A pair of cloisonné-enamel on porcelain vasesBy Takeuchi Chubei of Nagoya for the Shippo Gaisha Company, Meiji era (1868-1912), late 19th/early 20th centuryEach worked in gilt wire and decorated with an identical all-over design of fantastical creatures frolicking among stylised trailing flowers on an aubergine ground, the mouth painted in underglaze blue with a stylised foliate garland; each signed on the base in gilt Dai Nippon Seizo Shippo Gaisha kojin Takeuchi Chubei (Made by Takeuchi Chubei for the Shippo Gaisha Company, Great Japan). Each vase: 37cm (14½in) high. (2).For further information on this lot please visit Bonhams.com
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A cloisonné-enamel gourd vaseBy Ando Jubei, Meiji era (1868-1912), late 19th/early 20th centuryWorked in silver wire of varying gauge, the lower body with four floriform panels enclosing: (1) Bamboo; (2) Clumps of irises; (3) Plum blossoms; and (4) Chrysanthemums, reserved on a repeated square geometric ground, the top section with roundels enclosing stylised cranes separated by two auspicious characters fuku and ju above a waisted neck of chrysanthemum blossoms, signed on the base in silver wire Ando Jubei within an oval reserve beneath the company mark of Ando Jubei; with a separate, square wood stand. 27.5cm (10 5/8in) high. (2).For further information on this lot please visit Bonhams.com
A black-lacquer five-case inroBy Koma Bunsai, Edo period (1615-1868), mid-19th centuryOf upright form, the rich roiro ground lacquered with scattered maru-ni-mitsugashiwa mon of the Makino family of Tanabe among scattered formal flowerheads, in gold takamaki-e and zogan-nuri, the interior of nashiji with kinji edges, signed in a red gourd-shaped reserve Bunsai; with a gilt metal and enamel filigree ojime; unsigned. 9.5cm (3¾in) high.Footnotes:Provenance:Edward Gilbertson Collection.R. A. Pfungst Collection.Demaree and Dorothy Bess Collection.Charles A. Greenfield Collection, no.205.Sold at Eskenazi Ltd., London, 1990.Edward Wrangham Collection, no.2001.Published:Harold P. Stern, The Magnificent Three, Lacquer, Netsuke and Tsuba, New York, Japan Society, 1972, inro no.30.A. J. Pekarik, Japanese Lacquer, 1600-1900, New York, The Metropolitan Museum of Art, 1980, no.45.E. A. Wrangham, The Index of Inro Artists, Alnwick, Northumberland, Harehope Publications, 1995, p.32, Bunsai, Koma, right.Exhibited:Burlington Fine Arts Club, London, 1894, case XIII, no.31A.Japan Society Gallery, New York, 1972.Metropolitan Museum of Art, New York, 1980.The technique used on the smaller mon is zogan-nuri, which simulates cloisonné enamel by applying fine gold or silver wire.For further information on this lot please visit Bonhams.com
A gold-lacquer and Shibayama-inlaid tanto koshira-e (ornamental mounting for a short sword)Meiji era (1868-1912), late 19th/early 20th centuryThe scabbard and hilt of kinji lacquer with details of togidashi maki-e, elaborately inlaid in typical Shibayama style encrustations with an ornate basket of ikebana suspended from the branch of a flowering cherry tree on one side and a pair of mandarin ducks inlaid in high relief cloisonné-enamel swimming beneath wisteria and cherry branches on the reverse, the tsuka (hilt or handle) embellished with a different vase of ikebana, the kashira (pommel at the tip of the tsuka), fuchi-gashira (hilt pommel and collar) and kojiri (decorative ornament at the base of the scabbard) of silver, applied with formal foliate designs in coloured enamels; the blade of hirazukuri form and plain; unsigned. Total length: 36.3cm (14 1/8in).This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Five assorted modern table lamps, including a three light lamp, silvered metal and off white enamel painted, 62.5cms high, and a brass standard reading lamp, 120cms high (6) Condition Report: All with wear from use- brass Corinthian shaped lamp with vertical splits These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
Decorative table ware including a Dupont long table lighter, 14cms long; Dunhill blue lapis lighter, Pequinet travel watch, two burr wood cigarette boxes, Jaipur enamel elephant and small quantity of silver plate (quantity) Condition Report: No cases or paperwork with lighters. Dupont- good- mild wear Dunhill- some wear from use and colour bleed to edges elephant- fritting and enamel losses Pequinet- not working 44314 126 Boxes generally fair- larger with losses Plate- some tarnishing and wear Condition Report Disclaimer
