A varied collection of 113 old Chinese arts auction catalogues from Christie's and Sotheby's, 1960's and laterVarious dimensions Provenance: The collection of Galerie Beaute Chinoise, Paris, France Sotheby's London , Important Oriental Ceramics and Works of Art , 28 May 1968 Sotheby's London , Important Chinese Ceramics, Lacquer, Cloissonne Enamel and Works of Art , 02 July 1968 Sotheby's London , Important Chinese Ceramics, Lacquer and Works of Art , 15 October 1968 Sotheby's London , Important Chinese Ceramics, Bronzes and Works of Art , 02 March 1971 Sotheby's London , Important Chinese Ceramics, Archaic Bronzes, Jades and Works of Art , 14 March 1972 Sotheby's London , Fine Chinese Export Porcelain , 06 November 1973 Sotheby's London , Important Chinese Ceramics and Works of Art , 01 April 1974 Sotheby's London , Important Chinese Porcelain, Early Ceramics and Works of Art , 08 July 1974 Sotheby's London , Fine Chinese Ceramics and Works of Art , 25 March 1975 Sotheby's London , Fine Chinese Ceramics and Bronzes , 08 July 1975 Sotheby's London , Important Chinese Ceramics, Bronzes and Works of Art , 06 April 1976 Sotheby's London , Important Chinese Ceramics and Works of Art , 06 July 1976 Sotheby's London , Fine Chinese Works of Art, Pottery and Porcelain , 14 December 1976 Sotheby's London , Fine Chinese Ceramics and Works of Art , 05 July 1977 Sotheby's London , Fine Chinese and Annamese Ceramics, Bronzes and Works of Art , 13 December 1977 Sotheby's London , Fine Chinese Export Porcelain, Jades and Other Hardstones , 20 June 1978 Sotheby's London , Important Chinese Ceramics and Works of Art , 11 July 1978 Sotheby's London , Fine Chinese Ceramics, Silver and Works of Art , 12 December 1978 Sotheby's London , The Lindberg Collection of Early Chinese Ceramics , 12 December 1978 Sotheby's London , Fine Chinese Export Porcelain, Jades and Other Hardstones , 20 March 1979 Sotheby's London , Fine Chinese and Korean Ceramics and Works of Art , 03 April 1979 Sotheby's London , Fine Oriental Ceramics and Works of Art , 10 July 1979 Sotheby's London , Fine Chinese Ceramics and Works of Art , 11 December 1979 Sotheby's London , Important Chinese Ceramics and Works of Art , 15 April 1980 Sotheby's London , Important Chinese Ceramics and Works of Art , 15 April 1980 Sotheby's London , Fine Chinese Ceramics and Works of Art , 15 December 1981 Sotheby's London , Fine Chinese Ceramics and Works of Art , 15 June 1982 Sotheby's London , Important Chinese Works of Art: The Collection of Mr. And Mrs. Richard C. Bull , 6/12/1983 Sotheby's London , Fine Chinese Ceramics and Works of Art , 15 July 1986 , Sale Number: Sotheby's London , Chinese Ceramics and Works of Art from the Collection of the British Rail Pension Fund , 12 December 1989 , Sale Number: 6661 Sotheby's London , Chinese Export Porcelain and Works of Art , 12 November 1996 , Sale Number: 6724 Sotheby's London , Fine Chinese Ceramics and Works of Art , 17 December 1996 , Sale Number: 8350 Sotheby's London , Fine Chinese Ceramics and Works of Art , 16 June 1998 , Sale Number: 9309 Sotheby's London , Chinese Export Porcelain and Works of Art , 16 June 1999 , Sale Number: 9308 Sotheby's London , Fine Chinese Ceramics and Works of Art , 16 June 1999 , Sale Number: 9315 Sotheby's London , Arts of the Islamic World , 14 October 1999 , Sale Number: 9320 Sotheby's