A gold side wind hunter pocket watch, 54mm diameter, with a white enamel dial, black Arabic numerals, gold spade hands and subsidiary seconds dial, marked 14K 0.585, Swiss assay marks, German crown mark, case no. 150900, with metal cuvette, movement marked 1228, 89.63g, together with an 18ct gold fetter link Albert chain, with swivel clasp to one end and half solid bolt ring to the other, 343mm long, 13.82g (2)Condition report: Albert chain:Clasps in working order.Pocket watch:Currently running. No guarantee as to timekeeping or continued running.Surface marks/scratches to case. Dents to case edges.A couple of hairline cracks to dial.Discolouration to seconds hand.Scratches to perspex.Gilding to metal bow and crown worn.Case back does not close completely flush.
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A gold Waltham top wind open-faced pocket watch, 47mm diameter, with a white enamel dial, black Arabic numerals, red Arabic minutes numerals to the outer chapter ring, blued Breguet style hands and a subsidiary seconds dial, glass deficient, case back with engraved monogram, case marked A.W.C.Co 14k, no. 159851, gold cuvette marked Waltham Colonial Series, 17 jewel movement with engine turned decoration, marked A.W.W.Co Waltham, Mass., Royal, serial no. 16094482. 65.03g, together with a curb link Albert chain, tested as approximately 14ct gold with 9ct gold swivel clasp, T-bar deficient, links worn, 3.94g (2)Condition report: Currently running. No guarantee as to timekeeping or continued running.Glass missing.Hairline cracks to dial.Crown winds and hands set.Slight wear to top of bow.Surface marks/scratches to case.Links to Albert chain very worn, and wear to top of swivel clasp.
A 9ct gold Rotherham & Sons top wind open-faced pocket watch, 50mm diameter, with a white enamel dial, black Arabic numerals, blued spade hands and subsidiary seconds dial, gold cuvette with presentation inscription, 15 jewel movement marked with RS and trident mark, no. 237101, case no. 52236, Birmingham 1927, 90.65gCondition report: Currently running. No guarantee as to timekeeping or continued running.Crown winds and hands set.Minor marks to dial and perspex.Surface marks/scratches to case.Slight ding to case side. Wear to casing of crown.
A 9ct gold top wind open-faced pocket watch, 47mm diameter, with a white enamel dial, black Roman numerals, blued spade hands and subsidiary seconds dial, with gold cuvette, case no. 17176, import hallmark London 1919, 62.78gCondition report: Currently running. No guarantee as to timekeeping or continued running.Crown winds and hands set.Inner dust cover is hallmarked 9ct gold, does not bear any inscription.Some minor scratches to perspex.Some hairline cracks and other marks to dial.Surface marks/scratches to case.A couple of dings to the case back and case sides.
An 18ct gold side wind half hunter pocket watch, 51mm diameter, with blue enamel Roman numerals to the front cover, white enamel dial marked Coventry Astral, with black Roman numerals, blued double spade hands and subsidiary seconds dial, plain polished case back and gold cuvette, movement signed Astral, marked B.Grade 16 jewels, no. 204574, London 1918, 107.22gCondition report: Currently running. No guarantee as to timekeeping or continued running.Minor surface marks/scratches to case.Main glass missing, glass to outer case present.A couple of hairline cracks to dial near centre. Crown winds and hands set.
A gold filled Brandt top wind open-faced pocket watch, 55mm diameter with a white enamel dial, black Roman numerals, blued spade hands and subsidiary seconds dial, with milled edges and a vacant cartouche with circular engine turned decoration to the case back, case back interior marked 'CASHIER A.W.C.CO GOLD FILLED EXTRA', no. 913313, 19 jewel movement marked Brandt Freres, GRADE DR, no. 2504438, 126.13gCondition report: Not currently running.Very minor marks to perspex, dial and case.
