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396325 Los(e)/Seite
Los 46
An Art Deco Hallmarked Silver Guilloche Enamel Match Case, Adie Bros Ltd, Birmingham 1939, of rectangular form with engine turned design verso, highlighted in white guilloche enamel, inset to centre with applied marcasite floral decoration, the hinged lid with gilt wash lining, approximately 6cm x 4.5cm.
Los 212
An Assortment of Costume Jewellery, to include Fish & Crown enamel brooch, Napier imitation pearl drop clip-on earrings, bangle, Art Nouveau style locket pendant necklace, Alpaca Mexico brooch, Celtic style panel brooch, Crown Derby floral brooch, fancy link bracelet, heartshape locket pendant, gilt coloured chain, assorted clip-on earrings, etc, together with a loose Rhodonite gemstone, a Pulsar ladies wristwatch, a further wristwatch :- One Tray
Los 286
A striking handcrafted copper enamel box featuring a rich organic design of red fig leaves set against a textured, oxidized copper background. This piece showcases the layering enamel over metal, resulting in a lustrous, almost ethereal depth of color. The warm patina and naturalistic rendering of the leaves and branches reflect mid-century modern influences and the artisanal revival of enameling during the 20th century. The box's interior is lined with raw copper, further emphasizing its handcrafted nature, and is an example of functional and decorative artwork that merge fine art with craftsmanship. Signed on upper side: Taylor (?)Issued: c. 2000Dimensions: 18"L x 3.50"W x 18"HCondition: Age related wear.
Los 130
A 9ct gold presentation open face pocket watch, the dial marked Kendal & Den London, Makers to the Admiralty, white enamel dial with Arabic numerals, outer and inner dust cover all marked for 9ct, the inside engraved ‘Presented to J.E. Holland, By the Directors & Staff of Osmond & Matthews Ltd, on his Retirement, 4th July 1936, After 21 Years Service’, 49mm, 75.65g, wood a carved wood watch stand
Los 59
An enamel and seed pearl novelty bracelet Each unique link adorned with a detailed motif including an enamelled bumblebee with circular-cut synthetic ruby accents, an enamel, cultured pearl and circular-cut synthetic ruby shamrock, a circular-cut garnet acorn with oak leaves, and a chalcedony and seed pearl Celtic cross, length 18.9cm
Los 22
A PAIR OF TWO-TONE RED AND BLACK ENAMEL SILVER BANGLES Western Sahara or Mauritania, Africa, mid-20th centuryEach circular silver bangle engraved and inlaid with red and black enamelled vertical lines and hourglass-shaped geometric motifs, interspersed amidst rows of three protruding spheres, the central larger and incised with a spiralling pattern.Each 6.5cm x 0.5cmTotal 53gr. The style of decoration and the characteristic two-tone enamel palette of this pair are similar to Mauritanian enamelled silver adornments, as evident from a pair of silver anklets (khelkhal) published in René van der Star, Ethnic Jewellery from Africa, Asia and Pacific Islands, 2008, p. 33. Each 6.5cm x 0.5cm Qty: 2
Los 79
A PAIR OF CLASSICAL REVIVAL SEED PEARL AND GOLD-PLATED EARRINGS Possibly Southern Italy or Spain, Mediterranean basin, 19th centuryEach with a large circular hoop, the lower section enhanced with gold wire and sheet shaped as vegetal meanders and curling foliage, some areas of the foliate motifs with residues of green paste or enamel, caparisoned with small clusters of seed pearls strung in hoops, and attached with wire to a larger spherical pendant repeating the same curled festoons of the hoop above, caparisoned as well with dangling strips of seed pearls, the hook with a flower-shaped, screwed-in pin.Each 8cm longTotal 26.55gr. (13.08gr. and 13.42gr. respectively) Each 8cm long Qty: 2
Los 92