A cloisonné enamel 'bajixiang' box and coverLate Ming DynastyThe slightly domed cover enamelled in the centre with a medallion enclosing a Sanskrit letter om, surrounded by the auspicious Eight Buddhist Emblems amongst stylised floral scrolls on a bright turquoise ground, the vertical sides of the cover decorated with a multi-coloured band of ruyi-heads borne on foliate scroll, a similar band of floral scrolls on the side of the box. 20.4cm (8in) diam. (2).Footnotes:明晚期 掐絲琺瑯八吉祥紋圓蓋盒A related combination of the Eight Buddhist Symbols, bajixiang, and scrolling lotus can be seen on a smaller cloisonné enamel circular box and cover (11.4cm diam.) with a Jingtai mark in the Uldry Collection, see H.Brinker and A.Lutz, Chinese Cloisonné: The Pierre Uldry Collection, Zürich, 1985, no.79. The more generous dimensions of the present lot allow for the addition of a central medallion containing the meditative 'om' character, further enhancing the Buddhist theme of the piece.For further information on this lot please visit Bonhams.com
A cloisonné enamel cup standLate Ming DynastyThe circular dish with a central raised plinth to hold a small cup foot, encircled with flower-petal lappets, enamelled with scrolling lotus on a turquoise ground, surrounded by a band of various flowers on a white ground, the everted rim with further floral scrolls on a turquoise ground. 16.4cm (6 1/2in) diam.Footnotes:明晚期 掐絲琺瑯番蓮紋盞托Compare with a related cloisonné enamel cup stand, decorated with lotus and chrysanthemums, 16th century, illustrated in Chinese Cloisonné: The Pierre Uldry Collection, London, 1989, no.82.For further information on this lot please visit Bonhams.com
A cloisonné enamel baluster vase, Hu17th century Well cast with a globular body supported on a spreading foot rising to a waisted neck, set with a pair of taotie ring-handles at the shoulder, brightly and lavishly enamelled around the exterior with shaped panels containing auspicious birds in a garden setting, all reserved on a turquoise ground decorated with cracked-ice and flowers, between bands of further floral motifs and grape vines. 38cm (15in) high.Footnotes:十七世紀 銅胎掐絲琺瑯開光花鳥紋活環耳壺Provenance: an English private collection來源:英國私人收藏Compare with a related cloisonné enamel baluster vase, Kangxi, illustrated by Beatrice Quette, ed., Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties, London, 2011, p.259, no.69.For further information on this lot please visit Bonhams.com
A cloisonné enamel 'lotus' vase, hu17th century Brightly decorated around the pear-shaped body with bands of large Indian-lotus heads borne on scrolling leafy stems reserved on a turquoise-blue ground, set at the shoulder with two large gilt-bronze lion-mask handles suspending loose rings, all supported on a tall spreading foot. 50cm (19 3/4in) high.Footnotes:十七世紀 銅胎掐絲琺瑯纏枝蓮紋壺Compare with a similar vase, 17th century, illustrated by B.Quette, ed., Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties, New York, 2011, p.258, no.68.See a similar, smaller cloisonné enamel 'lotus' vase, 17th century, which was sold at Sotheby's Hong Kong, 7 April 2015, lot 3727.For further information on this lot please visit Bonhams.com
An imperial cloisonné and champlevé enamel 'phoenix' ice chestQianlong/JiaqingOf square section with straight sides tapering to the base, divided into three horizontal registers by two raised ribs, the middle section enamelled with shou medallions within a foliate sunburst, flanked by a pair of formal lotus flowers, the top and bottom registers each with pairs of confronted red phoenixes centred on a blue bat grasping a wan character in its mouth, all reserved on a dense foliate turquoise-blue ground, two sides set with gilt-bronze C-shaped handles, the interior with a fitted metal liner, wood stand. 34 x 68 x 68 cm (13 3/8 x 26 7/8 x 26 7/8 in) (2).Footnotes:清乾隆/嘉慶 御製銅胎掐絲及內填琺瑯福壽瑞鳳紋冰盒Provenance: a European private collection, acquired from Anna Puchar del Bello in 1968, who inherited it from her father, a captain on a Trieste-based merchant ship that often travelled to the Asia.來源:歐洲私人收藏,現藏家於1968年購自一名往返於意大利里雅斯特與亞洲間商船船長之女,Anna Puchar del BelloImpressive in size and its magnificent detailed design, the decorative combination of auspicious motifs such as phoenixes, bats and shou characters on a dense foliate scroll indicate that it most likely was intended for the emperor's chambers. A related cloisonné enamel ice chest, Qianlong mark and of the period, but decorated with foliate lotus scrolls, is illustrated in The Complete Collection of Treasures of the Palace Museum: Metal-bodied Enamel Ware, Hong Kong, 2002, pl.129.Ice chests were filled with ice and used in the Qing palaces during the hot summer months to cool drinks and food, as well as cooling the surrounding area. In winter ice blocks were cut from the Inner Golden River and were stored in the five ice vaults in the Forbidden City near the Gate of the Great Ancestors. During the period from the first day of the fifth month to the twentieth day of the seventh month specific members of the imperial Household Department received an allocation of two blocks of ice per day. The pierced covers of the ice box allowed cool air to escape, which would then be fanned into the rooms by servants. Large ice chests of this type derive from wooden prototypes lined with a metal such as lead; see an example in the Victoria and Albert Museum, London, illustrated by C.Clunas, Chinese Furniture, London, 1997, p.99, pl.89. The form and horizontal gilt-metal ribs are examples of the original wooden structure that have been retained, along with the transportable nature of these chests represented by in the sturdily-constructed handles.Compare with a related cloisonné enamel ice chest, Qianlong, which was sold at Christie's New York, 20 0ctober 2004, lot 601.