A Grana military top wind open-faced pocket watch, 53mm diameter with white enamel dial, Arabic numerals, cathedral hands and subsidiary seconds dial, case back engraved with broad arrow mark and 'G.S.T.P, 126758', 15 jewel movement marked K.F.262, together with two open-faced stopwatches, both deficient hands and with loose perspex (3)
A gun metal open-faced pocket watch travel alarm clock, 57mm diameter, with white enamel dial marked Victoria, black Arabic numerals, blued hands and subsidiary seconds dial, with hinged case back support standCondition report: Currently running. No guarantee as to timekeeping or continued running.Light marks to dial, and some scratches to perspex.Surface mark/scratches to case.Crown winds and hands set, but do not align properly at 12.Alarm functions, but does not go off at the correct time.
An American gold side wind hunter pocket watch, 41mm diameter, case engraved with mountain scene and birds, and cartouche engraved with initials SJT, and with trefoil bow, white enamel dial with black Roman numerals, red Arabic minute numerals to the chapter ring, blued spade hands and subsidiary seconds dial, marked B. & H.B. Kent, 144 Yonge St., case marked A.W.C.Co 14k, no.81900, gold cuvette engraved S. J. Toole, 17 jewel movement with engine turned decoration signed B. & H.B. Kent, Toronto, serial no. 1728094, 53.81gCondition report: Not currently running, fully wound.Hands set ok.Minor marks to dial.A couple of slight dings to the case back, no apparent dings to the front cover.Gold inner dust cover, with engraving 'S.J.Toole',
A Swiss gold lever set hunter fob watch, 30mm diameter, with engine turned, hand engraved and polychrome enamel decoration to both covers, white enamel dial with black Roman numerals, gold cuvette, marked K18, Swiss Minerva assay mark, 19.80gCondition report: Not currently running.Damage/losses to the enamel.Dents/dings to both covers.Both covers difficult to open.Hands set.
A silver sculpture of a partridge, probably from a larger piece, with cabochon ruby set eyes, green enamel to the neck, and wings grain set with rows of split pearls and circular mixed cut sapphires, tested as approximately sterling silver, 2.5cm high, 1.5oztCondition report: Vacant tube to the bottom of the partridge, probably where it previously attached to a larger piece.Damage to the beak.Surface marks/scratches/tarnish.Slight chip to one of the rubies and one of the sapphires.Some surface reaching inclusions to others of the gemstones.One of the sapphires set at an angle.Slight damage to some of the enamel.
A 9ct gold Everite slimline mechanical strap watch, 34mm diameter, with a white enamel dial, black Roman numerals, and pencil hands, with after market leather strap and metal buckle, 25.23g, watch has not been opened, no box or papersCondition report: Currently running. No guarantee as to timekeeping or continued running.Scratches to perspex.Crown winds and hands set.A couple of marks to the dial.Strap worn, after market strap.Surface marks/scratches to case, and a couple of deeper scratches to the case back.Watch has not been opened.No box or papers.
A gentlemen's Smiths 'De Luxe' mechanical watch head, 33mm diameter, with enamel zig zag pattern dial with plain outer ring, Arabic numerals, and centre seconds sweep with red arrow head, gold plated case with stainless steel back, dial and movement marked Made in England, manual wind movement marked 27. CS. 596, together with a gentlemen's bi-colour Tissot 'Seastar' quartz bracelet watch (2)Condition report: The Smiths watch is currently running. No guarantee as to timekeeping or continued running.The Tissot watch is not currently running.
A Chinese silver gilt coral and enamel hinged bangle, c.1930, the mesh ground decorated with herons and clouds in polychrome enamel, and with rub set cabochon coral, to box clasp and metal safety chain, marked SILVER, 49.04gCondition report: Some damage to the enamel.Tarnished.The front panel measures approximately 58 x 51mm. Internal dimensions measure approximately 62 x 59mm.
A Chinese silver gilt enamel 'Year of the Rat' zodiac pendant, the circular pendant with an applied rat in purple enamel to the mesh ground, with Chinese characters zi shu, or 'rat charm', with a blue enamel border, suspension loop and jump ring, 42mm diameter, together with a silver gilt hardstone enamelled brooch, with oval tiger iron cabochons, rub set, to blue and purple enamelled flowers, with pin and roller catch, 42mm diameter, 24.42g (2)Condition report: Slight damage to enamel of rat. Tarnish to silver.Rat pendant slightly bent.
