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Preisdatenbank abonnierenTwo Chelsea-Derby teabowls and saucers c.1770-75, one painted with pink roses within a turquoise and gilt rim, the other with leaf swags in blue, green and pink enamel, another teabowl painted with unusual swags in cold blue, a two-handled Chelsea-Derby cup and cover with spiralling gilt stripes, and a teacup and saucer with gilt and cobalt blue borders, various marks, some damages, 13.3cm max. (9)
A Battersea enamel rectangular plaque or box lid c.1770, printed and coloured with The Punch Party, probably engraved by Ravenet, of gentlemen drinking and smoking around a table, the other side with four putti, two embracing before a tree stump, another two stirring the contents of an oversize patterned bowl, some damages, 12.5cm. The vignette of two of the putti, also engraved by Ravenet, is seen on enamel Battersea bottle tickets.
A Staffordshire enamel scent flask and a thimble c.1770, the flask of flattened rectangular form, painted to one side with a scene of children playing with a wheelbarrow, the reverse with a couple in a landscape, the thimble painted with a figure in a landscape within a raised enamel cartouche, each with gilt metal mounts, some faults and losses, 5.5cm max. (2)
An English enamel etui of theatrical interest c.1760-65, the flattened form painted with a portrait of the actress, Mrs Mary Brooks, after Thomas Worlidge, the reverse with a scene of haymakers, reserved on a turquoise ground with raised gilt scrolls, with partial contents, some losses and faults, 10.6cm.
Grouping of Third Reich Badges, consisting of bronze grade DRL sports badge with pin fitting to the reverse; Frauenschaft enamel membership badge with pin and catch fixing; Hitler Youth shooting award with pin back fixing and enamel Hitler Youth diamond membership badge with pin fitting. Various conditions. (4 items)
Third Reich Hitler Youth Boys Dagger, with two piece black chequered grips and enamel HJ diamond to the centre. Housed in its black painted scabbard with leather hanging belt loop strap. Blade etched with motto “Blut und Ehre!” and RZM mark M7/2 1937. We are of the opinion that this item is an excellent museum quality post war representation, sold as viewed.
Hitler Youth Award Badge for Distinguished Foreigners, oval enamel badge with eagle to the centre and enamel HJ diamond insignia, brown outer border with “HITLER JUGEND”. Reverse with pin and catch fixing and makers trademark logo for H Aurich Dresden. Good condition. This award was instituted in 1941 to reward the service to the Hitler Youth on the part of foreign nationals.
Grenadier Guards Warrant Officers Dress Cap, fine example of a early post 1953 example with two piece warrant officers cap badge to the front and anodised regimental side buttons. Guards pattern short peak with gold wire braid. Accompanied by a similar period Warrant Officers cap of the Coldstream Guards with silvered and enamel cap star. Both good overall condition. (2 items)
WW1 German Copper For Gold Woman’s Bracelet: Trench art made from shell copper driving band with gold plated finish, stamped WELT KRIEG with silver oakleaves sprigs either side of a silver & black enamel 1914 Iron Cross. Presented to ladies who had donated their gold jewellery to the German war effort.
Third Reich Hitler Youth Boys Dagger, with two piece black chequered grips and enamel HJ diamond to the centre. Finely engraved to the top pommel is Hitler Youth standard within floral wreath. Housed in its black painted scabbard with leather belt loop hanger attachment. Blade etched with motto “Blut und Ehre!” and RZM MZ/49 1939. We are of the opinion that this item is an excellent museum quality post war representation, sold as viewed.
Jn Farmer, Oxford Street George III mahogany lancet bracket clock, white enamel dial, double fusee movement striking on a bell, the back plate engraved Jn Farmer, Oxford Street, the case lancet shaped with brass grilles and loose ring foliate handles, 46cm.Footnote: John Farmer, London 1817-24.
Fabergé. A late 19th century two colour gold, enamel and diamond mounted bowenite parasol handle,: the tapering pale green bowenite handle with a red enamelled two colour gold collar inset with three star-set rose diamonds between chased foliate bands struck with marks for work master Michael Perchin, St Petersburg and 56 standard, subsequently converted for use as a desk seal with bloodstone intaglio of initials 'AC', approximately 7cm long overall, 32gms gross weight.
