Raymond Kopa official Italian white-metal and enamel presentation plaque, 1956 inscribed Gara internazionale ITALIA - FRANCIA Bologna 15-2-1956, 4in. high Provenance: Mullock Madeley, Football Memorabilia including The Raymond Kopa Collection, 11th April 2001, Lot 632, Bonham's Football Memorabilia included Raymond Kopa Collection, 27th March 2002, Lot 373 Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
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.750 gold & enamel medal awarded to Ottorino Barassi on the occasion of AC Milan's Serie A title in season 1958-59, the obverse enamelled with seven Italian national flags representing the club's 7th Italian Football Championship title achieved in this season, the reverse inscribed in enamel MILAN A.C., CAMPIONE D'ITALIA, 1958-1959, diameter 30mm., weight 14gr. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
Jackie Paterson 9 carat gold and enamel Lonsdale belt by Mappin & Webb, approx 1090grms the central panel surmounted by figure of a lion and inscribed LORD LONSDALE CHALLENGE BELT THE BRITISH BOXING BOARD OF CONTROL (1929) FLYWEIGHT CHAMPIONSHIP OF GREAT BRITAIN PROFESSIONAL BOXING, the reverse of the panel inscribed This Belt Is The Sole Property Of Jackie Paterson (Glasgow) Who Has Won The Flyweight Championship of Great Britain Three Times in Succession The 3rd Win Being At Hampden Park, Glasgow, June 19th 1943, Jackie Paterson v. Peter Kane, Won By Jackie Paterson (In First Round) with four further 9 carat gold panels depicting the national flowers of England, Scotland, Ireland and Wales, cast in relief, two further oval enamel panels featuring boxing scenes and four rectangular panels inscribed 3RD FEBRUARY 1941 JACKIE PATERSON V PADDY RYAN AT ICE STADIUM NOTTINGHAM JACKIE PATERSON In Eight Rounds, the second, 8TH OCTOBER 1937 BENNY LYNCH V PETER KANE AT GLASGOW won by BENNY LYNCH in 10 Rounds, the third 16TH SEPTEMBER 1936 BENNY LYNCH V PADDY PALMER AT GLASGOW won by BENNY LYNCH in 8 rounds and the fourth 30TH SEPTEMBER 1939 PADDY RYAN V JACKIE PATERSON AT CARTYNE SCOTLAND won by JACKIE PATERSON IN 13 ROUNDS, with Garrard & Co Insurance document dated 1st June 1956, stating belt was valued at £615 and letter stating purchase, 1st July 1956, in original red leather fitted case stamped Mappin & Webb and with leather carry case Jackie Paterson was born in Springside, Ayrshire on September 5th 1920, and the family emigrated to Scranton, Pennsylvania eight years later but Paterson returned to Scotland to work in the Clyde shipyards, beginning a a boxer firstly as an amateur for the Anderston Club in Glasgow at the age of 13, turning professional at 17, beating Joe Kiely in his first professional fight against Joe Kiely in 10 rounds. He went on to lose just one of his next 17 bouts, fighting mostly in Glasgow, but also visiting cities such as Belfast, Newcastle and Dundee as he toured whilst building up an impressive record. The Southpaw, on September 30th 1939 and under barrage balloons in an open air fight in Glasgow fought Northern area champion Paddy Ryan for the vacant British Flyweight title, which the referee stopped in the 13th round, handing him his first major belt. Almost 6 months later, he added the vacant Commonwealth Flyweight title to his collection by beating Kid Tanner in Manchester, notching up another 7 straight wins that year. On February 3rd 1941 in Nottingham, he gave Ryan a re- match putting his British and Commonwealth titles up for grabs in the process, finishing him in just 8 rounds. It would be Kane he met on June 19th 1943 when he placed his title on the line at Hampden Park, Glasgow, and he finished him a just over a minute to give Scotland its first ever southpaw Flyweight Champion of the world. Paterson died in tragic circumstances on November 19th 1966 in Natal, South Africa.