London , Fine Chinese Ceramics and Works of Art , 17 November 1999 Sotheby's Hong Kong , Fine Chinese Ceramics and Works of Art , 21 May 1979 Sotheby's Hong Kong , The T.Y. Ghao Private and Family Trust Collections: Part II , 19 May 1987 Sotheby's Hong Kong , Important Chinese Ceramics and Works of Art , 16 May 1989 , Sale Number: 0091 Sotheby's Hong Kong , The Goldschmidt Collection of Qing Imperial Porcelain , 13 November 1990 , Sale Number: 0124 Sotheby's Hong Kong , Fine Chinese Ceramics, Works of Art and Jade Carvings , 30 April 1996 , Sale Number: 0129 Sotheby's Hong Kong , Highly Important and Fine Chinese Ceramics, Works of Art and Jade Carvings , 04 November 1997 , Sale Number: 0147 Sotheby's Hong Kong , Fine Chinese Ceramics, Works of Art and Jade Carvings , 28 April 1998 , Sale Number: 0149 Sotheby's Hong Kong , Chinese Ceramics, Works of Art, Jade Carvings and Snuff Bottles , 27 April 1999 , Sale Number: 0154 Sotheby's Hong Kong , Magnificent Jadeite Jewels , 28 April 1999 Sotheby's Hong Kong , Fine Chinese Ceramics and Works of Art , 01 November 1999 , Sale Number: 7278, Sale Number: 6106Sotheby's New York , The C.C. Wang Family Collection of Important Early Chinese Works of Art , 27 November 1990 , Sale Number: 6820 Sotheby's New York , Fine Chinese Works and Paintings , 26 March 1996 , Sale Number: 6879 Sotheby's New York , Korean Works of Art , 17 September 1996 Sotheby's New York , Fine Chinese Works of Art and Snuff Bottles , 22 March 1999, Sale Number: 19Sotheby's Monaca, Belle Collection de Porcelaines de Chine, 04/03/1990Sotheby's Amsterdam, Chinese and Japanese Ceramics and Works of Art, 14/05/1997 Christie's Hong Kong , Early Ming Porcelain from The Palmer Collection, at the Hilton Hotel, Hong Kong , 17 January 1989 Christie's Hong Kong , The Jarras Collection Part II: Fine Ming and Qing Ceramics , 08 October 1990 Christie's Hong Kong , Important Chinese Ceramics, Jades and Works of Art , 01 October 1991 Christie's Hong Kong , Fine Chinese Works of Art, Jade and Jadeite Carvings, Fine China Trade Pictures , 30 October 1994 Christie's Hong Kong , An Important Chenghua Doucai Stemcup , 31 October 1994 Christie's Hong Kong , Fine Chinese Classical Paintings and Calligraphy , 29 October 1995 Christie's Hong Kong , Important Chinese Ceramics and Works of Art , 30 October 1995 Christie's Hong Kong , Highly Important Blue and White Porcelain and Hardstone Carvings from a Private Collection , 30 October 1995
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An extremely rare Chinese Canton famille rose 'mandarin subject' tea casket or chest with gilt bronze handles, Qianlong Dim.: 24,5 x 15 x 13,5 cmRef.: - Christie's, New York, Jan. 23, 2001, lot 14, for a less elaborate blue and white example with fitted silver-plated interior compartments. (sold USD 28.200) (link) - The Metropolitan Museum, New York, accession number 64.101.834 for a British enamel on copper casket with matching interior compartments. (link)
BULGARI SERPENTI FOREVER LEATHER CROSSBODY BAGCondition grade B-.Black leather exterior with tonal stitching, gold tone BVLGARI logo at back, black and white enamel Serpenti head clasp with malachite eyes and a gold tone chain shoulder strap. Fabric and leather lined interior with an inner slip pocket and a pocket mirror. Gold tone hardware. 20cm long, 16cm high, 49cm strap drop.
