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A Lady's 18 carat Gold Enamel Dial Wristwatch, one bracelet link stamped 15ct, together with another Lady's 9 Carat Wristwatch, bracelet links stamped 9ct, Silver Pocket Watch, etc (7)Enamel dial bracelet watch - running but not tested, one link is stamped 15cmGross weigh - 22 gramsLadies 9k rectangular watch - running not testedGross weight - 11 grams
A Collection of Royal Worcester Blush Porcelain, including a pair of shell and coral formed vases, ozier jug ornamented with a lizard, together with two reprodution enamel boxes, Royal Mint and Crummles (one tray)Lizard Jug - chip to lower handle terminal Flat back jug - with repaired spout, other items in good order
An Onyx, Seed Pearl and Enamel Mourning Brooch, a cluster of seed pearls in a yellow star setting, to an oval onyx plaque within a seed pearl and enamel border, with a glazed locket compartment to the reverse, measures 4.2cm by 3.2cm; and An Onyx and Seed Pearl Mourning Brooch, the seed pearls in a foliate design, to an onyx plaque in a rope twist border, stamped '9CT', length 4.3cmOnyx, seed pearl and enamel brooch weight 16.0 grams. Onyx and seed pearl brooch gross weight 5.1 grams.
A 26th Infantry Regiment Russian Army helmet plate with the double eagle with a shield in relief portraying St. George slaying the Dragon and surmounted by a crown whilst below is a shield with the silvered number 26 covering the pierced number 62; a Royal Marine Artillery helmet plate, a gilded example, the sphere with the Laurel wreath, a banner "Gibraltar", the garter with "Per Mare Per Terram" against a blue enamelled background encircling a terrestrial globe in relief with Africa, Europe and Australia labelled whilst at the base is a fouled anchor; a Royal Marine Officer's helmet plate gilded and surmounted by a crown to the star with a Laurel wreath, a white metal globe at the centre encircled by a garter with the words "Per Mare Per Terram" against a blue enamelled background and having a fouled anchor at the base; a Jersey Royal Militia shoulder belt plate of the 4th Regiment having a laurel wreath surmounted by a crown and to the centre a garter with in relief "Jersey Royal Militia" and the number 4 of the regiment, complete with the kidskin leather backing; and a 41st Regiment of Foot Officers (The Welsh) shoulder belt plate, the matted plate with a white metal faceted star, the Laurel wreath with banners labelled in relief with Detroit, Queenstown, Miami, Niagara and Ava, the garter encircling a white metal coronet and the Feathers of the Prince of Wales against a vivid blue enamel background and with the motto: "Honi Soit Qui Mal y Pense" whilst below are the Roman numerals for the regiment - XLI. Complete with the leather backing.
Biedermeierbrosche mit DiamantbesatzUm 1830, 585 Gelbgold, geprüft, Nadel 835 Silber, punziert, 8 Diamantrosen, gesamt ca. 0,55 ct, H, si-pi, mittig Porträtmalerei, umrandet von einer Emaillebordüre, Perlanhänger, Länge 6 cm, Breite 2,8 cm, Gewicht ca. 10,8 g, Malerei mit kleineren FehlstellenBiedermeier brooch set with diamondsCirca 1830, 585 yellow gold, tested, pin 835 silver, hallmarked, 8 diamond roses, total ct. 0,55, H, si-pi, portrait painting in the center, bordered by an enamel border, pearl pendant, length 6 cm, width 2,8 cm, weight c. 10,8 g, painting with minor missing parts
