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396323 Los(e)/Seite
Los 80
An 18ct gold cased open face Keywind Pocket Watch, centre seconds, white enamel dial with Roman numerals and Arabic numbers to outer train, movement inscribed Thos Wheeler 160 Lancaster Road Preston, number 41435, case stamped 18ct, hallmarked 1899, hinge to rear case requires attention, 91.1g
Los 79
A fine 18ct gold cased early 20th century Full Hunter Gentleman's Centre Seconds Chronograph Pocket Watch signed J W Reeley & Sons London and Liverpool, number 97232, keyless lever, the white enamel dial with Roman numerals inscribed Non Magnetic, in plain case with foliate chased band, in going order, 50cm dial, 152g total weight
Los 81
A 20th century French brass Carriage Clock, eight day movement striking a bell within the plinth, white enamel dial with Roman and Arabic numerals, subsidiary alarm dial signed Angelus, five bevelled glass panels in lacquered brass frame, plinth base on shallow bracket feet, 16cm high inc handle
Los 338
A good collection of enamel badges to include Football clubs Wimbledon, Bolton, Chelsea, Everton, Coventry, Bristol City, West Ham. Also Silver hallmarked ingot pendant, Esso, Prefect, Anglo - Russe Isda dancing badges, Butlins, Ballroom, Defence Medal, Sex Pistols, For Home & Country etc etc
Los 18
SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823) HALF LENGTH PORTRAIT OF ROBERT CUNNINGHAM GRAHAM OF GARTMORE AND FINLAYSTON Oil on canvas 75cm x 62cm (29.5in x 24.5in) Provenance:By descent in the Cunningham Graham family Exhibited:On extended loan from Lady Patricia Cunningham Graham to Culzean Castle (National Trust for Scotland) 1982-2016 Reference:David Mackie, Raeburn Life and Art (a complete catalogue of the artist's work in 6 volumes) unpublished Ph.d thesis, University of Edinburgh, no. 340B Note: Robert Cunningham Graham o' Gartmore and Finlayston (1735-1797) was the Receiver General for Jamaica and MP for Stirlingshire from 1794-1796 as well as being Rector of Glasgow University from 1785-7 and a noted poet. The sitter was a supporter of the French Revolution and a leading advocate for political reform. There is a primary version, near full-length, in the Scottish National Portrait Gallery. The portrait on offer is a smaller repetition by Raeburn, showing only the central part of the composition. The primary version of the painting was discussed in a letter of 17 November 1794 from Raeburn to the man who commissioned it, Cunningham Graham's friend, Hugh Innes of Balmacara, Ross-shire. The existence of this part-replica speaks for the success of the portrait with the sitter and his friends. Further evidence for this is suggested by the creation of an enamel copy in miniature of the "A" version by Henry Bone in the collection of the Hunterian Museum, Glasgow. The primary version came to light when included in the 1939 Exhibition of Scottish Art at the Royal Academy. The version offered here, became known when it was lent by the sitter's family to the National Trust for Scotland in 1982, to be hung at Culzean Castle. Neither work features in the Raeburn literature before Mackie's complete catalogue. The "A" version of the portrait was requested by Baroness Thatcher from the SNPG for display at 10 Downing Street, where it hung during her time as Prime Minister. The creation of the version offered here may have been occasioned by the sitter's death in 1797. The extensive use of bitumen suggest that it was painted c.1800 when the artist had developed a new and darker style of painting. Raeburn may have used the original version as his model. This version is just over half the size of the primary version and the reduction in scale has caused some essential changes to the composition: the sitter's left arm is lowered out of sight and the book now appears on the table. Studio assistants working for Raeburn at that early date are not known, and although the involvement of assistants in Raeburn's practice is poorly understood, it seems always to have been limited. In the primary version the leading eye of the portrait has a cast and there is also disparity between the two sides of the sitter's face, created by shadow. Many consider Raeburn's portraits of the 1790s to be his finest. They communicate appearance, character, psychological and emotional state, and mental force. Their skilled and inventive use of pose and lighting give an enduring sense of human presence and human uniqueness. The portrait offered here has been examined by Dr David Mackie and will be included in his forthcoming complete catalogue of Raeburn. We would like to acknowledge the assistance of Dr. David Mackie, St Catharine's College, Cambridge in cataloguing this picture.
