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396325 Los(e)/Seite
Los 336
An early 19th Century French ormolu mantel clock, by L Mallet A Paris, the eight day movement with silk suspension and striking to bell, the white enamel dial with Roman numerals and in arched case surmounted by a battle axe, sword and wreath and with applied foliage beneath the dial, a Roman soldier proffering his helmet stands to the right, all over a frieze of classical figures, on adjustable feet, 15 1/2" high (illustrated).
Los 199
A gentleman`s yellow metal cased, open face Hamilton dress watch, the white enamel dial with black Arabic numerals and subsidiary seconds dial, keyless movement, signed `Hamilton, Lancaster P.A` adjusted 5 positions, 23 jewels - safety pinion, No. 1831963, yellow metal case stamped `14k`, inner back bearing engraved inscription
Los 202
An early gentleman`s 9ct gold Rolex Oyster wristwatch, the stainless steel movement stamped `Rolex Prima - Swiss made, fifteen jewels, timed six positions, for all climates`, screw to back with Glasgow import mark for 1927 and 34303, engraved with initials, the white enamel dial with black Arabic numerals and subsidiary seconds dial, Johnston Court Ltd, Rolex Oyster, Swiss made, wire lugs
Los 67
A Royal Worcester porcelain pedestal vase and cover with shot enamel strap work and handles terminating in grotesque animal masks decorated in applied white enamels with a heron amongst lilies and reeds reserved on a wine ground, 41 cm high, puce marks, pattern no. 1764 and datecode for 1896.
Los 143
A late Victorian silver cased travelling timepiece, the rectangular case with embossed scroll and foliate decoration with owls and cockerels, stamped Asprey, 166 New bond street, with 3.5cm white enamel Roman dial the movement with lever platform escapement, raised on bun feet (one repaired), 9cm high, maker W.C., London, 1898.
Los 251
Hampden. A 14ct gold, ruby and diamond mounted keyless lever hunting cased pocket watch, the foliate engraved dial with ruby and diamond mounted ten-pointed star-shaped cluster, the white enamel dial with Arabic numerals and subsidiary seconds dial, the backplate inscribed Hampden Watch Co, 510654.
Los 337
A late 19th century French enamelled gold, ruby, diamond and seed-pearl mounted enamel miniature pendant/locket, the oval enamel panel 23mm long, depicting two cherubs with a dove and a rose garland within a black enamel and seed-pearl frame, suspended from a ruby and rose diamond mounted acanthus scroll hanger, the reverse with pierced and glazed locket compartment and in fitted case.
Los 393
Henry Bone (1755-1834), George Lord Seton aged 27, three-quarter length holding a baton of The Queen`s Household, signed H.Bone bottom right, inscribed on the reverse below a coat of arms, `George Lord Seton AE TATIS SV AE 27/The original in the possession of The Rt. Hon.ble Lord Somerville/London Feb.1811, Painted by Henry Bone, R.A., Elect/Enamel painter in Ordinary to His Majesty The Prince of Wales (after J.A. MORE in 1578)`, enamel on copper 20.5 x 16.5cm. Exhibited at the Royal Academy 1811 no.321 as one of five framed enamels. George Seton, 5th Lord Seton, was son of George Seton, 4th Lord Seton, and Elizabeth Hey. He married Isabel Hamilton on 2nd August 1550 and they had six children. George Seton was educated in France and succeeded to the title in 1549. He held the office of Master of The Household to Mary Queen of Scots in 1563. After Mary`s defeat at the battle of Langside in 1568, George Seton fled to the low countries. In 1573 he was invested as Privy Councillor (Scotland) and held the office of Scottish Ambassador to France in 1583. He died on 8th January 1586. The enamel is based on a painting originally in the possession of the Rt. Hon. Lord Somerville, now in the collection of The National Galleries of Scotland. The original painting is attributed to the French School, circa 1558, and was painted when Lord Seton was aged 27 years. The sitter is portrayed in the magnificent clothes that he wore at the wedding of Mary Queen of Scots in April 1558. His baton is that of The Master of The Queen`s Household, a position he held in 1561. Henry Bone has depicted the sitter as more youthful than the original oil painting. There is a pencil drawing squared in ink for transfer by Henry Bone, of the enamel of George Seton in the possession of The National Portrait gallery (NPGD17103). The original painting was received by The NGS in 1965 at the bequest of Sir Theophilus Biddulp in 1948. Provenance; The vendor`s mother bought the enamel at Christies Glasgow in 1995 because of her family connection (Hey) to the sitter. The Stanhope Robb Collection of Henry Bone Miniatures. The collection of six Henry Bone miniatures was compiled by the vendor`s grandfather, Stanhope Rodd Esq., of Trebathan Hall, North Hill, Launceston circa 1920, from inherited portrait miniatures in the family. Henry Bone 1755-1834: Enamel painter and miniaturist on ivory. Born in Truro, Cornwall, and a son of a woodcarver and cabinet maker. At the age of 16 he was apprenticed to William Cookworthy of the Plymouth China Works (see lot 77 in this sale) where he developed into a highly skilled painter on porcelain, buttons and brooches. By 1778 he had moved to London where he painted in watercolours on ivory and enamel. He first exhibited at The Royal Academy in 1781 and was made an Academician in 1811. By 1800 he was official enamel painter to The Prince of Wales. His works are in the Metropolitan, New York and The National Portrait Gallery amongst many others worldwide. His eldest son, Henry Pierce Bone, became enamelist to Queen Adelaide and Queen Victoria.
