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396323 Los(e)/Seite
A late 19th century brass and agate strutt clock, retailed by Carlisle and Watts, Hanover Street, Edinburgh, the oval clock with painted and applied jade foliage, the enamel dial with black Roman numerals 21½ x 17½cm (8 x 7in) There are a number of small losses to the applied foliage (see images), the painted stemwork is also rubbed, Movement untested.
An Edwardian silver cased clock with white enamel dial, Roman numerals, subsidiary seconds dial, the front of the body engraved with floral sprays, applied scrolling foliage, shaped stepped foot, the back with blue velvet door and compartment for mechanism, by Henry Matthews, Birminghm 1905, 10cm high, 9.5cm wide
A miniature gilt metal and enamel lidded gueridon, the cover with flambeau finial pierced and cast with stylised leafage, the compressed globular enamel body painted with three landscape vignettes, the legs headed by bold ram's masks joined by floral pendants, scrolling legs terminating in hoof feet, the shaped triangular under tier on gilt metal toupie feet, 14cm high, Circa 1860 (faults)
A Chinese? brass buckle style brooch centred on an oval carnelian cabochon, flanked by pair of conforming larger stones, 8.7cm wide; a silver coloured metal filigree brooch of elongated quatrefoil form, centred on a green floral carved panel flanked by marcasite set silver and enamel scrolls and flowerheads, 5.7cm wide (2)
A Continental silver coloured metal keyless lever pocket watch with engine turned case, the white enamel dial with Roman numerals and subsidiary seconds dial, ring carrying handle, 8cm high overall contained within a Continental ebonised pocket watch case, the hinged lid with vacant cartouche within a white metal conforming frame, the front with bevelled glazed panel, 11cm high, 7.5cm wide, 6.75cm deep, Circa 1880
A 19th Century English white satin glass posy vase, painted with gilt blossom flowers, circular pedestal foot, 8cm high; a pink satin glass slender vase, decorated in enamel to shoulder, internally cased in white glass, 16cm high; a cased white and red glass vase, ribbed spiralling decoration and applied clear glass bow, 12cm high (3)
A Japanese cloisonné enamel circular dish, the centre decorated with four stylised bats surrounding a circular filled mon on a leaf and flower trail turquoise ground, the rim with alternate leaf and flower lappets with Greek key edge, the reverse with butterflies and leaf trails on a similar turquoise ground, 19cm diameter, late 19th / early 20th Century
An ebonised Arts & Crafts mantel clock, the top with three quarter balustrade, the square dial enamelled with Arabic numeral tablets, the spandrels with roses, the centre with bell flower pendants and leafage, bevelled glazed door, skirted plinth with blue enamel panel of butterfly, flowerheads and leafage, eight-day movement striking on a coil, 38cm high overall, Circa 1880
An Edwardian mahogany mantel clock in George III style with domed cavetto moulded top, the front string inlaid, shaded shell patera, cream enamel dial with Roman numerals and blued steel hands, twin winding holes, compressed brass bun feet, pair of brass axe-head carrying handles, 38cm high, Circa 1910
A French three piece white marble clock garniture, the clock with cylindrical drum shaped case surmounted by a winged infant and framed by a ribbon tied top, the white enamel dial with Arabic numerals and floral swags flanked by eight cone finials, the breakfront rounded top with beaded and lappet cast borders above nine white marble tapered pillars with foliate cast capitals and vasular cups, the conforming base with panels of foliate guilloche on cast toupie feet; the pair of four branch candelabrum with conforming white marble columns and circular feet on an incurved square base with conforming panels, eight-day movement striking on a bell, clock 47cm high, candelabrum 43cm high, Circa 1860 (faults)
A Vienna regulator with flared cornice, the arched glazed door flanked by turned split ebonised pillars, pendant base, the movement striking on a coil, loose cream enamel dial with Roman chapter ring, subsidiary seconds dial inscribed GB within an anchor, two weights and pendulum; together with a small quantify of clock parts including: hands, pulleys, winding key etc., 95cm high
A George III oak cased longcase clock with swan neck pediment, the arched enamel dial painted to the top with sailing ship and castle, the spandrels floral painted, Roman and Arabic numerals with subsidiary seconds and month dial, twin winding holes and pierced hands the hood with pair of brass capped fluted pillars, the trunk door shaped with shaded shell patera within two strung lozenges, the panelled base similar, 218cm high; a George III oak longcase clock, the hood with fret cut swan neck pediment, the arched enamel dial painted to the top with a half length portrait of a young woman holding a sprig of flowers, floral painted spandrels, Roman and Arabic numerals, subsidiary seconds and month dials, twin winding holes, the hood with pair of brass capped pillars, the trunk with indented angles and mahogany crossbands, fluted angles, 212cm high approx., Circa 1780; a Victorian mahogany cased longcase clock with hood, swan neck pediment centred on a ball and eagle finial enclosing an arched dial inscribed Tho Hawxwell, Brompton, decorated with scrolls, Roman and Arabic numerals, shaped crossbanded trunk door, 217cm high approx., all late 18th / early 19th Century (all with extensive faults, the latter with serious faults to case) (3)