Registration No: N/A Chassis No: 9489 MOT: N/AAn incredibly competitive full-blooded single-seater racing machine, described by many as an 'ERA - eater'Built in the mid 70s as a collaboration between Paul Holdsworth, the famed Louis Giron and Rod JolleyFitted with a Supercharged 4.3 Litre Speed 25 power unit developed and built by the late Louis Giron of ex-Bugatti fameAluminium single-seater body expertly crafted by owner Rod Jolley - internationally respected coachbuilderEligible for several historic racing events such as within the VSCCIt is without doubt that the Alvis Speed 20 caused a sensation when previewed in October 1931 and eventually released to the public early the following year. Inspired by Donald Healey's Monte Carlo Rally-winning Invicta S-type, the Speed 20 was the brainchild of marque draughtsman Arthur Varney. The `double dropped' chassis frame was fabricated from high tensile carbon sheet steel and enjoyed a notably low centre of gravity. The newcomer was equipped with all-round semi-elliptic leaf-sprung suspension, a Marles Weller steering box and cable-operated 14-inch drum brakes.Fast forward some fourty years after the Speed 20's release, and Rod Jolley, who by trade is a master coachbuilder responsible for the restoration and rebodying of some of the finest motor cars in the world, had a brainwave to create a pre-war racing Alvis which would give the ERA's a run for their money on the circuit. Teaming up with his friend Paul Holdsworth who financially backed the project provided Rod completed the physical work, a plan was drawn up to use a Speed 20 chassis with a supercharged Speed 25 engine fitted with a 4.3 Litre cylinder block and head. Rod had already used famed Belgian engineer, Louis Giron to build a 4.3 Litre engine for a road car which he had used on track, so therefore Giron was approached again to help develop an engine that would be fitted with a Godfrey Marshall blower and ran on Methanol. Giron himself was a master engineer and his apprenticeship had taken place at Bugatti where he had helped to construct the 1924 Grand Prix car. He then moved to England in the 1930's, setting up his own business as a motor engineer and after a long career he eventually became the technical lead at the Beaulieu National Motor Museum. Giron became very interested in the whole project and dedicated much of his time to helping Rod get the car together. In Rod's own words:"I met Louis Giron, the famous Belgian engineer who came over to the UK in the 1930's before fully settling in 1939 with his family, to escape the war, or so he hoped.He was best known for his work with GP Bugattis and Maseratis but was also a pretty handy racing driver in his day.In his later years he worked at the National Motor Museum as their chief technical engineer, which is where I met him, frequently visiting the museum for whom I carried out various coachbuilding tasks.We became firm friends and when I told him that I wanted to build and develop a competitive Alvis racing car, he immediately offered his help, which was very welcome because my knowledge of supercharging and methanol at that time, was almost zero, but I learned pretty quickly!In the end, Louis did most of the machining and together we built the engine, but he also had major input in the chassis setup. I built a body, based loosely on a GP Mercedes / Alfetta 158. The car still proudly wears the rev counter from Louis' dynamometer, which he kindly donated to the project."And thus was formed what became the Giron-Alvis Special. During its first time out testing, Rod was at the wheel and Giron was in attendance to keep an eye on the mechanics of the car, and it was initially presented badge-less. Rod recounted that a particularly proud moment came when he stuck the bespoke enamel badge on the radiator cowling and surprised his friend who is said to have been very moved by the occasion.It would take some five years to develop the car enough to achieve the magic combination of reliability and speed, which would ultimately lead to some thirty years of success. Rod has advised that the ultimate specification is as follows:The engine is fitted with a billet steel crank and con rods, shell bearings, Mahle forged pistons, high lift cam and an updated oil pump. This was mated to a very desirable close-ratio Silver Crest gearbox