18k gold & enamel medal presented to Ottorino Barassi on the occasion of the River Plate v Torino Simbolo match marking the 50th anniversary of the Argentinian club, the obverse with enamel club crest and inscribed CLUB A. RIVER PLATE, the reverse inscribed TORINI SIMBOLO vs. RIVER PLATE, 1901 - MAYO -1951, OTTORINO BARASSI, EN RECUERDO DE UN GESTO FRATERNO, diameter 25mm., weight 8gr. After of Superga Disaster on May 4th, 1949, River Plate travelled to Italy to play a benefit match against an Italian combined called Torino Simbolo. Two years later, Torino Simbolo played at Buenos Aires in commemoration of the 50th Anniversary of River Plate. For further information on the Superga Disaster and the subsequent close bonds between Torino and River Plate Football Clubs, see lot ***. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
18k gold & enamel medal awarded to Ottorino Barassi on the occasion of Bologna FC's Divisione Nazionale title in 1928-29, the obverse with Olympic Rings and fasces symbol, inscribed FEDERAZIONE ITALIANA GIUOCO CALCIO, the reverse named OTTORINO BARASSI and inscribed 10 AGOSTO 1926 A.IV, 22 GIUGNO 2929, BOLOGNA, diameter 28mm., weight 10gr. Provenance: by family descent The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. Lots 428 to 460 Ottorino Barassi (1898-1971) Italian football and sports official. Just before the 1966 World Cup in England the Jules Rimet Trophy was stolen whilst on display at the Stampex Exhibition in London’s Westminster Central Hall. Very famously, it was found abandoned in shrubbery by a dog called “Pickles” and after the Final Tie HM The Queen was able to present the World Cup trophy to England’s winning captain Bobby Moore. However, this was not the first time the trophy’s survival was at severe risk. During the Second World War, and with Italy as reigning champions, the Jules Rimet Trophy was in a bank vault in Rome. The city was occupied by the Nazis and the Secretary of the FIGC (Italian F.A.), Ottorino Barassi, had the foresight to hide the Rimet in a shoebox under his bed - fearing that if found the solid 18k trophy would have been requisitioned and destined for the melting pot. His house was indeed searched by the Nazis but they did not discover the hiding place. After that episode, Barassi sent the Cup to Foggia, to some relatives, who managed to keep it hidden until the end of hostilities. It was then returned to FIFA for the 1950 World Cup Tournament, where Barassi himself was called to collaborate with the local organisation committee. After the 1970 World Cup, however, the historic trophy had used all its luck. It was stolen again in Brazil, has never been recovered to this day, and is presumed to have been melted down for bullion. Ottorino Barassi had first come to the attention of the football world in 1934 with a highly prominent position organising the World Cup tournament held in his homeland of Italy. Before this Barassi had trained as an electronics engineer and it was while studying this in Cremona that his life-long passion for football was ignited. Having played, he then refereed at regional level before becoming the football correspondent for “La Provincia di Cremona.” Hence forth he entered sports administration. In 1925 he was elected Vice-President of the AIA (Italian Referees’ Association), from 1930 to 1932 he was President of the Italian Rugby Federation, and the following year he joined the FIGC (Italian F.A.) appointed by General Giorgio Vaccaro for the role of Secretary of the Federal Directory, specifically with the task of managing the organisation of the 1934 World Cup. As a prominent official of the FIGC he initiated a series of reforms (“Lodo Barassi") to streamline and bring about a properly organised structure to the Italian football pyramid at all levels and in all regions of Italy. After the fall of the Regime and the reconstitution of democratic institutions, even sport, despite a war still ongoing in the country, began to organise its activity again. On 4 December 1944 Giulio Onesti, President of CONI (Italian National Olympic Committee) appointed Ottorino Barassi as Regent of the FIGC; and on 15th May 1946 the Assembly elected Barassi as Presidente - a position he was to hold for 12 years. Barassi was also very active at international level and in 1952 he became a member of the FIFA Executive Committee. From that moment he began working to establish a European football governing body. On the initiative of the Italian, French and Belgian federations, UEFA was founded on 15 June 1954 in Basel with 25 national federations becoming affiliated. The Organisation set up its headquarters in Paris where it would remain until 1959, then moving to Bern. Barassi was also responsible for the new headquarters of the FIGC in Rome in Via Gregorio Allegri. After demolishing a residential villa, in 1952 work began on the construction of the six-storey building which, four years later, would be inaugurated. It has always been the case in sport that it is a results-driven business. Despite his tremendous contribution to Italian football and sport, Barassi paid a heavy personal price when the Italian national team was beaten 2-1 by Northern Ireland in Belfast on 15th January 1958. This result meant that Italy failed to qualify for the 1958 World Cup Finals in Sweden. Barassi, however, did not quit the game in Italy and decided to return to football by running for President of the newly formed National Amateur League. He was elected and remained in the role until his death in 1971. The Barassi Cup, an Anglo-Italian amateur football tournament (1968 – 1976) was to bear his name. He also developed amateur tournaments at Regional and Junior levels. In 2011 Ottorino Barassi was posthumously inducted into the Italian Football Hall of Fame. Ottorino Barassi's granddaughter, his only living relative, remarks "In regards to him football was his life. His inclusion in the Hall of Fame is richly deserved for dedication, especially as his early career was in challenging circumstances during the Fascismo reign and the Second World War. Although he officiated at the highest levels of the sport with FIFA and FIGC, he never lost his passion for football at its grass roots. I know he was immensely proud of the work he did in Italy at amateur, youth and regional levels of the game. Completely impartial to all, he always did what he thought was best for football."
