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A Chinese famille rose plate, 20th century, of circular form, painted with a lady holding a rabbit in her arms, surrounded by servants in a garden, inscribed 'For respected Xulun's refined enjoyment, respectfully presented by Feng Yaoqing', 23.8cm diameter, a second plate,painted with quails among chrysanthemum, inscribed 'Guangdong Bowu Shanghui zhi' (made by Art Object Traders' Association of Guangdong) and also a seal mark to the base reading the same, 21.8cm diameter, a third plate,with literati and servants standing by a river in a rocky landscape, 21.7cm diameter, and a vase,with Liu Hai and two Daoist immortals in a garden, six-character Qianlong seal mark to base, 17.5cm high (4)Feng Yaoqing (1880-1943), the founder of Li & Fung Ltd. in 1906, was among the pioneers of the investing industry and export business for national salvation during the war. He presented a vase made by Guangdong Bowu Shanghui to the Panama-Pacific International Exposition in San Francisco in 1915 and won a gold medal. 二十世纪 粉彩人物故事图盘 《旭稐先生雅玩 冯耀卿敬赠》粉彩安居乐业图盘 《广东博物商会制》粉彩携琴访友图盘 及粉彩刘海戏蟾蜍图瓶 《大清乾隆年制》矾红篆书款 一组四件Condition report: Plate with inscription - chips and frits to rim and foot rim. Gilt rubbed, some enamel losses. Plate with quails - a small chip to rim.Plate with figures - frits and chips to rim.Vase - No obvious faults.
A Chinese Canton enamelled vase,Qing dynasty (1644-1911), of lozenge form, finely painted with figures in a garden, surrounded by bamboo, butterflies, birds and flowers, six-character Qianlong mark, 30cm highProvenance: From the collection of Alfred Barge-Perham and thence by descent. He owned and ran a lodging house for sailors in Turner Street, Whitechapel, and formed quite a large collection of Chinese objects, possibly brought to him by the seamen directly from China and Asia in the late 19th century.清 广东制铜胎画珐琅人物故事图四方瓶Condition report: Small chips and cracks to enamel
A Chinese cloisonné incense burner,18th-19th century, of globular form on three tapering short feet surmounted by two upright loop handles, enamelled with archaic scrolls and blades, the feet with taotie masks and flanges, the pierced domed cover similarly decorated with a lobed finial above a double lotus pedestal,35cm high (2)清十八至十九世纪 铜胎掐丝珐琅饕餮纹三足香炉Condition report: Surface scratches and knocks to edges. Enamel losses in numerous places especially to the base. Two feet loose. Dents to corners and edges. Cover with a split and one nut replaced to finial. A circular hole to the bottom of censer and each foot, all from manufacture.
A Chinese cloisonné incense burner,Qianlong (1736-1795), the cylindrical body supported on three cabriole feet, the exterior divided into two bands of scrolling lotus between raised ribs, all enamelled in vivid tones of white, red, yellow, pink, green and blue against a turquoise ground, four-character Qianlong mark and 'wei' incised to base,9.4cm diameter, 439.6g清乾隆 铜胎掐丝珐琅筒式炉 《乾隆年制》《惟》楷书刻款 Condition report: 440.7g. Surface scratches, enamel losses, knocks to edges. Rim dented. Gilt rubbed.
A Chinese ivory tea caddy, 19th century, of rectangular form on bun feet, finely carved with figures in a landscape with buildings, bridges, trees and rivers, in shaped panels within further foliate decorated reserves, all enclosed with a key fret border, the red velvet-lined interior fitted with three floral decorated enamel canisters, 24.6cm wide14.4cm deep14.3cm high清十九世纪 象牙雕人物山水图盖盒Condition report: Part of the front panel needs to be glued to the sides, splits and signs of glue to all sides, top panel with splits and losses, chips and cracks to edges and corners, all panels slightly warped. Surface scratches.Velvet interior slightly worn and loose, faded in parts, minor scratches and rubbing to the enamel counters.
