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396325 Los(e)/Seite
Los 8467
A silver compact with engine turned case, central green and black striped enamel detail with central London Rifle Brigade South Africa 1900-1902 crest. Provenance: The compact belonged to the vendor’s relative, Emily Francis Belcher who was married to Douglas Walter Belcher VC. He was awarded the VC in 1915 for his bravery during the First World War.
Los 150
Staffordshire temperance figures collecting water from a fountain, circa 1860, figures modelled as a boy and girl in Scottish highland dress, standing on naturalistic grassy ovoid bases with steps leading up to column-shaped water fountains, 22 cm high, together with a Staffordshire figure group modelled as a boy and girl with vessels at a brick water fountain, white glazed with polychrome enamel painted details on an ovoid gilt-lined base, 19.5cm high (3).Note: Similar piece illustrated figure 2140/2141, page 125, A.& N. Harding, Victorian Staffordshire Figures 1835-1875 Book 2. Designs inspired by the pure water fountains subscribed to by the various charities and temperance organisations. Break to water fountain on male figurine, female figurine shows signs of clumsy restoration to back and side. Overall some loss of paint esp to male figurine.
Los 151
A Staffordshire royal portrait figure group, circa 1860, rarely seen portrait figure group of Napoleon III (b.1808), modeled standing, dressed in ermine red clock alongside Empress Eugenie (b.1826), modelled seated holding the Prince Imperial (b.1856), polychrome enamel painted, mounted on a white, gilt-lined, ovoid base, 21cm high.
Los 146
Four Staffordshire royal figure groups, circa 1840, including Queen Victoria, possibly at her coronation, enthroned in green ermine robes and crown, polychrome enamel painted and gilded, mounted on a white rectangular gilded base, together with another enthroned royal figure in ermine robes, possibly the Prince of Wales on a white gilt-lined circular base, 17cm high, and a later pair depicting a seated Queen Victoria and Prince Albert in ermine robes, modelled with the young Prince of Wales and Princess Royal, on white square gilt-lined bases, 19cm high (4).
Los 129
A Staffordshire spill vase, circa 1860, modelled as a seated mustachioed figure in Highland dress, sash, kilt and sporran, holding a flask and gun beside a hollow treetrunk, polychrome enamel painted with gilded highlights and applied clay textural details, mounted on a rocky, naturalistic, gilt-lined ovoid base, 24cm high, together with a larger figure modelled as a dancing Highland hunter, with dead game, dog and rifle, white glaze with polychrome enamel and gilded details on an irregular, white, gilt-lined base, 38cm high (2).
Los 130
A Staffordshire figure group of musicians/lovers, circa 1850, arboreal scene modelled as a pair of lovers with sheet music and a violin, leaning against the spill vase stylised as a hollow tree in which a man hides and spies, mounted on a naturalistic ovoid, gilt-lined base with additions of grassy clay 'tufts', height 30cm, together with a figure group of seated lovers with musical instruments on a naturalistic green base, polychrome enamel painted, 25cm high (2). Note: the arboreal figure group possibly represents Sheridan's 1775 play The Rivals.
Los 131
A Staffordshire figure of Sarah Siddons as Lady Macbeth, circa 1850, modelled as a Queen in textured ermine robe and pink glazed crown, polychrome enamel painted on a white ovoid gilt-lined base, 20cm high. Note: similar example in the V&A collections.Attributed to the Alpha factory.Sarah Siddons was born Sarah Kemble, and was a member of the Kemble family who dominated the British stage in the late 18th and early 19th centuries. When young she acted with William Siddons whom she married in 1773, against her parents' wishes. She first appeared as Lady Macbeth in London in 1785 and soon became London's leading actress, excelling in tragic and heroic roles. Lady Macbeth was also the part that Mrs Siddons chose for her farewell performance in June 1812.