Los 119
A George II memorial ring, set to the front with an octagonal cut rock crystal in reeded closed back setting over a lock of hair, to bifurcated cast shoulders and a cast shank with undulating edge and enclosing the memorial 'M:Purlewent Obt:12:Sept 1751: Aet:31' in gold letters on a black enamel ground, unmarked yellow precious metal, ring size L/M
Los 126
A French hardstone cameo brooch in 18ct gold, diamond, pearl and enamel mount, the circular finely carved black and white cameo depicting a girl's or goddess's head in profile, the hair loosely tied up with trailing tendril locks, wearing a laurel wreath and a pendant earring, the collet mount with spaced outer ring of black enamel punctuated by four old cut diamonds at the cardinal points and four bouton pearls between, French eagle's head mark for 18ct gold on both brooch and pin; diameter 3.7cm
Los 128
A late Georgian or William IV memorial swivelling ring, the central swivelling rectangular panel of plaited hairwork, verso with initials 'FS' on black enamel ground, in a border of seed pearls to a pierced tapered shank with reeded edges and in-fill of geometric motifs with faceted finish, ring size M
Los 131
A Victorian memorial brooch and a cameo brooch, the first with an undulating outline of a scrolling and bright cut frame around a black enamel ground on which is overlaid a diamond and seed pearl set flower with sinuous stems and leaves, verso with a glazed panel containing curled hairwork with gold thread and seed pearls, and engraved 'In memory of Mrs Eliz'th Matthews, died 2nd April 1867, aged 74 yrs', length 4.7cm; the shell cameo depicting the bust of a young woman in profile, her hair curled and dressed with flowers and a diadem, and adorned with necklace and earring, scallop collet set with twisted wire and otherwise plain mount, length 4.0cm; both in unmarked yellow precious metal, both testing as 14-15ct gold (2)
Los 177
An enamel painted stick pin of a horse's head by William Bishop Ford, the grey horse with bridle, finely painted on a domed ceramic disc signed and dated on the back 'WBFord 1886', in a ropetwist and beaded mount, diameter 2.3cm, period fitted case William Bishop Ford (1832-1922) was a pupil of William Essex, the painter of miniature enamels for the royal family and after whom the term 'Essex crystal' was coined to describe reverse carved and painted miniature crystals. Ford exhibited at the Royal Academy and other venues during the second half of the 19th century; his subject matter, like Essex, was predominantly animals, and dogs and horses were favourites
Los 182
A red hardstone, red enamel and mother-of-pearl gentleman's dress set, the double-ended cufflinks designed as mother-of-pearl discs with a small crimson hardstone set in the centre and an outer border of clear red enamel with opaque white dots, articulated bar connections, the six buttons of exactly the same design, in period fitted case
Los 183
A pair of ornate garnet band rings, each a uniform 12mm wide and set with six oval cut garnets separated by pierced figures of eight of ropetwist and beading, remnants of black enamel infill, with solid polished edges, yellow precious metal stamped '14k', ring sizes Q and Q½, gross weight 21.82g
Los 193
An Austro-Hungarian blister pearl, multi gem and enamel brooch, of pierced oval form with a central round blister pearl between two oval cut angled red stones, probably garnets, and round the outer areas five cabochon sapphires and five round cut pink or red stones, all in closed back settings, the casting further embellished to both front and back with multi-coloured enamel, length 3.5cm
Los 198
A 19th century diamond and enamel pendant / brooch, of oval lightly domed form with an oval rose cut diamond in a border of smaller rose cut diamonds set to the centre of a broad royal blue basse taille enamel ground embellished with four more similar diamonds at the compass points, and bounded by a narrow opaque white enamel line, verso polished yellow precious metal also lightly domed, with both brooch pin and pendant bale, length with bale 3.1cm
Los 211
A pair of 18ct gold and enamel cufflinks by Asprey in their original fitted Asprey case, each cufflink with an oval deep blue enamel plaque with applied Indian crests including the initials HB, fixed curved back posts and swivel fixings, Birmingham hallmarks 1988, signed 'Asprey' and with quatrefoil stamp containing a big A and small PLC, length of plaque 2.2cm; in maroon shaped and fitted case with Asprey 'By Appointment' crest
Los 227
