A French table clock in Rococo style , 19th century A French table clock in Rococo style , 19th century, the eight-day bell striking movement with anchor escapement stamped AD Mougin, Deux Medailles, and numbered 291 to backplate, the circular white enamel Roman numeral dial with Arabic five minutes to outer track numerals behind convex bevel glazed hinged bezel, the waisted green painted case with gilt bronze surmount and mounts, and set on four shaped feet, 48cm high
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396325 Los(e)/Seite
A French brass four-glass mantel clock, L A French brass four-glass mantel clock, L. Marti et Cie , late 19th century, the French eight-day bell striking movement with visible anchor escapement stamped L. Marti et Cie, Medalion De Bronze , and numbered 1296 to backplate, the white enamel dial with Roman numeral chapter ring behind full length door, the bevel-glazed case with cavetto cornice above caddy moulded angles and cavetto moulded plinth base and integral bracket feet, 30cm high
A Victorian black lacquer drop dial wall clock , second half 19th century A Victorian black lacquer drop dial wall clock , second half 19th century, with eight-day bell striking movement and circular enamel Roman numeral dial, the case with pie crust surround decorated with gilt and polychrome foliate scrolls and flowers picked out in mother-of-pearl above glazed aperture, 77cm high Provenance: The collection of a West Country family (lots 1 - 70)
A flame mahogany hour repeating table clock , 19th century A flame mahogany hour repeating table clock , 19th century, the five pillar twin chain fusee and bell striking movement with anchor escapement and 11inch enamel break-arch dial marked for JNo. Lawson Bradford to centre and with Behold now is the accepted time, Behold now is the Day of Salvation text above, within Roman numerals and arabic five minutes to inner track the angles painted with figures beneath arch with horse trading scene, the dial and movement fitted to falseplate marked Walker & Hughes, Birmingham, the domed case with brass string inlay and flanking ring handles above silk lined grilles and on plinth base - 60.5cm high, 37cm wide, 23cm deep
A gold coloured metal mounted enamel, emerald and diamond set scarab pattern brooch, the central oval cabochon emerald cut with a scarab to the face (estimated weight 18.6ct) surmounting two green and brown enamelled birds interspersed by three collet set old cut diamonds, each approximately .10ct, the brown and green enamelled wings pave set to the centre with small rose cut diamonds, 80mm x 28mm overall (gross weight 30.9 grammes)
A late Victorian 15ct gold enamel and diamond set bar brooch, the central 20mm diameter circular panel set to centre with a blue enamel bordered star with a rose cut diamond centre, approximately .33ct, and five smaller diamonds, 70mm overall (gross weight 6.3 grammes), and a small 15ct gold rose diamond set bar brooch, 40mm x 10mm overall (gross weight 2.4 grammes)
A late Georgian gold coloured metal mounted and enamel oval pattern mourning clasp for an eight strand necklace or bracelet, the centre set with a woven hair panel, 30mm x 24mm overall, a late Georgian gold coloured metal and black enamel mourning brooch, the central oblong glass face with silk panel, 25mm x 20mm overall, and a late Victorian silvery coloured metal mounted scarab brooch, the body worked in fine filigree, 42mm x 27mm overall, and a small selection of jewellery, various
A pair of late Victorian gold coloured metal, onyx and seed pearl set pendant drop earrings (for pierced ears), the central oval onyx panel set to the centre with a seed pearl within black enamel and gilt foliate border with fine beadwork to edge, 38mm x 20mm overall (gross weight 7 grammes), and a pair of modern gilt metal mounted coral set earrings
A Chinese Export porcelain baluster shaped cider jug enamelled in colours with a seated figure of "Toby Philpott" holding a letter worded "Dear Tom, This Brown Jug Which Now Foams With Mild Ale Out Of", with double entwined reeded handle, 9ins (228mm) high (Qianlong period - chip to handle and flake chip to enamel rim)
An early 20th Century American silver and enamel miniature travelling timepiece retailed by Bigelow Kennard & Co, Boston, the .75ins diameter gilt dial with Arabic numerals to the Swiss eight day fifteen jewelled timepiece movement, contained in silver rectangular case, the front, top and sides with old gold guilloche enamel within plain black enamel borders, folding loop handle and on four bun feet, 1.625ins high (case No. 32226), contained in red leather and gilt tooled travelling case with folding front, 2.375ins high (case somewhat scuffed and damaged) Provenance: From the Private Collection of Clocks belonging to the late Tony Hill of Cliftonville, Margate, Kent
An early 20th Century French carriage timepiece, the 1.75ins diameter enamel dial with Arabic numerals within plain matted gilt slip to the eight day movement, contained in brass and bevelled glass case with moulded frieze and uprights, on bun feet, 5.25ins high (dial cracked to centre and corner of bevelled glass panel to rear door chipped)
A late 19th century French brass cased cartel clock by H. & F. of Paris, No. 7139 58 and retailed by Linderoth of Stockholm, the 5.5ins diameter cast brass dial with raised enamel numeral cartouches to the eight day two train movement striking on a bell, contained in cast brass case of rococo design, 25ins high Provenance : Part of the remaining stock of Gaby's Clocks, 140 High Street, Tenterden, Kent TN30 6HT. Clock movement has been fully restored.
