396323 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396323 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396323 Los(e)/Seite
![A Vintage 9ct yellow gold and enamel horse and jockey figural bar brooch. [4.75grams]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/4aef2c02-151b-42a8-9a23-afa701628cac/468x382.jpg)
Los 540
A Selection of silver hallmarked items to include Foreign ornate 800 Grade silver and stone lidded dish, Victorian London silver ornate small photo frame, London silver, tortoise shell and red leather pocket watch holder- as found, Birmingham silver and enamel lidded ink well pot, Birmingham silver oval small photo frame and miniature Birmingham silver photo frame.
Los 785
19th century three piece clock set, Gilt brass ormalu style clock body, Cherub figure seated to the top of the clock, white enamel face with blue roman numerals- Makers name rubbed to face- possibly Edinburgh maker. Casing sat upon a white marble base. Together with a pair of matching candelabras. [Clock in a working condition] [Clock 28cm high]
Los 1824
One tray containing a collection of mixed reproduction and original Meccano and construction toy related enamel signs, books, ephemera etc to include a reproduction 50th Anniversary Frank Hornby No. 86/250 commemorative enamel plate, together with various exhibition pin badges, Meccano pin badges etc
Los 1
Spanish fleur de lis processional cross with an affixed Christ crowned in the centre, in gilded copper, with incised decoration and cabochons. Gothic. 14th century. 12" x 7.5" The cross is ornamented on the front and on the back by engraved decoration representing a fine trunk or branch from which leaves emerge. Ending with a fleur-de-lis at its four points, enriched by red stone cabochons (two are not preserved), around which there is an oval-shaped bulge. The typology is characteristic of the crosses produced in Spain at this time, both for those made in precious metals such as gold or silver, or those such as this crucifix, which imitate them, made of gilded copper. It is interesting that the original gilding is preserved and is in magnificent condition. There is a flaw on the far left. This cross is comparable to the one kept in the Metropolitan Museum of New York with inventory number 36,134, which is of the same typology and chronology, although this one also presents affixed figures with enamel .
Los 16
Colonial School. Mexico. 17th century."The Immaculate Virgin with St. Barbara and St. Anthony of Padua"Oil on copper. Nun’s breast shield. Diameter: 13 cm. As Professor Ilona Katzew, Curator and Head of the Latin American Art Department at the LACMA in Los Angeles, notes with respect to these nun’s shields:"This small-scale painting is a badge worn by nuns of the Order of the Immaculate Conception (also known as Conceptionists) in Mexico as part of their dress. Painted badges originated in Mexico in response to religious reforms introduced by the archbishop Francisco Manso y Zúñiga (ruled 1629-1635), who attempted to curtail the luxury and privilege of the convent lifestyle. He forbade nuns to wear shields made of gold, precious stones, and enamel. The nuns circumvented this rule by commissioning shields painted on copper or parchment, and set into frames made of tortoiseshell. Many of the badges were painted by the best artists of the day."This genre of devotional art was widespread during the 17th and 18th centuries in Spain and the New Hispanic world.They tended to be small pictures painted or embroidered with religious scenes, which nuns wore on their chests as they took their vows.It is in the classic portraits of crowned nuns, also with flowers, veils and other ornaments, where we can see the relevance these badges had.On occasions, artists of the calibre of José de Páez, Miguel Cabrera and Luis Juárez made some of these shields. This lot has been imported, therefore its exportation permit from the Ministry of Culture is guaranteed.
Los 37
BRACELET BAMBOO EMAILComposé d'une monture semi-articulée et émaillée, poinçon français pour l'or 18K (750°/00), poinçon de maître, longueur 20.50 cm, poids brut 85.96 g.Footnotes:BAMBOO ENAMEL BRACELETDesigned as a series of articulated links of stylised bamboo design, decorated with green enamel, French assay mark for 18 carat gold, maker's mark, length 20.50 cm, gross weight 85.96 grams.For further information on this lot please visit Bonhams.com
Los 8
ATTRIBUÉE À GIUSEPPE KNIGHT, TIARE DIAMANTS, AVEC SON ÉCRIN, CIRCA 1905Composée de trois éléments ornés d'un décor floral stylisé sur une monture entièrement ajourée, sertie de diamants de tailles diverses dont ancienne, ovale, coussin et poire, poinçons français d'occasion pour l'or 18K (950°/00) et l'argent (800°/00), dimensions de l'élément central : 7.0 x 5.5 cm, poids brut 81.10 g, écrin signé G. Knight, Via Bisignano, Napoli, accompagné de son tournevisFootnotes:Le bijoutier et orfèvre italien Giuseppe Knight (1832-1892) est né à Naples dans une famille anglaise. Il a été formé par son père, Henry, et s'est spécialisé dans les bijoux de style néo-archéologique (un exemple de son travail se trouve dans la collection du British Museum). Son fils Carlo (1862-1924) le rejoint dans l'entreprise et en 1880, Giuseppe Knight & Son est enregistré au 11 via Bisignano. En 1883, l'entreprise reçoit le mandat royal (Fornitore di Casa Reale) et en 1884, elle présente un diadème en diamant et en émail à l'exposition de Turin. ATTRIBUTED TO GIUSEPPE KNIGHT: DIAMOND TIARA, CIRCA 1905 Of highly stylised openwork floral design with central graduating garlands amongst fluttering ribbons, millegrain-set throughout with vari-cut diamonds including old brilliant, oval, cushion and pear, french assay marks for 18 carat gold and silver, dimensions of centrepiece 7.0 x 5.5cm, cased by G. Knight, Via Bisignano, Napoli, screwdriver suppliedItalian jeweller and goldsmith, Giuseppe Knight (1832-1892), was born in Naples to an English family. He trained with his father, Henry and specialised in jewels in the Archaeological Revival style (an example of his work is in the collection of the British Museum). He was joined in the business by his son, Carlo (1862-1924) and in 1880, Giuseppe Knight & Son was recorded at 11 via Bisignano. In 1883, the firm received the Royal Warrant (Fornitore di Casa Reale) and in 1884, they displayed a diamond and enamel diadem at the Turin exhibition.For further information on this lot please visit Bonhams.com
Los 9A
Antique Period Attractive 18ct Gold & Enamel Diamond & Pearl Set Exquisite Bracelet, with safety chain set with Turquoise and white enamel decoration with diamond and pearls. One section of enamel - some loss, see photo to confirm, otherwise very good condition. Length 6.5" - 16.25 cm. Weight 17.6 grams.
Loading...-
396323 Los(e)/Seite