A late 19th century French brass desk top combination set: the eight-day duration timepiece movement having a platform lever escapement, the white enamel oval dial with black Roman hour numerals, Arabic outer five-minute numerals and blued steel spade hands, the barometer having a white enamel oval dial with typical barometer settings and marked Aneroid Barometer, with a thermometer between and all surmounted by a compass and handle, on a black marble base, height 14.5cms handle up, 13cms handle down.
A 19th century French gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of the movement maker Japy frères & Cie along with the serial number 375, the round turquoise enamel dial having black Roman hour numerals, gilded decoration and blued steel spade hands, the shaped gilt-metal case having applied floral mounts with a porcelain panel set to the front painted with a scene depicting a man and woman in classical dress seated in a parlour, with further turquoise enamel panels set to the front and side of the case, surmounted by a matching vase with gilt-metal finial, complete with wooden base and glass dome, height 38cms clock, 48cms including base and dome.* Biography Frédéric Japy (1749-1812) founded the clockmaking concern in Beaucourt, Montbéliard and having left school was apprenticed to his grandfather, a watchmaker named Jacques Georges Frédéric Japy. Following this he worked with his father at a time when most clock parts were still made individually by hand. Japy brought in machines to standardise the production and when he was unable to obtain tooling that would do the job he required, he would design and make the relevant machinery. * Notes In 1806, he handed the running of the business to his three sons - becoming Japy Frères (Japy Brothers). In the earlier years production continued to the high standards set down by their father, as evidenced by this example, with the carriage clocks being the equal of most others. In the later years the mass production techniques they employed meant a standardisation of the movements, mainly the round-plated examples seen in many mantel clocks, and although the standard was high, never again reached the quality of the clocks produced in the early-to-mid part of the 19th century.
Gontard & Bolviller a Paris, a striking carriage clock: the eight-day duration movement striking the hours and half-hours on a bell with push button repeat of the last hour at will, with a replaced platform lever escapement, the backplate stamped with the trademark for Bolviller, Paris and numbered W 513, the white enamel dial having black Roman hour numerals, fine blued steel moon hands and signed Gontard & Bolviller, Paris, the cast brass case with floral decoration, with a fully engraved shuttered rear door, height 19.5cms handle up, 17cms handle down.* Biography Moïse Bolviller, born August 1800 in Metz, was a maker of French carriage clocks first recorded in Paris in 1829. He often used blancs roulants (rough movements) supplied to him by the well-known makers Holingue frères as well as those from Japy frères, the latter usually having a sweep seconds hand. In circa 1847 Bolviller went into partnership with the well-known escapement maker Celestine Phillipe Gontard with whom he was awarded a patent in the following year for a detent escapement, the patent registered at the Gontard address 12 rue St, Hyacinthe, St. Honoré, whereas Bolviller is recorded working at rue Vendome 12 at this time. The partnership would seem to have ended in 1851 and Moïse Bolviller died in December 1874. * Note Reference Leigh Extence Early Carriage Clocks Pub. NAWCC May 2019
A pair of large Canton famille rose enamel baluster vases: with gilt double lion dog handles and applied with sinuous chilong to the shoulders, brightly enamelled overall with panels depicting court scenes, exotic birds and butterflies amongst flowering shrubs, all on a famille rose/verte and gilt ground of butterflies, flowers and foliage, 19th century, 89 cm.
Margaine, Paris, a timepiece carriage clock: the eight-day duration movement having a platform lever escapement, the backplate stamped with the trademark of Arsène Margaine of Paris, a beehive with the initials A.M. either side, and the serial number 15751, the white enamel dial with black Roman numerals and blued steel spade hands, height 14.5cms handle up, 12cms handle down.* Biography Francois Arsène Margaine, born 1835, was one of the top carriage clock makers of his time, married in 1865 to the couturiere Armandine Fresnais his first recorded workshops were at 20 Rue du Pont-aux-Choux. He then moved numerous times until by 1880 he is known to be at 22 Rue Béranger although the family home was at the address given for his wife's business, 19 Boulevard Haussmann. Margaine was an innovator and obtained many brevets, patents, for his ideas as well as receiving various awards at expositions both in Paris and elsewhere. He was active in the horological world and alongside such as Alfred Drocourt, was involved in setting up the horological school in Paris, l'École d'horlogerie de Paris, in 1881 as well as being an active member of the Chambre Syndicale having obtained full membership in 1877. Arsène Margaine's last address in 1914 was 54 Rue de Bondy. *Notes For a comprehensive history of Margaine, his clocks and working practices see Antiquarian Horology, the journal of the Antiquarian Horological Society, June 2014, pages 807 to 826 inclusive; The Horological World of Francois Arsène Margaine by Tom Wotruba.