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A very large cloisonné enamel 'phoenix' dish19th centuryThe interior decorated with a phoenix perching on a prunus branch issuing from jagged rocks amid sprays of blossoming peonies and hovering magpies, all on a brick-red ground, the reverse with further sprays of peonies, lotus, prunus and chrysanthemums on a vibrant turquoise ground. 55cm (21 5/8in) diam.Footnotes:十九世紀 掐絲琺瑯鳳紋大盤Provenance: Nagel, Stuttgart, 30 October 2013, lot 705.A European private collection來源:德國納高,2013年10月30日,拍品編號705歐洲私人收藏For further information on this lot please visit Bonhams.com
A cloisonné enamel 'dragon' incense stick-holderLate Qing DynastyThe gilt-copper and cloisonné enamel incense burner composed of eight detachable parts, featuring a winged coiled dragon raising from and resting on a dome of turbulent waves supported on a splayed pedestal, with a ferocious expression and open fangs issuing a cluster of vaporous and colourful ruyi supported on a curling stem. 38cm (15in) high.Footnotes:清晚期 掐絲琺瑯飛龍式蠟台Provenance: a European private collection來源:歐洲私人收藏Compare with a similar cloisonné enamel dragon incense stick-holder, late Qing dynasty, illustrated in the Compendium of Collections in the Palace Museum: Enamels, 4, Beijing, 2011, p.360, no.290. See also another pair of similar cloisonné enamel dragon incense stick-holders, late Qing dynasty, illustrated in the Chinese Export Art in the Hermitage Museum, Late 16th-19th Centuries, St. Petersburg, 2003, pp.94-95, no.107.For further information on this lot please visit Bonhams.com
An Imperial-Tribute painted enamel famille rose lime-green ground trayQianlong red-enamelled four-character mark and of the periodThe quatrelobed tray decorated with scattered foliate floral sprays around a central melon spray beside two butterflies, the sides with foliate floral scrolls, the underside white enamelled with the red enamelled mark in the centre within a double square. 18cm (7 1/16in) wide.Footnotes:清乾隆 銅胎綠地畫琺瑯瓜蝶紋海棠式淺盤紅料「乾隆年制」楷書款Provenance: a Spanish private collection, and thence by descent來源:西班牙私人收藏,並由後人保存迄今The present lot was part of the Imperial Tribute production in Guangdong for the Qing court. The form and decoration of the lobed dish imitate those produced in porcelain such as a pair of famille rose lime-green ground quatrefoil dishes, Qianlong iron-red seal marks and of the period, which was sold at Christie's New York, 19 September 2006, lot 418.The melon, gua (瓜), because of its many seeds, became a symbol of progeny. Together with butterflies, die (蝶), which is a homophone for another type of melon, die (瓞), a rebus is created for 'The blessing of ceaseless generations of sons and grandsons', guadie mianmian (瓜瓞綿綿). This blessing originates from a line in a poem included in the 'Classic of Poetry', Shi Jing (詩經), China's most ancient anthology of poetry.For further information on this lot please visit Bonhams.com
A rare green enamelled incised 'dragon' dishHongzhi six-character mark, 17th centuryEnamelled and incised in the interior with a writhing five-clawed dragon, the exterior with a further two striding green dragons. 18cm (7 1/8in) diam.Footnotes:十七世紀 綠彩刻龍紋盤青花「大明弘治年製」楷書款Provenance: Montague L. Meyer collection, no.352 (label)Sotheby's London, 10 July 1951, lot 109Robert Stanley Hope Smith (1910-1979), collection no.V16, and thence by descent來源:英國Montague L. Meyer舊藏,藏品編號352(標籤)倫敦蘇富比,1951年7月10日,拍品編號109Robert Stanley Hope Smith舊藏(1910-1979),藏品編號V16,並由後人保存迄今A similar dish from the Hongzhi period of the same size and shape but with the dragon surrounded by waves, deeply incised and covered with a pale-green enamel, is illustrated by R.Krahl, Chinese Ceramics from the Meiyintang Collection, vol.2, London, 1994, pl.693. See also a Hongzhi dish in the National Palace Museum, Taipei, published in Minji meihin zuroku, vol.II, Tokyo, 1977, pl.82, also with the dragon-and-cloud design.A similar green dragon dish with Hongzhi mark, Kangxi period, was sold at Sotheby's Paris, 11 June 2009, lot 169.The Robert Stanley Hope Smith CollectionRobert Stanley Hope Smith, known to friends and family as Stanley, was born on 13th December 1910 in Horton, Bradford. During the 2nd world war he served with his local Home Guard Regiment. He was a solicitor and partner at Browning Oliver and Smith in Bradford and was known to have worked closely with the refugee Polish community which settled there in the late 1940s and early 50s, helping them establish a future within the city that