A trophy presented by the Mexican F.A. to the FIFA Executive Committee member Ottorino Barassi on the occasion of the 1970 World Cup, in the form of a silver plated model of the iconic panelled Telstar football used at the tournament, on plinth, later reset on an acrylic base mounted with the original base's silvered plaque bearing enamel crests of FIFA and the sixteen competing nations, inscribed LA FEDERALION MEXICANA DE FUTBOL ASOC. A DR. OTTORINO BARASSI, height 22.5cm. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
18k gold and enamel medal awarded to Ottorino Barassi commemorating the gold medal victory of Italy in the Berlin 1936 Olympic Games football tournament,the obverse inscribed FIGC, with fasces emblem and enamel Italian flag, inscribed with details of the competing teams and named in enamel OTTORINO BARASSI, the reverse with enamel Olympic Rings and inscribed XI OLIMPIADE, BERLINO 1936, ITALIA, CAMPIONE, OLIMPIONICO CALCIO, diameter 25mm., weight 8gr. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
A rare silver & enamel 1934 World Cup commemorative medal awarded to Ottorino Barassi, President and Secretary of FIGC (Italian F.A.) and Director of the FIFA 1934 World Cup Organising Committee, by Giulio Veronesi of Bologna (signed to the reverse), the obverse with an enamel map of the continents, two footballers in raised relief, two fasces and inscribed COPPA DEL MONDO, FOOTBALL, ITALIA, 1934 XII, named in enamel to OTTORINO BARASSI, the reverse enamelled with the flags of the participating nations and with details of all the tournament's matches culminating with the Italy v Czechoslovakia final in Rome, diameter 6.5cm., later swivel-mounted on an orb set on an acrylic base, height 23.5cm. A similar medal awarded to the important Dutch football administrator Karel Lotsy (1893-1959) was offered at Graham Budd Auctions 22nd May 2014 as lot 343. For Biographical information regarding Ottorino Barassi see lot 428. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi
Clive Thomas black Bakelite The "Acme Thunderer" whistle used in the 1978 World Cup black and white press photograph of Clive Thomas and his linesmen leading out the Brazil and Sweden sides, the reverse autographed by Clive Thomas and a signed letter from Clive Thomas relating to the sale of the whistle and a white-metal and enamel plaque, the obverse inscribed AFA, the reverse inscribed ASOCIACION DEL FUTBOL ARGENTINO, COPA MUNDIAL F.I.F.A. 1978 C. Thomas on marble base, base and plaque dethatched The above whistle was used by Clive Thomas in the controversial 1978 World Cup Brazil v. Sweden match. This match is remembered for Zico's disallowed goal during injury time of the second half. Welsh referee Thomas whistled for full time while the ball was in the air after a corner kick, fractions of second before Zico's header
Raymond Kopa Voros Lobogo v. Stade Reims official match ball, 1955 inscribed with teams and match details, value removed and white-metal trophy decorated with enamel club badges The above ball and bowl were presented to Raymond Kopa, in the 1955 European Cup, quarter-final, 2nd leg match played on 28th December 1955, the teams drew match 4-4 Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
Raymond Kopa continental gold and enamel 1959 European Cup Winners medal, the obverse inscribed COUPE DES CHAMPIONS EUROPEENS, the reverse inscribed VAINQUEUR 1959 with ring suspension In the fourth year of the competition Real Madrid successfully retained the European Cup and this was Raymond Kopa's hat-trick of winners medals. In the match played on 3rd June 1959 at the Neckarstadion, Real Madrid defeated Kopa's former club Reims 2-0 Provenance: Mullock Madeley, Football Memorabilia including The Raymond Kopa Collection, 11th April 2001, Lot 609 Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
Tommy Younger 9ct gold and enamel President lapel badge, 1983 the obverse inscribed THE FOOTBALL ASSOCIATION, PRESIDENT, the reverse inscribed 1983, T. YOUNGER, 11grms The following lots 707 to 711 relate to Tommy's the playing career and time as President of the Scottish Football Association Provenance: By family descent