A. Lange & Söhne Savonette1. Hälfte 20. Jh., Handaufzug, Gehäuse 900 Silber, punziert, weißes Emaille-Zifferblatt mit arabischen Ziffern und kleiner Sekunde an 6 Uhr, Zwischendeckel Silber, punziert, Ankerwerk, Schwanenhals-Feinregulierung, Gehäusedeckel, Zwischendeckel und Werk nummeriert 80998, Durchmesser 52 mm, Gewicht ca. 112,6 g, Funktion gangbar, geprüft, Zustand gut, Uhrenglas ergänzt, Kunststoff, Uhrendeckel mit KratzspurenA. Lange & Söhne Savonette1st half 20th century, manual winding, case 900 silver, hallmarked, white enamel dial with arabic numerals and small second at 6 o'clock, intermediate cover silver, hallmarked, lever movement, swan neck fine adjustment, case cover, intermediate cover and movement numbered 80998, diameter 52 mm, weight approx. 112,6 g, function operable, tested, condition good, watch glass replaced, plastic, watch cover with scratches
Glashütte Roségold-SavonnetteHandaufzug, Emaille-Zifferblatt mit arabischen Ziffern, kleine Sekunde, Gehäuse-Nr. 100986, Gehäuse 585 Roségold, punziert, Durchmesser 55 mm, Gesamtgewicht ca. 96,9 g, Funktion gangbar, geprüft, Zustand gut, Uhrenglas ergänzt, Kunststoff, Zustand und Funktionalität durch unseren Uhrmachermeister geprüftGlashütte rose gold savonnettemanual winding, enamel dial with Arabic numerals, small second, case no. 100986, case 585 rose gold, hallmarked, diameter 55 mm, total weight approx. 96.9 g, functional, tested, condition good, watch glass replaced, plastic, condition and functionality tested by our master watchmaker.
IWC SavonetteAnfang 20. Jh., Handaufzug, Gehäuse 585 Gelbgold, punziert, Kontrollpunze, weißes Emaille-Zifferblatt mit arabischen Ziffern, kleine Sekunde an 6 Uhr, Zwischendeckel 585 Gelbgold, punziert, die Gehäuse-Nr. 802229 | Werk-Nr. 783987H5, mit Feinregulierung, Ankerwerk, Dreiviertelplatine, Schwanenhalsfeinregulierung, Goldankerrad und Goldanker, Durchmesser 50 mm, Gewicht ca. 91,8 g, Funktion gangbar, geprüft, Zustand gut, Uhrenglas ergänzt, Kunststoff, leicht reinigungsbedürftigIWC SavonetteEarly 20th c., manual winding, case 585 yellow gold, hallmarked, control mark, white enamel dial with arabic numerals, small second at 6 o'clock, intermediate cover 585 yellow gold, hallmarked, the case no. 802229 | movement no. 783987H5, with fine regulation, lever movement, three-quarter plate, swan neck fine regulation, gold escape wheel and gold lever, diameter 50 mm, weight approx. 91.8 g, function operable, tested, condition good, watch glass replaced, plastic, slightly in need of cleaning
IWC Roségold-SavonnetteHandaufzug, Emaille-Zifferblatt mit arabischen Ziffern, kleine Sekunde, Gehäuse-Nr. 353151 | Werk-Nr. 332173, Gehäuse 585 Roségold, punziert, Zwischendeckel Metall, Durchmesser 55 mm, Gesamtgewicht ca. 97,3 g, Funktion gangbar, geprüft, Zustand befriedigend, Gehäuse RH monogrammiert, Uhrenglas ergänzt, Kunststoff, partiell Beulen im Deckel, Zustand und Funktionalität durch unseren Uhrmachermeister geprüftIWC Rose Gold Savonnettemanual winding, enamel dial with arabic numerals, small second, case no. 353151 | movement no. 332173, case 585 rose gold, hallmarked, intermediate cover metal, diameter 55 mm, total weight approx. 97,3 g, functional, tested, condition satisfactory, case RH monogrammed, watch glass replaced, plastic, partial dents in cover, condition and functionality tested by our master watchmaker
