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396325 Los(e)/Seite
An enamel and paste and yellow metal bridal set; the necklace composed of scrolling and oval pierced panels centred with colourless paste stones and with green and red enamel detailing, with a foliate drop and fringe decoration set with pear-shaped glass droppers, 15cm length to a silk cord fastening, with a pair of pendant earrings en suite. Marked '21k'. Gross weight 25.5 grams. Cased.
Frédéric Vernon - Art Nouveau 'Madonna' pendant in mother of pearl, plique-à-jour enamel and pearl border, showcasing a mother of pearl cameo depicting Virgin Mary, after his 'Virgo Virginum' medal design, on a floral pierced-through background filled with plique-à-jour enamels, framed by seed pearls, signed F. Vernon, numbered on frame and bail, French eagle's head hallmarks (indicates 18ct) and maker's mark, measures 32.0 mm across (excluding bail), total weight of item 9.7 grams.Frédéric Charles Victor de Vernon (1858-1912) was a celebrated French sculptor and medallist. He was educated at École des beaux-arts and won the Grand Prix de Rome in the engraving category in 1887, he then spent a three-year residency at Villa Medici. His pieces were featured in numerous exhibitions in the Paris Salon, and eventually named Chevalier de la Légion d'Honneur in 1900.One pearl deficient.
A 32nd Degree Masonic enamel ring from the Scottish Rite, featuring a carved double-headed eagle and enamel designs on the shoulders, comprising the Hebrew letter 'Yod' and '32' in triangles, a Rose Croix symbol together with a sword with scales from the Princes of Jerusalem, shank marked '14K LSCo', size S, total weight of item 12.3 grams.
Fabergé - A pair of contemporary enamel cufflinks in 18ct yellow gold, each consists of a rectangular plaque terminal, applied with royal blue guilloché enamel, centred with a brilliant-cut diamond highlight, fitted with T-bar, signed and numbered 25/1000, Edinburgh hallmarked '750', cased in wooden box, plaque measuring 16.4 x 12.5 mm, total weight of items 16.3 grams.
A Bohm Bristol Co, full hunter pocket watch, featuring a Swiss-made keyless wound movement signed The Bohm Bristol Co. Denver Colo No:1113172, in a yellow metal case stamped 14kt measuring 51mm, with a white enamel dial and Roman numerals. The outside case front and back are not engraved.The total weight of the item is 102.5 gramsThe watch appears to be in good working order, no long-term tests have not been performed and accuracy cannot be guaranteed, a full service is advised on all watches and pocket watches once purchasedCase: 51mmThere is a dent on the case edge which is notable.The surface is worn consistent with age
An open-face pocket watch, with a keyless wound movement in a yellow metal case, stamped 14kt and measuring 44mm, with a white enamel dial and seconds subdial.The total weight of the item is 64.0 gramsIn poor condition, the front bezel and glass are free from their setting and position, not currently running.
Two 18th-century open-face pocket watches and an Elgin full hunter pocket watch. The Elgin hunter pocket watch features a keyless movement-signed Elgin Natl. Watch co No:1415590 with a white enamel dial in a base metal case measuring 54mm. The first open-face pocket watch is hallmarked silver London in 1797 with a key wound movement and white enamel dial, the second open-face pocket watch features a key wound movement with a white enamel dial. (3)Repair / restoration pieces
A lady's fob pocket watch, an Albert chain and a full & half sovereign with mounts. The open-face pocket watch has a keyless would movement with a white enamel dial and blue Arabic numerals in a yellow metal case stamped 14kt and measuring 33m. Attached is a 9ct yellow gold Albert chain with elongated links and twin swivel clasps, attached to the chain are three sovereign mounts in which two house an 1898 Victoria half sovereign and a 1912 George V full sovereign. (4)Total weight of all items 62 gramsUntested watch
A collection of 5 watches featuring a Longines gents bi-colour quartz movement with a box, a Seiko solar 100m with green dial and a case measuring 44mm with box and papers, a Timex Indiglo 30m with box and unworn, an Accurist watch with a quartz movement and a gilt case on a blue strap, and finally a small open face fob pocket watch with white enamel dial. (5)
A gem-set bee brooch, with ruby set eyes and a sapphire cabochon thorax, rose-cut diamonds and enamel stripes on the abdomen, wings encrusted with graduated old-cut diamonds, fitted with hinged pin stem and C-catch, hallmarked '56' (Russian standard 14ct gold), measures 4.0 cm across, total weight of item 5.5 grams.