A Chinese reverse glass painting,c.1900, decorated with Fu, Lu and Shou in a garden with a servant and a boy on the back of a qilin, with mirror verso, the wood frame with key frets, 57 x 42.5cm 清约1900年 福禄寿图镜面画Condition report: Frame loose with chips and splits. some enamel losses. Surface scratches.
A Japanese Satsuma ware bowl, Meiji period (1868-1912), by Kinkozan, heavily potted of lobed circular form, painted with figures in a watery landscape with ducks on a lake, surrounded by wisteria, the border with scrolls, Kinkozan seal mark to base in gilt, 19cm diameter, and two saucers, painted with cherry blossoms or chrysanthemum, Oguri su zo mark to base, 12.8cm diameter (3)Condition report: Bowl - interior enamel badly lost with water stains, exterior with surface scratches and enamel losses, rim and foot rim chipped. Saucers - No obvious fault.
Two Chinese gouache paintings, one circular, painted with literati seated under a pine tree, signed Jiang Lian with two seals, ink and colour on silk, 25cm diameter, and another, with blossoming prunus and lilies in a cloisonné vase and planter, ink and colour on silk, 37 x 29cm, both framed and glazed (2)Condition report: Both with stretched fabric, creases, stains, splits and holes, foxing throughout.Rectangular - a large split to the lower section. Some enamel losses. Circular - Holes and old repairs throughout. Not seen outside of frame.
A Chinese Canton enamelled cloisonné box and cover, 19th century, of square form, painted with three European figures watching goldfish in a garden, 7.3cm long, a famille rose export ware teapot stand, 18th century, of lobed form, painted with scrolling peony, 13.2cm long, and two spoon trays, painted with figures or an insect amongst petals, 13 and 12.8cm long, together with an enamelled tray, 20th century, 11.5cm long (6)Condition report: Box - minor dents to edges and corners, some enamel losses. Teapot stand - enamel losses, gilt rubbed.Spoon tray with figures - frits to rim.Spoon tray with petals - rim chipped.Enamelled tray - no obvious faults.
A Chinese jade carving, with a pheasant standing on a rock, surrounded by pine, bamboo and prunus, 12.4cm high, wood stand, a ruyi sceptre, applied with lingzhi and bats by a rock in lapis lazuli, malachite, jasper and other hardstones, 18.5cm long, and a dagger, the handle with a dragon amongst clouds and the sheath in cloisonné, 21.5cm long (4)Condition report: Jade - surface scratches, minute knocks to edges. Stand with small chips and splits, and a possible restoration. Ruyi - minute chips throughout. Small losses to applied stones. Dagger - surface scratches and dents, some enamel losses.
A Chinese cloisonné bowl, of shallow rounded form, the centre enamelled with a bouquet of lotus flowers and seed pods, the sides with scrolling lotus, the exterior with dragons among clouds, six-character Wanli mark to base, 26.3cm diameterCondition report: Surface scratches and enamel losses. A chip to the centre of bowl. Gilt rubbed, rust throughout.