Longines-TaschenuhrAnfang 20. Jahrhundert, Handaufzug, Emaille-Zifferblatt mit arabischen Ziffern, 30-Minuten-Chronograph, Stoppfunktion über Schaltrad und Drückerkrone, kleine Sekunde, Gehäuse-Nr. 2964038 | Werk-Nr. 1973N, Gehäuse 750 Gelbgold, punziert, Durchmesser 55 mm, Gesamtgewicht ca. 90,2 g, Funktion gangbar, geprüft, Zustand gut, Gehäuse AC monogrammiert, Zustand und Funktionalität durch unseren Uhrmachermeister geprüftLongines pocket watchearly 20th century, manual winding, enamel dial with Arabic numerals, 30-minute chronograph, stop function via ratchet wheel and pusher crown, small seconds, case no. 2964038 | movement no. 1973N, 750 yellow gold case, hallmarked, diameter 55 mm, total weight approx. 90.2 g, functional, tested, condition good, case AC monogrammed, condition and functionality tested by our master watchmaker
Thomas Russell & Son, Liverpool Savonetteum 1900, Handaufzug, Emaille-Zifferblatt mit römischen Ziffern, Gehäuse-Nr. 110932, Gehäuse 750 Gelbgold, punziert, Zwischendeckel 750 Gelbgold, punziert, Durchmesser 56 mm, Gesamtgewicht 152,6 g, Funktion gangbar, geprüft, Zustand gut, Zeiger gelötet, Uhrenglas ergänzt, Kunststoff, Zustand und Funktionalität durch unseren Uhrmachermeister geprüftThomas Russell & Son, Liverpool savonettecirca 1900, manual winding, enamel dial with roman numerals, case no. 110932, case 750 yellow gold, hallmarked, intermediate cover 750 yellow gold, hallmarked, diameter 56 mm, total weight 152,6 g, functional, tested, condition good, hands soldered, watch glass replaced, plastic, condition and functionality tested by our master watchmaker
Ulysse Nardin Gelbgold-Savonetteum 1900, Handaufzug, Emaille-Zifferblatt mit arabischen Ziffern, kleine Sekunde, Gehäuse-Nr. B4582 | Werk-Nr. 108023, Gehäuse 750 Gelbgold, punziert, Zwischendeckel 750 Gelbgold, punziert, Durchmesser 50 mm, Gesamtgewicht ca. 93,7 g, Funktion gangbar, geprüft, Zustand gut, verbogener Stundenzeiger, Zustand und Funktionalität durch unseren Uhrmachermeister geprüftUlysse Nardin Yellow Gold Savonettecirca 1900, manual winding, enamel dial with arabic numerals, small second, case no. B4582 | movement no. 108023, case 750 yellow gold, hallmarked, intermediate cover 750 yellow gold, hallmarked, diameter 50 mm, total weight approx. 93,7 g, function operable, checked, condition good, bent hour hand, condition and functionality checked by our master watchmaker
Roségold-Savonette mit Chronographen-FunktionHandaufzug, Emaille-Zifferblatt mit arabischen Ziffern, kleine Sekunde, 15-Minuten-Repitition mit Chronograph, Gehäuse 585 Roségold, punziert, Zwischendeckel 585 Roségold, punziert, Durchmesser 55 mm, Gesamtgewicht ca. 100,3 g, Funktion gangbar, geprüft, Zustand befriedigend, Uhrenglas ergänzt, Kunststoff, Zustand und Funktionalität durch unseren Uhrmachermeister geprüftRose gold pavonette with chronograph function.Manual winding, enamel dial with Arabic numerals, small seconds, 15-minute-repeater with chronograph, case 585 rose gold, hallmarked, intermediate cover 585 rose gold, hallmarked, diameter 55 mm, total weight approx. 100.3 g, functional, tested, condition satisfactory, watch glass replaced, plastic, condition and functionality tested by our master watchmaker