A Cartier style ruby and diamond set gold metal brooch in the form of a leopard, ruby set eyes, black enamel markings and diamond set accents, length approx 50mm, unmarked assessed as 18ct gold, trombone clasp, total gross weight approx 11.3gms Further details: good all stones present and intact, clasp working
A Cartier style ruby and diamond set 18ct gold necklace in the form of a leopard, comprising dual leopard heads with enamel markings, ruby set eyes and diamond accents, both clasping a diamond set hoop, width of front approx 15mm, to a trace link chain, length approx 38cm with fold over clasp, total gross weight approx 20.5gms Further details: good all stones present, minor wear and tear commensurate with age
A Cartier style diamond and ruby set 18ct gold bracelet in the form of a leopard, comprising two heads with black enamel markings, ruby set eyes and diamond set accents, clasping a diamond set loop, to a brick style link bracelet, box clasp with safety clasp, width approx 12'', length approx 18.5cm, total gross weight approx 32.4gms Further details: good all stones present and intact, clasp working
A pair of high carat gold turquoise type enamel earrings, comprising a central oval cabochon turquoise, approx 12 x 18mm, within a gold oval border with applied cannetille and granular decoration with coronet base, length approx 35mm, on clip fittings, Arabic gold marks, possibly 21ct, total gross weight approx 24gms Further details: good- stones present and intact some scratches to stones, wear and tear to setting, marks commensurate with age
A box of vintage giant Bryant & Mays matches together with an early 20th Century silver and enamel thimble, in fitted case, the thimble stamped STERLING together with vintage measuring tapes, glove stretcher with various embroidery threads and frames; vintage travelling iron (boxed) ebony clothes brushes etc (1 box)
A Georgian continental silver gilt pair case pocket watch, decorative case, white enamel dial with number markers, movement marked Ryland 8459 (wear and tear to case movement untested, outer case amended wear and tear holes/dents ) along with a Georgian seed pearl necklace, Georgian paste set shoe buckles, together with a walnut etui a/f hinged detached, articulated fix in case, a/f tail missing, enamel miniature bird figures, along with costume jewellery etc wear and tear to all commensurate with age (1 box)
A late 19th century 18ct gold open faced pocket watch, enamel dial with numeral hour markers, outer seconds track (missing glass) movement numbered 65937 C & T Davidson Newcastle on Tyne, engine turned case, marked to reverse Alex Pringle, with vacant cartouche, approx 48mm, key wind, interior case marked 19th feb 1899, total gross weight approx 87.5gms in a Reid & Sons retailers case Further details: movement untested, chips to dial, wear and tear commensurate with age marks and wear
An early 20th century J.W Benson Ltd open faced 9ct gold pocket watch, enamel dial with numeral markers, subsidiary at 6, case approx 48mm, mo0nogrammed to reverse, top wind, movement numbered 192630, total gross weight approx 86.4gms in original retailers caseFurther details: good winds and working at time of report, movement untested, slight dent to case back
An early 20th century 14ct gold ladies open faced pocket watch, white enamel dial with roman numerals and gilt decoration, foliate and scroll decoration to case with vacant cartouche, case approx 30mm, top wind, total gross weight approx 19.8gms Further details: good winds and working, movement untested, dial good, some thinning to case, no visible denting,
A ladies 14ct gold open faced pocket watch with decorative enamel dial, diameter approx 28mm, initialled to reverse cartouche, total gross weight approx 18.9gms, along with an early 20th centiury 9ct gold watch with blue guilloche enamel numerals, to a plated expander strap, total gross weight approx 20.9gms and a later ladies Uno 9ct gold wristwatch, round silvered dial applied number markers, to a rolled gold strap, total gross weight approx 12.9gms Further details: wear and tear commensurate with age, both watches winds and working at time of report, movements untested
An early 20th Century Continental probably French white metal mounted enamel rectangular Aide Memoire, the cover and back painted with Cherubs plaining in woodland scene with cottage in background, both panels signed indistinctly lower right by Xaminade d'A??, the mounts with engraved decoration, plain clasp, fitted interior with removable associated silver pencil stamped S Mordan & Co STERLING SILVER, the body approx 11 x 7cm overall
A Clarice Cliff Lady Anne wall pocket, model 868, circa 1938, modelled as a lady in period dress before a wood picked out in enamel colours over a mushroom glazed ground, blue script signature, length 19cm, together with a Celtic Leaf and Berry salad strainer and stand, green script signature. (2)
A Kosta Boda Tonga glass bowl designed by Monica Backstrom, of compressed conical form, enamel decorated with blue and white wavy lines against the textured ground, signature to the body and retains label, height 8.5cm, together with a 1970s Orrefors dinner bell designed by Eva Englund and decorated by Arne Linblom with a floral design. (2)
A late 19th Century French lyre shaped Marie Antoinette mantel clock with eight-day movement striking on a bell, the gilt metal mounted white marble case detailed with sunburst pediment and foliate swags, all over an oval shaped base, the painted enamel dial with floral swags and Arabic numerals, signed Julien Leroy, Paris, surrounded by a paste set swinging bezel, height 46cm and width 19cm, some damage and restoration.
