A mid 19th Century Richardsons satinised opal alabaster ware ewer & matching goblet. The ewer with a plain circular foot rising to a spherical body with high waisted neck, roll rim and applied arched handle. The body decorated with a hand enamelled en grisaille desert scene with three female figures by a well with a male figure before them, around and to the distance palm tress and a desert landscape, the handle further decorated with a trailing ivy band and ibex head. The conforming goblet having a circular spread foot rising to an inverted baluster stem and spherical goblet decorated with an Egyptian port scene with figures and camels to the fore with a boat in the bay and a city to the distance, to the reverse a figure at a well. The pair both marked Richardsons Vitrified enamel colours, jug 9" tall-
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A late 19th to early 20th Century Bohemian posy flute after Moser. The circular spread foot rising to a waisted stem and flared knop below a tulip form bowl with flat rim. The whole decorated with a hand enamelled crane to a foliate setting with bulrushes and flowers between enamel and gilt line borders, height 6".
A pair of late 19th Century Bohemian enamelled vases possibly Moser. The pair of ovoid form each raised to three piped scroll feet with applied crimped panel decoration. The pair both hand enamelled to three sides with large flower sprays with winged insects between gilt and white enamel borders, height 6".
A late 19th Century Bohemian claret jug with three conforming glasses en-suite. The set all detailed with stepped circular bases rising to a baluster stem with hollow knop and applied prunts below spherical body, the jug further detailed with a threaded neck and applied arched handle. The set decorated with a gilded and enamelled fruiting vine pattern between enamel borders, claret 14" tall.
A Paris porcelain and gilt-metal mounted scent bottle, printed in colours with fete galant scenes, the hinged cover inset with an enamel flower panel, 10.5cm high, together with a press-moulded glass and gilt-metal mounted scent bottle, decorated with fruiting vines, surmounted by a flower and leaf cast ring handle with glass dropper, 12.5cm high (2)
An early 20th century Dresden porcelain inkstand, each piece painted with 'Deutsche Blumen' within gilt scroll and green scale borders, the shaped rectangular stand supporting a pair of squat lobe-shaped inkwells and covers with button finials, blue enamel crowned 'Dresden' mark and pattern no. '209', 27.5cm wide (5) From the estate of the late Miss Sheila and Miss Muriel Raeburn - see introduction on page 3.
A Regency mahogany and cut brass marquetry bracket clock, by James Upjohn, Hammersmith, the twin fusee movement with anchor escapement striking the hour on three bells, the white enamel dial signed 'Hammersmith', the back plate signed 'James Upjohn Brentford', the lancet-shaped case surmounted by three pineapple finials and flanked by canted corners applied with Egyptian Pharoah monopodia, on four ball feet, dial 20cm diameter, 69.5cm high
A large mid 19th century bronze figural mantel clock, surmounted by the figure of a Greek philospher teaching his student, on a breakfront shaped base with bead cast bracket feet, the restored circular white enamel dial bearing Roman hour numerals the Marti et Cie twin train brass drum movement with anchor escapement striking on a bell, 53.5cm high, 54cm wide
A late 19th century French mahogany and line inlaid lancet bracket clock, the circular white enamel dial with Roman hour numerals and brass bezel, the case flanked by a pair of stirrup shaped brass carrying handles, on swept brass bracket feet, the Vicenti brass drum shaped twin train movement with anchor escapement striking on a gong, 29cm high
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396325 Los(e)/Seite