with straight-cut gears and an uprated main-shaft for strength. Finally, the Godfrey Marshal supercharger was fitted with lightweight steel rotors which were machined from solid billets as they were found to be much lighter than the original aluminium ones. The supercharger is currently set to a low boost configuration yet develops some 300hp and 300ft/Lbs of torque, but Rod estimates that reconfiguring it to high-boost format should develop an extra 100hp – a rather frightening thought given how quick the car currently is!During fifty years of ownership, the Giron-Alvis has turned heads and become a highly regarded car, if not just for its race wins (in many cases in post-war classes!) but also for its genuine good looks thanks to Rod’s skilled coach working. Today, the single seater still appears to be in exceptional condition, testament to the ongoing maintenance schedule that has been kept up. In fact, in preparation for sale, it was noted that one cylinder had lost compression, so Rod immediately stripped the cylinder head from the car to discover a loose valve seat which was immediately taken to the engineers to be re-machined. We can confirm that the car when inspected was running very well indeed and Rod confirms that it is in ‘excellent’ order all round.Due to Rod’s advancing years and limited time to enjoy all the cars in his collection, he now feels that it is time to part company with this machine which has become a faithful old friend and is sure that it will bring a lot of joy to any prospective new owner. Rod has advised that some prep will be required to get it back out and competitive, but this is to be expected with any historic racing car and is all part of the fun.So, if you have been considering getting into pre-war racing and want to be genuinely competitive then surely the Giron-Alvis is one to be considered? Both beautiful and competitive, the modest estimate does not get close to the cost outlay to build a machine of this calibre today, and especially not with the expertise onboard to get it quite as right. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430
Los 2164
A set of four Chinese canton enamel cups and saucers, Qing Dynasty, 19th Century. Comprising a pair of green-ground cups and stands decorated with florals, each inscribed with the red Chinese characters for "Double Happiness”, together with a pair of yellow-ground floral cups and stands. All four stands are hollowed in the centre. Height 8.5cm and 5.5cm (with stands) 清19世紀 銅胎畫琺瑯酒杯及盞托四套 The two larger cups have several restored patches and some tension lines on the body; one stand is intact, while the other has a large area of enamel loss. The two yellow-ground cups and stands each have some enamel losses or restorations. 兩件較大酒杯有數處修補及杯身出現數道應力線；其中一盞托品相良好，另一盞托有大範圍琺瑯脫落。兩件黃地杯及盞托均有琺瑯脫落或修補痕跡。
Los 2169
A large Chinese Canton enamel “birds and flowers” bowl, Qing Dynasty, 19th Century. Brightly painted with four panels of birds and flowers over a pink ground filled with scrolling lotuses, the interior further decorated with panels of butterflies and floral scenes over a pink ground. Diameter: 22cm, height: 20cm.清19世紀 畫琺瑯花卉紋大碗 Overall in good condition except for some wear to the enamel. No enamel losses整体品相良好，釉面有轻微磨损，器身无脱釉现象。
Los 2145
A large dish and four regular-sized plates, 19th to 20th century, comprising a large 20th century ‘prunus’ dish over a green ground, diameter 37cm, a pair of Japanese 19th century Imari plates, diameter 21.5cm each, and two Chinese 19th century Canton enamel dishes, diameter 24.5cm each.19至20世紀 綠地冰梅大盤及其他瓷盤（共4件） Large dish ok, two Japanese plates either a piece off or repairs on the rim, one Canton plate has a crack through body, the other has a couple of shallow chips on the edge. 大盤品相良好，日本瓷盤兩件邊沿有磕或修補，其中一件廣東粉彩盤通體沖線，另一件邊沿有淺磕。
Los 2166