Meissen Walzenkrug mit Chinoiserie-DekorMeissen, um 1730, Porzellan, weiß, glasiert, zylindrisch, mit eingezogenem Lippenrand, Bandhenkel mit Mittelgrat und modelliertem Palmettenansatz, fein gemalter Dekor im Famille-verte-Stil in der Art Johann Ehrenfried Stadlers mit chinoiser Landschaft und einer Pagode zwischen dichten Chrysanthemen- und Päonienzweigen in Purpur, Eisenrot, Gelb, Emailblau und zwei verschiedenen Grüntönen, mit schwarzen und eisenroten Konturen, partiell gold gehöht, chinoise farbige Blüten- und Blattrankenbordüre, unglasierter Boden mit Manufakturmarke, wohl später angefügte Silbermontierung bestehend aus profiliertem Fußrand und innen vergoldetem Klapphenkel mit seltener Münze des römisch-deutschen Kaisers Karl VI als Herrscher in Siebenbürgen, datiert 1725, Höhe mit Deckel 14,6 cm, Zustand B, unten am Henkelende kleine, ältere RestaurierungMeissen cylindrical jug with chinoiserie decorMeissen, c. 1730, porcelain, white, glazed, cylindrical, with indented lip rim, band handle with central ridge and modeled palmette base, finely painted Famille-verte style decoration in the manner of Johann Ehrenfried Stadler with chinoiserie landscape and a pagoda between dense chrysanthemum and peony branches in purple, iron red, yellow, enamel blue and two different shades of green, with black and iron red outlines, partly heightened with gold, chinoise colored flower and leaf tendril border, unglazed bottom with maker's mark, probably later added silver mount consisting of profiled foot rim and inside gilded hinged handle with rare coin of the Roman-German Emperor Charles VI as ruler in Transylvania, dated 1725, height with lid 14,6 cm, condition B, at the bottom of the handle end small, older restoration
Wiener Empire-Portaluhr mit JacquemartÖsterreich, um 1800-1820, dreifach verspiegeltes, architektonisches Holzgehäuse, furniert, mit Messingapplikationen, Alabastersäulen und Vasendekoration, kulissenartiges Unterteil mit verspiegelter Rückwand, eintüriges, guillochiertes Messingzifferblatt mit Weintraubenrelief und Jacquemart, weißer Emaillekranz mit schwarzen, arabischen Ziffern, Adleraufsatz, Tageswerk, Viertelstundenschlag auf Gong, Fadenaufhängung, 63,5 cm x 40 cm x 15 cm, 1 Regulierschlüssel und 1 Aufziehschlüssel anbei, jedoch nicht original, gangbar, Spiegel neueren Datums, eine Alabastersäule gebrochen, anbei, mit AltersspurenViennese Empire portal clock with JacquemartAustria, c. 1800-1820, triple-mirrored, architectural wooden case, veneered, with brass applications, alabaster columns and vase decoration, backdrop-like base with mirrored back, single-door, guilloché brass dial with grape relief and Jacquemart, white enamel wreath with black arabic numerals, eagle attachment, day movement, quarter hour strike on gong, thread suspension, 63,5 cm x 40 cm x 15 cm, 1 regulating key and 1 winding key attached, but not original, operable, mirror of recent date, one alabaster column broken, enclosed, with traces of age
Biedermeier-Kaminuhr mit GlassturzFrankreich, ca. 1820, französisches 8-Tage Pendulenwerk, Messing feuervergoldet, voller und Halbstundenschlag auf Glocke, Regulage über veränderbarer Fadenaufhängung, Schmetterlingspendel, Emaillezifferblatt mit römischen Ziffern, Holzsockel mit Intarsienarbeiten in floralem und Schmetterlingsdekor, Höhe mit Glassturz 38 cm, Uhrenschlüssel anbei, gangbar, Emaille an den Aufzugslöchern beschädigtBiedermeier fireplace clock with glass lintelFrance, c. 1820, french 8-day pendulum movement, brass fire-gilt, full and half hour strike on bell, regulation over changeable thread suspension, butterfly pendulum, enamel dial with Roman numerals, wooden base with inlay work in floral and butterfly decoration, height with glass lintel 38 cm, clock key enclosed, operable, enamel on winding holes damaged