A collection of five Chinese cloisonné water pipes,20th century, decorated with precious objects or flowers, 18 to 31cm long (5)Provenance: The Trevor Barton Collection.Condition report: Utensils are not all present. Tarnishing to the metal work on all. Three have chips to the enamel bodies.Please view additional images
A collection of four Chinese cloisonné water pipes,19th-20th century, decorated with sealife, flowers, shou, birds and butterflies, 34 to 44.5cm long (4)Provenance: The Trevor Barton Collection.Condition report: All incomplete - missing utensils and pipe mounts, tarnished metal work and some enamel losses. Bent stems also.Please view additional images
A late 18th/early 19th century enamel snuff box green and white ground with gilt embellishment; an oval pill box with agate panels; a coral branch necklace; a turquoise and seed pearl butterfly brooch; together with a small quantity of costume jewellery including a simulated pearl necklace, brooches etc
3 x Sets of Commemorative Medallions & Ingots comprising: (1) 'The Queen's Beasts' a complete set of 10 x 24ct gold-plated proof brass ingots, each 25.5g, 30mm x 50mm, depicting ten different beasts each of which represents a royal house or noble family from the Queen's ancestry including: 'The Lion of England,' 'The Unicorn of Scotland,' 'The Red Dragon of Wales,' The Griffin of Edward III' & 'The Black Bull of Clarence,' each with a shield in full colour, individually encapsulated in an illustrated Westminster presentation pack, as struck, (2) Numisproof 'Iconic London' Medallions, a part set of 14 medallions (out of a full set of 18), each 44g, diameter 50mm, 24ct gold-plated brass; each obverse depicts the heraldic Numisproof design & each rev. a different iconic London landmark in full colour enamel, including: 'Buckingham Palace,' 'The Globe Theatre,' 'Piccadilly Circus,' 'Westminster Abbey,' 'HMS Belfast,' 'Baker Street,' 'The London Eye' etc, with individual certificates, individually encapsulated in a Westminster case, as struck & (3) 'The History of London' commemorative collection, a part set of 11 x 24ct gold-plated proof brass ingots (out of a full set of 12), each 20.4g, 45mm x 25mm, depicting in full colour enamel various historical events & iconic buildings including 'The Gunpowder Plot,' 'The Great Plague,' 'Tower bridge' & 'St Paul's Cathedral' in an illustrated Westminster presentation pack, as struck
A French brass and champleve enamel carriage timepiece circa 1900 with fitted travelling case . Side glass panels and back door glass panel with chips to corners. Brass surfaces are discoloured. Cylinder escapement. Movement is dirty and needs cleaning. Outer fitted case with loop handle missing, with scuff marks. Movement fully wound and not working.
A Collection of Coins and Medallions Celebrating the History of the Royal Air Force comprising: (1) Guernsey, 'Squadrons of the Royal Air Force' a collection of 33 x crown-size 50p coins 2013, all copper with 24ct gold plating, obverses: Rank-Broadley portrait of the Queen, reverses depict various squadron badges in full colour, with individual certificates of authenticity, in a Westminster case BU; (2) 'Centenary of the Royal Air Force,' a collection of 6 x gold-plated base metal medallions, each diameter 44mm, weight 34g, obverses depict the official insignia of the RAF in gilt & coloured enamel, reverses depict famous aircraft from WWI to present day ('Sopwith Camel,' 'Spitfire' 'Typhoon' etc) individually encapsulated in a presentation pack, (3) a further 7 x 'Centenary of the Royal Air Force' medallions, with individual certificates of authenticity, in a Westminster case BU (4) Isle of Man, Proof 10 Crowns 2018 'Centenary of the RAF' diameter 88.70mm, weight 400g (14.1oz), copper with 24ct gold plating, obv. Queen's portrait by Jody Clark, rev. official RAF insignia in centre surrounded by 10 different RAF aircraft, with certificate of authenticity, encapsulated in fitted case of issue FDC (5) Jersey, 3 x Cupro-Nickel Proof £5: 2015 rev. Red Arrows Display Team & 2018(x2) 'RAF Centenary' rev. Sopwith Camel, Spitfire & Lockheed Lightning II, with certificates of authenticity, individually cased FDC & (6) Avro Vulcan Silver-Plated Commemorative Medal, 11-sided, diameter 80mm, 220g, antique silver finish base metal, with certificate of authenticity, in case of issue & (6) Part Set of the Avro Vulcan Gold-Plated Ingot Collection comprising 4 x gold-plated copper ingots (out of 6) each 50mm x 29mm, obverses engraved Avro Vulcan design, reverses (three the same) full colour photographs of the Vulcan in flight, in a presentation pack
