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396325 Los(e)/Seite
A George V hallmarked silver and guilloche enamel compact of circular form, Birmingham 1920, together with a white metal lady's purse in the Art Nouveau style, a Art Nouveau style pewter and blue stone scent bottle with floral decoration and a silver plated novelty pin cushion in the form of a lady's shoe (4).Additional InformationTarnishing and wear, losses/damage to the enamel panel.
A George V hallmarked silver and enamelled cigarette case of rectangular form, decorated with a cottage in a landscape with river, import marks for London 1928, 9 x 6cm.Additional InformationThere is a very small area of loss to the enamel on the top right corner, tarnishing and wear, the interior ribbon is missing, minor scratches.
ZINGARI FOOTBALL ALLIANCE; a 1920s 9ct gold and enamel football medal engraved 'Winners Division 2 1925-6 Orrell FC. H.Jones (Captain)', length not including loop 3cm, in fitted case, gross weight 6.4gms, with a silver and yellow metal Union of Liverpool Boys Clubs football medal, engraved 'Senior North Division 1920-21 Warbreck. H.Jones' (2)
ARCHIBALD KNOX (1864-1953) FOR LIBERTY & CO; a Tudric pewter easel back timepiece set with four enamel cabochons flanking the silvered dial set with Arabic numerals, with Hamburg Clock Company movement, impressed number 0482 and Solketes mark verso, 10 x 10cm.Additional InformationThe movement is currently not functioning, the back panel is loose, the movement loose from the case, light scratches and scuffs, heavy wear to the dial, the enamel panels are free from chips or damage.
CASTLE PEWTER; an Arts & Crafts pewter and enamelled domed mantel clock, with hammered case and Arabic numerals to the circular dial, inscribed 'Presented to Mr F. W. Dullingham, by the staff of the Danum Hotel, Doncaster 25-11-29', stamped, height 16cm, width 18cm, sold with a postcard of the Danum Hotel. Provenance: private collection north-west.Additional InformationTwo tiny areas of restoration to the edges of the enamel. general surface wear throughout with some dark toning to the pewter in parts. diameter of dial 8.5cm.
MINTON, a late 19th century blue and white and gilt part tea service, comprising two sandwich plates, six side plates, six saucers, six cups, with a part dessert service, a Minton jewelled plate and a Worcester shell bowl. Additional InformationThe main Minton service - one cup with a hair line crack. All with some light glaze scratches through use and minor rubbing to gilding. Other service with slightly heavier rubbing. Worcester shell bowl in poor condition. Other items with general wear. One of the larger Minton cups with crazing to the blue enamel.
A Continental silver and enamel circular pill box, the lid and sides decorated with a burnt orange enamel, the underside with engine turned detailing, gross weight 1ozt/35g, diameter 4cm. Additional InformationA light patina of minor scratches and scuffs to the surface of the top but overall OK.
An unusual 9ct yellow gold wristwatch with turquoise and seed pearls to the bezel, the white enamel dial set with Roman numerals and on expandable hinged action 9ct gold bracelet, diameter excluding winding crown 27mm, total approx. 28g.Additional InformationThe case back is stamped 9k, the cuvette is unmarked. Light surface wear and the case is slightly sprung., There is a fine 1mm hairline crack to the dial of the watch.
Faberge silver gilt and enamel circular box with angular sides and cover in blue, white pink and other hues, upon a matte ground, marked on the base, with Faberge stamp MOSCOW, the cover with untraced workmaster's mark and another indistinct, possibly St Petersburg Town mark C1890. 71mm x 27mm, 157g, 5oz Shuts nicely with tight joint. Frosted gilding good condition with a small amount of enamel loss on one of the pink spears.
A set of six hallmarked silver and enamel teaspoons. The teaspoons made in 1976 to commemorate the "Year of the Rose", and the 100 year anniversary of the RNRS (Royal National Rose Society). The back of each spoon reads "Year of the Rose RNRS 1976". The spoons presented in their original box. The box which reads "By Appointment to Her Majesty the Queen, Suppliers of Gold and Silver Laces, Insignia and Embroidery, Toye, Kenning & Spencer Ltd London", under the Royal coat of arms. Hallmarked Birmingham 1977. Weight 124g. Measure 12.5cm each.
