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Preisdatenbank abonnierenSILVER AND ENAMEL COMPACT, AND A SILVER CIGARETTE CASE AND OTHER ITEMS including a collection of vintage glasses and a mother of Pearl and feather fanSome damage to the enamel if the compact, stains and residue present to inside, the cigarette case has some dents, tarnishing and scratches present to the outside. The fan appears to be missing a section of the mother of Pearl handle, scratches and residue present to the lenses of the glasses.
CHINESE NYONYA STRAITS PERANAKAN BOWL, LATE 19TH/EARLY 20TH CENTURY decorated with stylised bird in flight, surrounded by blossom, red character mark to base16cm diameterSeveral nibbles and small chips to the upper rim, to with resulting cracks, there are areas of enamel loss though these appear to be under the glaze
Standkreuz mit Dekor und Corpus Christi in roter KoralleHöhe: 40 cm.Trapani, 17. Jahrhundert.Kupfer, getrieben, feuervergoldet, applizierte Koralle und weißes Email. Der Aufbau zweiteilig: Standfuß in abstrahierter Form des Hügels Golgata in dreifacher Buckelung. Vorderseite Korallenbesatz meist in Schuppenform verso vergoldet. Dem Sockel aufgestellt ein ebenfalls vergoldetes Bandkreuz, gerahmt von à jour gearbeieten Korallen, deren Öffnungen kleine Granulationen eingearbeitet sind. An dem Kreuz der Leichnam Chrsiti mit Dornenkranz im Dreinageltypus und wehendem Lendenschurz. Unter dem Corpus Christi ein Engelskopf. Aus den Kreuzungsecken der Balken hervorziehende, weiß emaillierte Volutenansätze. Insgesamt von hoher Schnitzqualität.Literatur:Vgl. Maria Concetta Di Natale, Splendori di Sicilia: arti decorative dal Rinascimento al Barocco, Mailand 2001. (13908183) (13)Decorated standing cross with Corpus Christi in red coral Height: 40 cm.Trapani, 17th century.Copper; chased, fire-gilt, applied coral and white enamel.CITES export restrictions – sale in the EU only.
Vasenpendule66 x 34 x 25,5 cm.Gestempelt „Osmond“ für Robert Osmond (Canisy 1711-1789 Paris, Meister ab 1746).Paris, um 1760-1765.Funktionen: À jour gearbeitete vergoldete Zeiger für Stunden und Minuten, Schlag auf Glocke zur vollen und zur halben Stunde. Ein Pendel und ein Schlüssel vorhanden.Gehäuse: Bronze, gegossen, ziseliert und feuervergoldet. Der mehrstufige Sockel erhebt sich auf annähernd quadratischem Grundriss. An der Unterseite bildet er vier im Grundriss L-förmige Füße mit angedeutetem Mäandermotiv aus. Die darauf folgende hohlkelig eingezogene Zone weist allseitig eine oben halbkreisförmig eingeschnittene Rahmung mit fein punzierter Vierblatt-Füllung auf. An den drei Schauseiten sind üppige, plastisch ausgearbeitete Eichenlaubgirlanden mit Blättern und Früchten aufgehängt, welche in ihrem Ansatz Rosetten entspringen und U-förmig nach unten ausschwingen. Darüber erhebt sich eine glatte, zwei-stufige Sockelplatte, auf der die urnenförmige Vase steht. Deren unten von einem Lorbeertorus umsäumter Fuß ist stark eingezogen mit schräger Kannelierung und mündet in einem Schaftring. Robert Osmond (1711-1789) war ab 1735 als cieseleur-bronzier Lehrling in der Werkstatt von Louis Regnard. 