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396325 Los(e)/Seite
Los 100
A RARE CLOISONNÉ ENAMEL AND GILT-BRONZE 'BUDDHIST LIONS' EWER16th centuryOf ovoid form with a high arched loop handle and serpentine spout, enamelled around the body with six Buddhist lions encircling two brocade balls tied with ribbons, amidst ruyi-head clouds interrupted by a small vase holding precious objects, all between a band of ruyi-head petals around the shoulder and lotus petals around the base, the neck, spout and base similarly enamelled with scrolling foliage. 22.2cm (8 3/4in) wide.Footnotes:十六世紀 銅胎掐絲琺瑯獅子繡球穿花執壺Although the lion is not native to China, its image has long been important to the repertoire of Chinese iconography. Lions were first presented to the Han court by emissaries from Central Asia and Persia, and the Chinese for lion (shi 獅) is thought to be derived from the Persian word šer. Lions were often depicted in stone statuary, symbolising protection and law, and from the Tang dynasty, appeared on decorative arts. The Buddha's teachings are often referred to as the 'lion's roar' in the sutras, indicating their power and nobility. Buddhist lions playing with a brocade ball became the most popular form of imagery for the lion during the Ming dynasty. For a very similar decoration of Buddhist lions, see a cloisonné enamel dish, 16th century, illustrated by C.Brown, Chinese Cloisonné: The Clague Collection, Phoenix Art Museum, 1980, pp.22-23, pl.3.Compare with a very similar cloisonné enamel ewer and cover, 16th century, also decorated with lions, illustrated by H.Brinker and A.Lutz, Chinesisches Cloisonné: Die Sammlung Pierre Uldry, Zurich, 1984, no.98. The author notes that 'no prototype in porcelain [of this shape] exists, but other examples are known in cloisonné enamel. These ewers, sometimes decorated with lions, sometimes with scrolling lotus, possibly served as ritual vessels in Buddhist or Lamaist ritual ceremonies.' Compare with a very similar cloisonné enamel ewer and cover, 16th century, which was sold at Christie's Paris, 7 December 2007, lot 6; and another very similar cloisonné enamel ewer and cover, 17th century, which was sold at Christie's London, 12 November 2010, lot 1146.For further information on this lot please visit Bonhams.com
Los 101
A LARGE CLOISONNÉ ENAMEL AND GILT-BRONZE TRIPOD BOWLMid Ming Dynasty, the mounts QianlongRobustly cast with deep curving walls enamelled around the exterior with large lotus heads issuing from meandering scrolls, the interior similarly decorated but the well with two fish leaping from swirling waves around a lotus cluster, the vessel raised on three elephant-head legs with long tusks and decorated with beaded jewellery.28.2cm (11 1/8in) diam.Footnotes:明中期 銅胎掐絲琺瑯纏枝蓮紋盌 配鑲清乾隆鎏金象足Provenance: a European private collection來源：歐洲私人收藏Compare with a very similar cloisonné enamel bowl with similar lotus blossoms with three petals beneath the central section, 15th/16th century, in the Metropolitan Museum of Art in New York, illustrated by B.Quette, Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties, New York, Paris, New Haven and London, 2011, pp.70 and 238, fig.4.12 and no.27. See also a cloisonné enamel dish, with a very similar design of fish in the well, second half 15th century, illustrated by H.Brinker and A.Lutz, Chinese Cloisonné: The Pierre Uldry Collection, New York and London, 1989, no.33. The elephant mounts are a direct continuation from the early Ming dynasty; see for example an incense burner with elephant feet, early Ming dynasty, in the Qing Court Collection, illustrated in Compendium of Collections in the Palace Museum, Enamels 1, Cloisonné in the Yuan and Ming Dynasties, Beijing, 2011, p.103, pl.34. However, the mounts were added during the Qianlong reign.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 103