A Norwegian silver gilt and guilloché enamel leaf bracelet and earring suite, by David Andersen, designed by Willy Winnaess, the two row leaf bracelet with white guilloché enamel, with later silver chain and bolt ring, and matching earrings with clip fittings, all signed for David Andersen, marked sterling and marked for Willy Winnaess, 27.63g (3)
A pair of Italian gilt metal amethyst, peridot, split pearl and enamel earrings, by Percossi Papi, in Rennaisance Revival style, with an oval mixed cut amethyst, rub set, to surround of oval mixed cut peridots with split pearl accents, with green and purple enamel ribbon scrolls below and suspending an articulate heart shaped amethyst drop, with post and rubber backs, marked Percossi Papi, partially worn, 40 x 20mm, 9.04g (2)Condition report: Surface marks to mounting.Wear to marks.
GERALD BENNEY: a silver and 18 carat gold boxLondon 1965, impressed 'MADE BY GERALD BENNEY LONDON', also incuse number 41, Elongated rectangular form, the hinged cover with a bark-effect textured surface, formed with fourteen gold narrow bands between silver rectangular panels, all within a narrow gold border, the sides with vertical bark-effect textured surface, a smooth silver footed rim, the interior and underside lined with dark-green leather, length 29.7cm, weight 20oz.Footnotes:ProvenanceBonhams, London, Knightsbridge, The Family Reserve Collection of Gerald Benney, 1st December 2010, lot 663.ADRIAN GERALD SALLIS BENNEY CBE RDI (1930 - 2008) Gerald Benney was one of the most outstanding and influential British goldsmiths of the 20th century. During a career spanning more than 50 years, he was the first British craftsman to hold four Royal Warrants simultaneously. As well as designs in silver, in his early years Benney also used other materials to design a range of products including clocks, lamps and prams. His work can be seen in many collections worldwide, including those of the Victoria and Albert Museum and Goldsmiths' Company. Born in Hull, Yorkshire in 1930. His mother, Aileen, was a talented silversmith and his father, Ernest, was Principal of Brighton College of Art. Young Gerald attended Brighton College of Art from 1946-1948, he studied design and craft under the tutelage of Dunstan Pruden. After two years National Service with the Royal Army Service Corps he went to the Royal College of Art to study under Professor Robert Goodden. He excelled and, in 1952, a four-piece tea service and tray secured him the Prince of Wales Scholarship. It was at the RCA that Benney met fellow designers and silversmiths David Mellor and Robert Welch, between them they were to revolutionise Post-war silver design. During his last term at the RCA, Benney found his first workshop at Suffolk House, Whitfield Place off the Tottenham Court Road in London. Early in his career Benney discovered, by accident, the distinctive surface texturing of silver that was to become his signature. He inadvertently used a hammer with a damaged head while producing a cup and liked the effect. This surface texturing soon became known as 'Benney Bark Finish'. The finish was widely imitated and dominated contemporary silver design for almost two decades. Its success was, not only, for its new contemporary look but, also for the practical reasons that it almost eliminated tarnish and fingerprints. In 1963, Benney moved to Beenham House near Reading and it was here that he decided to develop the use of enamel to further embellish his silver objects and designs. He realised that he would need to learn the skills from established artisans. His first steps, in 1968, were to travel to Zurich to find an enameller who worked for the house of Burch Korrodi. By chance, he came across the Norwegian Berger Bergensen who, not only continued to practise the art of enamelling for Burch, but had also worked for Karl Fabergé's great rival Bolin. Bergensen was persuaded to come to Britain and instruct the Benney work force all he knew about enamelling: Alan Evans and Robert Winter became the most notable master enamellers for Benney. Though it took several years to master the craft, the Benney studio refined and mastered the art of enamelling to the extent that they were able to decorate larger surface areas than Fabergé. There is little doubt that they went on to be one of the world's foremost modern enamellers. In 1969, Benney moved his London studio to Falcon Wharf, Bankside where he eventually employed 22 people. Four years later, he moved his workshop to warehouses in Bear Lane, Southwark