1746 erhielt er seinen Meisterbrief und führte eine Werkstätte in der Rue des Canettes bei Saint Sulpice, bis er 1761 in die vornehmere Rue Macon umziehen konnte. Im Jahre 1766 unterzeichnete er die wichtige Erklärung der Pariser Maitres fondeurs über den Urheberschutz ihrer Modelle. Das Ende seiner beruflichen Tätigkeit ist wohl im Zeitraum zwischen 1770 und 1775 festzusetzen. Sein Inventar wurde 1789 nach seinem Tod erstellt. Ein dem hier angebotenen Exemplar nahestehendes Objekt wird im Musée Condé in Schloss Chantilly in der Nähe von Paris verwahrt. Zifferblatt: Weiß emailliert mit römischen Stunden, arabischen Minuten, Aufzugslöchlein neben der III und der IX, schwarze Signatur „Ferdinand Berthoud“.Literatur:Vgl. Roland de L´Espée. Die Osmond, ein Familienbetrieb und seine Produktion, in: Hans Ottomeyer und Peter Pröschel, Vergoldete Bronzen. Die Bronzearbeiten des Spätbarock und Klassizismus, München 1986, Bd. 2, S. 539-547.Jean-Dominique Augarde, Les ouvriers du temps, Genf 1996, S. 255.Vgl. Svend Eriksen, Early Neo-Classicism in France, London 1874, Abb. 187.Pierre Kjellberg, Encyclopédie de la Pendule francaise du Moyen Age au XX Siècle, Paris 1997, S. 212f.Anmerkung: Vergleichbare Uhren befinden sich in: Cleveland, Museum of Art, Inv.Nr. 1985.11 (publiziert in: Jean-Dominique Augarde, Les ouvriers du temps, Genf 1996, S. 254f.Chantilly, Musée Condé (publiziert in: Hans Ottomeyer und Peter Pröschel, Vergoldete Bronzen. Die Bronzearbeiten des Spätbarock und Klassizismus, München 1986, S. 155, Abb. 3.1.2.). (1390083) (13)Vase pendule66 x 34 x 25.5 cm.Stamped (Osmond), for Robert Osmond (Canisy 1711-1789 Paris, master since 1746).Paris, ca. 1760 – 1765.Case: Bronze; cast, chased and fire-gilt. The multi-tiered base rises from an approximately square layout. It is supported by four L-shaped feet with a hint of a meander motif on its underside. The subsequent hollow-shaped zone features a frame on all sides with semi-circular incisions on the top set with finely punched four-leaved filling. On the three display sides, opulent, three-dimensional oak leaf garlands with leaves and fruit are hung rising at their base from rosettes and swinging downwards in a U-shape. Above this is a smooth, two-tiered base plate which supports the urn-shaped vase. Its base, surrounded by a laurel torus at its foot, is strongly recessed with slanted fluting ending in a shaft ring. Robert Osmond (1711-1789) was an apprentice bronze-caster in the workshop of Louis Regnard from 1735. He became a master in 1746 and ran a workshop in the Rue des Canettes near Saint Sulpice until he was able to move to the more elegant Rue de Mâcon in 1761. In 1766 he signed the important declaration of the Parisian maîtres fondeurs regarding the copyright protection of their models. His professional career probably came to an end between 1770 and 1775. His inventory was made in 1789 after his death. An object close to the example on offer for sale here is held at the Musée Condé in The Château de Chantilly near Paris.Dial: White enamel with Roman hours, Arabic minutes, winding holes next to the III and IX, black signature “Ferdinand Berthoud”.Functions: Openwork gilt hands for hours and minutes, strike on bell on the full and half hour. With pendulum and a key.
Includes a large beautiful Imari Ware charger featuring two village scene, decorated in underglaze blue, iron-red, green and gilt enamel. The second is a smaller plate, featuring a cherry blossom tree, in red, blue, yellow, and green enamels. Blue marking under the small plate. Charger: 16.25"W x 2"H. Plate: 8.75"W x 1"H. Issued: Late 19th - Early 20th centuryCountry of Origin: JapanCondition: Age related wear.