ANYA HINDMARCH FOREST GREEN LEATHER BAGCondition grade B.Green grained leather exterior with tonal stitching, ruched leather detailing, gold tone metal and green enamel Anya Hindmarch buckle closure at front, double adjustable shoulder straps and five protective metal feet at base. Magnetic closure, suede lined interior and two inner slip pockets. Silver tone hardware. 40cm long, 23cm high, 20cm handle drop. Includes dust bag.
Bourdalou en porcelaine de Meissen, circa 1735A Meissen bourdalou, circa 1735With a loop handle and brown-edged rim, painted in Kakiemon style with flowering indianische Blumen issuing from rockwork, the reverse with two flowering branches, the inside and handle similarly decorated, 19.2cm across, crossed swords mark in blue enamelFor further information on this lot please visit Bonhams.com
Plat en porcelaine de Meissen provenant du «Japanisches Palais», circa 1729-31A Meissen dish from the Japanese Palace, circa 1729-31Painted in Kakiemon style with the 'Gelber Löwe' pattern of a tiger curling around bamboo facing flowering prunus issuing from a tree-stump, brown-edged rim, 22.2cm across, crossed swords mark in blue enamel, incised Japanese Palace inventory number N=8-/ WFootnotes:For a comprehensive discussion of the history of the 'Gelber Löwe' service in the 18th century, see Julia Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), pp. 265-274. The 'Gelber Löwe' pattern was first produced at Meissen after a Japanese porcelain original as part of the large order placed by the Paris merchant, Rudolph Lemaire, for copies of Asian porcelain. A large quantity of plates and dishes painted in this style were among the porcelain confiscated in April 1731 in the house of Lemaire's accomplice at the Dresden court, Count von Hoym, and subsequently sent to the Japanese Palace and entered in the inventory under no. 8. This present lot belongs to this group and is therefore one of the earliest examples of this decoration.The 1770 inventory of the Japanese Palace records: '..Nur 60. Stück..runde tiefe Schaalen, von differenter Größe, mit braunen Rändern, Löwen, blauen Rohr und andren Blumen nach alt Indianischer Art gemahlet, No. 8' [..only 60..round deep dishes, of different sizes, with brown rims, lions, blue tubes and other flowers painted in old Indian style] (quoted by C. Boltz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (July 1996), p. 72).For further information on this lot please visit Bonhams.com
Eighteen pairs of 1980's silver tone, silver and ceramic earrings reputedly from Camden Market, London together with an enamel and copper necklace with matching earrings having square formed tablets decorated with abstract shapes reputedly from St Ives and a silver tone half moon brooch. Location: BWR
A vintage Sorrento style jewellery box A/F, mixed Oriental fabric jewellery pouches mainly from Hong Kong, a mid 20th Century pewter and painted glass trinket tray, a Limoges painted enamel brooch with the image of a young lady's portrait, mixed vintage bead necklaces to include early 20th Century examples, a rolled gold watch chain, a Metropolitan Museum of Art silver tone brooch in the form of a lion's head, a rolled gold pearl brooch in a leaf design with berries, a gold plated bow brooch with pendant clasp, Victorian and enamelled brooches, a small yellow metal bar brooch with seed pearls, weight less than 1g and other items. Location:R2.2