A RARE SILVER-GILT AND BLUE ENAMEL 'EIGHT IMMORTALS' BOX AND COVERLate 19th century, stamped marks of Hui Yuan, Jiujiang, circa 1875-1895Of circular form, the top of the flat cover decorated in relief with the 'Eight Immortals', each holding their various attributes set in a garden scene, encircled by a band of leafy grapevines to the border and the straight sides, the straight sides of the box further decorated in relief with a continuous scene of the immortals gathering in a garden landscape, the base stamped with three seal marks reading Wenyin, Huiyuan, and Jiujiang. 16.4cm (6 3/8in) diam. (2).Footnotes:十九世紀晚期，約1875-1895年 銀鎏金鏨胎填藍琺瑯八仙祝壽圖蓋盒 「紋銀」、「匯源」、「九江」款The semi-translucent blue enamel on the present box is referred to as basse-taille, or guangfalang, a technique that was introduced to Guangdong enamel workshops in the 18th century, and used primarily during the Qianlong period. One of a pair of basins decorated in this technique, with gold and silver foil and transparent blue enamel on a copper body, which was sent as tribute from Guangzhou to Beijing, is illustrated by Chuimei Ho and Bennet Bronson in Splendors of China's Forbidden City: The Glorious Reign of Emperor Qianlong, London and New York, 2004, p.263, fig.341. Another example of a silver-gilt and blue enamel tripod incense burner, Qianlong mark and period, is in the Tai'an Museum, Shangdong, illustrated in Zhongguo jinyin boli falangqi quanji: 5: falangqi vol.1, Heibei, 2001, no.239.According to the research by Adrien von Ferscht, Hui Yuan is identified as one of the four silversmiths in Jiujing, who created quality silver for the export market in the West as well as to affluent Chinese and foreign residents during the late 19th to the early 20th century, see Adrien von Ferscht, Chinese Export Silver 1785-1940, Catalogue of Makers' Marks, Glasgow, 2013, pp.8, 12 and 21.For further information on this lot please visit Bonhams.com
Los 110
A VERY LARGE CLOISONNÉ ENAMEL TURQUOISE-GROUND VASE19th century Of baluster form, brightly enamelled around the exterior with various flowers, birds and insects, supported on a tapering foot and rising to a waisted neck decorated with pendant ruyi-heads beneath a floral band and upright plantain leaves beneath foliate scrolls, all reserved on a turquoise blue ground. 73cm (28 3/4in) high. Footnotes:十九世紀 銅胎掐絲琺瑯花鳥紋大瓶Provenance: a European private collection來源：歐洲私人收藏This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 171
A VERY RARE AUBERGINE-GLAZED GREEN-GROUND 'DRAGON' BOWLKangxi six-character mark and of the periodThe bowl with rounded sides rising from a short straight foot to an everted rim, decorated to the exterior with incised aubergine designs depicting a pair of striding five-clawed dragons amidst clouds in pursuit of 'flaming pearls', above waves breaking against stylised rocks, reserved in aubergine enamel on a rich emerald-green enamel ground, the interior and base with a transparent glaze, the six-character mark within a double circle. 13.3cm (5 1/8in) diam.Footnotes:清康熙 綠地紫龍紋盌青花「大清康熙年製」楷書款Provenance: S. Marchant & Son, LondonA British private collection, and thence by descent來源：倫敦古董商S. Marchant & Son英國私人收藏，並由後人保存迄今Two-coloured 'dragon' bowls and dishes displaying the same colour scheme as the present example were made throughout the Qing dynasty, however, Kangxi examples are extremely rare. The present colour combination is also known in Yongzheng, Qianlong, Jiaqing, Daoguang and Guangxu examples, and perhaps others; the largest number date from the Daoguang period.A similar green-ground aubergine-glazed 'dragon' bowl, Kangxi mark and period, is illustrated by Geng Baochang, ed., Gugong Bowuyuan cang gu taoci ciliao xuancui, vol.2, Beijing, 2005, pl.88; another in the Shanghai Museum is published by Wang Qingzheng, Kangxi Porcelain Wares from the Shanghai Museum Collection, Hong Kong, 1998, pl.196. Compare also with two other similar green and aubergine-glazed 'dragon' bowls, Kangxi marks and period, in the Helen and Peter Lin Collection, illustrated in Joined Colors, Decoration and Meaning in Chinese Porcelain, Washington, 1993, p.90, no.19 and p.91, no.20. See also another green-ground aubergine-glazed 'dragons' bowl, Kangxi six-character mark and of the period, illustrated by A.du Boulay, Christie's Pictorial History of Chinese Ceramics, Oxford, 1984, p.211, no.3.Compare with a similar aubergine-glazed green-ground 'dragon' bowl, Kangxi mark and of the period, which was sold at Sotheby's Hong Kong, 7 April 2010, lot 1958.For further information on this lot please visit Bonhams.com
Los 178