A rare group of 1930’s Chinese football medals awarded to A. MacArthurcomprising, TIENTSIN HONG LEAGUE B.M.C. FOOTBALL CLUB RUNNERS-UP 1931-32, silver medal cast with two figures of footballers contesting the ball, medallist’s monogram BHM?, inscribed to A. MACARTHUR, 3.3cm diameter; T.F.A. RUNNERS-UP 1st DIVISION 1931-32, silver medal similar to above, cast with different scene with two footballers, inscribed to A. MCARTHUR, 3.3cm. diameter; T.F.A. HONG CUP RUNNERS-UP B.M.C. FOOTBALL CLUB 1932-33, 1933-34, larger silver medal similar to above, cast with different scene with two footballers, inscribed to A. MACARTHUR, 4cm, diameter; TIENTSIN AMATEUR FOOTBALL ASSOCIATION large silver-gilt medal, cast with a footballer with the ball, inscribed WINNERS PETERS CUP 1933, 4.9cm. diameter; two bronze medals for T.G.S. SPORTS, one inscribed 1938, 3.3cm. diameter; Tientsin Race Club Member’s Medal, oval with red and white enamel, 4cm. high; and Chinese silver pendant formed as a Pagoda, stamped silver marks to reverse, 6cm. high (7)
.750 gold & enamel football medal from the Ottorino Barassi Collection, seemingly produced for the 1953 Mitropa Cup, but the tournament never took place, the obverse with enamel flags of the competing nations of Hungary, Czechoslovakia, Austria, Switzerland and Italy, the reverse inscribed LA COUPE INTERNATIONALE, 1953, diameter 26mm., weight 11gr. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
.750 gold & enamel FC Inter money clip from the Ottorino Barassi Collection, designed as a waving flag in the FC Inter blue and black striped colours, with a gold star, 50 by 40mm., weight 28gr. The one gold star may perhaps represent FC Inter's first victory in the European Cup in season 1963-64, a competition they would win again the following season. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
Raymond Kopa bronze presentation medallion for Yugoslavia v. France 1953 inscribed Zagreb, 18 Octobre 1953 Yougoslavie - France with enamel badge on marble base, 7in. high Provenance: Bonham's Football Memorabilia included Raymond Kopa Collection, 27th March 2002, Lot 399 Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
Raymond Kopa white-metal and enamel trophy with lion handles and finial, inscribed in Spanish and translated The City Council of Madrid to Raymond Kopa on the occasion of winning three consecutive European Cup finals, 1955-56, 1956-57 and 1957-58, on circular base, 11in. high Provenance: Mullock Madeley, Football Memorabilia including The Raymond Kopa Collection, 11th April 2001, Lot 610 Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
A .750 gold & enamel medal from the Ottorino Barassi Collection, the obverse with joined rings below laurel and dated in enamel 2-12-1957, diameter 18mm., weight 3gr. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
A yellow metal medal presented by the Chile Football Association to Ottorino Barassi on the occasion of the 1962 World Cup, with enamel crest of the Chile F.A., inscribed CAMPEONATO MUNDIAL, COPA JULES RIMET, CHILE, the reverse inscribed CON LA GRATITUD DEL FOOT-BALL CHILENO, AL Sr., OTORINO [sic] BARASSI, the ring suspension tied with red, white and blue ribbon, 36 by 28mm., overall weight (including ribbon) 20gr. Provenance: By family descent. The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
Peter Harris white-metal and enamel Football Association Charity Shield plaque inscribed THE FOOTBALL ASSOCIATION CHARITY SHIELD MATCH Portsmouth v. Wolverhampton Wanderers, 19th October 1949, Score 1-1 P. Harris, mounted on wooden backboard with easel stand, 12.5cm wide, scuffed and rubbed In the match played on 19th October 1949 at Highbury, both teams drew the match 1-1
.750 gold & enamel money clip presented to Ottorino Barassi for his administration of the Italian National Amateur Football League between 1965 and 1968, with footballers in raised relief between enamelled inscription F.I.G.C., LEGA NAZ DILETTANTI, 1965 - 1968, OTTORINO BARASSI, 60 by 36mm., weight 22gr. Provenance: by family descent The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
Raymond Kopa silver and enamel presentation cigarette case, France v. Ireland, 1952 the lid surmounted by enamel Northern Ireland crest and inscribed France _ Irlande Colombes 11 novembre 1952 France defeated Northern Ireland 3-1, Kopa scoring two goals Provenance: Bonham's Football Memorabilia included Raymond Kopa Collection, 27th March 2002, Lot 406 Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
World Cup 1958 official souvenir white-metal and enamel plaque cast with figure of Nike in relief, with enamel country flags of France and Sweden, facsimile autographs of both teams and inscribed FIFA, WORLD CHAMPIONSHIP, JULES RIMET CUP, SWEDEN 1958, the circular plaque supported by two metal footballs on black marble base with plaque inscribed EN SOUVENIR DE LA COUPE DU MONDE 1958 LES AMIS DE L'EQUIPE DE FRANCE, 20cm high x 16cm high Provenance: Bonhams Sporting Memorabilia, 27th March 2002, Lot 311