TWO GILT METAL SNUFF BOXES one with an oval panel of blue enamel applied with a coronet and the letter 'N', the other applied to the lid and sides with green enamel, each accented with circular-cut pastes, opening to reveal plain interiors (2)10.6 x 4.9 x 2.0cmProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A PAIR OF PAINTED WOOD AND COMPOSITION CANDLESTICK TABLE LAMPSPOSSIBLY BY COLEFAX & FOWLER, SECOND HALF 20TH CENTURYafter 18th century Battersea enamel models, each with brass mounts and decorated with green floral sprays, with a sprung stem and a green tôle shade (2)50.8cm highProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A MIXED GROUP OF COSTUME JEWELLERYcomprising: a pair of paste buckles in white metal settings, a fancy-link long chain, a gold bar brooch set with purple paste, an elephant pendant locket and a gold leopard's head cufflink decorated with blue enamel, stamped 750, 11gProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A RUSSIAN ENAMEL KHODYNKA BEAKER OR 'CUP OF SORROWS'LATE 19TH CENTURY, DATED '1896'produced to commemorate the Coronation of Tsar Nicholas II and Tsarina Alexandra Feodorovna10.5cm highProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A PAIR OF PAINTED WOOD AND COMPOSITION CANDLESTICK TABLE LAMPSPOSSIBLY BY COLEFAX & FOWLER, SECOND HALF 20TH CENTURYafter 18th Century Battersea enamel models, each with brass mounts and decorated with floral sprays, with a sprung stem and a tôle shade (2)55cm highProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
THREE BOHEMIAN GLASS DECANTERS19TH CENTURYof rectangular form, gilded with scenes including: a boar hunt, a shepherdess and other figures and animals, the narrower sides with flower sprays, with later metal mounted cork stoppers and two enamel bottle tickets (8)29cm highProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A FRENCH CAST IRON AND ENAMEL GARDEN STOVELATE 19TH / EARLY 20TH CENTURYof hexagonal form with pierced grotesque decoration inscribed with various patent names, later fitted for electricity83.5cm high, 38cm wide ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
JAMES CROMAR WATT (1862-1940) ARTS & CRAFTS NECKLACE, CIRCA 1905 yellow metal, set with enamels, seed and blister pearls 40cm long Literature: Gere C. and Munn G. C. Pre-Raphaelite to Arts and Crafts Jewellery, Antique Collectors Club 1996, p. 40, pl. 15Note: James Cromar Watt was born in Aberdeen. He worked in precious metals and developed particular skills in the ancient techniques of gold granulation and translucent foiled enamelling. His work was exhibited in Turin in 1902 and was illustrated in the Art Journal periodical of the time. Some of his pieces were strongly influenced by the enamel work of Phoebe Traquair and some were designed in association with the painter and stained glass artist, Douglas Strachan. His work is predominantly in the collection of Aberdeen Art Gallery & Museum.
HENRY WILSON (1864-1934) ARTS & CRAFTS NECKLACE, CIRCA 1905 white metal, enamel, opal cabochons 36.5cm long Note: Henry Wilson (1864-1934) like many other Arts and Crafts designers, trained as an architect. His interest in metalwork began in the early 1890s and his designs were distinctive with their use of rich coloured enamels and opal stones. Wilson often employed the subject of Diana the huntress in his work, represented here with bow and arrow, and with accompanying stag and hound.
POTTER STUDIO, CLEVELAND 'HARE & TORTOISE' PORRINGER & SPOON, CIRCA 1900 Sterling silver, enamel, each stamped POTTER STUDIO bowl 19cm diameter, spoon 16.7cm long Literature: Kaplan W. The Arts & Crafts Movement in America, 1875-1920, 1987, p.158Note: Horace Potter (1873-1948) graduated from the Cleveland School of Art in 1898, and furthered his studies in Boston and in England with C. R. Ashbee's Guild of Handicraft. Upon his return to Cleveland, Potter worked in conjunction with Wilhelmina Stephan, showing considerable work at the Art Institute of Chicago in 1905 and the decennial exhibition of the Boston Society of Arts and Crafts in 1907. In 1908 Potter established a studio with a group of assistants, which was to become known as the Potter Studio.