Mark Gertler (1891-1939)/Still Life/with earthenware vessel and blue ewer/signed and dated July 1922/oil on board, 31.75cm x 40cm/Note:This still life was painted during the artist's stay with Bonamy and Valentine Dobrée in Larrau in the Pyrenees in the summer of 1922. The still life objects, an earthenware pitcher, a blue enamel jug and a stark white tablecloth, though atypical in Gertler's work, which generally re-uses favourite props that can be traced from one painting to the next, are characteristic of rustic French interiors of the period. Another still life with similar earthenware can be dated to this visit. However, the landscape glimpsed through and framed by the window, painted in soft, diagonal strokes is typical of Gertler's landscapes between 1919 and 1920, and the framing device can be found in other contemporaneous still lifes. This work will be included in Sarah MacDougall's catalogue raisonée of Mark Gertler's work and we thank her for her assistance with this catalogue note CONDITION REPORT: The painting has had an amateur varnish, this has gone over onto the inner slip of the frame as well. There is a repair to the frame slip and a few knocks and dents. The overall appearance is good but I think removal of the old varnish might be advisable.
AN AUSTRO-HUNGARIAN SILVER, GILT-METAL AND ENAMEL CHESS SET AND BOARD LATE 19TH / EARLY 20TH CENTURY THE HINGED PLAYING SURFACE OPENS TO A INTERIOR FOR STORAGE,EACH SIDE WITH COATS-OF-ARMS AND KNIGHTS ON HORSEBACK,THE ANGLES WITH SOLDIERS, ON FOUR, PIERCED FOLIATE FEET;THE CHESS PIECES DEPICTING TWO SETS OF LIGHT AND DARK BLUE ENAMELED PAWNS MINOR FAULTS ON ENAMEL
A Collection of Various Vintage Jewellery to include Signed White Metal Pendant for Lourdes, Black Jasperware and Silver Wedgwood Circular Pendant on Chain, Boxed Saks Onyx Studs and Gold on Silver Cufflinks, Copper and Enamel Necklace by Janna Hodgson, Continental Bracelet with Blue Glass Spacers on a Byzantine Chain, White Metal Tie Clip, Silver Snake Chain Etc
An Arts and Crafts Silver and Enamel Necklace, Pendant with Green, Teal and Cobalt Blue Guilloche Enamels on a Shield Shaped Plannished Panel, Link Rings to Bluebell Style Silver and Enamelled Drop, 40mm long by 21mm Wide, Suspended on a Trace Chain (41cms Long) to Green Enamelled Hoop and T Bar Closure. Birmingham 1909, Makers Marked Rubbed, Possibly Italic JF.
A Late Georgian 18ct Gold, Pearl, Diamond and Black Enamel Mourning Ring, Central Mine Cut Diamond in Collet Mount and Flanked with Four Similarly Mounted Pearls, Housed in a Black Enamelled Panelled Head Framed in a Raised Scrolling Border (Approx 14x12mm) and leading to Tapering Foliate Shoulders with Black Enamelled Inlay, Rose Shaped Terminals to Fluted Band and with Inscription to interior 'Ann Molyneaux 8th April 1833 AE18', Possibly Missing Glass Panel, London 1832/1833. 4.3gms, Size L
A 19th Century Diamond, Pearl and Enamel Mourning Ring, Central Pearl, 4mmx3.5mm, surrounded by a Starburst Border having Eight Small Collet Set Rose Cut Diamonds on a Black Enamelled Head, Two additional Bands of Four Rose Cut Diamonds to Half Enamelled Band. Unmarked Gold Coloured Metal. Glazed Panel to Rear of Head, 3.6gms
A 19th Century Diamond and Blue Enamel Dress Ring, Central Square Old Mine Cut Diamond Measuring Approx 4.6mm by 4.6mm, White Metal Collet and Claw Set on a Royal Blue Guilloche Enamel Panel Bordered with 28 Additional Old Mine Cut Diamonds, Collet Set in White Metal, Head measuring 22mm by 17mm Approx, Raised on a Tapered Band with Piped Detail to Shoulders, Unmarked, Testing as 18ct, Size M, 6.2gms
Pair of Chinese vases, late 19th century.Enamelled porcelain and bronze.Stamps on the base.Measurements: 60 x 24 x 24 cm.Pair of Chinese vases with cylindrical tank, gently curved towards the foot and shoulders, with neck opening towards the mouth. Richly decorated with warriors in sumptuous attire and divinities interacting in animated scenes. The Immortals are set in landscape settings with peaked mountains rendered in beautiful blue tones. The palette is rich in contrasts: reds, pinks, whites, browns, ceruleans? The enamel painting is combined with bronze friezes worked in relief and serpentine dragons around the shoulders. The landscapes are dominated by the presence of trees with large canopies, a symbol widely used in Chinese art because of its symbolic character, related to longevity. The eroded rocks represent the passage of time.