An early 20th Century silver plate mounted oak tantalus together with three cut glass sprit decanters with RUM, SHERRY and WHISKEY enamel labels, marked for Mappin and Webb, the silver plate mount with engraved inscription: "Presented to S J LENDRUM BY THE HEADQUARTER CLERICAL STAFF TRANSVAAL TOWN POLICE on the occasion of his marriage August 1904", the plate stamped, with key (1)
Louis XV-Elefanten-KaminuhrHöhe: 42 cm. Breite: 30,5 cm. Tiefe: 18 cm.Signiert „VIGER A PARIS“.Mitte 18. Jahrhundert.Werk: Ankerwerk, Pendel an Seidenfadenaufhängung, Schlossscheiben-Schlagwerk für Halbstunden- und Stundenschlag auf Glocke. Die Werkplatine in Gravur signiert und datiert: „Viger AParis No 665“.Dass Pendulen in dieser und ähnliche Gestaltung mit exotischen Details gerade in Frankreich beliebt wurden, geht vor allem auf das erneute naturwissenschaftliche Interesse zurück. Auch die positiven kolonialen Erfahrungen, die seit der frühen Aufklärung ein neues Bild der exotischen Kontinente schufen, haben dazu beigetragen, auch in der dekorativen Ausstattung des höfischen Ambientes die neue Weltoffenheit zu demonstrieren. Nicht zuletzt hat der Chinoiserie-Stil und der Einfluss der Kenntnisse chinesischer und japanischer Porzellan- Elefanten oder -Nashörner die Schaffung solcher Objekte gefördert. Elefantenuhren gehörten nun zu den beliebten Produkten des Kunsthandwerks. Von führenden Bronziérs unter den Hoflieferanten Louis´ XV, wie Jean-Joseph de Saint Germain (1719-1791) sind solche Exemplare geschaffen worden, in unterschiedlichsten Detailausführungen. Bei dem vorliegenden Beispiel, einer selteneren Ausführung, wird in alten Verzeichnissen und Inventaren von einer „pendule à l´ échassier“ gesprochen. Ein ähnliches Exemplar - etwa mit einem Werk von Baillon - befand sich in der Sammlung Anna Thomson Dodge, Rose Terrace, Grosse Point Farms Michigan (Christie´s, London, Juni 1971), weitere wenige Exemplare gelangten ebenfalls nur auf namhaften Auktionen in den Handel.Der Aufbau folgt einem bewährten Schema: Der Elefant, in brünierter Bronze, steht nach links mit hochgeschwungenem Rüssel auf einem vergoldeten, steinigen, mit exotischen Blättern und Blüten besetzten Terrain-Sockel. Über den Leib zieht vertikal ein vergoldetes Sattelband, auf dem floral gestalteten Sattel das zylindrische Gehäuse, umzogen von Blatt- und Blütenwerk, bekrönt mit einer Tiergruppe: Neben einem bellenden Jagdhündchen erhebt sich ein Kranich, der mit einer Kralle einen Stein hochhält. Dieses ikonografische Bildmotiv ist Symbol für die Wachsamkeit (da das Tier bei Beginn des Einschlafens den Stein fallen lässt und somit wieder geweckt wird). So steht das Figurenmotiv, zusammen mit dem bellenden Hündchen, in sinnvollem Zusammenhang mit der Uhr und dem Glockenschlag.Das Zifferblatt mit gewölbter Glasabdeckung in weißem Email, mit schwarzen römischen- und arabischen Minuten; signiert „VIGER“ – „A PARIS“. Die Zeiger filigran durchbrochen und vergoldet. In sehr guter Erhaltung und lauffähig. A.R. (†)Provenienz: Bedeutende amerikanische Privatsammlung.Literatur:Vgl. Hans Ottomeyer, Peter Pröschel, Vergoldete Bronzen, München 1986, Bd. I, S. 124 mit Abb. (13220123) (11)Louis XV elephant mantle clock Height: 42 cm. Width: 30.5 cm. Depth: 18 cm.Signed “VIGER A PARIS”.Mid-18th century.Lever movement, pendulum on silk suspension, count wheel striking mechanism for half hour and hour strike on bell. Engraved signature and date on clockwork plate: “Viger AParis No 665”. The reason that pendulum clocks in this or similar