Los 137
A large Staffordshire figure 'The Lion Slayer', circa 1860, modelled as an impressive bearded figure in Scottish Highland dress standing on a rock and clasping a lion carcass in his right hand and a saber in his left, possibly depicting the notorious Roualeyn George Gordon-Cumming, polychrome enamel painted with gilded details, figure positioned on a naturalistic, ovoid, gilt-lined base bearing 'THE LION SLAYER' in gilt lettering, 41.5cm high.Note: Roualeyn George Gordon-Cumming (1820 – 1866) was a Scottish traveler and sportsman, known as the "lion hunter". The story of his exploits is vividly told in his book, Five Years of a Hunter's Life in the Far Interior of South Africa, 1851. In the same year, Gordon-Cumming exhibited his collection of hunting trophies at the Great Exhibition.
Los 127
A Staffordshire figure group, late nineteenth-century, 'Fisherman and Companion' figure modelled as a standing fisherman with net and female companion, polychrome enamel painted on a naturalistic, ovoid gilt-lined base, 35cm high together with 'Shoeshine Boy', circa.1865, polychrome enamel painted on a white, ovoid base, 25cm (2).
Los 145
Staffordshire figure pair of Scottish musicians and dancers, circa 1850, modelled as a standing male figure with bagpipes, kilt and sporran, alongside a dancing female figure with tartan sash and contribution dish, both are polychrome enamel painted with gilded details, mounted on gilt-lined ovoid plinths, 24.5cm high (2).
Los 138
A Staffordshire figure group of gentleman hunters in confrontation under an arched forest bower with game birds, circa 1850, polychrome enamel painted with applied foliage texture, on a white, naturalistic, gilt-lined ovoid base, 33 cm high.Very good, no chips or breaks and the foliate arch is intact.
Los 147
A pair of Staffordshire figures of royal children with goats, circa 1850, figures likely modelled as royal portraits of the Princess Royal (Victoria Adelaide Mary Louise 1840–1901) and the Prince of Wales (Edward Albert 1841–1910) leaning against pet goats, polychrome enamel painted with gilded details on white, gilt-lined, oval bases, 26cm high (2).
Los 133
A Staffordshire figure of Sir Charles Napier, by Thomas Parr, circa 1870, modelled standing beside his horse, wearing an orange jacket decorated with gilded medals, painted in polychrome enamel with gilded details on a titled naturalistic base, 22cm high.Note: General Sir Charles James Napier, 1782 – 1853 was an officer and veteran of the British Army's Peninsular and 1812 campaigns, and later a major general of the Bombay Army, during which period he led the British military conquest of Sindh, before serving as the governor of Sindh, and Commander-in-Chief in India.
Los 152A
A Staffordshire figure group of children with dogs, circa 1860, larger figure modelled as a girl in a plumed hat seated side-saddle atop a large brown and white nanny dog, smaller figure modelled as a child sleeping on a recumbent white dog, both polychrome enamel painted with gilt details on grassy plinth bases, tallest 21cm high, smallest 9.5cm high (2).
Los 140
A pair of Staffordshire figures of Tam O'Shanter and Souter Johnnie, circa 1840, figures modelled after Robert Burns' Tam O'Shanter and Souter Johnnie, seated figures hold mugs of beer, painted in polychrome enamel, set on square white gilt-lined bases, 13.5cm high (2).Note: modelled after the celebrated life-sized figures of Tam and Johnnie sculpted in c.1828 by a self-taught Scottish stonemason, James Thom. Thom’s statues were first exhibited in Ayr, 1828 before their critically acclaimed transfer to London in 1829. Later copies were produced by Thom for exhibition in America.
Los 128
Three Staffordshire figure groups , circa 1865, one modelled as a standing male fruitseller in white enamel painted glaze with polychrome detail, on a naturalistic, gilt-lined ovoid base, with clay textural additions, 28cm high, together with two white glazed male and female figure pairs modelled as fisherman and fish seller, heightened with polychrome painted details, tallest 35cm high (3).
