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396323 Los(e)/Seite
Los 372
Silver top wind fob watch, white and pale pink enamel dial, gold foliate scroll decoration, black Roman numerals, poker hands, floral and foliate engraved decoration to case, blank cartouche, diameter approx 3.4cm; a similar silver key wind fob watch, diameter approx 3.8cm and a silver pocket watch case (3)
Los 380
George III silver open face key wind pocket watch, white enamel dial, black Roman numerals, gilt poker hands, engraved monogram to case verso, gilt interior, cast floral balance bridge, engraved Lieut In Day 11th Regt Nov 1815, hallmarked Chester 1813, diameter approx 5cm, (hairline crack to face, hinge broken)
Los 389
18ct yellow gold full hunter top wind fob watch, white enamel dial and seconds dial, black Roman numerals and poker hands, the case with engraved foliate, scroll and fruit and basket decoration, diameter approx. 3.5cm; with 15ct gold doubke Albertina, applied 15c pad, hallmarked 15ct toggle and heart-shaped locket
Los 390
Diamond, ruby and sapphire set 14ct rose gold top wind half hunter-style fob watch (winder deficient) the case set with two rose cut diamonds, two mixed cut blue sapphire and two mixed cut rubies, white enamel dial, black Arabic numerals, poker hands, diameter approx 23mm, finger chain with unmarked rose gold toggle,
Los 42
George III pearl and enamelled unmarked rose gold mourning ring, the central rectangular enamelled black panel with gold inlay initials MP, surround of fourteen small white-grey pearls, tapered pierced shoulders with cast floral design and black enamel, inscription verso "Mrs Mary Page Ob 7 Feb 1818 At 68", ring size O, band resized
Los 290
Japanese Meiji or Taisho cloisonne baluster vase with a blue ground. Decorated with a blooming chrysanthemum and a butterfly. The chrysanthemum and leaves are rendered in beautiful lost cloison enamel work. This vase resembles designs by masters such as Namikawa Sosuke and Gonda Hirosuke.Height: 12 in x diameter: 5 in.
Los 295
Pair of large Japanese Meiji cloisonne vases with a design of birds perched on autumnal branches against a milk white enamel ground. Both with highly detailed borders along the lip. One with a partial label along the underside. This lovely pair of vases is reminiscent of designs by Hayashi Kodenji.Each; Height: 18 in x diameter: 8 in.
Los 396
Kevin Wixted (American, b.1957). Oil, wax, and enamel on wood painting titled "Realm of Time," 1994. The work depicts a black and white striped pole with striped and patterned architecture in the background. Signed and dated along the verso. A gallery label from David Beitzel Gallery, New York, New York is affixed to the verso.Sight; height: 71 3/4 in x width: 59 1/2 in. Framed; height: 72 1/2 in x width: 60 1/4 in.
Los 64
LOUIS COMFORT TIFFANY (United States, 1848 - 1933).Art Nouveau vase "Lilies", ca. 1910.Signed "L.C.T. 889A" on the base.Another vase with similar characteristics is referenced in the book "The Art Of Louis Comfort Tiffany", p. 187.Provenance: Private collection, Spain between 1970-1990.Measurements: 15 cm (height) x 10 cm (diameter).Louis Comfort Tiffany was the American artist and industrial designer most associated with the Art Nouveau movement. He was a painter, interior decorator, designer of stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery and metalwork. On this occasion we present the "Lilies" vase, an elegant piece with a circular belly and prominent shoulders whose surface has been decorated with a subtle foliate motif typical of Art Nouveau.Louis attended Eagleswood Military Academy in Perth Amboy, New Jersey. His early artistic training was as a painter, studying with George Inness and Samuel Coleman in New York City and with Leon Bailly in Paris. In about 1875 he became interested in glassmaking and worked in various glassworks in Brooklyn. In 1879 he partnered with Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artist. Tiffany's leadership and talent, along with his father's connections and financial resources, made the business a success. Tiffany's desire to concentrate on glass as an artistic element led to the dissolution of the company in 1885, when he chose to establish his own glass-making firm. The first Tiffany Glass Company was incorporated on 1 December 1885, and in 1900 it became known as Tiffany Studios. In his factory he used opaque glass in a variety of colours and textures to create a unique style of stained glass, which contrasted with the method of transparent painted or enamelled glass that had been the dominant methods of stained glass making for hundreds of years in Europe. The use of coloured glass for stained glass was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Artist and glassmaker John La Farge was Tiffany's main competitor in this new American style of stained glass. Both had learned their craft in the same Brooking glassworks in the late 1870s. In 1893 Tiffany built a new factory, called Tiffany Glass Furnaces, located in Corona Queens, New York. That same year his new company introduced the term favrile in conjunction with its first production of blown glass. Early examples of his lamps were exhibited at the Chicago World's Fair in 1893, and he registered the term favrile on 13 November 1894. He then extended the use of this term to his entire production of glass, enamel and ceramics. The first commercially produced lamps date from around 1895. Much of his company's production was the manufacture of stained glass for windows and the creation of lamps, although his company designed a complete range of decorative objects for interiors. At its peak, his factory employed more than 300 craftsmen. Tiffany used all his skills in the design of his own house in Oyster Bay, New York, Long Island, which had 84 rooms and was completed in 1904. It was later donated to his foundation for art students, along with 243,000 m² of land, but was destroyed by fire in 1957. Tiffany maintained a close relationship with the family-owned Tiffany Company. Many of the products he produced were sold there. After his father's death in 1902 he became Artistic Director of Tiffany & Co. Tiffany Studios remained in business until 1928.