A RARE PAIR OF FAMILLE ROSE PLAQUESQianlong One delicately painted in bright enamels with the Three Star Gods, Fu Lu Shou, engaged in various pursuits within a fenced garden with pine trees, rockworks and rivers, the other with the Five Gods of the Wufang, Wu Lao, admiring a scroll painting of a Taiji diagram held by two attendants, all in front of a small waterfall set within a rocky landscape, all finely detailed in pink enamel with gilt details, the faces of each Immortal realistically rendered in fine detail with subtle shading, the central panel within a gilt border on a finely-engraved green sgraffiato ground. Each, 53cm (20 7/8in) high x 38cm (15in) wide. (2).Footnotes:清乾隆 粉彩仙人獻壽圖瓷板掛屏一對The 'Five Gods of Wufang' (Wulaojun ) are the five-fold manifestation of the Supreme God of Heaven in Chinese mythology. They are considered to be the physical manifestation of the Daoist creator and theological concept, Tian, 'heaven'. Each of the Five Gods is represented by a particular colour: Huangdi as the Yellow Deity, Cangdi as the Blue-green Deity, Heidi as the Black Deity, Chidi as the Red Deity, and Baidi as the White Deity. The concept of the Five Gods was important in early Chinese culture and philosophy, concerning ideas about the night sky and beliefs about the afterlife. They represented the five sacred Chinese mountains, the five most important planets in the solar system, the five directions of space, and the five major constellations that rotate around the North Star. The description of the 'Five Gods of Wufang' admiring a scroll with a Taiji diagram (symbolising the centre of the universe) became a popular theme in Song dynasty literature and later in decorative arts.The Three Star Gods, Fu, Lu and Shou are the gods of the three constellations and the embodiment of Wealth (Fu), Prosperity (Lu), and Longevity (Shou). As exemplified by the present lot, the God of Wealth is shown in the red robe of a state official with a ruyi sceptre in his hands; the God of Prosperity is shown in the robe of a ministerial vice director holding a boy in his arms; and the God of Longevity as an old man standing next to a deer, holding a peach branch.See a closely-related famille rose 'Eight Immortals' plaque, Qianlong, with similar meticulous execution of the details, which was sold at Sotheby's Hong Kong, 29 November 2018, lot 424.For further information on this lot please visit Bonhams.com
Los 180
A RARE IMPERIAL FAMILLE ROSE 'BOYS' JARDaoguang seal mark and of the periodThe ovoid body finely enamelled with an older boy clothed in a pink-enamelled robe and wearing a gold official's cap, holding aloft a large golden helmet above his head as four younger boys leap excitedly to reach for it, all set within a scene of rockwork and pines continuing onto the reverse decorated with a flowering pomegranate branch laden with two heavy fruit bursting open and one unripe fruit, all beneath turquoise-ground ruyi-head borders containing double-seeded lotus scrolls enclosing four bats at the neck and simple lotus scrolls at the foot, the interior and underside glazed in turquoise. 19.1cm (7 1/2in) high.Footnotes:清道光 松石綠地粉彩「五子奪魁」圖罐 礬紅「大清道光年製」篆書款Provenance: an English private collection 來源：英國私人收藏The charming scene on the present vase depicting five boys fighting for a helmet is a very popular motif in China, meaning 'five boys competing for distinction', which symbolises the blessing for one's son to achieve outstanding results in the Civil Service Examinations. Helmet (kui 魁) is a pun for 'leader', which also indicates first place in the Palace examination. The 'five boys' refer to the children of Dou Yujun (竇禹鈞), the scholar, educator and official during the Five Dynasties period (907-960 AD), whose eminent sons achieved remarkable success in the Civil Service Examinations, earning him reverence as the ideal parent.Compare with related Daoguang vases, but decorated with a ruby ground around the elongated neck and foot, such as one depicting children in a Dragon Boat Race, and another decorated with fruiting pomegranate trees, illustrated in The Complete Collection of Treasures of the Palace Museum: Porcelains with Cloisonné Enamel Decoration and Famille-Rose Decoration, Hong Kong, 1999, pls.189 and 194.A famille rose bottle vase, Daoguang mark and period, similarly enamelled with four boys in a garden around an older boy wearing a gold official's cap and holding a golden helmet over his head, was sold at Sotheby's Hong Kong on 7 October 2010, lot 2162.For further information on this lot please visit Bonhams.com