TAG HEUER AQUARACER STAINLESS STEEL QUARTZ WRIST WATCH, the round dial with lume filled hour markers, 39mm case, on a stainless steel bracelet, lacking box and papersMOVEMENT: Not ticking at present. WEAR: Heavily worn. Heavily scratched, loss of enamel to the bezel. DIAL: Fair condition. CRYSTAL/ACRYLIC: Fair condition. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Worn, stretched.
TAG HEUER INDY 500 STAINLESS STEEL QUARTZ WRIST WATCH, the round dial with wedge and Arabic hour markers, 41mm case, on a stainless steel bracelet, lacking box and papersMOVEMENT: Ticking at present. WEAR: Well worn. Enamel missing from bezel. DIAL: Discolouration to the sub dials. CRYSTAL/ACRYLIC: Fair condition. HANDS & MARKERS: Intact. Have been crudely redone.CROWN: Intact. BRACELET/STRAP: Worn.
SUFFRAGETTE INSIGNIA – DEPUTATIONDeputation ribbon, possibly worn at the Black Friday Demonstration on 18 November 1910, woven in purple and green with the word 'Deputation' on white moire silk, hanging from a green enamel badge with 'Deputation.1910' in gold lettering, maker's mark 'Toye 57 Theobalds/ Rd. London' on reverse, some discolouration and marks, frayed at lower edge, 130 x 50mm. (badge 15 x 64mm.), Toye & Co., 1910Footnotes:The most famous Deputation of 1910 was that of 'Black Friday' on 18 November. In January of that year, Emmeline Pankhurst suspended all militant campaigning in anticipation of the approval of the Conciliation Bill, which would give property-owning women the vote. Asquith, more concerned with pushing through his plans to tax the wealthy, called an election in December, which scuppered any chance of the Conciliation Bill being considered. There were already plans for a peaceful Deputation to the House of Commons on Friday 18th November, but after the announcement of the election, tempers were high on both sides and the protesters were refused entry on Asquith's orders. Efforts to storm the House met with brutal force, and the violent treatment of the women by the police, including sexual assault, is well documented in contemporary accounts, epitomised by the image of Ada Wright thrown to the ground by police (her hunger strike medal sold in these rooms June 2023).Provenance: Given by an unidentified suffragette friend to Minnie Elizabeth Marsh (1899-1986, teacher and headmistress) of Birmingham; thence by descent. Minnie became involved in the suffrage movement around the end of World War I and was a key figure in the first women-only teaching union, where she fought for equal pay for women teachers. She was also involved in the Independent Labour Party and the White Poppies for Peace movement.For further information on this lot please visit Bonhams.com
Regulator, 19. Jh.Emaillezifferblatt mit römischen Ziffern. Strenges, zweifarbiges Eichengehäuse. Bimetallpendel, Spindelhemmung, Messingplatinen, Schlüssel vorhanden. Service nötig. 72,5 x 28,5 x 16 cm Regulator, 19th century. Enamel dial with Roman numerals. Strict, two-tone oak case. Bimetallic pendulum, verge escapement, brass plates, key present. Service necessary.
Emailleschild "Kathreiners Malz-Kaffee", 1920erSchild mit Emailleaufschmelzung, polychrom, mit Aufschrift "Trinkt Kathreiners Malz-Kaffee", mittig jeweils oben und unten Loch für Aufhängung. Min. Altersspuren, min. Korrosionsspuren, guter Zustand. 18 x 8 cm Enamel sign "Kathreiners Malz-Kaffee", 1920s Sign with enamel fusion, polychrome, with inscription "Trinkt Kathreiners Malz-Kaffee" (Drink Kathreiner's malt coffee), hole for suspension at top and bottom centre. Minor traces of age, minor traces of corrosion, good condition.
