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A 19th century Austro-Hungarian unmarked silver gilt, polychrome enamel and gem stone set cross, the cross foliate engraved and white/green and red enamelled to both sides, the front set vari-cut garnet and cabochon turquoise, raised upon stand with three angels holding floral garlands set cabochon turquoise (one garland lacking) above waisted three sided centre, each side set central flower set pearl to centre with six vari-cut garnets bordered by cabochon turquoise and with three larger baroque pearls to edges, terminating in three angels mask supports with bevel cut citrine and vari-cut garnet, height 18.7cm. (cross detached from base and lacking Corpus Christi, lacking some stones)
A collection of vintage costume jewellery, to include; an Art Nouveau unmarked silver and enamel belt buckle, fashioned as a stylised dragonfly, width 9.5cm, an Arts and Crafts pewter flower form belt buckle, stamped verso "The Guild Button Ns.E.S" (Norman & Ernest Spittle) and registered no.388979, a hexagonal pewter buckle, a silver and green cabochon stone set Celtic circular brooch, by Ward Brothers, Edinburgh 1961, diameter 31mm, a lapis lazuli oval pendant, a nickel mounted shell purse, bakelite sewing compendium and others. (qty)
A Chinese Qing dynasty export parcel gilt, unmarked silver filigree and cloisonne enamel Brise fan, the fine filigree work guards and sticks decorated to both sides in parcel gilt, blue and green cloisonne enamel, having central oval panel depicting buildings within a blossoming garden with central shield reserve (left blank), flanked by similar circular panels to either side surrounded by parcel gilt flowers to green and blue cloisonne enamel tendrils, the tips and guards forming floral border, joined by aqua silk ribbon, length 18.6cm.
A German .800 silver and enamel vesta, the front decorated with green and white enamel mistletoe, together with a Victorian silver engine turned card case, by Yapp & Woodward, Birmingham 1845, height 9.9cm, a white metal filigree work cigarette case, with hinged top (white metal assessed as silver), height 8.2cm, four silver plated Dutch oval snuff boxes, with repousse decorated lid and side, and five Netherlands 2 1/2 gulden silver coins (3 x 1938 & 2 x 1939). (12)
A collection of silver, silver gilt, gilt metal and enamel Masonic jewels - including jewels for the Bowyer Lodge, Wychwood Lodge, Berkshire & Oxfordshire, Evenlode Lodge, Norton Lodge, Royal Masonic Benevolent Institution etc.; together with five large cloth and metal thread badges; and a Masonic ceremonial sword (the grip a/f), contained in a small crocodile case.
A RARE 'ROLLS-ROYCE & BENTLEY OWNER DRIVER CLUB' ENAMELLED CAR BADGE recently re-enamelled and re-chromed by Pamela David enamels of Exeter, in scarlet enamel and featuring the Rolls-Royce spirit of ecstasy and Bentley winged 'b' emblems, contained in a later dark green presentation jewellery case bearing an original 1976 club member's card recording membership number 'a203' fixed to inside of lid.10.5cm high
Mike Bidlo 1953 Chicago - lebt und arbeitet in New York Not Pollock (Study for No 8, 1949). 1983. Emailfarben und Öl auf Leinwand. Verso auf der Leinwand signiert, datiert und betitelt. 78,8 x 140,5 cm (31 x 55,3 in). [CH]. • Besonders frühe Arbeit des Künstlers aus der Werkserie 'Not Pollock', in der er mit großer Wertschätzung und Hingabe Jackson Pollocks berühmte 'Drip Paintings' nachbildet. • Mike Bidlo macht sich insbesondere ab den 1980er Jahren mit Performances und äußerst präzisen Nachbildungen berühmter Kunstwerke des 20. Jahrhunderts einen Namen, u. a. von Andy Warhol, Yves Klein und Jackson Pollock. • 1984 folgen weitere Performances wie 'Guernica: A Painting in Progress', in der Bidlo innerhalb von vier Wochen vor Publikum Picassos berühmtes Gemälde reproduziert. • Zusammen mit Elaine Sturtevant, Louise Lawler, Sherrie Levine u. a. zählt Bidlo zu den Vertretern der Appropriation Art, in der sich Künstler:innen als Hommage oder im Sinne einer Kunstkritik bereits vorhandener Werke bedienen. PROVENIENZ: Galerie Bruno Bischofberger, Zürich. Privatsammlung Süddeutschland (direkt vom Vorgenannten erworben). 