Los 182
A PAIR OF LARGE FAMILLE ROSE 'HUNDRED BUTTERFLIES' JARDINIÈRESTongzhiEach of 'bat' outline, with deep sides raised on six ruyi-head bracket feet decorated with yellow enamel, the everted lipped rim enamelled in lime-green with a continuous lotus scroll, the body brightly enamelled with numerous butterflies in flight, the base pieced with two apertures. Each 52cm (20 1/2in) wide. (2).Footnotes:清同治 粉彩百蝶紋棱口大花盆一對The 'Hundred Butterflies' design is closely associated with a unique group of yellow-ground wares produced as a special commission for the Imperial Court during the reign of the Tongzhi emperor. A drawing in the Qing Court Collection shows a similarly-painted bowl, with notes listing the forms and quantities to be produced in this design; see Guanyang Yuci: Gugong bowuyuan cang Qingdai zhici guanyang yu yuyao ciqi, Beijing, 2007, p.120, no.22. See also a smaller rectangular jardinière with a similar design but with a yellow ground, Tongzhi, in the Palace Museum, Beijing, illustrated in Ibid., Beijing, 2007, p.91, no.14.Compare with a related jardinière of similar form and decoration, but with a yellow ground, Tongzhi, which was sold at Bonhams London, 11 November 2010, lot 336.For further information on this lot please visit Bonhams.com
Los 99
A VERY RARE CLOISONNÉ ENAMEL BEAKER VASE, GUEarly 15th century Of slender form with a compressed central section rising from a spreading foot to a flaring trumpet neck, decorated to the central section and foot with large flower-heads issuing from leafy scrolls against a dark-blue ground, separated by four flanges, the neck with tall arching lappets containing further flower-heads against a dark-blue ground, beneath the rim with grapes and tendrils on a turquoise-blue ground. 25cm (10in) high.Footnotes:十五世紀早期 銅胎掐絲琺瑯花卉紋出戟觚The present lot is extremely rare with another example in the Palace Museum in Beijing. Compare with a nearly identical cloisonné enamel beaker vase, early Ming dynasty, in the Qing Court Collection, illustrated in the Compendium of Collections in the Palace Museum: Enamels, 1, p.86, no.20.Of archaistic form inspired by ancient bronze vessels from the Shang and Zhou dynasties, the present lot encapsulates the Imperial Court's concerns for the moral and political aspects of the antique. Gu vases were mentioned even in the Analects (Lunyu: Book 6, verse 25) purportedly the sayings of the sage Confucius written down by his disciples. We know that originally these were wine vessels to be drunk from by humans rather than spirits, specifically in religious sites. Although by the Ming dynasty rituals had changed, the gu vase still continued to hold important value, and successive reigns continued to imitate the shape in different media including jade and cloisonné enamel. By reviving the form of these archaic vessels, the Court strengthened its legitimacy as custodians of Confucian tradition and ritual, signalling their own virtue and mandate to rule.See a similar cloisonné enamel vase, gu, early Ming dynasty, illustrated in Colourful, Elegant, and Exquisite: A Special Exhibition of Imperial Enamel Ware from Mr. Robert Chang's Collection, Suzhou, 2007, no.10. Another related cloisonné enamel vase, gu, 15th century, is illustrated by G.G.Avitabile, Chinesische und Japanische Cloisonné und Champleve-Arbeiten von 1400 bis 1900, Berlin, 1981, p.45.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 169
A Chinese cloisonné vase circa 1900; together with a Japanese millefiori cloisonne bowl circa 1900 vase 16cm highbowl 9.5cm highWe have no reason to suspect that the base has been replaced. The colour seems consistent with the rest of the vase. The vase sits well on the base and there does not appear to be any internal evidence of it being affixed later. There is chipping to the turquoise enamel on the base and other spots of chipping throughout the body of the vase. Spots of damage to the brass wiring throughout the body of the vase. The bowl seems to have been repaired around the legs. Minor chipping to the rim. Damage to the enamel on the body of the bowl. Ware and discolouration commensurate with age throughout both items.
