses.
A pair of Chinese export Canton painted enamel vases,19th century, each ovoid body rising from an everted foot to a flared mouth, painted with figures in a pavilion or garden, surrounded by scrolling flowers and double gourds,43.5cm high (2)清十九世纪 广东制外销铜胎画珐琅人物故事图瓶 一对Fully restored. Dents in various locations. Enamel with overpainting and cracks.
A Chinese cloisonné planter,late 18th century, of tapering cylindrical form flanked by chilong handles, decorated with scrolling lotus in shaped panels against red, green or blue enamel, four-character Qianlong mark in a recessed square, 20cm wide 清十八世纪末 铜胎珐琅缠枝莲纹花盆 《乾隆年制》楷书模款 16.7cm high. 970.6g.Surface scratches and dents, feet dented, both handles loose. Tired, splits and small holes to metal. Enamel losses in various locations.
A French mantel clock, Samuel Marti pendulum movement, wooden waisted case with inlaid stringing, 10 1/2" 8 1/4", white enamel dial marked John Hall & Co. of Manchester and Liverpool. Presented to Rev. Harry Maddox MC by congregation on Emanuel Church, West End, Hempstead. (Rev. Harry Maddox awarded MC for conspicuous gallantry and devotion to duty in 1917. Copy of war record attached) with key and pendulum. Also Ansonia miniature desk clock, 5 1/2" high, ca. 1910
PAIR OF IRON-RED-DECORATED 'DRAGON' CUPS QIANLONG MARK BUT 19TH-20TH CENTURY 十九至二十世紀 乾隆款 白地軋道礬紅彩雙龍趕珠紋杯一對 each thinly potted with smoothly flaring rim, the exterior enamelled in iron-red with two striding five-clawed dragons chasing flaming pearls amongst clouds and flame scrolls, all against a sgraffito wavy ground in white enamel, all below a gilt rim, the base inscribed with a six-character Qianlong mark in double-square in iron-red(6cm diameter each)
FAMILLE ROSE 'HORSE' ALTAR EMBLEM QIANLONG MARK BUT REPUBLIC PERIOD 民國 乾隆款 粉彩七珍勝馬寳供 of columnar form, on top of the drum-shaped podium surmounted by a horse standing on all fours covered with a cloth bearing a stand, the podium raised on an openwork foliated stem issuing from a double-gourd flanked with ribbons supported on a dome foot painted with dragons, the base with a six-character Qianlong mark within double squares in iron-red(23.2cm high)Note: The present alter emblem is one of the Seven Regal Treasures, Qizhenbao, in Buddhism. These Seven Treasures, also known as the Seven Jewels of Royal Power, as described in the Buddhist sutra, were brought to earth by the Universal Monarch- Chakravartin. These saptaratna serve as the indispensable symbols for the governance of a 'wheel turning sage king'. They include the Elephant, symbolising sovereignty and opulence; the Wheel, representing the Buddhist doctrine; the Horse, representing facility in war and mobility; the Wish-Granting Jewel; the Queen who serves as the virtuous wife to the king; the Minister who is responsible for the welfare of the people; and the General who holds authority over the military troops for peace. A comparable example of a famille rose horse altar emblem, Qianlong mark and period, was sold together with an elephant altar emblem, at Christie's London, 8 Jun 2004, lot 437; Two famille rose 'Minister' and 'Woman' altar emblems, Qianlong mark and period, were offered at Sotheby's Hong Kong, 08 October 2008, lot 2608; a pair of 'Flaming Pearl' altar emblems, Qianlong mark and period, were offered at Sotheby's Hong Kong, 04 October 2016, lot 106. A number of sets of the ‘Seven Regal Treasures’ are known in various materials; for example a rare group of seven imperial cloisonne enamel, gilt bronze and white jade alter emblems, in which three are the Seven Treasures, and four are the Eight Buddhist Emblems, dated to Qianlong period, were sold at Christie's, 3 Dec 2008, lot 2601; a parcel-gilt full set of Seven Regal Treasures are in the collection of Bodhimanda Foundation, accession no V-851
CLOISONNÉ ENAMEL 'GRAPES' TRIPOD INCENSE BURNER LATE MING-EARLY QING DYNASTY, 17TH-18TH CENTURY 明末清初 銅胎掐絲琺瑯葡萄紋筒式三足爐 of barrel-shape, supported on three small bulging feet, the exterior of the body brightly enamelled with clusters of grapes and colourful foliage among curling tendrils, the base further adorned with small flowers with foliage, with gilt highlights(7cm high; 340g)Provenance: Private French collection, Paris; acquired from Germany in 1980s when stationed in Germany as a French Diplomat (by repute).Note: a closely comparable cloisonne enamel tripod incense burner of similar form and grape decoration, was sold at Sotheby's Paris, 10 June 2021, lot 176
PAKTONG CLOISONNÉ ENAMEL WATER PIPE LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 白銅掐絲琺瑯水煙斗 the stylistically shaped body decorated with various antiquities on a dark blue ground, all between two bands of ruyi-head cloud patter, the interior of the lid incised with two lines of Chinese characters, indicating it was made for a commissioner from Kyoto, Japan(28.5cm high)Provenance: Private English collection, Surrey

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396325 Los(e)/Seite