.18k gold & enamel medal and fob awarded by Juventus FC to Ottorino Barassi on the occasion of the club's home-leg match of the 1971 Inter-Cities Fairs Cup Final v Leeds United, the obverse with enamel Juventus club crest, the reverse inscribed LA JUVENTUS F.C., A, OTTORINO BARASSI, TORINO, 26-5-71, diameter 24mm., weight 15gr. The match was abandoned after 51 minutes with the score at 0-0 due to heavy rain causing the pitch to become waterlogged. The match was replayed two days later and ended in a 2-2 draw. The return leg at Elland Road was drawn 1-1, with Leeds United crowned champions on the away goals rule. Provenance: by family descent The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
Stuart Lewis Evans silver and enamel British Racing Drivers Club lapel badge, three BRDC brass blazer buttons, vintage Lewis Evans Motors, Vauxhall Bedford Service advertising flag, 46.5 x 64in. and a National Benzole Mixture flag, 44 x 70in. both in stained, worn and used condition holed, (6)
Raymond Kopa continental gold and enamel 1958 European Cup Winners medal, the obverse inscribed COUPE DES CHAMPIONS EUROPEENS, the reverse inscribed VAINQUEUR 1958 with ring suspension In the third year of the competition Real Madrid successfully retained the European Cup and this was Raymond Kopa's second of his three-in-a-row winners medals. In the match played on 28th May 1958 at the Heysel Stadium, Real Madrid defeated Milan 3-2 Provenance: Mullock Madeley, Football Memorabilia including The Raymond Kopa Collection, 11th April 2001, Lot 608 Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
Raymond Kopa presentation cased set of weighing scales surmounted by enamel Real Madrid badge and table lighter with club crest (2) Raymond Kopa was integral to the legendary Real Madrid team of the 1950s, playing and winning the European Cup three years in a row, the club winning the first five finals since the competition's inception. Often considered one of the best players of his generation, Kopa was an attacking midfielder agile, quick, and known for his dribbling, play making and prolific scoring. Awarded the Ballon d'Or in 1958, in 1970, he became the first football player to receive the Legion d'honneur and in 2004, Pele named him one of the 125 Greatest Living Footballers at a FIFA Awards Ceremony. The following lots 621 to 668 relate to the career of Raymond Kopa
.585 gold medal awarded to Ottorino Barassi on the occasion of the 1938 Mitropa Cup, the obverse with the competition trophy in raised relief and inscribed COPPA DELL’EUROPA CENTRALE, MITTELE EUROPA CUP, the reverse inscribed XII COMPETIZIONE ANNO 1938, and named in enamel OTTORINI BARASSI, diameter 30mm., weight 13gr. Provenance: by family descent The following lots 428 to 460 were awarded to Italian Sports Official Ottorino Barassi. For Biographical information regarding Ottorino Barassi see lot 428.
London & North Western Railway - A 20th century enamel railway notice sign, dated May 1901. With white ground, red border and red front reading, It is forbidden for vagrants,, beggars, itinerant musicians and females of doubtful reputation to enter these premises. Measures approx. 20cm x 19cm
A collection of three 20th century wall signs, one enamel. Comprising one rectangular enamel and steel sign marked 'Constantin Cigaretten', one steel example marked 'Raleigh - The All Steel Bicycle' in a green colourway, along with another steel example marked 'Kelheimer Walzenbier'. Largest measures 49cm x 39cm.
An Art Nouveau inlaid mahogany balloon mantel clock,circa 1900-1910, of waisted form, the white enamel dial with Arabic numbers, the case with stylished foliate boxwood inlay,27cm highCondition ReportRuns for a length of time but it cannot be guaranteed to continue for a prolonged period. Complete with key.Knocks, scuffs and surface scratches throughout.A couple of nibbles to the edges.
A faux tortoiseshell and gilt-metal Boulle mantel clock,early 20th century, the waisted case with chased rococco mounts and foliate finial, the dial with enamel Roman numerals, the movement with bell-strike and sunburst pendulum,30.5cm highCondition ReportKnocks, scuffs and minor nibbles throughout. Some areas of touching up to tortoiseshell. No gurantee of the running or timekeeping of this piece.