A pair of Chinese Canton yellow-ground enamel floral bowls, early 20th century. With a richly decorated wide mouth rim and a band of purple geometrical pattern underneath, each bowl is finely decorated with scrolling flowers over a bright yellow ground on its exterior. The interior and the base are further decorated with finger citrons in the centre. Diameter: 15.5cm, Height: 6cm 20世紀早期 銅胎畫琺瑯黃地花卉紋碗一對Overall in very good condition, with no enamel losses. 整體品相良好，無琺瑯脫落。
Los 2168
A large Chinese Canton enamel “Eight Buddhist Emblems” covered box, Qing Dynasty, 19th Century. The domed cover is brightly painted with four of the Eight Buddhist Emblems amidst leafy floral scrolls on a turquoise ground, encircling a stylised shou (longevity) character at the centre. The lower half is similarly decorated with the remaining four Emblems among blossoms. The interior is covered in a plain turquoise enamel. Diameter: 23cm, Height: 14cm. 清19世紀 銅胎畫琺瑯八吉祥捧盒 The box is in good condition with some enamel losses on both the interior and exterior, the largest measuring approximately 3cm in diameter, along with faint tension lines on the body and base. 整體保存良好，內外壁有部分琺瑯脫落，最大直徑約3厘米，另見輕微應力線於器身及底部。
Los 2163
A Chinese canton enamel ewer together with a quatrefoil-sectioned serving dish, Qing Dynasty, 19th Century. With a bracket-shaped handle and a slim, extended spout, the ewer is painted all over with leafy flowers over a turquoise ground, together with the Chinese character Shou (longevity) painted on a central convex peach-shaped panel. The serving dish is painted with flower and peach sprays inside each well, with its underside and base covered by a turquoise ground. The ewer is 22cm in height, and the dish is 22cm in diameter. 清19世紀 銅胎畫琺瑯酒壺及托盤一組The ewer has enamel losses in some areas, and the edge of the base has several large dents. The dish is largely intact except for enamel loss and slight deformation at one place around the edge. 酒壺部分琺瑯脫落，底座邊緣有幾處明顯凹陷；托盤邊緣有一處輕微變形及局部琺瑯脫落
Los 2007
A Chinese painted enamel ‘ladies’ snuff bottle, Qianlong mark. Finely decorated in Western oil painting technique with European ladies amidst richly ornamented flowers and foliage, the base bearing a four-character Qianlong mark. Height: 6.4cm.乾隆款 畫琺瑯西洋仕女鼻煙壺Provenance: from a private English collection來源：英國私人收藏 In good overall condition, with a small patch on the foot rim in a different colour, possibly refilled, and lacking the spoon.底足一處呈異色可能小補，無勺。
Los 2171
A large Chinese Canton enamel bottle vase, Qing Dynasty 19th century. The globular body rests on a splayed foot and supports a slender neck, with three central roundels depicting birds perched on flowering trees. These are surrounded by scrolling floral tendrils across the body, all set against a turquoise ground, partitioned by decorative bands from the foot to the mouth rim. Height: 38.5cm.清19世紀 廣東銅胎畫琺瑯飛鳥報春天球瓶 The vase is in excellent condition except for some faint tension lines around the inner and outer rim region. The enamels are extremely well preserved across the entire body. 口沿內外緣琺瑯表面有微小細線，整體品相極佳，琺瑯彩繪保存良好。
Los 2082
A rare and extremely fine Chinese famille rose Hu-form vase ‘Pi Pa Zun’, Qing Dynasty, Daoguang period (1821-1850), with a globular body raised on a splayed foot supporting a flared neck, delicately painted with Eight Daoist Immortals in a rocky landscape decorated with palm and maple trees, height 32cm清道光 粉彩八仙人物琵琶尊Provenance: an East Anglian based collectorNotes: this lot is part of the collection "Smiling Gods of Ancient China". Renowned Chinese art Expert Rose Kerr has contributed an article explaining who the Eight Immortals were and why depictions of them remain so popular, with reference to some specific examples within this collection. Click here for more information.For vases depicting "Eight Immortals" subject of similar period see the Beijing Palace Museum Collection (新00108030 and 00108031) for a square-shaped pair with “Shende Tang Zhi” marks, and a similar but unmarked pair in the Taipei Palace Museum Collection (故瓷007620N and 007621N). Overall in excellent condition with lovely preserved enamel. Some white residues/grout on the mouth and foot rim but removeable. The inner side of the neck has a kiln backing line but did not go through.整體品相極佳，釉彩保存良好，口沿及足沿有些許白色漆/殘留物，可清除。頸部內側有一道窰燒線，外側不可見。