Los 395
Henry Bone (1755-1834), Portrait of Philip Rashleigh, Esq., inscribed on the reverse `Philip Rashleigh esq., MP, Henry Bone pinx. Sept. 1704`, on enamel, 9 x 7cm. Philip Rashleigh, 1728-1811, antiquary and mineralogist. On his father`s death in 1765 was elected member for the family borough of Fowey. Elected Fellow of The Royal Society in 1788, he married Jane Pole (1720-1795), the only daughter of Rev. Carolus Pole and had no family of his own. Philip died in Menabilly on 26th June 1811. His collection of minerals was remarkable for its various specimens of tin, the most important of which are held in the Natural History Museum.
Los 397
Henry Bone (1755-1834), Portrait of George, 1st Earl of Mount Edgcumbe, inscribed on the reverse `Earl Mount Edgcumbe, Henry Bone pinx 1794`, on enamel, 9.25 x 7.25cm. Admiral George Edgcumbe, 1720-1795, was a British peer, naval officer and politician. Commissioned a lieutenant in the Royal Navy in 1739, in 1746 he was returned a Member of Parliament for Fowey in Cornwall and in 1761 inherited his brother`s barony and in the same year married Emma Gilbert. In 1766 he was made a Privy Councillor and became Commander in Chief, Plymouth. He was promoted to Admiral in 1778 and became Earl of Mount Edgcumbe in 1789
Los 398
Henry Bone (1755-1834), Portrait of Richard 2nd Earl of Mount Edgcumbe, signed and dated HBone 1799 bottom left, inscribed on the reverse `Richard Earl of Mount Edgcumbe, Henry Bone pinx April 1799`, on enamel, 7.25 x 6cm. Richard Edgcumbe, 1794-1839, was an English nobleman styled Lord Edgcumbe from 1781-1789 and Viscount Vallettort from 1789 until his succession to the Earldom in 1795. He was author of `Musical Reminiscences of The Earl of Mount Edgcumbe` containing a list of the operas he heard from 1773 to1823. The only child of Sir George and Lady Emma Edgcumbe, Richard married Lady Sophia Hubart, a daughter of The Earl of Buckinghamshire in 1789. A member of Parliament for Fowey 1786-1795, and a Doctor of Civil Law, on his succession to the Earldom he was appointed Lord Lieutenant of Cornwall.
Los 561
Drocourt, Paris, A French Corniche carriage clock, the eight day movement having a platform lever escapement and striking the hours and half hours on a gong with push repeat, the backplate numbered `2362` with the inside of the movement stamped with the `secret` trademark of the clockmaker Drocourt, the white enamel dial having black Roman numerals, blued steel spade hands and a gilt brass sight ring, contained in a brass Corniche case, 16.5cm. high. (Handle up). * Pierre & Alfred Drocourt were one of the top maker`s of carriage clocks in the mid to late Victorian period, having a factory at Saint-Nicolas-d`Ailermont, the most important town for carriage clock manufacture at the time, as well as premises in Paris at Rue Debelleyme 28 and Rue de Limoges. They were awarded numerous medals at exhibitions, such as the bronze medal at Paris 1867, the silver at Paris 1878 and the gold at Paris in 1889. Alfred succeeded his father Pierre sometime in the 1870`s.