still prospered with a textile industry.He married Joan Shelton, a schoolteacher, on 4th September 1946, bought a small semi-detached house, Colwyn, Park Mount Avenue in Baildon and had one son, John.According to his diary he began collecting 'Famille Rose' and 'Famille Verte' pieces in 1946 from local auction houses, shops and privately in Harrogate, Leeds and Bradford. His wife Joan also shared his passion and they made further purchases on weekend trips to country houses and antique fairs.He made his first Sotheby's purchase via absentee bid on 2nd October 1950 and on the 15th December the same year was elected a member of the Oriental Ceramic Society. In 1959 Frank Davis, another north of England OCS member, wrote to say that he would surely be welcomed by the 'learned lot' in London but it is unlikely Stanley ever made it there because of the disability that made travel difficult.Over the following decades he was delighted to acquire pieces from well-known collections formed by Lord Cunliffe, Montague Meyer, Leonard Gow, along with OCS exhibition pieces. What may have not been key pieces for them became the core of his collection.Stanley and Joan lived an unassuming life, intellectually stimulated by eclectic subscriptions to periodicals. He played the organ at church services in Baildon, watched his son play rugby for his school and county, and on summer afternoons tended his allotment. They loved the Yorkshire Dales, visiting country houses, occasionally staying in hotels in the Lake District. On Sundays they drove a specially adapted Jaguar across the Yorkshire moors.Members of their family were the few fortunate enough to see the porcelain collection displayed in the back room of Colwyn on a dresser alongside the piano and harpsichord. They assumed that Stanley collected even broken pieces of Chinese pottery because they were all that he could afford, unaware that Kintsugi was key to his passion, for he had suffered from polio as a child and walked with a cane.Stanley died in November 1979. Joan remained a member of the Oriental Ceramic Society for the rest of her life. In later years her grandchildren remember her reading to them in front of an open fire from auction catalogues, OCB periodicals and Oriental art study books, teaching them about the Chinese dynasties and their dates while referring to the pieces still on display in the back room where they had remained undisturbed for the previous 45 years. She died in 2000 and the collection was subsequently put into storage. The family has decided that the time has come for others to enjoy and admire the collection and hope that it will bring as much pleasure as it did for Stanley and Joan.For further information on this lot please visit Bonhams.com
A very rare famille rose 'butterflies and peonies' dishYongzheng six-character mark and of the periodThe dish finely potted with gently curving sides rising from a short inward-tapering foot to a slightly everted rim, delicately enamelled with two butterflies fluttering in mid-air beneath a branch of flowering peony blossoms. 20cm (7 7/8in) diam.Footnotes:清雍正 粉彩過枝花蝶紋盤青花「大清雍正年製」楷書款Provenance: Bluett & Sons, London (label), circa 1924 - 1930Sotheby's London, 24 July 1951, lot 161Robert Stanley Hope Smith collection (1910-1979), collection no.R32, and thence by descentWe would like to thank Dominic Jellinek for providing further information on the Bluett's provenance.來源:約1924至1930年間,購自倫敦古董商Bluett & Sons(標籤)倫敦蘇富比,1951年7月24日,拍品編號161Robert Stanley Hope Smith(1910-1979)舊藏,藏品編號R32,並由後人保存迄今The blossoming peony branches on the outside extend over the rim of the dish continuing well into the interior. This decorative pattern, known as 'guozhi 過枝' (overextended branches), is a homophone of the phrase 'guozhi 國治', meaning prolonged peace under good government. It was first developed towards the end of the Ming dynasty, and later became popular during the Yongzheng reign. It was especially favoured at court which is shown in Imperial examples such as a larger dish (29.5cm) with peach flower design in the Baur Collection, illustrated by J.Ayers, The Baur Collection, vol.IV, Geneva, 1974, A589; and a charger (50.1cm) in the Palace Museum, Beijing, illustrated in Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, p.67.See a closely related dish with butterflies and peonies design, Yongzheng six-character mark and period, which was sold at Christie's London, 7 November 2017, lot 275.The Robert Stanley Hope Smith CollectionRobert Stanley Hope Smith, known to friends and family as Stanley, was born on 13th December 1910 in Horton, Bradford. During the 2nd world war he served with his local Home Guard Regiment. He was a solicitor and partner at Browning Oliver and Smith in Bradford and was known to have worked closely with the refugee Polish community which settled there in the late 1940s and early 50s, helping them establish a future within the city that still prospered