A late 19th Century French ebonised and walnut cased wall clock by Maugeis, Chaudron, the 9.75ins alabaster dial with raised enamel Roman numeral cartouche to the eight day two train movement striking on a gong, contained in case of shaped and moulded outline and inlaid with mother of pearl, 24.5ins overall
BY BERNARD INSTONE: A small handmade spoon with a coloured enamel stem, Birmingham 1935 with facsimile signature on the back of the stem (fitted case) and a small spoon with the portrait of William Shakespeare in relief on the terminal, same maker, Birmingham 1961; the former 4.8" (12.2 cms) long; 1 oz (2)
A CASED SET OF FOUR VICTORIAN SALTS & FOUR SPOONS by Charles Edwards, London 1877, a cased set of six coffee spoons with plumed terminals, a cased set of six coffee spoons with coloured enamel terminals and a cased Edwardian spoon & fork; the latter 7.5" (19 cms) long; 10 oz weighable silver (4)
A sterling silver and enamel bracelet by David Andersen,with rectangular polychrome enamel guilloché scenes, each rectangular plaque joined by pairs of jump rings to square plaques with enamel rosette decoration to a concealed box clasp, signed 'Norway-Sterling', David Andersen mark 1925-to date
A 9ct gold and enamel necklace, c.1980,attributed to Amitai Givertz, composed of an articulated centrepiece of parallel bars with black champlevé enamel striped horns, both backs hinged from a central bar, to curved bar links at either side, hallmarked Sheffield 1983,together with a 9ct gold enamel necklace and earring suite,attributed to Amitai Givertz, a centrepiece of flat section reels, with alternate bands of black and yellow enamel between polished rods, to a Brazilian snake chain, and a matching pair of bar drop earrings (4)Amitai Givertz first registered his sponsored mark in 1982 and worked from the Bedford area.
A 9ct gold and enamel necklace, c.1980,attributed to Amitai Givertz, composed of an articulated centrepiece of three parallel bars, with pairs of black champlevé enamel horns, all three bars hinged from a curved bar with Brazilian snake back chain,two sterling silver necklaces from the same range,two pairs of sterling silver bar drop earrings,two pairs of sterling silver and 9ct gold enamel earrings,a single earring, anda ring,by Amitai Givertz, Sheffield 1983, finger size O½ (13)Amitai Givertz first registered his sponsored mark in 1982 and worked from the Bedford area.
A German Jugendstil silver and silver gilt pendant, in the style of Otto Prutscher,an oval blister pearl rub set to the centre with a pair of petal shapes with matt enamel in mist green and plum, open arches above with rub set green agate cabochons and a matching oval pendant drop below, split chain above to a large jump ring, marked 'Déposé 900'
A Tudric pewter and enamel clock,c.1903, designed by Archibald Knox for Liberty & Co., the enamelled dial with gilt numerals, the rectangular case with a stylised plant design and two enamel ovals under the dial, stamped marks, 'Rd. 463015' and model '0608', 14cm highLiterature: Adrian J. Tilbrook ‘The Designs of Archibald Knox for Liberty and Co’, fig. no. 93. p.111. The Warshawsky Collection 'Masterworks of Tiffany and Pre- War Design'; Sotheby's New York, 19 May 2015, Lot 112.
An Arts and Crafts black opal pendant,with an oval black opal matrix cabochon, rub set to a plain frame, two twisted wire decorative borders with applied bead trefoils, split chain above to a 'U' shaped bale with a central row of applied twisted wire, together with a silver and gold enamelled wings brooch,damage, with guilloché blue enamel over engraved feathers with light blue contra enamel (2)

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396325 Los(e)/Seite