and, in the same year, The Goldsmith's Hall held a major retrospective of his work. A year later, 1974, Benney received his first Royal Warrant from by Her Majesty The Queen, followed a year later by those of her late Majesty, Queen Elizabeth, The Queen Mother and His Royal Highness The Duke of Edinburgh. In 1980, Benney received an unprecedented fourth Royal Warrant from His Royal Highness The Prince of Wales. It is interesting to note that besides running his own silver studio, Benney held several other design posts, between 1957 – 69 he worked as a consultant designer for Viners. He worked on domestic pieces for production in silver, pewter and stainless steel. Particularly successful were his designs for flatware and cutlery in stainless steel. In 1971, he was awarded Royal Designer for Industry and, from 1974 to 1983, he was Professor of Silversmithing and Jewellery at his alma mater, the Royal College of Art. In 1993, together with his son Simon, Benny opened a shop at 73 Walton Street, Knightsbridge, London and two years later was awarded a CBE.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
GERALD BENNEY: a silver and enamel boxLondon 1971, underside also stamped 'GERALD BENNEY LONDON', also with design pattern number 37 Rectangular, the lid set with a translucent red enamelled panel over a radiating ground, with a cream enamel thumb-piece, the interior with suede lining, height 4.2cm, length 12.5cm, weight total 27oz.Footnotes:GERALD BENNEY CBE RDI (1930-2008)Gerald Benney was one of the most outstanding goldsmiths of the 20th century. With works being continuously produced for over fifty years, from private commissions to mass production. Born in Hull, Yorkshire, in 1930, Benney received many commissions from the Royal Family and was the first craftsman to hold four Royal Warrants simultaneously: from HM The Queen, Queen Elizabeth The Queen Mother, the Duke of Edinburgh and the Prince of Wales.Gerald Benney decided that his home at Beenham House in Berkshire was the place to develop the use of enamels. The first steps were to travel to Zurich to find an enameller who worked for Burch Korrodi. By chance he came across the Norwegian Berger Bergensen who had worked for the House of Bolin as well as Burch. Bergensen was persuaded to come to Beenham House and taught the Benney workforce all he knew about enamelling. With Alan Evans and Robert Winter becoming notable master enamellers for Benney.It took several years to master the craft. He refined and mastered this art enamelling larger surface areas than Fabergé.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A large enamelled and diamond-set crystal ornamentAsprey, circa 1979 The grey crystal specimen mounted on a yellow and mocha agate base, and adorned with an unmarked yellow metal vine with green enamel leaves, perched upon by tow butterflies, one set with diamonds and emeralds, and both with plique-à-jour wings, in a fitted Asprey case containing a note which reads: 'The Goldsmith's & Silversmith's Arts Council Exhibition, Goldsmith's Hall 1979. 1st prize for enamelling (Seniors) Collingwood Award', height 14cm, length 17cm.For further information on this lot please visit Bonhams.com
GEORG JENSEN: a pair of Danish silver and enamel bowlspost 1945 marks, designed by Henning Koppel, with facsimile signature The bowls with green and blue abstract enamel incorporating the GJ trademark logo, underside engraved 1904-1979 and limited edition numbers 52 and 106 /200, diameter 19cm, weight total 32oz. (2)For further information on this lot please visit Bonhams.com
Possibly attributable to a contemporary of Jaques Laudin (French 1663–1729): A Limoges bowl depicting the Virgin and childprobably late 17th century the bowl of polylobed form, the central hexagonal cartouche depicting the Virgin and child embracing, each lobe containing various rural buildings, the reserve with coloured enamel, depicting a rustic dwelling within a woodland glade with flying birds, with twin fret pierced scrolling handles, minor losses 4.5cm high, 16.5cm diameterFor further information on this lot please visit Bonhams.com
An early 19th century and later gilt bronze marble and ebonised lion mantel timepicethe dial signed John Ward, Londonthe 2'' enamel Roman dial set within a drum case, surmounted by an eagle finial, the whole supported by a pacing lion on rounded rectangular stepped plinth base, the gilt watch movement with pierced cock, signed and numbered to the backplate John Ward Love Street London, 8650 with winding key 32cm highFor further information on this lot please visit Bonhams.com