with a textile industry.He married Joan Shelton, a schoolteacher, on 4th September 1946, bought a small semi-detached house, Colwyn, Park Mount Avenue in Baildon and had one son, John.According to his diary he began collecting 'Famille Rose' and 'Famille Verte' pieces in 1946 from local auction houses, shops and privately in Harrogate, Leeds and Bradford. His wife Joan also shared his passion and they made further purchases on weekend trips to country houses and antique fairs.He made his first Sotheby's purchase via absentee bid on 2nd October 1950 and on the 15th December the same year was elected a member of the Oriental Ceramic Society. In 1959 Frank Davis, another north of England OCS member, wrote to say that he would surely be welcomed by the 'learned lot' in London but it is unlikely Stanley ever made it there because of the disability that made travel difficult.Over the following decades he was delighted to acquire pieces from well-known collections formed by Lord Cunliffe, Montague Meyer, Leonard Gow, along with OCS exhibition pieces. What may have not been key pieces for them became the core of his collection.Stanley and Joan lived an unassuming life, intellectually stimulated by eclectic subscriptions to periodicals. He played the organ at church services in Baildon, watched his son play rugby for his school and county, and on summer afternoons tended his allotment. They loved the Yorkshire Dales, visiting country houses, occasionally staying in hotels in the Lake District. On Sundays they drove a specially adapted Jaguar across the Yorkshire moors.Members of their family were the few fortunate enough to see the porcelain collection displayed in the back room of Colwyn on a dresser alongside the piano and harpsichord. They assumed that Stanley collected even broken pieces of Chinese pottery because they were all that he could afford, unaware that Kintsugi was key to his passion, for he had suffered from polio as a child and walked with a cane.Stanley died in November 1979. Joan remained a member of the Oriental Ceramic Society for the rest of her life. In later years her grandchildren remember her reading to them in front of an open fire from auction catalogues, OCB periodicals and Oriental art study books, teaching them about the Chinese dynasties and their dates while referring to the pieces still on display in the back room where they had remained undisturbed for the previous 45 years. She died in 2000 and the collection was subsequently put into storage. The family has decided that the time has come for others to enjoy and admire the collection and hope that it will bring as much pleasure as it did for Stanley and Joan.For further information on this lot please visit Bonhams.com
A pair of famille rose 'ladies' dishesYongzhengEach potted with shallow rounded sides rising to an everted rim, the interior finely painted with a seated lavishly dressed lady painting a leaf by a table, her attendant holding a floral fan to her side, a group of lingzhi stems, fly whisk and incense burner resting on the gilt stand behind them, one dish with brush, ingot and ruyi-sceptre maker's mark. Each 19.7cm (7 3/4in) diam. (2).Footnotes:清雍正 粉彩仕女圖折沿盤一對其一 青花「筆錠如意」花押款Provenance: Leonard Gow (1859-1936), Glasgow, no.411Sotheby's London, 15 December 1950, lot 47Robert Stanley Hope Smith (1910-1979), collection no.R31, and thence by descentPublished: R.L.Hobson, Catalogue of the Leonard Gow Collection of Chinese Porcelain, London, 1931, p.101Exhibited: Glasgow Art Galleries & Museums, Reg.No.E6-'36rs and E6-'36rt (labels)來源:英國格拉斯哥Leonard Gow(1859-1936)舊藏,藏品編號411倫敦蘇富比,1950年12月15日,拍品編號47Robert Stanley Hope Smith(1910-1979)舊藏,藏品編號R31,並由後人保存迄今出版:R.L.Hobson,「Catalogue of the Leonard Gow Collection of Chinese Porcelain」,倫敦,1931年,頁101展覽:格拉斯哥美術館及博物館,編號E6-'36rs及E6-'36rt(標籤)Leonard Gow (1859-1936), born in Glasgow, Scotland, was the son of a shipping magnate also called Leonard Gow (1824-1910), who established the Glen Line to trade between London, Singapore, China and Japan. Leonard junior eventually became the senior partner in the shipping company Gow, Harrison & Co., a director of Burmah Oil, and chairman of several other companies. A noted philanthropist, Gow established in 1919 a lectureship in the Medical Diseases in Infancy and Childhood at Glasgow University, where he had studied moral philosophy. Glasgow University presented Gow with an honorary doctorate degree in law in 1934. Gow built one of the finest collections of Qing ceramics in the early years of the 20th century, which gained international recognition through a series of ten articles by R.L.Hobson in The Burlington Magazine and through Hobson's catalogue, which Gow published privately in a limited edition of 300 copies in 1931. Part of his collection was exhibited in the Glasgow Art Gallery.One dish has an underglaze-blue mark of a brush (bi), an ingot (ding) and a ruyi-sceptre, tied with ribbons, forming the