designs with exotic details became popular in France is primarily due to renewed scientific interest. Positive colonial experiences created a new image of the exotic continents since the early Enlightenment and contributed demonstrating the new cosmopolitanism in the decorative furnishings of courtly interiors. The chinoiserie style and knowledge of Chinese and Japanese porcelain elephants or rhinos encouraged the creation of such objects. Elephant clocks were now popular artisanal products. Such specimens were created by leading bronze makers among the purveyors to the court of Louis XV, such as Jean-Joseph de Saint Germain (1719 Paris – 1791), in the most varied and detailed versions. In the present, rarer example, old directories and inventories speak of a “pendule à l’échassier”. A similar example, such as a work by Baillon was held in the collection of Anna Thomson Dodge, Rose Terrace, Grosse Point Farms Michigan (Christie’s London, June 1971), a few other examples were also only sold at renowned auctions. The structure follows a proven model: the elephant, in burnished bronze, stands to the left with its trunk raised standing on a gilt rocky base decorated with exotic leaves and flowers. A gilt saddle strap runs vertically across its body, the cylindrical case on the florally designed saddle, surrounded by foliage and flowers is surmounted by a group of animals: next to a barking hunting dog, a crane rises, holding up a rock in its talon. This iconographic motif symbolizes vigilance – if the animal starts falling asleep holding the rock will wake it up again. This figural motif, together with the barking dog, is meaningfully connected to the clock and the chiming of the bell. The white enamel dial with black Roman and Arabic minutes with a domed glass cover is signed “VIGER” – “A PARIS”. The gilt hands are in delicate openwork. In very good condition and operational. (†)Provenance: Important American private collection. Literature:cf. Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen, Munich 1986, vol. I, p. 124 with ill.
Prächtige KonsoluhrHöhe: ca. 132 cm.Breite: 47 cm.Unterhalb der 6 kleine Emailplakette, diese bezeichnet „Thuret à Paris“.Frankreich, wohl 18. Jahrhundert.Werk: Gehwerk. Pendel mit Pendelfeder. Vierviertel- und Stundenschlag auf zwei Glocken.Funktionen: Stunden- und Minutenzeiger, gebläuter Stahl.Gehäuse: Holz, lackiert, bemalt sowie vergoldete Bronzen. Vergoldung teilweise erneuert.Zifferblatt: Zwölf Emailkartuschen mit römischen Ziffern. Der äußere Ziffernring aus vergoldeter Bronze, dieser mit arabischen Ziffern verziert.Zustand: Nicht auf Funktionsfähigkeit getestet. Ein Pendel und ein Schlüssel vorhanden. (†) (13306017) (10)Magnificent console clock Height: ca. 132 cm. Width: 47 cm.Small enamel plaque beneath the 6 with inscription “Thuret à Paris”.France, probably 18th century. (†)
A collection of x5 assorted WWII Second World War Third Reich Nazi German enamel wall plaques and propaganda signs. Examples to include RLB Luftschutz ( Air Raid Wardens ) house plaque, Reichsbahn ( Rail ) plaque, Hail Hitler propaganda and others. Each measuring approx 12x17cm. Note; from a large private collection of militaria. Due to the nature of some items, buyers are reminded for the need to satisfy themselves as to originality / origin / condition prior to bidding, irrespective of any description. No guarantees are implied nor offered and all lots remain sold 'as is'.

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396325 Los(e)/Seite