A good late 19th century French gilt bronze and champleve enamel Japonisme clock garniturethe movement stamped A.F.each piece with scattered floral motifs reserved on a dense turquoise key ground within polychrome floral narrow borders, the clock case of rectangular form, the caddy top surmounted by a Buddhistic lion finial, the corners with scrolling prunus mounts on footed pierced platform base, the 3.5' dial with Roman numerals, the brass twin train movement with Brocot type suspension, striking on a bell, the vase garniture of square section baluster form with applied mask head drop ring scrolling handles, the clock 40cm high, the vases 33cm high (3)This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 20th century French brass carriage clock with days of the week, calendar and alarm and repeatthe dial signed Angelusthe gorge case with swing handle, the 7'' enamel dial with Roman chapter ring and outer Arabic minute track above three subsidiary dials, the brass twin-train movement with jewelled platform lever escapement striking and ringing on a gong, together with three associated winders, 18.5cm highFor further information on this lot please visit Bonhams.com
Attributed to Ferdinand Barbedienne: A late 19th century champlevé enamel jardinièreof tapering bellied rectangular form with twin carrying handles and applied stylised foliate corner mounts on scrolling feet, the interior with detachable liner, the whole with stylized formalised polychrome floral decoration on a turquoise background, 14cm high, 24cm wide, 14.5cm deepFootnotes:For an identical signed jardinière see Christies Paris, 'The French Taste: Decorative arts from the 17th century to the 19th century', 29th April 2014, lot 303.For further information on this lot please visit Bonhams.com
A late 19th century French gilt bronze mantel clockin the Louis XV style, the dial signed Raingo Freresthe case of waisted acanthus and rocaille scrolling form, on corresponding feet and integral shaped platform, the 6'foliate gilt dial with applied enamel Roman numeral plaques, the brass twin-train movement striking on a bell with pendulum and winder, 56cm highThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An gilt bronze mounted kingwood parquetry bracket clock with earlier quarter striking movementthe associated movement by Gribelin, Paris the mid 18th-century case surmounted by a detachable caddy top with foliate scroll urn over a waist on scroll and button feet, veneered all over with geometric panels, the 8.5' cast dial with twelve enamel Roman numeral plaques, to an associated, earlier, quarter striking movement with silk suspended verge escapement with cycloidal cheeks, striking the hours and the quarters via two count wheels mounted to the rectangular backplate, signed boldly along the lower edge Gribelin, a Paris, 60cms highThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A 19th century French gold and enamel vinaigrettemarked with 1809 - 1819 Paris marks, and also 1819 - 1838 Paris marks Rectangular, the lid enamelled with an image of Cupid, surrounded by a border of blue, white and black geometric ornament, the interior with a pierced grille, length 3.2cm, weight total 15gms.For further information on this lot please visit Bonhams.com
An Austro-Hungarian silver and enamel cigarette caseVienna circa 1920 The front enamelled with an image of Danaë and the Shower of Gold by Léon-François Comerre, the back engraved with a Romanian inscription relating to Captain Ionel Teodorescu, length 10.5cm, weight total 6.5oz.For further information on this lot please visit Bonhams.com
Raised on a flaring foot, the compressed globular body rising to a slender neck surmounted by a flaring mouth, all profusely enamelled with lotus blooms amongst scrolling foliage, bats and pendant musical stones between alternating bands of key-patterns and Ruyi lappets, all reserved on a lemon-yellow ground, the base with a pseudo underglaze-blue six-character Yongzheng mark, age wear to enamel, gilt loss 29,3cm high
The ovoid body rising to a cylindrical neck, enamelled to the back and front with oval reserves containing officials and scholars within interior settings, divided by shaped cartouches painted with boys before clouds, all reserved on a ground of precious Buddhist objects amongst flowers, age wear, enamel wear, firing irregularities, substantial fritting to the mouth, gilt loss 32,7cm high
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396323 Los(e)/Seite