rebus bi ding ruyi signifying 'may all certainly be as you wish'.Compare with a slightly smaller dish (17.1cm) in the Palace Museum collection, Beijing, illustrated in Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, p.74. See two other dishes in the Victoria and Albert Museum, London, nos.640-1907 and 649-1907.Compare with a very similar famille rose 'ladies' dish, Yongzheng, which was sold at Sotheby's London, 17 November 2017, lot 213.The Robert Stanley Hope Smith CollectionRobert Stanley Hope Smith, known to friends and family as Stanley, was born on 13th December 1910 in Horton, Bradford. During the 2nd world war he served with his local Home Guard Regiment. He was a solicitor and partner at Browning Oliver and Smith in Bradford and was known to have worked closely with the refugee Polish community which settled there in the late 1940s and early 50s, helping them establish a future within the city that still prospered with a textile industry.He married Joan Shelton, a schoolteacher, on 4th September 1946, bought a small semi-detached house, Colwyn, Park Mount Avenue in Baildon and had one son, John.According to his diary he began collecting 'Famille Rose' and 'Famille Verte' pieces in 1946 from local auction houses, shops and privately in Harrogate, Leeds and Bradford. His wife Joan also shared his passion and they made further purchases on weekend trips to country houses and antique fairs.He made his first Sotheby's purchase via absentee bid on 2nd October 1950 and on the 15th December the same year was elected a member of the Oriental Ceramic Society. In 1959 Frank Davis, another north of England OCS member, wrote to say that he would surely be welcomed by the 'learned lot' in London but it is unlikely Stanley ever made it there because of the disability that made travel difficult.Over the following decades he was delighted to acquire pieces from well-known collections formed by Lord Cunliffe, Montague Meyer, Leonard Gow, along with OCS exhibition pieces. What may have not been key pieces for them became the core of his collection.Stanley and Joan lived an unassuming life, intellectually stimulated by eclectic subscriptions to periodicals. He played the organ at church services in Baildon, watched his son play rugby for his school and county, and on summer afternoons tended his allotment. They loved the Yorkshire Dales, visiting country houses, occasionally staying in hotels in the Lake District. On Sundays they drove a specially adapted Jaguar across the Yorkshire moors.Members of their family were the few fortunate enough to see the porcelain collection displayed in the back room of Colwyn on a dresser alongside the piano and harpsichord. They assumed that Stanley collected even broken pieces of Chinese pottery because they were all that he could afford, unaware that Kintsugi was key to his passion, for he had suffered from polio as a child and walked with a cane.Stanley died in November 1979. Joan remained a member of the Oriental Ceramic Society for the rest of her life. In later years her grandchildren remember her reading to them in front of an open fire from auction catalogues, OCS periodicals and Oriental art study books, teaching them about the Chinese dynasties and their dates while referring to the pieces still on display in the back room where they had remained undisturbed for the previous 45 years. She died in 2000 and the collection was subsequently put into storage. The family has decided that the time has come for others to enjoy and admire the collection and hope that it will bring as much pleasure as it did for Stanley and Joan.For further information on this lot please visit Bonhams.com
A puce-enamelled blue and white 'Eight Immortals' bowlGuangxu six-character mark and of the periodSturdily potted with the rounded sides painted to the exterior with the Eight Immortals with their attributes in underglaze-blue, reserved on a ground of puce-enamel waves, above a key-fret band around the foot, the centre of the interior similarly decorated with Shoulao holding a staff beside a deer with a lingzhi spray in its mouth among crested waves below scrolling clouds, hardwood stand. 22.1cm (8 ¾ in) diam. (2).Footnotes:清光緒 青花胭脂紅八仙大盌青花「大清光緒年製」楷書款Provenance: a UK private collection, acquired in Hong Kong prior to 1970.來源:英國私人收藏,現藏家於1970年以前購自香港A related Guangxu-marked bowl of the same pattern is illustrated by G. Avitable, From the Dragon's Treasure, London, 1987, p.103, pl.148.Compare with another very similar bowl, Guangxu mark and of the period, which was sold at Christie's New York, 15 September 2011, lot 1628.For further information on this lot please visit Bonhams.com