A Japanese ko-kutani charger,Meiji period (1868-1912), the rounded sides rising from a circular foot, painted with two birds standing on a pine tree enclosed by shaped panels, the reverse with leaves, Kutani mark to base,39.8cm diameterCondition ReportGilt and enamel losses, surface scratches. Small firing crack on surface of the plate and further on the back. Please see additional condition images.
A Chinese clobbered plate,18th century, of oval form, painted with a landscape,35.6cm long, and two Canton enamelled famille rose plates,19th century, each of oval form, painted with figures, Buddhist lions, birds and flowers,26.2 and 42.3cm long (3)Provenance: The Collection of Dr Anne F Sutton (1942-2022).清十八世纪 外销青花后加彩山水图盘 及 广东粉彩花鸟图盘 一组三件Condition ReportAll with gilt and enamel losses.Largest - chipped to rim.Clobbered - no obvious faults.Smallest - chipped to rim.
Three Chinese export famille rose punch bowls,18th century, each with rounded sides rising from a circular foot, painted with figures in a garden,20.4 to 28.2cm diameter (3)Provenance: The Collection of Dr Anne F Sutton (1942-2022).清十八世纪 外销粉彩人物故事图潘趣碗 一组三件Condition ReportLargest - rim mounted with metal, unable to check condition underneath. Cracks in various locations.Middle size - cracks in various locations, chipped to foot rim.Smallest - rim cracked and restored. Cracks to foot rim.All with gilt and enamel losses.
A silver-gilt and cloisonné cigarette case,in the Russian taste, of rectangular form with rounded corners, the hinged cover and the reverse decorated with polychrome enamel scrolls and flower heads in blue, pink and purple, with gilt interior,11.5 x 8cm 6.7oztCondition ReportScratches to the gilt interior. Enamel seems in good order with a few manufacturing imperfections and pits. Clasp strong.
A silver and cloisonné cigarette case,late 19th to early 20th century, in the Russian taste, of rectangular form with rounded corners, the hinged cover and the reverse decorated with polychrome enamel scrolls and flower heads mainly in blue, within a flowerhead border,10.5 x 7cm6.6oztCondition ReportNo visible hallmarks. Tarnishing to the interior. No damage to the enamel.
A group of Chinese porcelain,comprising:a blue and white vase, Republic period (1912-1949), of baluster form, painted with two horses below a willow tree, a four-character Kangxi mark to base,31cm high,a famille rose vase,Guangxu (1875-1908), of cylindrical form, painted with phoenixes by peony, 27.5cm high,a blue and white tea caddy and cover,Guangxu (1875-1908), of octagonal form, painted with dragons among clouds above waves, 21cm high, and a qianjiang-enamelled bowl and cover, Guangxu (1875-1908), the rounded sides with four loop handles, painted with ladies in a garden, 22.5cm high (6)Condition ReportBlue and white vase - a large section of body restored. Famille rose vase - cracked throughout. Tea caddy - firing cracks to cover, tea caddy with cracks to rim and small chips to glaze in various locations.Qianjiang enamelled bowl and cover - enamel losses, final chipped, rim of cover chipped and cracked. Rim of bowl chipped.
A collection of Danish silver and white metal jewellery. The jewellery to include a leaf and berry bracelet marked A.G 830 S, 17.5cm. An enamel flower brooch pin marked AM Sterling Denmark for Anton Michelsen, 1.7cm. A floral pendant stamped BH 830s for Bernhard Hertz, 5cm. A pendant necklace strung with a Dagmar cross. The chain stamped DGS 830, the cross unmarked. Total weight 21.8g.All weights, measurements and sizes are approximate.