Los 2060
A Chinese Filigree and Enamel Bracelet, early 20th century, finely crafted with intricate wirework and delicate enamel decoration, the central roundel inset with a carved floral motif. Diameter 7cm, central roundel 7cm in width.20世紀早期 中國花絲琺瑯手鐲 Largely in good condition with vibrant enamel and well-preserved filigree work, except for a small clasp at the junction that has detached and requires professional reattachment. 整體品相良好，琺瑯色彩鮮艷，花絲工藝保存完好，唯接合處有一小扣脫落，需專業修復。
Los 2162
A Chinese Canton enamel ‘ladies’ vase, 20th century. Of baluster form, the main body is painted on one side with two ladies conversing in a garden landscape filled with rocks, vegetation, and a parrot. The reverse side is decorated with two birds perching on a blooming branch, both set against a blue ground filled with leaves and flowers. 20世紀 銅胎畫琺瑯仕女花鳥紋瓶The vase is overall in very good condition, with no enamel losses. 整體品相良好，無琺瑯脫落。
Los 2123
A pair of Chinese famille rose dishes, QING Dynasty, Xianfeng Mark and of the period (1851-1861), each with a gilded shallow foliated rim, finely decorated with Chinese archaistic vessels, flowers, and auspicious objects, the base inscribed in iron-red with a six-character Xianfeng mark; diameter 14cm. 清咸豐款及年代 粉彩博古花卉紋小碟一對Provenance: from a private UK collection Excellent condition except for some light wear to the enamel and rim gilt on both. 整體品相良好，惟粉彩與口沿描金部分有輕微磨損。
Los 2251
A tall slender Japanese baluster vase in the taste of Ōtagaki Rengetsu (1791–1875), 19th or 20th century, painted in dark enamel with a pine tree and inscribed in cobalt blue with a waka poem in flowing script along the body, all under a transparent glaze with a web of fine russet crackles, height 31cmProvenance: from a private collection in Kent Good overall condition
Los 2008
A set of three Chinese cloisonné enamel ‘birds and flowers’ snuff bottles, Qing Dynasty, 19th century, the first of elongated form with floral panels, the second of double-gourd form featuring a crane and pine tree, and the third of compressed circular form with birds among floral decorations, each with a domed cover. Height (from left): 7.7cm, 7.5cm, and 6.5cm.清19世紀 掐絲琺瑯花鳥紋鼻煙壺（一組3件）Provenance: from a private English collection來源：英國私人收藏 All stoppers are original but loosely attached to the bottles, no spoons. 所有蓋皆原裝但較鬆動，內無煙勺。
Los 2167
A pair of Chinese Canton yellow-ground enamel bottle vases, 20th century. Of pear-shaped form, each vase is richly decorated with two birds amidst peony and prunus flowering trees growing from rocks. The base bears an apocryphal four-character Qianlong mark. Height 23cm 20世紀 銅胎畫琺瑯黃地花鳥紋瓶一對In excellent condition. 整體品相良好。
Los 2131
Two Chinese famille rose ‘floral’ dishes, early 20th century. One brightly decorated with scrolling blooms over a yellow ground, with further flower sprays and a six-character Qianlong mark on the reverse. The other finely painted with blooming peonies growing from rockwork, adorned with birds and insects, surrounded by a geometric band and further decorations on the cavetto. Diameter: 23.3cm and 26cm. 20世紀早期 粉彩花卉圖盤兩只Provenance: from a private UK collection The yellow-ground dish has a 4cm hairline and some wear to the enamel. The larger peony dish has a faint 3cm hairline and two tiny flakes on the rim. 黃地盤有一條4cm沖線及部分琺瑯磨損；粉彩牡丹盤有一條3cm輕微沖線及兩處口沿小磕
Los 2165
A set of Chinese Canton yellow-ground enamel covered bowls with a matching tray, Qing Dynasty, 19th Century. Painted all over with butterflies and scrolling florals over a yellow ground on both covered bowls and the quatrefoil-shaped tray. Each small bowl is further decorated with two white-ground panels filled with floral scenes. Each covered bowl diameter: 8.5cm, height 8cm; The tray measuring 28.5cm x 16.ccm清19世紀 黃地銅胎畫琺瑯蓋碗及托盤 Overall in good condition with expected light wear. The finial of the lids expose the copper ground, possibly due to enamel loss or truncation. 整體品相良好，僅見正常使用痕跡，蓋鈕處琺瑯缺失可能為磨損或裁切所致。
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396325 Los(e)/Seite