A pair of very rare imperial gilt-lacquer and mother-of-pearl-inlaid display cabinetsYongzheng/Qianlong One cabinet with nine variously proportioned and positioned open compartments, the other with eight compartments, all framed within black and gold lacquer friezes superbly embellished with mother-of-pearl inlays with an elaborate decoration of lotus flowerheads amidst dense foliage, the interior coated with dark green lacquer, meticulously enriched with lotus blossoms borne on meandering foliate scrolls, all raised on four legs linked by a lower frieze. Each 168.1cm (66 1/4in) high x 70.1cm (27 5/8in) wide x 32.2cm (12 3/4in) deep. (2).Footnotes:清雍正/乾隆 御製黑漆描金嵌螺鈿花卉紋多寶格一對Provenance: Livio Borghese (1874-1939), 11th Prince of Sulmona, Prince of Rossano, Prince of Vivaro, Prince of Montecompatri, Duke of Palombara, Duke of Poggio Nativo and Castelchiodato, head of the House of Borghese, Italy, and thence by descent來源:意大利蘇爾莫納第十一任親王,羅薩諾親王,維瓦羅親王,蒙泰孔帕特里親王,帕隆巴拉公爵,波其奧納蒂沃及卡斯特爾基奧達托公爵,意大利博爾蓋塞眾議院議長,利維奧·博爾蓋塞(1874-1939)舊藏,並由後人保存迄今Prince Livio Borghese was an Italian diplomat from the end of the 19th century until his death in 1939, serving in China, the Ottoman Empire and other European countries. It is likely that the present lot was acquired during his service in China. His elder brother Prince Scipione Borghese (1871-1927), 10th Prince of Sulmona, was famous for winning the 'Peking to Paris' car race in 1907.The present pair of cabinets belongs to an exclusive group of lacquer furniture manufactured for Imperial consumption, decorated in the virtuoso technique of mother-of-pearl inlay, with the incorporation of gold and silver foil. While the use of the mother-of-pearl inlay on lacquer, employed throughout the Ming dynasty, became very popular during the Kangxi period, the gilt decoration on lacquer became more prevalent from the Yongzheng period. The spectacular visual effect, resulting from the combination of the brilliant gilding and the endless shades of pink, purple and green iridescences, reveals the exceptional dexterity of the imperial craftsmen. Compare the scrolling floral borders, executed in gilding and mother-of-pearl inlays, decorating an imperial black-lacquer throne and matching screen, both dated to the third quarter of the 17th century, from the Museum of Asian Art, Berlin, illustrated in Im Zeichen Des Drachen, Stuttgart, 2007, pp.202-204.Openwork display cabinets, known as duobaoge or 'curio cabinet of many treasures', developed and reached the height of popularity during the 18th century gracing the Imperial halls. The carefully designed asymmetrical and irregular compartments are characteristic of the duobaoge developed in the early Qing period. Such cabinets would have been used to display precious objects including ceramics, jade carvings, cloisonné enamel and archaic and later bronzes.A related double-pair of mother-of-pearl-inlaid red and green lacquer cabinets, mid Qing dynasty, from the Qing Court Collection, is in the Chuxiugong 'Hall of Gathered Elegance' in the Forbidden City. Each cabinet is placed side by side with another to make a pair, and each pair is placed in a different part of the Imperial hall. The present lot of one such pair of cabinets would almost certainly have formed part of the same suite of display cabinets; see Classics of the Forbidden City: Inlaid Furniture, Beijing, 2013, pl.24 (showing one such pair of cabinets); and Ming Qing Gongting Jia Zhu Da Guan, vol.II, Beijing, 2006, pp.696-697, pls.798-1 and 798-4 (showing the double pairs of cabinets in the Chuxiugong).Compare to a related pair of Imperial mother-of-pearl-inlaid red and gilt-green lacquer cabinets, Mid Qing dynasty, which was sold at Bonhams Hong Kong, 29 May 2018, lot 32.For further information on this lot please visit Bonhams.com
A pair of rare large cinnabar lacquer double-gourd 'Daji' vasesQianlongBoth vases with slightly flattened sides and narrow waist, rising from rectangular feet detailed with narrow bands, the upper bulbs set with a central medallion to either side enclosing the Da character on a gilt-lacquer ground bordered by mother-of-pearl, the lower bulb with a Ji character within similarly decorated medallions, all reserved on finely carved scrolling lotus blooms and the Eight Buddhist Emblems, bajixiang, on a wan diaper ground, attached zitan stands. 48cm (18 7/8in) high. (2).Footnotes:清乾隆 剔紅纏枝花卉紋「大吉」葫蘆瓶一對Provenance: William Morton Eden, 5th Baron Auckland (1859-1917), Kitley House, Yealmpton (label)A French private collection來源:英國亞姆頓,凱特利大宅,第五代奧克蘭勳爵William Morton Eden(1859-1917)(標籤)法國私人收藏Kitley House, Yealmpton, which belonged to the Pollexfen Bastard family, was rented by William Morton Eden, 5th Baron Auckland (1859-1917) between 1900 and his death in 1917. The Barons Auckland are members of the prominent Eden family, which included George Eden, Baron Eden, 1st Earl of Auckland and 2nd Baron Auckland (1784-1849), who as Governor-General of India (1836-1842) was responsible for the war in Afghanistan and deployed forces to China in the First Opium War.The present pair of vases encapsulate the highest standards achieved in Imperial production of lacquerware during the period of the Qianlong emperor. The