Los 122
An Omega wristwatch, cal 600, the circular black signed dial with baton hour markers, 17 jewel signed movement, numbered 17970011, within a gold plated and stainless steel case numbered 136.070, with later leather strap and Omega buckle, case diameter 34mm.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredSome localised scratching to glass between 11 and 12, and 3Some light pitting to enamel dial, minor losses around 7-11 border visible with very close inspection
Los 124
An Omega Constellation Chronometer wristwatch, ref 1431, the signed dial with dot markers, date aperture to 3 and outer minutes track, quartz movement within a bi-colour case, to the fancy link bracelet and folding clasp, case diameter 32mm.Condition report: Overall condition good to fairWatch not working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredSome wear to enamel on bezel, particularly on 5 and 6Scratches and discolouration in keeping with age and wear
Los 152
A Tag Heuer automatic wristwatch, no. 669.706KA, the circular signed dial with baton hour markers and date aperture to 3, within a stainless steel tachymeter case numbered Z26993, to the black leather strap with maker's buckle, case diameter 37mm.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches to caseSome losses to enamel on tachymeter, chip to green enamel
Los 162
A stainless steel and gold Zenith El Primero Rainbow Automatic watch, cal. 400Z, the signed blue dial with baton hour markers, subsidiary dials to 3, 6 and 9, and date aperture to 5, blue tachymetre bezel, signed 31 jewel movement numbered 154532 with stainless steel and gold case numbered 15/53-0470-400 and fancy link bracelet with folding clasp, case diameter 40mm. With maker's box and papers.Condition report: Overall condition good to fairScratches and discolouration in keeping with age and general wearScratches and losses to bezel, damage to enamel dot
Los 177
An early 19th century pair cased pocket watch by Barrauds, London, the circular signed dial with roman numeral hour markers, subsidiary seconds dial to 6 and outer minutes track, faux tortoiseshell enamel outer case, fusee movement with engraved and diamond set balance cock, signed and numbered Barrauds, Cornhill, London, 3616, within a gold plated case, case diameter 50mm.Condition report: Overall condition fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredOuter case - wear and loss to enamel, shuts toWear and discolouration to gold plated caseLight hairline crack to dial between 6 and 7
Los 181
Three silver pocket watches, Chas. Arnold, Frodsham, to include a half hunter pocket warch and two full hunter pocket watches, movements signed and numbered 9710, 7617, 3096, case diameters 47mm, gross weight 240g. (3).Condition report: Overall condition good to fairWilson 55 does not guarantee the working accuracy of any timepiece offered Movement 9710 - glass loose, cracks to dial at 6, see image, ticks when wound, hinge for main case loose - requires attention, wear and losses to enamelMovement 3096 - personal inscription to inner case, glass deficient, hairline cracks to dial 4-6, ticks when woundMovement 7617 - glass deficient, dial in good condition, ticks when wound
Los 55
SET OF SIX NORWEGIAN SILVER GILT AND HARLEQUIN ENAMEL COFFEE SPOONS,by Jacob Ulrich Holfeldt Tostrup, 9.8cm long, in original fitted caseCondition report: Strip of loss to the enamel on the handle of blue spoon, and two small chips on the tip of the lilac spoon's handle. Chipping to all spoons where handle joins the bowl, resulting in loss to enamel and shrinking away of colour. Some general surface wear present throughout, in keeping with age and use. Additional images available.
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396323 Los(e)/Seite