A 19th century open faced fusee London hallmarked silver pocket watch by J Johnson of London. Hallmarked for London with fusee movement and bale atop. Movement marked J Johnson London 4577. Enamel face with Roman numeral chapter ring. Total gross weight 92.3g ** All pocket watches sold as untested, seconds aperture hand is missing, large chip to enamel dial, case not closing. Please request condition reports. All weights, measurements and sizes are approximate
Frankfurter Emaillir-Werke Otto Leroi G.M.B.H. Neu-Isenburg Bei Frankfurt. Prospekt Nr. 51: Brauereien. Fold. brochure in leporello, ca. 1930. 11 p., w. 18 col. ills., des. Atelier Leroi. Final page advertising the Torpedo enamel signs in 9 languages. (2) Email-Plakate "Torpedo". Alleinige Hersteller Emaillir-Werke Otoo Leroi G.M.B.H. (...). Booklet w. 21 p. w. endorsements by num. companies, orig. stapled wr. W. stamp. of Hans Prell (Amst.) on back wr. (3) Torpedo-Email-Plakate (...). Reklameschau 1929 Berlin. Poster, 25.5 x 34 cm, printed on both sides. Added: 27 col. lithogr. posters and advertorial lvs showing printing examples by var. artists and advertising German poster printing companies. (total 30)
(1) Album on housekeeping and the kitchen containing 48 brochures on a.o. Hoover vacuum cleaners, early refrigerators and enamel kitchen wear. (2) Album on gas containing 18 brochures and magazines incl. 12 issues of De Gasverbruiker, 1936-38 and the brochure 'Warm Water in het geheele huis met Gas'. (3) Album of 12 brochures, price lists and blotters on briquettes and lighters incl. brochures for Union, Edelcokes and a blotter for Hensen, Amst. (total 3)
EVELYNE AXELL (1935-1972)Marine 1971Emaux sur plexiglas, unalit et cadre d'artisteSigné et daté en bas à droiteEmaille op plexiglas, unalit en kunstenaarslijst Gesigneerd en gedateerd rechtsonderEnamel on Plexiglas, unalit and artist's frameSigned and dated lower right131 x 169 cmFootnotes:Provenance / Herkomst König Galerie, Berlin Collection privée/ Privécollectie, BelgiqueBibliographie / Bibliografie - Marcel Moreau, Jean Antoine, Evelyne AXELL, 1978, Palais des Beaux-Arts, Bruxelles, p. 19.- Jean Antoine, et al, Evelyne Axell et les années 60. Un frisson de la vie (Het ruisen van het leven), 1997, Snoeck-Ducaju & zoon, Gent, p. 55.- Claude Lorent, Marcel Moreau, Jean Antoine, Evelyne Axell, 1935-1972: L'amazone du Pop Art. 2000, La Renaissance du Livre, Tournai, p. 28.- Claude Lorent, Sarah Wilson, Evelyne Axell: From Pop Art to Paradise = Le Pop Art Jusqu'au Paradis. 2004, Somogy, Paris, 2004, p. 141.- Evelyne Axell : Die belgische Amazone der Pop Art, Bruxelles, 2006, Communauté Française de Belgique, Cover.- Jean Antoine, Nathalie Roux, Evelyne Axell: du viol d'Ingres au retour de Tarzan. 2006, iac éditions, Roche-la-Molière, France, p. 120.- Susanne Titz, Liesbeth Decan, Axelleration, 2011, Lannoo Publishers, Tielt, p. 77.Exposition / Tentoonstelling 1971: « Axell », Palais des Beaux-Arts, Brussels1971: 'Evelyne Axell', Galerie Flat 5, Bruges1978: « Evelyne Axell », Palais des Beaux-Arts, Brussels1997: « Evelyne Axell et les années 60. Un frisson de la vie (Het ruisen van het leven) », Musée des Beaux-Arts d'Ixelles, Brussels1999: « Evelyne Axell en de jaren zestig », Provinciaal Museum voor Moderne Kunst, Ostende2000: « L'amazone du Pop Art», Centre Wallonie-Bruxelles, Paris2004: « Axell. Le Pop Art jusqu'au Paradis », Maison de la Culture de la province de Namur, Musée Provincial Félicien-Rops, Namur, Galerie Détour, Jambes, Belgium2006: 'Evelyne Axell, Die belgische Amazone der Pop Art', Fernsehturm and Belgian Embassy, Berlin2006: « Evelyne Axell, Du viol d'Ingres au retour de Tarzan », Musée d'art Roger-Quillot, Clermont-Ferrand, France2011: « Axelleration » (retrospective exhibition), Museum Abteiberg, Monchengladbach'Evelyne Axell est l'étoile filante du Pop Art en Belgique. Décédée à l'âge de 37 ans en 1972 dans un accident de voiture, elle a laissé une œuvre forte et engagée, à la fois sexy et ludique. Elle débute sa carrière devant les projecteurs, dans un univers de strass et de paillettes, avant de se tourner vers les arts plastiques. Mariée au réalisateur Jean Antoine, elle côtoie de nombreux artistes et intellectuels qui lui prodiguent des conseils et lui offrent leur soutien. René Magritte l'aide à peaufiner sa technique picturale tandis que Pierre Restany