Los 243
A silver and enamel cased travelling timepiece with applied RAF wings, circa 1931General knocks and wear expected with age and useWear to the corners of the enamel, minor knocks and scratching to the edges of the silverIndscribed GIEVES LTD 21 OLD BOND ST by the catch, dial with minor scratching and drit build upClock piece untested, expect it will need a serviceSee photos
Los 1115
Samuel Marti Brass ( Gilt ) 4 Glass Panel Mantel Clock, With 8 Day Striking Pendulum, Driven Movement, Enamel Porcelain Dial, Strikes on a Gong. c.1880. Height 11 Inches - 27.5 cms, Depth 5.5 Inches - 13.75 cms & Width 6.5 Inches - 16.25 cms. Working at time of Cataloging - Please See Photo.
Los 1270
Romero Britto Limited Edition 'Big Hug' Iron and Enamel figure measures 11'' x 13'' x 4.75''. Published 2009, Edition No. 276 of 1000. Hand signed by Artist. In original box with Certificate of Authenticity. Romero Britto is an internationally recognized artist who originates from Brazil, and creates art that reflects his optimistic faith in the world, with bright colours and themes.
Los 354A
Eight Silver & Enamel Dressing Items, hallmarked Birmingham 1913, by Goldsmiths & Adie Bros. Champagne enamel, seven pieces in good order, hand mirror with enamel loss. In a leather case in medium brown, in good condition. Interior lined with dark brown water silk moire. The case is complete with a canvas outer protection cover with keys for the locks.
Los 355
Collection of Mixed Costume Jewellery to include some silver, comprising three silver rings, an enamel brooch of a bird, a silver hummingbird brooch, a double string of cultured pearls, a silver ring set with blue stones, a silver square engraved locket on chain, a collection of gold tone and silver tone watch straps, a white metal stone set pendant on chain, a silver stone set bracelet, a Mappin & Webb plated spoon, a silver fork, and a pendant and chain. Together with two Ty soft beanie figures.
Los 410
Full title: A Chinese rectangular Canton enamel desk set, QianlongDescription:Dim.: 21 x 11,5 x 10 cmThe absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 411
Full title: A Chinese 'ruby back' Canton enamel 'musicians' plate, YongzhengDescription:Dia.: 21 cmÊ Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin.The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 414
Full title: A pair of Chinese Canton enamel 'foreigner' plates, QianlongDescription:Dia.: 22 cmThe absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 415
Full title: A three-lobed Chinese Canton enamel dish, QianlongDescription:L.: 21 cmThe absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 418
Full title: A Chinese lime-green-ground Canton enamel water jug and basin, 1st half 19th C.Description:Dia.: 41 cm - H.: 10 cm (the basin)H.: 31,5 cm - L.: 23 cm (the jug)The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 419
Full title: A Chinese rectangular Canton enamel tray, QianlongDescription:Dim.: 30 x 20 cmThe absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 420
Full title: A Chinese Canton enamel plate with a fine landscape, QianlongDescription:Dia.: 20,5 cmThe absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 421
Full title: A massive Chinese rectangular Canton enamel tray, Qianlong/JiaqingDescription:Dim.: 62 x 37,5 cmThe absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 566
Full title: A Chinese famille verte powder blue vase and a dish, KangxiDescription:H.: 28 cm (the vase)Dia.: 27,5 cm (the dish)Ê Condition: (UV-checked)Ê -Vase- The top rim with a chips of ca. 12 x 3 mm.- Some losses of the overglazed enamel design.Ê Plate- The top rim with a few small superficial chips and a number of spots with superficial glaze loss.- A hairline of ca. 50 mm located between 6 and 7 o'clock.Ê ________________- ____________ 12 x 3 ___- _______Ê __- ____________- ________6___7_________5___The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 814
Full title: A Chinese doucai 'lotus scroll' bottle vase, Qianlong mark, 18/19th C.Description:H.: 36 cmÊ Condition: (UV-checked)- The top rim with a hairline of ca. 65 mm and one rust spot.- Some losses of the overglazed enamel design.Ê _____________- __________65____________- _______The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Los 1053
Full title: J. & L. Lobmeyr, Vienna, late 19th C.: An Islamic or Mamluk-style enamelled glass beakerDescription:H.: 19 cm - Dia.: 11,5 cmÊ The base with an enamelled monogram for J. & L. Lobmeyr. (link available on rm-auctions.com)Ê Condition:- The glass in very good condition.-The enamel and gilding worn in certain areas as visible.The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
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396325 Los(e)/Seite