Victor Mayer Fabergé PerlencollierCollection Fabergé by Victor Mayer (1989-2009), Verschluss und Anhänger 750 Gelbgold, punziert, blaue Emaille, zentraler Diamant im Brillantschliff, ca. 0,172 ct, H, vvs, Süßwasser-Zuchtperlen in leicht creme-rosé, Ø ca. 6,5 mm - 6,8 mm, Ei signiert Fabergé und 60/200 nummeriert, Länge 43,5 cm, Gewicht ca. 43 g, Original-Etui anbeiFabergé pearl necklaceCollection Fabergé by Victor Mayer (1989-2009), clasp and pendant 750 yellow gold, hallmarked, blue enamel, central brilliant cut diamond, ca. 0,172 ct, H, vvs, freshwater cultured pearls in light cream-pink, Ø ca. 6,5 mm - 6,8 mm, egg signed Fabergé and numbered 60/200, length 43,5 cm, weight ca. 43 g, original case enclosed
Emaillebrosche750 Gelbgold, punziert, 1 Diamant im Brillantschliff, Mädchen im Kleid, sowie die floralen Verzierungen emailliert, der Hintergrund mit transluzider Emaille, als Brosche und als Anhänger zu tragen, Ø 4 cm, Gewicht ca. 20,6 gEnamel brooch750 yellow gold, hallmarked, 1 brilliant cut diamond, girl in dress, as well as the floral decorations enameled, the background with translucent enamel, to wear as a brooch and as a pendant, Ø 4 cm, weight ca. 20,6 g
Kette mit Anhänger750 Gelbgold, punziert, 3 Diamanten im Brillantschliff, gesamt ca. 0,04 ct, Emaillearbeit in Pastellfarben, die Flügel in transluzider Emaille gearbeitet, Länge Kette 41 cm, Länge Anhänger 8,2 cm, Breite 5,2 cm, Gewicht ca. 27,8 gNecklace with elf pendant750 yellow gold, hallmarked, 3 brilliant cut diamonds, total approx. 0,04 ct, enamel work in pastel colours, the wings worked in translucent enamel, length chain 41 cm, length pendant 8,2 cm, width 5,2 cm, weight approx. 27,8 g
NAOYUKI: A SUPERB CLOISONNE ENAMEL AND SHIBAYAMA INLAID FLORIFORM VASE WITH MANDARIN DUCKS (OSHIDORI)By Naoyuki, signed NaoyukiJapan, late 19th century, Meiji period (1868-1912)Standing on three lobed feet and rising to a bulbous body, the long neck with a flaring floral rim, embellished to the feet, shoulder, and neck with stunning bright enamels featuring floral designs of cherry blossoms and kiku medallions, the body with two lobed panels bearing a gold-lacquered kinji ground and inlaid in the Shibayama style with horn, mother-of-pearl, bone, and coral, depicting on one side a pair of Mandarin ducks (oshidori) beneath an opulently flowering cherry tree, and to the other side with an ornate flower basket. The silver body further incised with katakiri-bori showing various flowers and applied with two enameled mythical beast handles. Signed underneath within a rectangular gilt reserve NAOYUKI.HEIGHT 19 cmWEIGHT 150 gCondition: Good condition with minor tarnishing to silver, few tiny losses to inlays. Presenting beautifully.Auction comparison:Compare a related inlaid silver and cloisonne-enamel vase with closely related mythical beast handles, by Nemoto, at Bonhams, Fine Japanese Art, 11 May 2017, London, lot 419 (sold for GBP 3,750).