LARGE CLOISONNÉ ENAMEL 'GU' VASE QING DYNASTY, 19TH CENTURY of slender gu-form with trumpet-shaped upper body, joined by a slightly bulging cylindrical centre with raised bars, the exterior and interior of the flared mouth decorated with lotus flowers amongst scrolling foliates reserved on a turquoise ground, the base incised with a four-character 'Qing Yi Tang Zhi' mark within double squares (Dimensions: 35.4cm high) (Qty: 1)(35.4cm high)Qty: (1)
CLOISONNÉ ENAMEL 'DRAGON AND PHOENIX' BASIN QING DYNASTY, 19TH CENTURY cast with flattened base opened up to an everted rim, the centre medallion decorated with a ferocious yellow five-clawed dragon and the base with a pair of phoenixes (Dimensions: 55cm diameter) (Qty: 1)(55cm diameter)Qty: (1)Provenance: Private Belgium collection
YIXING STONEWARE BLUE-ENAMELLED TEAPOT QING DYNASTY, 19TH CENTURY of cylindrical body, covered overall in dark blue enamel, the sides and the cover decorated with blossoming chrysanthemums and orchids, with a wooden stand (Dimensions: 15cm wide) (Qty: 1)(15cm wide)Qty: (1)Footnote: Provenance: Private English collection
AKAJI KINRANDE BOWL CHINESE OR JAPANESE, 17TH CENTURY OR LATER the hemispherical bowl supported on a short straight food, the exterior covered in an iron red enamel further painted with gilt floral scrolls, the centre of the interior decorated in underglaze blue with chrysanthemums and a dragonfly in double circles, the inner rim further painted a band of diamond pattern, the base inscribed with a four-character 'Fu Gui Chang Chun' in underglaze blue, with a fitted Japanese brocade pouch and a Japanese wooden tomobako box (Dimensions: 11.9cm diameter) (Qty: 1)(11.9cm diameter)Qty: (1)Footnote: Provenance: Private Taiwanese collection, formerly from a private Japanese collection Note: a closely comparable example dated to the Ming dynasty, Jiajing period (1522-1566) is in the collection of British Museum, museum number PDF.548
A Satsuma vessel and coverMeiji era (1868-1912), late 19th/early 20th centuryDecorated in enamels and gilt, with an all-over design of a mass of densely-clustered blooms comprising kiku (chrysanthemum), ajisai (hydrangea), yuri (lily), and botan (peony), the silver cover pierced with two fan-shaped panels enclosing chrysanthemums floating on a stream applied in cloisonné-enamel low relief; unsigned. 9cm x 14.5cm (3½in x 5¾in). (2).For further information on this lot please visit Bonhams.com
A cloisonné-enamel rectangular plaqueMeiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryWorked in gold and musen (wireless) techniques with a swimming carp in cloudy waters, on a pale-green celadon ground; unsigned. 12cm x 24.3cm (4¾in x 9½in).Footnotes:See an almost identical plaque but of a different colour palette, sold in our New York salerooms, 12 September 2018, lot 1226.For further information on this lot please visit Bonhams.com
A cloisonné-enamel baluster vaseMeiji era (1868-1912), late 19th/early 20th centuryWorked in silver wire of varying gauge with two standing tancho-zuru (red-crested cranes), one preening its plumage, the other with its head lowered, foraging for food, the foot encircled with a band of repeated lappets; unsigned.16cm (6¼in) high.For further information on this lot please visit Bonhams.com
A cloisonné-enamel spherical vessel and coverMeiji era (1868-1912), late 19th/early 20th centuryConceived in the style of Honda Yosaburo, worked in gilt and silver wire, the body decorated with differently sized floral roundels including botan (peony), asagao (morning glory), yuri (lily), ajisai (hydrangea), fuyo (rosemallow), and sakura (cherry) interwoven among karakusa ('Chinese grasses') and flowering kiri (paulownia) on a ground of transparent enamel flecked with aventurine, the shoulder with a narrow band of repeated formal butterflies, the cover embellished with stylised dragon, phoenix and butterfly and surmounted with a domed-shaped finial; unsigned. 13cm (5 1/8in) high. (2).For further information on this lot please visit Bonhams.com