Goldene Herrentaschenuhr, um 1900.Gehäuse Gold 585/1000, Rückdeckel guillochiert mit vakanter Monogramm-Kartusche. Emailzifferblatt, arab. Ziffern, kleine Sekunde bei Ziffer "6". Rotgold vergoldete Louis XV-Zeiger. Aufzugs-und Stellkrone. Innendeckel Metall, Gehäuse-und Werknr. "443518". Vergoldete 3/4 Platine, hochwertiges Werk mit Ankerhemmung, Kompensationsunruh, geschraubten Chatons, gebläuten Schrauben. Platine gemarkt: NRF im Dreieck (Nathan Ruben Fränkel, Würzburg/ Frankfurt a. M., gegründet 1892). Werk läuft sauber an. Grundsätzlich keine Gewährleistung für Gangfähigkeit. D. Gehäuse 48 mm, G. gesamt ca. 81 g. Golden (585/1000) pocket watch, enamel dial, guilloche decoration at reverse. Fine movement, marked NRF (Nathan Ruben Fränkel, Würzburg/ Frankfurt Main). Ca. 1900. We do not provide any guarantee. D. (case) 48 mm, weight in total ca. 81 g.
Schweizer Damenuhr/ Busenuhr, ca. 1890.Savonett-Gehäuse Gold 14 k (585/ 1000), beidseitig schöne Guillochierung und ornamentale Gravur, Monogramm-Kartusche mit "AK", Emailzifferblatt, röm. Ziffern, vergoldete durchbrochene Zeiger, Uhrglas ersetzt? Aufzugskrone bei Ziffer "III". Innendeckel Metall, Gehäuse und Innendeckel num. 246246". Mechanisches Werk mit Zylindergang, 10 Lagersteine, läuft an. Gangfähigkeit/ Funktion nicht zugesichert. D. Gehäuse 33 mm, G. total ca. 29,5 g. Golden ladie's watch, enamel dial, watchcase gold 14 k, nice ornamental engraving, engraved monogram "AK". Mechanical movement, remontoir. No proof of function. Number: 46246. D. ( watchcase) 33 mm, weight in total ca. 29,5 g. Switzerland.
Emailleschild "Maggi", 1920erSchild mit Emailleaufschmelzung, polychrom, mit Aufschrift "Maggis Fleischwürfel", mittig jeweils oben und unten Loch für Aufhängung. Verso Anleitung zur Aufhängung. Min. Altersspuren, guter Zustand. 18,5 x 7,5 cm Enamel sign "Maggi", 1920sSign with enamel fusion, polychrome, with the inscription "Maggis Fleischwürfel" (Maggi's meat cubes), hole in the centre at the top and bottom for hanging. Hanging instructions on the reverse. Minimal signs of age, good condition.
Herrentaschenuhr, 1. H. 20. Jh.Emaillzifferblatt mit arabischen Ziffern, dezentraler Sekunde, Louis XV. Zeiger, Kronenaufzug. Vergoldetes Gehäuse, verziert mit leerem Wappen, guillochiert, in Etui mit Schildpattoptik. Zifferblattrand berieben. Läuft an. D. 50mm Men's pocket watch Enamel dial with Arabic numerals, off-centre second, Louis XV hands, crown winding. Gilt case, decorated with empty coat of arms, guilloché, incase with tortoise shell optic. Dial edge rubbed. Starts.
Flasche, deutsch, 18. Jh.Farbloses Glas mit unverschliffenem Abriss. Oktogonaler Gefäßkörper mit eingezogenen Kanten, in farbigem Opakemail bemalt: Edelfrau mit erhobenem Glas, gegenständig Trinkspruch "VIVAT Mein lieber Schatz". Beschädigt. H. 12,5 cm. Glass bottle with enamel painted decoration, damaged.German, 18th ct. H. 12,5 cm.