SANSO: A SUPERB CLOISONNE ENAMEL DECORATED SILVER BOX AND COVERBy Sanso, signed SansoJapan, Meiji period (1868-1912)Of rectangular form, elaborately decorated in high relief with richly colored enamels, the hinged cover with flowering chrysanthemum, peony, lotus, and aster as well as leaves, the long sides each with wisteria hanging from leafy vines, the short sides with blossoming shobu (iris9 and grasses rising from a subtly engraved pond. Signed to one side SANSO.SIZE 6.3 x 10.2 x 7 cmWEIGHT 373 gCondition: Very good condition with minor wear, traces of use, few small dents and minuscule nicks, occasional light scratches, areas of minor tarnish mostly to interior.With a brocade silk storage box. Auction comparison:Compare a closely related larger enamel-decorated silver box dated to the Meiji period, 17 cm long, at Bonhams, Japanese Works of Art, 19 March 2009, New York, lot 393 (sold for 6,710 USD).13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.
A MASTERFUL SILVER AND CLOISONNE ENAMEL KORO (INCENSE BURNER AND COVER), ATTRIBUTED TO HIRATSUKA MOHEIAttributed to Hiratsuka Mohei (born 1836), unsignedJapan, late 19th century, Meiji period (1868-1912)The cup-form body set on a spreading foliate foot and rising to a tapered shoulder, flanked by two scroll-form handles, the interior fitted with a removable silver liner, surmounted by a domed cover with a floral finial. The body decorated with two shaped panels pierced and carved in high relief and worked in bright enamels and silver wire with a rooster and hen amid leafy chrysanthemums and peony to one side and two butterflies fluttering amid chrysanthemums and asters to the other, the cover similarly decorated with a single beetle amid chrysanthemum, prunus blossoms, and other flowers. The foot, handles, and shoulder worked in translucent enamels and silver wire with butterfly, floral, cloud, and geometric designs.HEIGHT 14.7 cmWEIGHT 516 gCondition: Very good condition with minor wear and manufacturing irregularities, few tiny dents, few light surface scratches.The enamel work on this piece is by Hiratsuka Mohei (b. 1836), who contributed similar decoration to several silver pieces in the Khalili and other collections (see Literature comparison).Literature comparison: For two similar examples of a metal koro and cover by Hiratsuka Mohei, see O. Impey, M. Fairley (eds.), Meiji No Takara: Treasures Of Imperial Japan: Metalwork Vol I, London 1995, nos. 61 and 62, in the Nasser D. Khalili Collection, and for two more examples of a similar koro and cover, see the Sano Museum (ed.), Kindai Shippo no Hana, Meiji no Shippo, p. 98, nos. 144 and 145.Auction comparison: Compare a related silver and cloisonne enamel incense burner by Hiratsuka Mohei, 12.1 cm high, at Bonhams, 12 September 2018, New York, lot 1214 (sold for 23,750 USD).
NAMIKAWA YASUYUKI: A SUPERB BLACK-GROUND MINIATURE CLOISONNE ENAMEL VASEBy Namikawa Yasuyuki (1845-1927), signed Kyoto NamikawaJapan, Kyoto, late 19th century, Meiji period (1868-1912)The tapering ovoid body supported on a short foot and rising to a short neck with flat everted rim, with silver mounts. The black ground finely decorated in bright enamels with a butterfly fluttering above pink buds and blossoms borne on leafy meandering stems. Signed on a silver tablet to the base KYOTO NAMIKAWA.HEIGHT 7.5 cmWEIGHT 49 gCondition: Good condition with minor wear, minimal pitting, a small bruise to the shoulder with associated fine hairlines, the foot with a tiny nick. Namikawa Yasuyuki (1845-1927) is widely regarded as one of the greatest cloisonne makers of all time. He won prizes at the Philadelphia World Fair of 1876, then at the Paris World Fair of 1878, and later at the 1889 Paris Fair. He was also honored at the series of National Industrial Expositions which was instituted in 1877. Altogether, he won 31 prizes at expositions both at home and abroad. In 1896, together with the unrelated Namikawa Sosuke, Yasuyuki was appointed as a Teishitsu Gigeiin, or 'Imperial Artist', the only two cloisonne makers to have been so honored.Auction comparison:Compare a closely related black-ground cloisonne vase by the same maker, with a similar design and also signed Kyoto Namikawa, 7.6 cm high, at Christie's, Innovative Japanese Design: Art of the Meiji Period, 18 November 2015, New York, lot 5 (sold for USD 10,000).