Pair of censers. China, Qing period, 19th century.Bronze and cloisonné enamels.Measurements: 29 x 14 x 14 x 14 cm.Pair of censers in the shape of cranes worked in bronze, with an open beak and a stylised body. The detail is remarkable, reproducing each one of the feathers with great care. The crane is a much-loved animal in the East, especially in China, whose cosmogony so influenced Japan. In Chinese and Japanese mythology it is associated with longevity and prosperity. Part of its body is decorated with cloisonné enamel, a technique that consists of depositing the vitreous paste of the enamel in recessed compartments or else formed by metal sheets that, in relief, make up the silhouette of the design.
Two vases. Japan, Edo period, 19th century.Bronze and cloisonné enamels.With signs of use, damage and loss to the enamel.Measurements: 12.5 x 6.5 cm and 12 x 6 cm.Pair of vases made in bronze and decorated with the cloisonné enamel technique. Also called alveolate or partitioned, cloisonné enamel is a technique which consists of depositing the vitreous paste of the enamel in recessed compartments or formed by metal sheets which, in relief, make up the silhouette of the design.
Set of three vases. Japan, Edo period, 19th century.Bronze and cloisonné enamel.With marks of use. With slight flaws and flaws in the enamel.Measurements: 9.5 cm (greater height); 6 cm (greater diameter).Set of three vases made in bronze and decorated with the cloisonné enamel technique. Also called alveolate or partitioned, the cloisonné enamel is a technique that consists of depositing the vitreous paste of the enamel in recessed compartments or formed by metal sheets that, in relief, compose the silhouette of the design.
Two brush pots. Japan, Edo period, 19th century.Bronze and cloisonné enamels.With marks of use. The enamel on one of them has been lost.Measurements: 9.5 x 4.5 cm and 9 x 4.5 cm.Pair of cylindrical brush pots. They are made entirely of bronze and are decorated with the cloisonné enamel technique. Cloisonné enamel is a technique which consists of depositing the vitreous enamel paste in recessed compartments or compartments formed by metal sheets which, in relief, make up the silhouette of the design.
Two brush pots. Japan, Edo period, 19th century.Bronze and cloisonné enamels.With marks of use. Slight flaws in the enamel on the base of one of them.Measurements: 9.5 x 7 cm and 6.5 x 5 cm.Pair of cylindrical brush pots. They are made entirely of bronze and decorated with the cloisonné enamel technique. Cloisonné enamel is a technique which consists of depositing the vitreous enamel paste in recessed compartments or compartments formed by metal sheets which, in relief, make up the silhouette of the design.
An antique cloisonné vase, the gold ground decorated with birds amongst prunus blossom, 34cm high; together with two cloisonné enamel boxes; and a possibly South American terracotta flask decorated in coloured enamels, 26cm highThe vase with damage to include a dent to the rim, further marks and losses overall. The larger box with a minor loss beneath and slight distortion otherwise good condition. The smaller box in good condition. The flask with some losses to the painted surface.

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