Spindeltaschenuhr, Schweiz/ Genf, Terond & Alliez, um 1830/40.Gehäuse Silber (?), Emailzifferblatt mit Datumskreis, sign. "Terond & Alliez", retuschierte Chips, Gehäuse-und Werk-Nr. 8614, vergoldete Platine mit dekorativ durchbrochenem Unruh-Kloben, Platine sign. "Terond & Ant. Alliez", Spindelwerk mit Kette und Schnecke. Funktion nicht geprüft, keine Gewährleistung. Läuft an. D. Geh. 57 mm, mit Schlüssel. Pocket watch in silver (?) case, enamel dial signed "Terond & Alliez", retouchings, mechanical movement, gold plated, signed "Terond & Ant. Alliez", no warranty. Switzerland, ca. 1830/40.
Art decó-Vase, Böhmen, wohl J. Mühlhaus o. H. Pautsch, um 1910.Farbloses Glas, Transparentemailbemalung in stilisiertem floralen Dekor, umlaufende ornamentale Ranke in Gold mit Schwarzlot-Konturen. Ränder vergoldet. H. 21 cm. Art decó vase, glass, enamel paint, probably J. Mühlhaus or H. Pautsch, Bohemia, ca. 1910. H. 21 cm.
Becherglas mit Emailmalerei, Lauscha/ Thüringen, 2. H. 18. Jh.Farbloses Glas, leicht konische Wandung, Abriss unverschliffen. Emaildekor: Edelmann mit Weinkelch sowie Spruch "An der Nase füren gern schlaue Mädchen dumme Herrn". H. 13,5 cm. Glass cup with enamel paint, Lauscha/ Thuringia, 2nd half 18th ct. H. 13,5 cm.
Drei Stängelgläser, Theresienthal, um 1907.Modell Römer 1711. Farblose Kuppa mit umlaufend in grünem Transparentemail mit Schwarzlot gemalter Weinrebenranke, mittig verdickter Schaft, Scheibenfuß. Goldrand. H. 20 cm. Three roemer glass goblets, enamel decoration foliage of vines, gold rim. Theresienthal, ca. 1907. H. 20 cm.
A Tabernacle, finely finished with The Four Evangelists, Cabochons and enamel. Gothic Revival, 19th C.Richly finished with images of the Four Evangelists, in their tetramorph forms. Further with a Lamb of God and Holy Grail. On the interior with embroidered images of Angels. 19th century. Dimensions: (L:54 x W:57 x H:62 cm)
TREMENDOUS VICTORIAN ETRUSCAN REVIVAL SUITE OF JEWELLERY, comprising bangle, fringed brooch and pair of earrings, each featuring a central star set seed pearl within an enamel border, with overlaid beadwork and ropetwist decoration, the bangle and brooch with glazed sections to the reverse, within original fitted purple velvet and satin lined boxIn relatively unworn cndition considering age.Some scratches and discolouration visible to each piece.Enamel in good condition - no losses or signs of repair.All fringes intact.Interior of the box in good condition.Scuffs and wear to the exterior.
DIAMOND AND ENAMEL HEART SHAPED BROOCH, with two central pearls within rose cut diamond borders, with red and white enamel and a pearl border, glazed section to the reverse, unmarkedWell worn. Pearls missing from the border. Enamel in fair condition. Requires cleaning. Weight = 9.1gApprox 25mm high. 26mm wide.
A collection of Continental enamel plaques and mounts, 18th / 19th century, including: various elements from boxes depicting pastoral and Classical figures in landscapes; a roundel decorated with the equestrian monument to Fredrik V in Copenhagen; a box lid depicting a Dervish; two Limoges style plaques with cartouches SPE and SIO; a guilloche enamel box cover centred by a cameo of a Classical maiden; together with a Limoges enamel baluster vase, 19th century, decorated en grisaille with scrolling floral motifs (lot)
An Austrian ormolu portico clock, Vienna, second quarter 19th century, the clock held aloft on fluted columns surmounted with lions, on an oval base with beaded border and stylised foliate rim, on bun feet (one replaced), the white enamel dial with Roman numerals, seconds dial at twelve, indistinctly signed Kaufmann in (Wien), with timepiece movement with dead beat escapement, with pendulum, 38cm high, 25.5cm wide, 20cm deepPlease note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Footnotes: Note: Caspar Kaufmann is recorded as a clockmaker 1815-1852. A fine grande sonnerie Viennese wall clock of month duration by him is illustrated, Frederick Kaltenböck, Die Wiener Uhr, Munchen, 1988, p.210, plate 471.