Los 565
Vincenti et Cie, Paris, A mahogany and brass mantel clock, the eight day duration movement striking the hours and half hours on a gong, the round dial having a white enamel chapter ring with black Roman numerals, an engine turned centre, and blued steel spade hands, the rectangular mahogany case having applied brass classical mouldings and feet, height 32cm. * Vincenti was a well known French clock movement maker who founded his business in Montbeliard in 1823 before going bankrupt in 1824, the business then taken over by the manager Roux to become Vincenti et Cie working at Rue d`Anjou au Marcus, Paris from 1850.
Los 566
A French four glass mantel clock, the eight day duration movement striking the hours and half hours on a bell with a twin tube mercury compensating pendulum, the two-piece white enamel dial having black Roman numerals, blued steel decorative hands and an inset visible escapement with jewelled pallets, having a Corniche brass four glass case, height 35cm.
Los 570
An early 19th century bronze clock in the form of a horse, the 30 hour chain fusee watch movement having a verge escapement and a pierced and engraved backplate, the white enamel dial having black Roman numerals and blued steel spade hands, the bronze case in the form of a horse with the clock sitting above and all standing on a white marble oval base, height 24cm.
Los 572
Samuel Marti, Paris, A blonde tortoiseshell mantel clock, the eight day duration movement striking the hours and half hours on a gong and stamped with the trademark of the movement maker `S. Marti, Paris`, the white enamel dial decorated with painted swags between the black Arabic numerals, with decorative engraved brass hands and signed with the retailer`s name ` Brock & Sons, Edinburgh`, the blonde tortoiseshell case having a caddy top surmounted by a cast brass handle, four finials to the top corners and decorative feet, height 33cm (handle down). * Samuel Marti et Cie are recorded as maker`s of roulant blanc clock movements working at Le Pays de Montbeliard circa 1867 with a retail outlet in Paris.
Los 152
A late 19thC porcelain pot pourri of ovoid shape, painted with a reserve of pink roses, signed E.A. Caldwell, within a raised gilt floral border, against a rich blue border, the inner lid gilt, the domed cover pierced and embellished with gilt and turquoise and white enamel beads, unmarked, 19 cm high.
Los 4
A miniature blue chalcedony egg, mounted in gold and white enamel set with six cabouchon rubies, slight damage to enamel, overall length 0.625", together with another miniature egg, A reverse crystal intaglio depicting a toadstool, with gold mounts, overall length 0.625", on a gold curb chain bracelet with integral clasp, with Wartski box, inscribed Court Jewellers, 138 Regent Street, London W1 and at Llandudno With a copy of a valuation for the proposed purposes of sale, detailing `a collection of miniature eggs` dated 21st February 1996, addressed to Mrs Suzanne Lucas, Ladymead, Manor Road, Mere, Wiltshire, signed by Geoffrey Munn of Wartski, stating "The prices we hope to achieve for you are as follows" The two eggs so described above are listed at £450.00 each. The letter also states "The bracelet will be returned to you when the eggs have been carefully removed"
Los 21
A lady`s Swiss 14k gold keyless cylinder fob watch, for the Turkish market, the gilt, white enamel dial with true Arabic numerals, inscribed K. Makoulian, Constantinople, the interior of the case engraved Patent Medailles, Geneve 1896, 10 Rubis, with floral decorated pierced cover enclosing 4 brilliant and 65 rose-cut diamonds, 8 further rose diamonds now missing, hair-crack to dial, 1.1875" diameter With a receipt in the name of Mrs S. Lucas, dated February 14th 1941, from Sadek Mohamed, Vne Magasin, Que Vente Antiqukes, Bikhan El Khalili, Le Caire, for the sum of 8.00 Egyptian pounds
Los 23
A Russian gold, enamel, hardstone and ivory baton, the smokey-quartz finial modelled as a chrysanthemum, a cluster of yellow citrines forming the stamens, the gold and translucent green guilloche enamel collar decorated with swags, with tapering ivory shaft, unmarked, two very slight chips to petals of chrysanthemum, overall length 15.75", enclosed within the original silk and velvet lined holly-wood case, with the Imperial Warrant printed in gold. Reputed to have been a gift from Tsar Nicholas II, to the conductor of the Bolshoi Ballet. With a copy of a statement of account, dated 19th December 1946, addressed to Mrs Lucas, Wilmington, High Street, East Grinstead, Sussex, from Wartski, Court Jewellers, 138 Regent Street, London W1, recording that on June 2nd 1945, she purchased "a Topaz Baton" for the sum of £75/0/0
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396325 Los(e)/Seite