GONDA HIROSUKE: A FINE CLOISONNE ENAMEL VASEBy Gonda Hirosuke (1865-1937), signed with the mark of Gonda HirosukeJapan, late 19th century, Meiji period (1868-1912)Of quadrangular form with an ovoid body, short spreading foot, waisted neck, and flat everted rim, the rims of silver. The exterior finely decorated with silver and gilt wire and polychrome enamels against a black ground with a maple tree and numerous blossoming flowers including chrysanthemum, bellflower, aster, iris, and lily. The base with a silver tablet with the impressed mark of Gonda Hirosuke in the shape of a flaming tama. HEIGHT 18.5 cmWEIGHT 268 gCondition: Very good condition, minor wear, minimal pitting, occasional light scratches, the mouth and foot rim each with few tiny nicks. Provenance: From a private collection in Northern Germany, assembled between 1985 and 2006.
HAYASHI KODENJI: A FINE CLOISONNE ENAMEL VASEBy Hayashi Kodenji (1831-1915), signed Dai Nihon Hayashi Kodenji seiJapan, late 19th century, Meiji period (1868-1912)Of rounded square section, the baluster body supported on a short foot and rising to a slender waisted neck with flat everted rim, the rims of silver. The exterior finely decorated with gilt and silver wire and bright polychrome enamels against a black ground with a multitude of blossoming flowers including chrysanthemum, Chinese bellflower, prunus, peony, and iris, the neck and foot with stylized floral motifs, the recessed base incised with the signature Dai Nihon HAYASHI KONDEJI sei [made by Hayashi Kodenji in Great Japan]. HEIGHT 15.2 cmWEIGHT 178 gCondition: Very good condition, minor wear, minimal pitting, the mouth and foot rim each with a dent as well as few tiny nicks.Provenance: From a private collection in Northern Germany, assembled between 1985 and 2006. Hayashi Kodenji (1831-1915) was a pivotal figure in the history of cloisonne enameling and instrumental in the formation and leadership of the Shippo-cho enamelers guild, and it is probable that he worked for the Nagoya-based Shippo Kaisha. As well as being an innovative enameller he was also an astute businessman. Stories are told that in his early days he walked from Nagoya to Yokohama to sell his wares at a time when there was a long-standing prohibition on selling copper (which included the body of the cloisonne objects). He worked with his son, Kodenji II, for over 40 years and it is often hard to differentiate the work of the two makers. He exhibited and won prizes at many international exhibitions: Nuremberg 1885 (silver), Paris 1889 (silver) and St Louis 1904 (gold). In 1912, Glendining of London auctioned over 300 'Japanese cloisonne enamels from the Glasgow Exhibition offered for sale by Mr. K Hayashi of Nagoya'.Auction comparison:Compare a closely related vase at Christie's, The Japanese Aesthetic, 7 November 2012, London, lot 306 (sold for 11,875 GBP).
A MIDNIGHT-BLUE-GROUND CLOISONNE ENAMEL VASE WITH SHOBU (IRIS) AND KIKYO (CHINESE BELLFLOWER)Japan, Meiji period (1868-1912)The baluster body supported on a short spreading foot and rising to a rounded shoulder with slender waisted neck and flat everted rim. The exterior finely decorated in gilt and silver wire to one side with blossoming iris and Chinese bellflower as well as grasses rising from the ground, above bands of circles and rinzu at the foot. HEIGHT 18.3 cmWEIGHT 306 gCondition: Very good condition with minor wear, minimal pitting, little rubbing to gilt.