'Grundsätzlich verstehe ich meine Arbeit als politischen Akt: eine Aneignung der Ikonen moderner Kunst, die ich der Kunstwelt für mich (und andere) wegnehme.' Mike Bidlo, 1988, zit. nach: Galerie Bruno Bischofberger, https://www.brunobischofberger.com/bidlo-bio?lang=de Aufrufzeit: 08.12.2023 - ca. 14.36 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONMike Bidlo 1953 Chicago - lebt und arbeitet in New York Not Pollock (Study for No 8, 1949). 1983. Enamel paint and Oil on canvas. Signed, dated and titled on the reverse. 78.8 x 140.5 cm (31 x 55.3 in). [CH]. • Particularly early work by the artist from the 'Not Pollock' series, in which he reproduces Jackson Pollock's famous 'Drip Paintings' with great appreciation and dedication. • Mike Bidlo made a name for himself in the 1980s, in particular with performances and extremely precise reproductions of famous works of art from the 20th century, including works by Andy Warhol, Yves Klein and Jackson Pollock. • Further performances followed in 1984, such as 'Guernica: A Painting in Progress', in which Bidlo reproduced Picasso's famous painting in front of an audience over the course of four weeks. • Together with Elaine Sturtevant, Louise Lawler, Sherrie Levine and others, Bidlo is one among the representatives of Appropriation Art, in which artists use existing works as homage or in the sense of art criticism. PROVENANCE: Galerie Bruno Bischofberger, Zürich. Private collection Southern Gemany (acquired from the above). 'Basically, I see my work as a political act: an appropriation of the icons of modern art that I take away from the art world for myself (and others).' Mike Bidlo, 1988, quoted from: Galerie Bruno Bischofberger, https://www.brunobischofberger.com/bidlo-bio?lang=de Called up: December 8, 2023 - ca. 14.36 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
A gents 9ct gold cased 1930s Tank shaped wristwatch with black enamel dial and gilt roman numerals and subsidiaries dial complication, (L x 3 cm x W x 2.2 cm) stamped Edinburgh 1938, working, glass has no signs of chips or damage and case shows gentle to little signs of use on brown leather strap.
A Edwardian Chester Art Nouveau silver enamel pendant of oval shaped design within a shield shaped frame with chain and enamel suspension to top a/f, Chester 1910, (L x 4.4 cm x W 2.5 cm) and a Jorgen Jensen Danish pewter 1970's drop pendant with oval murano style panel, (L x 4.7 cm x 3 cm) (2)
An early 20th century mahogany cased mantel clock time piece by Elliott, with silvered dial and Roman and Arabic chapter ring inscribed by retailers Jas Hardy & Co. Edinburgh single train movement (a/f) together with an Edwardian dome top mantel clock with white enamel dial in an inlaid mahogany case (a/f)
A large 1930s cream and pea green enamel hob kettle, shows little signs of use and a stylish 1930s Poole pottery Art Deco design pottery vase with twin full length wings to sides with jade blue glazed body and sea blue sides and base, small chip to wing tip, impressed verso, (H x 21 cm x D x 17.5 cm) (2)
A German Third Reich Hitlerjugend fahrtenmesser (Hitler Youth Knife), the 14cm blade with J.A. Henckels Zwilingswerk Solingen logo, RZM M7/10 and dated 1938, having a nickel plated cross guard and pommel, the checkered black plastic grips with enamelled HJ emblem, in a black painted steel scabbard, 25cm.PLEASE SEE TERMS AND CONDITIONS REGARDING IMPERIAL GERMAN/THIRD REICH ITEMS. Damaged to the white enamel of the HJ emblem, see images.