style developed under the ruler's guidance at the Imperial workshops is easily recognisable in its combination of opulence and carving precision. The characters Da Ji express the wish for good fortune and are frequently used to decorate objects bearing a double-gourd shape. The bottle gourd itself is associated with the Daoist Immortals, particularly with Li Tieguai who used the gourd as a container for medicine. The pairing of the bottle gourd with the Da Ji characters thus creates a particularly auspicious object.Double-gourd vases of slightly flattened form and inlaid with mother of pearl are quite rare. Compare with a related cinnabar-lacquer 'double-gourd' vase, late 18th century, decorated with medallions enclosing the Da Ji characters in gilt metal on a blue enamel ground in the Victoria and Albert Museum, London, illustrated by E.F.Strange, Catalogue of Chinese Lacquer, London, 1925, no.33, pl.XV.See one cinnabar lacquer double-gourd 'Daji' vase, 18th century, which was sold at Christie's New York, 13-14 September 2012, lot 1298.For further information on this lot please visit Bonhams.com
An Early 19th Century French Ormolu Mantle Clock by Raingo Freres Paris, the putti surmount with game to include fish, boar and pheasant above a circular enamel dial with Arabic and Roman numerals flanked by porcelain panels depicting putti within a gilt and blue border, 45 cms long, 33 cms high
A VICTORIAN MOURNING BROOCH the heart shaped diamond, enamel and half pearl set front applied to bar brooch fitting, comprising a central small half pearl, rose cut diamond surround, basse-taille purple enamel with border cloisonné white enamel, two small button shaped pearls to bar, the central heart with compartment to reverse containing plaited hair, engraved to sides with A.F. FEB. 6. J.F MARCH 1 1895, measuring 3.5cm long, hinge pin and loop brooch fitting to reverse, complete in box, gross weight 6.0 grams, yellow metal unmarked Condition Report : Condition: good overall, note some losses to purple enamel Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A VICTORIAN MOURNING HAIR RING with gold shield front reading '1846', together with a pear shaped friendship locket with white enamelled names each side and photographs to back and front Condition Report : Condition: ring hair frayed, locket with enamel losses and some denting Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A LADIES 15 CARAT GOLD FOB/SMALL POCKET WATCH white enamel dial, roman numerals, top winding brass bar lever movement, hallmarked 15 carat gold, London import mark, 1907, gross weight (including movement) 26.0 grams Condition Report : Condition: good, case minor scratches/wear and tear only, movement currently in working order Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A 9 CARAT GOLD FOB WATCH the small fob watch with white enamel dial, Arabic numerals, case size 30mm, floral decorated back, initialled central cartouche, marked 9K to outer cover, note brass inner cover, top winding bar movement (not working), gross weight including movement 18.9 grams Condition Report : Condition: movement not working, some scratches and dents, dial good Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A GEORGIAN SILVER PAIR CASE the outer case with clear hallmarks for Birmingham, 1819, script initials for TF, matching inner pair case, note hallmarks rubbed, brass fussee movement, marks CC Skarratt London, movement number 15788, pierced floral balance cock with grotesque mask, outer case size 55mm Condition Report : Condition: fine hair line cracks to white enamel dial edge, some denting to case, movement untested Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A SILVER AND ENAMEL PAIR OF COMPACT AND PILL BOX with applied silver Royal Marine crest, the royal blue cloisonné with a Royal Marine stripe to centre, silver hallmarks for Birmingham 1933, makers mark John William Barrett, compact 8cm diameter, pill box 4cm diameter, total gross weight approx. 4.0 ozt (127 grams) Condition Report : Condition: silver in good condition, some chips to royal blue enamel (one chip to edge of compact and large chip to edge of pill box) Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
AN EDWARDIAN BRASS MOUNTED 8-DAY MANTLE CLOCK the mahogany case with marquetry inlaid decoration, the 6' enamel dial with marquetry inlaid decoration inscribed 'GOLDSMITHS COMPANY 112 REGENT ST LONDON PARIS MADE', the movement striking on a coiled gong, stamped 'VINCENTI', 29cm wide 35cm high
GUCCI WEB LINE WALLET, classic GG monogram, centre navy and red canvas stripe. One side opens to a purse department for coinage covered by a navy leather closing flap, the other side is fastened by a navy blue and gilt enamel unique GG clasp which reveals slip pockets for cash notes. unused condition 8.5 cm x 17.5 cm The purse is contained within a Gucci retail paper bag with paper seal

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