PHOEBE ANNA TRAQUAIR (1852-1936) 'SEEK YE MY FACE' ENAMEL TRIPTYCH, DATED 1906 enamel with foil on copper, within a patinated copper frame and stand, probably designed by Ramsay Traquair (1874-1952) and made by J.M Talbot, inscribed in gilt to the front in the enamel SEEK YE MY FACE/ THY FACE LORD WILL I SEEK, signed twice with artist's monogram and dated 190*, inscribed verso in the copper I WILL LAY ME DOWN/ IN PEACE, AND TAKE/ MY REST, FOR IT IS THOU,/ LORD, ONLY, THAT MAKEST/ ME TO DWELL IN SAFETY with artist's monogram and date, 1906 overall height 16.8cm, central enamel panel 3.5cm x 5.3cm, side panels 3.5cm x 2.4cm Literature: Cumming E. Phoebe Anna Traquair 1852-1936, 1993, p.81, no.96 and p.36, no.89, illus.Note: Phoebe Anna Traquair (1873-1936) was an Edinburgh-based artist who was an important member Arts and Crafts Movement. She was one of few late Victorian women who managed to balance her traditional family responsibilities with a successful, internationally recognised artistic career. This is emphasised in the fact that she was the first woman to be given honorary membership of the Scottish Royal Academy, in 1920. Her specialities included mural painting, manuscript illumination and enamelling.This devotional triptych is almost identical to one in the collection of the V&A; Museum (V&A; M.189-1976). It is thought Traquair made four versions of this triptych, two of which were originally owned by the Carmichael family. The enamelled scenes represent 'Love, Comforter of the Night', flanked by 'Evening' and 'Morning', all of which Traquair also produced as single enamels set as pendants. The reverse of the central panel has an engraved message taken from the Bible: 'I will lay me down in peace and take my rest for it is thou, Lord, only, that makest me to dwell in safety' (Psalm 4:8). The exterior surface of the side-panels is also enamelled and shows a quotation from Psalm 27:8, 'Seek ye my face; They Face Lord will I seek'. The triptych is dated 1906, when Traquair was at the height of her enamelling career. It is estimated that she produced around 150 enamels over the course of her career, with at least 80 made between 1901 and 1906. She was particularly attracted to enamel work because of the bright colours that it created, which she further heightened through the use of metal foil fragments.The form, subject and style of this triptych are entirely typical of Traquair's work. They reflect her belief in the moralising purpose of art and her love of Italian Renaissance artists such as Fra Angelico. The central panel's red flowers against a green ground and the rainbow sky, indicating dawn or dusk, are features repeatedly used by Traquair and can be seen on another of her triptychs The Red Cross Knight, of which there are two known versions. The copper mount for the present example, like her others, would have been designed by her son, Ramsay, based on Renaissance metalwork forms that they researched together.
A yellow metal and split seed pearl horse-shoe tie pin, together with another yellow metal tie pin set with a small old-cut diamond, a gilt metal locket, a Victorian white metal broch, a white metal and green enamel bangle (a/f), a mother-of-pearl brooch with applied gilt metal lion, a malachite brooch, a crystal 'Aurora Borealis' glass bead necklace, etc. contained in a wooden jewellery case.
An early to mid 20th century Bohemian green and clear glass vase, decorated with applied gilt and pink enamel floral and swag decoration, gilt rim (faded), unmarked, 38 cm high. Slight wear and scratching to the base; losses and wear to the gilt rim. Rim uneven. Possibly of Austrian or German design.
A late 19th century Victorian seed pearl and diamond brooch, of circular form, the cobalt blue guilloche enamel ground decorated with applied gold floral motif, inset with rose-cut diamond accents and split seed pearls, within an outer border of round pearls, unmarked, contained in fitted box from Frazer & Haws from Garrards, 31 Regent Street. 6.2 grams
A George III seed pearl and engine turned green enamel mourning brooch, inscribed to verso, Sarah Briggs died June 17th 1808 aged 41, unmarked gold, 3cm wide; a Victorian unmarked gold brooch set with coral beads carved as roses, 2.5cm wide; a mother-of-pearl and gilt metal violin brooch; a paste buckle; buttons and cuff links; qty
A lady's silver open face pocket watch, white enamel dial, Roman numerals, subsidiary seconds dial, retailed by T Rowlands & Sons, Caersws & Llanidloes, the continental case marked 0,935, serial number 88275, 5.75cm over suspension loop, a silver graduated curb link chain, each link marked, 27.8g, two watch keys
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396325 Los(e)/Seite