exerce une influence déterminante sur sa réflexion d'artiste femme. Ses premières œuvres sont des huiles sur toile d'une facture assez classique qui, bien que très personnelles, puisent leur inspiration chez des artistes pop tels que Rosenquist et Wesselman, tant au niveau formel qu'au niveau de la représentation qu'ils proposent de la femme, ouvertement consommable. Ces créatures, lascives et aguichantes, ne s'éloignent guère des pinups du Pop Art. Mais à la fin des années 60, Evelyne Axell s'affranchit des influences et devient nettement plus aventureuse, cherchant à travers de nouvelles techniques, sa propre façon d'évoquer le monde urbain, industriel et publicitaire cher aux artistes Pop. Elle introduit toutes sortes de matériaux à son répertoire : le clartex, une matière plastique de fabrication locale, la fourrure ou encore le plexiglas. Maîtresse de sa destinée, l'artiste se met en scène, comme dans cette « Marine » de 1971, voluptueuse en tenue d'Eve, se livrant à l'appétit du spectateur. Elle clame ainsi l'autonomie et l'autodétermination féminine, sans que le ton soit au militantisme. C'est sa manière à elle de s'engager dans le mouvement naissant de libération de la femme. Dans les dernières années de sa courte vie, Evelyne Axell s'emploie à réinventer le paradis. Avec leurs découpes de plexiglas se détachant de panneaux de bois laqués, les tableaux de cette époque sont conçus comme des décors de théâtre. Ils sont « un plaidoyer pour le bonheur, une invitation au plaisir, une proposition de retour aux origines, aux candeurs premières. Nous sommes loin ici des miasmes de la civilisation, des conflits de notre société, des revendications violentes ou feutrées de nos amazones », comme le dit joliment Jean Dypréau dans le texte de présentation de l'exposition du Palais des Beaux-Arts en 1972. Evelyne Axell was de vallende ster van de Pop Art in België. Ze stierf op 37-jarige leeftijd in 1972 bij een auto-ongeluk en liet een oeuvre na dat sterk en geëngageerd, zowel sexy als speels is. Ze begon haar carrière in de schijnwerpers, in een wereld van strass en glitter, voordat ze zich op de beeldende kunst richtte. Ze was getrouwd met filmregisseur Jean Antoine en ontmoette veel kunstenaars en intellectuelen die haar advies en steun gaven. René Magritte hielp haar haar schildertechniek te perfectioneren, terwijl Pierre Restany een beslissende invloed had op haar denken als vrouwelijk kunstenaar. Haar eerste werken waren olieverf op doek in een vrij klassieke stijl die, hoewel zeer persoonlijk, geïnspireerd was op popartiesten als Rosenquist en Wesselman, zowel wat betreft de vorm als de manier waarop ze vrouwen voorstelden als openlijk consumeerbaar. Deze wezens, wulps en verleidelijk, zijn niet ver verwijderd van de pinups van de Pop Art. Aan het einde van de jaren 60 bevrijdde Evelyne Axell zich van deze invloeden en werd ze veel avontuurlijker, waarbij ze nieuwe technieken gebruikte om haar eigen manier te vinden om de stedelijke, industriële en reclamewereld op te roepen die Pop-kunstenaars zo dierbaar was. Ze voegde allerlei materialen toe aan haar repertoire: clartex, een lokaal gemaakte kunststof, bont en plexiglas. Als meester over haar eigen lot zette de kunstenares zichzelf op het podium, zoals in deze 'Marine' uit 1971, wulps gekleed als Eva, die zich overgeeft aan de eetlust van de kijker. Op deze manier verkondigde ze vrouwelijke autonomie en zelfbeschikking, zonder een militante toon aan te slaan. Het was haar eigen manier om zich te engageren met de ontluikende vrouwenbevrijdingsbeweging.In de laatste jaren van haar korte leven begon Evelyne Axell het paradijs opnieuw uit te vinden. Met hun plexiglazen uitsneden die afsteken tegen gelakte houten panelen, werden de schilderijen uit deze periode opgevat als theatrale decors. Ze zijn 'een pleidooi voor geluk, een uitnodiging tot plezier, een voorstel om terug te keren naar onze oorsprong, naar onze oorspronkelijke openhartigheid. Hier zijn we ver van de miasma's van de beschaving, de conflicten van onze maatschappij, de gewelddadige of verstilde eisen van onze Amazones', zoals Jean Dypréau het mooi verwoordde in de tekst waarmee de tentoonstelling in het Paleis voor Schone Kunsten in 1972 werd gepresenteerd.For further information on this lot please visit Bonhams.com
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