Los 139
Staffordshire figures of royal children with goats, circa 1850, modelled as a royal portrait of the Princess Royal (Victoria Adelaide Mary Louise 1840–1901) leaning against a pet goat, 26cm high, together with a smaller similar figure, 11cm high, both polychrome enamel painted with gilded details on white, gilt-lined, oval bases, (2).
Los 136A
A Staffordshire arboreal figure group, circa 1870, figures glazed white with polychrome enamel and gilt-painted details, the large figure is modelled as a loving couple under a grapevine arched bower, 35cm high, together with a shepherd and shepherdess pair, modelled seated, holding grey lambs beneath arboreal arched boughs, mounted on naturalistic, rocky, gilt-lined, ovoid bases, 25.5cm high (3).Bad breaks to arboreal bough above male figure.
Los 143
Three Staffordshire spill vases, circa 1830, including two children and a faun in a forest setting, figures are mounted on a naturalistic, ovoid base with spill vase stylised as hollow tree trunk, 24cm high, together with Thomas Parr spill vase, circa 1860, depicting Rebekah and Eliezer at the well, white enamel figures heightened with gilded and polychrome details, 18cm high and a gilded and polychrome enamel painted spill vase modelled as a standing male traveller and a seated female beside a waymarker inscribed 'London 30 miles', 27cm high (3)
![20th Century An eclectic selection of objets [a] Two cut glass decanters [b] Five tobacco pipes, with a leather pipe rack [c]](https://cdn.globalauctionplatform.com/17722818-d224-4416-b471-b13f00ebc439/68fb6e16-bfb5-48ce-b7d5-b14000db4a03/468x382.jpg)
Los 659
20th Century An eclectic selection of objets [a] Two cut glass decanters [b] Five tobacco pipes, with a leather pipe rack [c] A Union Jack bulldog ceramic, with cigar in mouth [d] A Staffordshire style figural vase [e] Napoleon III, A wood and cloisonné enamel paper holder To be sold without reserve
Los 408
Cornelius Johnson (1593 - 1661) Portrait of Frances Howard (later Carr), Countess of Somerset (1590 - 1632) The Countess of Somerset was the daughter of Thomas Howard, 1st Earl of Suffolk. She married firstly Robert Devereux, 3rd Earl of Essex, and secondly Robert Carr, 1st Earl of Somerset. The lady in half length, wearing a red dress and a white lace collar and cuffs, with intricate chains decorated with enamel and pearl floral motifs Oil on panel Provenance: Sotheby's, British Paintings 1500-1850, 10 November 1993, Lot 14, where purchased by the present owner Cornelius Johnson (1593-1661), also known as Cornelius Janssens van Ceulen, was born in London to Dutch parents. Johnson’s career flourished in both countries, and reflected the cultural and artistic exchanges of the era. Johnson’s portraits can be characterised by a meticulous attention to detail and a keen sensitivity to the character of his sitters, capturing the essence of his subjects with remarkable intimacy and realism. Johnson’s mastery of technique, influenced by both Dutch and English artistic traditions, consolidated his position amongst the elite circles of society, and his patrons regularly included members of the royal court. This early Cornelius Johnson pre-dates his more common prototype developed later in his career. Property of a Gentleman Dimensions: (Panel) 29 in. (H) x 22.5 in. (W) (Frame) 36 in. (H) x 28.5 in. (W)
Los 130
Asian ceramics to include a Chinese rouleau vase (restored), a 20th century punch bowl, yellow ground jar and cover (early 20th century), Japanese charger, 2 other small vases, miniature horses and a black lacquer bowl (11)see further photos for condition large charger has either firing or hairline crack to baseyellow covered jar has craquelure to enamel and some lossesblanc de chine vase has either firing or hairline crackjapanese vase has hairline crack to the waist of the vase and across the basegilding on vase rubbed
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396325 Los(e)/Seite