A cloisonné-enamel baluster vaseSchool of Hayashi Kodenji, Nagoya, Meiji era (1868-1912), late 19th/early 20th centuryThe midnight-blue ground worked in silver wire of varying gauges with a continuous scene depicting a large flock of doves, four foraging for food on the ground, the majority flying overhead, the shoulder with a wide band of stylized chrysanthemums and scrolls on a brown ground, the neck and foot with repeated foliate and geometric motifs; unsigned. 27cm (10 5/8in) high.For further information on this lot please visit Bonhams.com
A cloisonné-enamel saucer dishBy Namikawa Yasuyuki (1845-1927) of Kyoto, Meiji era (1868-1912), 1880-1900Finely worked in silver and gilt wire and decorated in the centre with two stylised polychrome hovering butterflies encircled by aassorted chrysanthemums, the underside similarly embellished with a border of chrysanthemums, all reserved on a lustrous black ground, applied with a silver foot and rim; the base signed on a silver tablet Kyoto Namikawa.12.2cm (4¾in) diam.Footnotes:Provenance:Viscountess Selby, Shuna Castle, Argyll.Born in 1845 to a rural samurai family, Namikawa Yasuyuki started his cloisonné business in Kyoto in 1873 and by the 1880s was successful enough to build, and then extend and upgrade, a large compound that eventually included workshops housing 20 or more employees, a showroom, a family residence and a garden with a fishpond. He used these facilities to create a carefully orchestrated private retail experience that was described in admiring detail by American and European travel writers, selling many of his finest wares directly to private clients, as well as carrying out imperial commissions and participating in international expositions. Between 1876 and 1904 he won 11 overseas awards and in 1896, along with his unrelated namesake the Tokyo enameler Namikawa Sosuke (the two family names are written with different characters), was among the first individuals to be appointed to the ranks of Teishitsu Gigeiin (Artist-Craftsmen to the Imperial Household). Such was his reputation that at the 1900 Paris Exposition Universelle his wares were snapped up the moment they were unpacked and sold for up to ten times the amount anticipated. For a detailed biography of Namikawa Yasuyuki, see Frederic T. Schneider, The Art of Japanese Cloisonné Enamel: History, Techniques and Artists, 1600 to the Present, Jefferson, N.C., McFarland, 2010, pp.86–87.For further information on this lot please visit Bonhams.com
A cloisonné-enamel slender ovoid vaseAttributed to Hayashi Kihyoe for the Ando Company, Meiji era (1868-1912), late 19th/early 20th centuryFinely worked in silver wire of varying gauge, decorated with an eagle perched on a wave-lashed rock, its wings outstretched, preparing for flight as it spies a pair of chidori (plovers or dotterels) flying past, reserved on a lime-green ground, the rim with cherry blossoms on a tight whorl-patterned ground; unsigned. 18.2cm (7 1/8in) high.Footnotes:Compare the quality and design of this vase with a scenic panel on a covered incense burner attributed to the same artist in the Stephen W. Fisher Collection, published and illustrated by Robert Mintz, Japanese Cloisonné Enamels: The Stephen W. Fisher Collection, exhibition catalogue, Baltimore, Md., Walters Art Museum, 2010, p.55.For further information on this lot please visit Bonhams.com
A cloisonné-enamel rounded square box and coverBy Namikawa Sosuke (1847-1910), Meiji era (1868-1912), late 19th/early 20th centuryWorked in musen shippo (wireless enamel) and decorated with a prunus branch rising up before the full moon on a pale-grey ground, the rims mounted with shakudo, the interior of aubergine-coloured enamel, the base signed in thick silver wire with the Sakigake mark of Namikawa Sosuke. 3.2cm x 9.7cm (1¼in x 3¾in). Footnotes:See also the footnote to the following lot 252.For further information on this lot please visit Bonhams.com

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396325 Los(e)/Seite