A RARE IMARI 'BLACK SHIP' VASEJapan, late 17th-18th century, Edo period (1615-1868)Well potted, the globular body supported on a short foot and rising to a slender neck with a rolled lip. Finely decorated in iron-red, gilt, turquoise, yellow, blue, and black enamels to one side with two large ships, one with four masts and the other with three, over crashing waves, and to the other with two Dutchmen with characteristic curled hair and wide hats, one holding a cane in one hand, the other with conjoined rings, the neck decorated with brocade patterns. HEIGHT 31.5 cmCondition: Very good condition with minor wear to enamel painting and with few typical firing irregularities.Provenance: The Robert G. Vater Collection. Robert G. Vater was a German collector of European and Asian ceramics. He was the owner and director of a chain of leather clothing stores, who later began to deal in ceramics as well. The collection was put together in the 20th century and part of it (focusing on European ceramics, silver, and gold boxes) was dispersed at Christie's London in December 2021.Auction comparison:Compare a related Imari bottle vase decorated with Dutchmen and a four-masted ship, 45 cm high, dated to the 19th century, at Christie's, 12 October 2005, Amsterdam, lot 45 (sold for 28,200 EUR).
A KO-KUTANI PORCELAIN TOKKURI (SAKE BOTTLE), WITH FUKU MARKMarked FukuJapan, Edo period (1615-1868)Thickly potted as a tokkuri (sake bottle), richly decorated in bright multi-colored enamels against a crackled beige ground, depicting two long-tailed birds perched on large, leafy peach tree. The shoulder is decorated with red karakusa and four reserves featuring Greek motifs and leafy peonies on a yellow ground. At the base, a band of triangular geometric decoration in yellow and green enamel. The underside with the green-enamelled FUKU mark.HEIGHT 27 cmCondition: Excellent condition with minor firing irregularities and light wear. Auction comparison:Compare a related Ko-Kutani tokkuri at Bonhams, Fine Japanese Art, 11 May 2010, London, lot 361 (sold for GBP 2,160).
KUSUBE: A SATSUMA CERAMIC KORO (INCENSE BURNER)By Kusube, signed KusubeJapan, Meiji period (1868-1912)Of diamond shape, standing on four feet, finely painted in bright enamels and rich gold within two large, shaped reserves with scenes of beauties (bijin), all framed by a deep cobalt-blue ground embellished with rich gilding. The pierced lid with a kiku finial. Signed underneath in gold KUSUBE.HEIGHT 15.3 cmCondition: The lid repaired. Otherwise good condition with typical wear to the enamel and gilt painting.
A FINE AND RARE LACQUERED AND INLAID PAULOWNIA WOOD MINIATURE KOTOJapan, 19th centuryFinely decorated on the sides in iro-e hiramaki-e and takamaki-e on dark wood fittings which frame the light kiri (paulownia) wood body of the instrument. Each side depicts an idyllic ocean view, one with several boats coming into the harbor and the other with a bridge from a palatial structure extending over a peninsula. Each end decorated with tortoise shell inlays within elaborately patterned enamel and bone-inlaid frames with an exterior band of gilt foliate decorations. The thirteen strings extend over the arched body across a bridge on either side.LENGTH 33 cmCondition: Good condition with minor wear, three trim feet lost.Provenance: From an old French private collection.The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese dan tranh, the Sundanese kacapi and the Kazakhstan jetigen. Koto are made from Paulownia wood (Paulownia tomentosa, known as kiri). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning.Museum comparison:Compare a related miniature koto, 49.5 cm long, dated to the mid to late 19th century, in the Metropolitan Museum of Art, accession number 89.4.112.
Cherillier - Paris, late 19th century brass cased 8-day mantle clock on a white marble base, break arch top with non matching finials surmounted by an oval bowl festooned with flowers, enamel dial with retailers name, Arabic numerals and floral swags, pierced Louis XV gilt hands within a convex glass and brass bezel, twin train rack striking movement striking the hours and half hours on a bell. With key and pendulum. Dimensions: Height: 36cm Length/Width: 19cm Depth/Diameter: 12cm

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