Three antique gem set brooches, the first a ruby and seed pearl bar brooch stamped '15ct', central ruby 5.0mm diameter; the second with vari-cut amethysts forming the date '1901', length 2.5cm; the third circular and closed back and designed as a black and white enamel quatrefoil with a seed pearl centre, with safety chain, diameter 2.2cm (3)
Los 247
A Victorian Archeological Revival negligée necklace, the curb link back chain set to the front with a geometric feature with bead and ropetwist decoration and white and blue enamel, suspending two beaded chains of different lengths with larger enamelled beads above two boss form features with seed pearl star centres in turquoise blue enamel to 'archeological' mounts embellished with further bead and ropetwist work with white and blue enamel, and from the bottom of each a graduated fringe; length of necklace 36.5cm, maximum length of pendant centre 9.8cm
Los 250
A Norwegian enamel and washed silver filigree necklace and matched brooch, the necklace comprising different flower motifs, some as circular enamelled plaques, alternating with pierced motifs with small flower centres, suspending chain swags and drop pendants, partially enamelled throughout in shades of turquoise and white, to a belcher link back chain and barrel clasp, stamped '925' for silver, with a pale yellow wash; the brooch of similar design and enamel, with two circular plaques and swag and pendant suspension; length of necklace and its drop 47cm and 6.0cm; width and drop of brooch 4.0cm and 7.8cm (2)
Los 294
A diamond, mother-of-pearl and enamel gentleman's dress set, the double-ended cufflinks designed as a round brilliant cut diamond collet set in the centre of a dished cushion-shaped plaque of mother-of-pearl with a white enamel Greek key design border, chain link connections, backs all stamped '18' suggesting 18ct gold, and with a serial number; the three buttons of similar but circular design, backs stamped 'Pt & 18ct', presented in a period fitted red morocco leather case
Los 319
A pair of enamel and pearl flowerhead earstuds, each designed as a five-petalled boss with a scrolling pattern across the dark blue enamel and a raised central 3mm pearl, later closed back setting and subsequent posts, stamped '9ct'; possibly adapted from 18th or 19th century buttons; diameter 12mm
Los 358
Lusina - an 18ct gold cased slimline pocket watch, the silvered checker board dial signed 'Chronometre Lusina', having Arabic numerals in gold, subsidiary seconds, the keyless 18 jewel movement signed Lusina, unnumbered, case 45mm diameter, dial 40mm, the case with black enamel line decoration, back with Swiss marks and numbered 27257, suspended from a fine 18ct two colour gold watch chain, 37cm, mounted with a 15ct gold compass fob, gross weight of watch 51gm, chain 11.9gm, fob 7.2gm. Contained in a later green leather fitted case
Los 359
Henri Mauris à Geneve - a late 18th century Swiss silver cased pocket watch, the white enamel dial with Arabic numerals in black around a painted figure of a young woman playing a mandolin beside a country lane, dial and movement signed Mauris à Geneve, wind aperture at 2 o'clock, 50mm diameter, dial 41.5mm
Los 360
Patek Philippe - an 18ct gold full hunter cased keyless pocket watch, the white enamel dial printed in black with Roman numerals, subsidiary seconds dial, signed 'Patek Philippe & Co Geneve, the movement signed and numbered 991966, the dust cover similarly signed and numbered on the outer face, the inner face bearing Swiss marks and the case number 215419, the inside face of the outer case bearing an inscription 'Presented to Alex Burns Esq by The staff of The London and River Plate Bank Rosario........etc. 1897', case with monogram and engine turned decoration, diameter 55cm, dial 44mm diameter, gross weight 119.5gm, suspended from an unmarked flat curblink watch chain, 33.5cm in a Mappin & Webb trade case
Los 362
A small enamel decorated travel watch, the leather case marked Aug. Klein, Vienna, the rectangular polychromed enamel frame decorated with figures in a landscape containing a small timepiece with keyless movement and white enamel dial printed with Roman numerals, 52 x 40mm, dial 20mm diameter Some very minor damage to the enamel and to the frame mounts. Movement in working order
Los 420
A continental silver snuff box, unmarked and of rectangular shape, heavily chased with the mask of Pan amidst scrolling foliage highlighted in gold to the cover and edges, sapphire thumbpiece and applied with an incongruous and later navette shaped applique set with rose cut diamonds and with blue enamel, 7.75 x 5cm.
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396323 Los(e)/Seite