A French ormolu mantel clock, the case veneered overall with red tortoiseshell, the top with pair of winged amorini around a Rococo scroll, the ornate leaf scroll case with bombé front and sides, the white enamel dial with Roman and Arabic numerals, blued steel hands, eight-day movement striking on a coil, 47cm high, Circa 1860
A German ebonised mantel clock of waisted Rococo form, the front inlaid in engraved brass, tortoiseshell, mother of pearl, pink and blue enamel, scrolls and leafage, the white enamel dial with Roman numerals, gilt metal bezel, French movement striking on a bell, 43cm high, Circa 1870 (faults)
A French painted giltwood clock of waisted cartouche form, the case with floral carved pediment above floral filled panels, the front with ribbon tied foliate pendant, the white enamel dial inscribed Dutertre, a Paris, Arabic numerals, pierced brass engraved hands, eight-day movement striking on a bell, beaded milled bezel, conforming floral painted panel under, scrolling legs, 44cm high, Circa 1880
A French ormolu and marble mantel clock, the movement contained within a circular fronted waisted square pedestal, a seated figure of Minerva flanked by ewer and shield, she holding a spear in her left hand and branch in her right, oval white marble plinth, the waisted base ornately cast with mask and scroll headed cartouche and mythical beast scroll legs, the dial with enamel tablets and Roman numerals, blued steel hands, eight-day movement striking on a bell, Circa 1860 (faults)
A 19th Century bronze mantel clock, the movement contained within a rock flanked by a classical figure of a sculptor with fragment at his feet, holding a chisel in his left hand and mallet in his right, the white enamel dial with blue Roman numerals, pierced blued steel hands, eight-day movement striking on a bell (bell missing), the rectangular stepped base cast egg, dart and laurel, the Sienna marble plinth with applied ribbon tied oak leaf and sculptural trophy, the angles boldly cast as acanthus wrapped paw feet, 53cm high, 47cm wide max., Circa 1850
An early 19th Century mahogany cased drop dial wall clock, the cream enamel dial with Roman numerals, inscribed Reid, London, brass bezel and moulded outer frame, the drop case inlaid with brass stringing and stylised leafage with pair of fluted "ears", single train fuseé movement, dial 30cm diameter, 46cm high overall, Circa 1830
A small collection of silver items to include: a pair of sugar tongs, twining leaf and rose design, stamped ALEO, W.Germany, 835; a matching caddy spoon with shovel bowl, marks rubbed; a small penknife with lizard handle, the blade stamped Sterling 925; a spoon with round bowl, stylised shell finial, green enamel to handle, by David Anderson, Norway 925S, 65gms gross (4) (faults)
A Briggs of London walking stick, the large two-tone engine turned lilac enamel and silver coloured metal handle overlaid with Vitruvian scrolls, chains and swags, the pommel engraved with chain border and central circular cartouche, tapering hardwood shaft, silver coloured metal ferrule marked Brigg, 6 Alexandra Court Queen's Gate, and CC, possibly for silversmith Charles Cooke, 91cm high
C. G. Gray (19th/20th century): An Arts & Crafts enamel plaque depicting Saint Barbara, signed & dated 1921 verso, H 27 x W 14.5 cm. Note: C. G. Gray is known to have collaborated with Charles Edward Bateman (1863-1947) on a wall painting of Christ in Majesty over the chancel arch in the Church of St. Bartholomew, Wednesbury, West Midlands. CONDITION REPORT: In good original condition, colours bright and no rubbing/losses, no chips,cracks or losses structurally, two minor scratches to the back (not hairlines) and with signature, In what appears to be the original frame
A Palais Royal small format sewing box modelled as a pair of books, gilt brass decorative spines, the covers in tortoiseshell inlaid with wirework and mother of pearl flowers within gilt brass spandrils and leaf scroll borders, the interior with mirror over a flush fitted base with mother of pearl silk winder, a pair of scissors with carved mother of pearl arms and loops, a mother of pearl handled stiletto with shield cartouche, a mother of pearl needlecase with enamel pansy motif, and an 18ct two colour gold thimble with leaf border, lacking bodkin and scent bottle, 10.7 x 2.5 x 7cm.

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396323 Los(e)/Seite