A silver gilt and enamel jewel for the Printer's Pension Almshouse & Orphan Asylum Corporation, with presentation inscription verso John Walter President 1913, maker Toye & Co., in Toye, Kenning & Spencer Ltd Regalia Specialists fitted case, together with a Eucharistic Congress Westminster 1908 Cross and a WW II group of four medals to include 1939-1945 Star, France and Germany Star, Defence and War. (6)Printer's Pension medal weighs 45.6g.
A WW II Movado Air Ministry nickel cased open face pocket, having a white enamel dial with Arabic numerals and subsidiary seconds dial, the case back marked A.M. G.S. 6E/50 G & S. Co Ltd. 4706 / 40, 46mm (excluding winder), together with a Military issue base metal cased open face stopwatch, having an enamel dial with Arabic numerals and subsidiary dial, the case back with War Department arrow No. 634, 55mm. (excluding winder). (2)A.M. watch: Glass loose, missing hand of subsidiary dial, large chip to enamel dial at 11 o'clock, further cracks at 5, case back worn.Military watch: Large chip to enamel dial at 9 o'clock with cracks running of chip, case heavily worn, neither appear to be in full working order.
A 1960's Smiths British Military Issue gentleman's wristwatch, having a signed black enamel dial with Arabic numerals and luminous dot and baton outer track, the steel screw back stamped W10/6645-99-961-4045 1518 / 68, with War Department arrow, on the probably original leather strap, 33mm. (excluding crown)Appears to be working and keeping time when catalogued, glass heavily scratched, some losses and wear to the luminous hands more so the minute hand, pin to the top lug replacement and missing caps, steel cover scrathed and worn, needs cleaning.
An Art Deco silver and guilloche enamel decorated pocket cigarette case, the cover with applied floral relief carved coral inset, with gilt-washed interior, maker Turner & Simpson Ltd, Birmingham 1938, 8.5 x 7cm; together with an Art Deco engine turned compact, of circular slightly domed form, later engraved 'Alice July 20th 1936', maker William Adams Ltd, Birmingham 1935, dia.8cm, gross weight 6.4ozt (2)
A Continental Art Deco silver and enamel table cigarette box, the hinged cover enamel decorated with tree lined landscape scene, gilt decorated interior, the exterior further engine turned throughout, makers mark rubbed, London import marks for 1927, 5.9ozt, 10.2 x 7.7 x 2.2cmEnamel excellent, intact and complete, with only very light surface scratches which are only visible on close inspection.Cover closes good and flush.Silver tarnished.Interior surface worn.
An Art Nouveau silver and enamel bracelet by Stainton Brothers, of flattened and paneled gatelink form, with finelink safety chain, Birmingham 1911 No apparent repairs or restoration, but well-used overall with some fatigue to silver (mostly at enamel decorated clasp).General age related wear throughout.Length 18.5cm
§ Wendy Ramshaw (1939-2018) - an 18ct gold three-part ring set, one set with raised cabochon amethyst, another set with polished teardrop shaped garnet, and the band with coloured enamel inset decoration, London 1973, housed in original perspex two-piece tower, two rings size M½ and the band size O½ (the band with no hallmarks and possibly associated)
Archibald Knox (1864-1933) for Liberty & Co - a Tudric pewter single handled cake basket, with stylised floral raised and relief decoration, stamped marks and numbered 0357 verso, length 30.8cm; together with an Art Nouveau English pewter circular plate, of shallow dished form, with enamel inset raised flower heads to border, stamped English Pewter and numbered 0110 verso, dia.24.2cm (2) Cake with general age and handling wear to all surfaces, darker areas to low relief sections, underside heavily tarnished.Plate is misshapen with heavy surface tarnishing and age related wear throughout.Overall well-used condition.
Must de Cartier - a Pendulette travel alarm clock, having a signed oval white enamel Roman dial within deep tan coloured enamel surround, the rear with easel arm, manual wind movement, twin blue glass cabochon winders, stamped No. 7509 28044, signed Cartier Paris Swiss Made, with fitted red presentation box and outer card cover, with further document case and Internation Guarantee card stamped Collis & Son and dated 24/12/82, the clock 9 x 7.4cm Not currently working.

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396323 Los(e)/Seite