A gentleman's 18ct gold half-hunter pocket watch: the circular white enamel dial 40mm diameter, with Roman numerals and subsidiary seconds dial, signed Peake, London 5031, the keyless lever movement with repeat signature 'Tho's Peake, 118 Wardour Street, London no 5031' the case with hallmarks for Sheffield 1862, approximately 97.5gms gross weight.
Le Roy & Fils, Paris a late 19th century carriage timepiece: the eight-day duration movement having a silvered platform lever escapement numbered to the underside 7601, the backplate signed Le Roy & Fils, 13 - 15 Palais Royal, Paris and numbered 18104 with the white enamel dial having black Roman numerals and blued steel moon hands, the corniche case with a typical three-bail handle, with travelling box and winding key, height 17cms handle up; 14cms handle down.* Biography Basile-Charles Le Roy was born in Paris in 1765, the son of the clockmaker Bazile Le Roy (1731-1804) and became a maître in 1788 having founded la Maison de Le Roy at 60, Galerie de Pierre, Palais-Royal in circa 1785 following the opening of the Palais-Royal gardens to the public and its buildings to the trade by Philippe Egalité, the duc d'Orléans. Following the French Revolution, during which Le Roy worked for the Republic signing his clocks Elroy, Le Roy moved his business to Galerie Montpensier, 13-15 Palais-Royal, where they were to remain for nearly a hundred years. Le Roy was appointed clockmaker to the Emperor Napoleon and other nobility. He exhibited clocks at the Paris Exposition of l'an VI (1797/8) and then 1819, 1823 and 1827. Basile-Charles's son Charles-Louis, born 1794, joined his father as a partner in 1828 after which the business became known as Le Roy et Fils and he was appointed both Horloger du Roi and Horloger du Ministère de la Marine in 1835. Basile-Charles died in 1839 and Charles-Louis in 1865, after which the business continued at the same address.
A French cannalée carriage clock: the eight-day duration movement having a silvered platform lever escapement and striking the hours and half-hours on a gong with a push button to the top allowing the strike of the last hour at will, the backlpate numbered 3610, the white enamel dial having black Roman numerals, Arabic five-minute numerals and blued steel hands, the cannalée case having a three-bail handle, height 18.5cms handle up, 15.5cms handle down.
A set of six silver and enamel coffee spoons, Cohen and Charles, Birmingham 1968, bowls decorated with different flowers, label states K24 hard gold plated, in fitted Harrods box, a cased set of six silver teaspoons, five other silver teaspoons, a Royal Wedding 1981 commemorative bookmark, stamped 925, and a cased set of Royal Crown Derby tea knives, total weighable approximately 3oz.
A SELECTION OF ITEMS, to include four late Victorian silver spoons and a pair of sugar tongs, approximate total weight 61.7 grams, all within a fitted case, not a set, possibly not original case, together with an early 20th Century silver wristwatch, with silver import mark for Glasgow 1911, another early 20th Century watch, with 9ct gold head, glass missing, gross weight of gold watch 13.8 grams, together with broken parts of a late Victorian ring, approximate weight 1 gram, a single earring, a stickpin and an enamel brooch
EIGHT VARIOUS HALCYON DAYS ENAMEL BOXES AND TRINKETS, (some boxed), to include paperknife with cats on handle (boxed), boxed atomiser, boxed travel clock, boxed 'The Old Horseguards London' box, boxed 'Nocturine blue and gold Old Battersea Bridge' box, boxed 'Windsor Castle', boxed fruit and Butterfly decorated box and unboxed 'Buckingham Palace' box (8)
A MEXICAN 'ORDER OF THE AZTEC EAGLE' BREAST BADGE/MEDAL, this award was awarded to Foreign Citizens in Mexico and is considered to be the highest Civilian award given by the Mexican Government, the award was created in 1933 and many significant people have been awarded the medallion including Queen Elizabeth II, Duke of Edinburgh, Prince Charles, etc, it is usually cast in gilded silver but this example is believed to be a base metal with enamel trim etc
A LATE 19TH CENTURY EASEL BACKED POCKET WATCH FRAME, the white metal mounted front embossed with foliate scrolls and expansive skyline view with peacocks to the foreground, the 6.5 diameter plated pocket watch with Arabic numerals and subsidiary seconds dial, top wind, white enamel dial with hairline cracks
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