A silver and enamel combination cigarette case with concealed erotic scene and mirror, late 19th / early 20th century, unmarked, the exterior engraved vacant oval cartouche, the gilded interior with double hinged gilt-metal compartment with an oval plaque with a nude female leaning against a column to one side and a mirror to the other, 9.3 high, 7.8cm wide
A silver and enamel cigarette case with concealed erotic scene, with import marks for Birmingham, 1910, Marks & Cohen (Walter Henry Marks & Samuel Tobias Cohen), the exterior with a vacant shield cartouche, the interior with hinged central panel with a nude leaning on a chair and looking at herself in the mirror, 9.1 high, 8.3cm wide
A George III gilt-brass etui, third-quarter 18th century, the case with repousse decoration of rococo scrolling foliage, Classical figures and masks, enclosing a partially fitted interior with implements including scissors, fruit knife, mathematical compass, bodkin, folding ruler, and pencil holder etc., 9.7cm high; together with a George III Staffordshire gilt-brass mounted enamel etui, with painted panels of Classical figures and putti on a pink ground with white scrolls, lacking interior, 9.8cm high (2)Condition Report: The gilt-brass etui: some tarnishing and verdigris present to the exterior rims of the case and lid and high points of the relief decoration, the press-release lid opening smoothly to reveal a full interior, each implement can be easily removed, metal elements of the implements with rust and tarnishing, the scissors still sharp and can cut through paper, some light marks and dents to the brass metalware. The enamel etui: a section of discoloured restoration to the bottom of the case, the painted vignettes in good condition, the push-release lid opening smoothly, the interior with rust and tarnishing to the brass.
A French gilt-brass grande sonnerie carriage clock, late 19th century, the Anglaise Riche case with swing handle above Corinthian columns, bevelled glass panels, on plinth base with bracket feet, the white enamel dial with Roman numerals, the twin train movement with platform lever escapement, strike/repeat on two gongs, with three-position sonnerie adjustment lever to underside engraved Silent / Quarters Only / Hours and Quarters, with winder, 16cm high (handled not extended), 10.6cm wide, 9.5cm deep Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Condition Report: The brass case with tarnishing throughout. A small crack to the bevelled escapement panel to the top of the case. The escapement platform with some tarnishing. A hairline crack to the top right corner of the enamel face. Each of the bevelled glass side panels with small marks especially to the edges, one panel does not sit tight to the case and rattles from nearby vibrations. Some empty arbor holes to the backplate. Engraved restorer's numbers found to the underside of the case. This clock comes with a key. When wound, the clock is ticking. The quarters strike accurately, the hours do not always strike accurately, the three settings of Silent, Quarters Only and Hours and Quarters are functional and the adjustment lever to the underside is functional. Roseberys do not guarantee the working operation of any timepiece offered for sale.
A George III Staffordshire gilt-brass mounted enamel scent bottle, third quarter 18th century, of flattened flask form, with vignettes of a lady and flowers within gilt scrolling borders on white ground, with gilt-brass stopper on a chain, 9.4cm high; together with an enamel etui or needle case, third quarter 19th century, of cylindrical form, decorated with flaying cards and porcelain, 11.5cm high (2)
A modern French gilt-brass repeating carriage clock, the white enamel dial marked Rapport Fondee en 1900, with Roman and Arabic numerals and three subsidiary dials, with five bevelled glass panels and a swing handle, with platform lever escapement, the backplate marked L'Epee, striking a gong, with winder, 14cm high (handle not extended), 9.3cm wide, 8cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
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