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Preisdatenbank abonnierenA CHINESE FAMILLE ROSE 'FIGURAL' BOTTLE VASE, enamel painted with Fuxing, Luxing and Shouing, the Three Star Gods, and courtiers, the reverse with rockwork and prunus tree, bears a six-character mark in underglaze blue. 24cm highView 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X12.spin
A CHINESE FAMILLE ROSE 'WU SHUANG PU' CUP AND COVER, adorned in famille rose enamels with heroes of ‘The Table of the Peerless Heroes’, also known as Wu Shuang Pu, amongst them, as well as with calligraphies, bears an iron-red seal mark, 11.5cm diameter; together with A SIMILARLY DECORATED BOWL, bears an iron-red seal mark, 12.5cm diameter. (3)Note: This decor would have been made after a book, ‘The Table of Peerless Heroes’, also known as ‘Wu Shuang Pu’ (無雙譜) first published in 1694 and illustrated Jin Shi (金史, c.1625-1695)CONDITION REPORTLight wear to the enamel of the cup and cover, the rims to both slightly taken colour. The associated bowl with farily heavy rubbing to the enamel. No noted hairlines or damage noted to pieces.
A GERMAN WWII DEUTSCHES KREUZ (GERMAN CROSS), GOLD GRADE, dated '1941' to front, the eight-pointed breast star with four rivet fittings to reverse, the pin stamped '1', with associated case. 6.3cm diameterCONDITION REPORTA copy. The fixing pin secure and intact. Losses to gilt and enamel to front, tarnishing to reverse
A PAIR OF DRESDEN PORCELAIN FIGURES, modelled as a seated 18th Century lady and gentleman, on pierced scrolling bases, decorated in purple enamel heightened in gilt, blue painted marks to bases. (2) 18cm highCONDITION REPORTThe right hands of both figures restored, some damage to the floral detail.
A CLARICE CLIFF BIZARRE 'SUNDEW' PATTERN BOMB SUGAR BOWL, with a plated cover including integrated sugar tongs, Clarice Cliff Bizarre Newport Pottery backstamp. 11.5cm highView 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X60.spinCONDITION REPORTSome slight wear to the enamel around the neck rim where the cover has rubbed, light surface scratching to the painted design
CHRISTOPHER DRESSER FOR LINTHORPE POTTERY, A CHARGER, circular, enamel decorated in low relief with flowers and foliage, facsimile signature and impressed marks, 28.5cm diameter; together with A LINTHORPE GREEN-GLAZED PIERCED BOWL, no. 1885, moulded with flowerheads and scrolls, impressed marks, 21.5cm diameter. (2)CONDITION REPORTLinthorpe pottery, the foot slightly worn but overall in good condition
A Late XIX Century Tortoiseshell and Silver Inlaid Scent Bottle Holder, of tapered rectangular form, containing a glass scent bottle, 5.5cm high; A Porcelain Scent Bottle, in the form a lady holding a book, a faceted green glass scent bottle, a green opaque glass scent bottle, two other scent bottles and two enamel topped jars. (8) Lot 1207 - 1, glass perfume bottle, multicoloured, several air bubbles. 2, green double sided - silver has several knocks and dents, no stopper, several scratches and chips. 3, green opaque - flaw to body, no stopper. 4, lady - chips to top. 5, gilt worn. 6, tortoiseshell - scratched. 7, enamelled top - good condition..
A Late XIX Century French Gilt Brass Mantle Clock, the elaborate case with foliate scrolls and mask heads with urn surmounts, raised on paw feet and shaped rectangular base, the circular dial with enamelled Roman numerals and inscribed Muirhead and Sons, pendulum and key present, 46cm high. Lot 1434 - Discolouration to the back of clock No 3842 back of dial, pendulum no 33437 with key, enamel loss to pans (front of clock) slight rubbing to Roman numerals, 47cm high x 27cm wide.
A Goodall, London Late XIX Century Mahogany Cased Bracket Clock, with pierced brass panels, the cream enamel dial with Roman and Arabic numerals, the movement striking on a bell, the back plate inscribed "Croft, Plymouth Dock", pendulum and key present, 41cm high, handle up. Lot 1435 - The clock has been re polished, south north doesn't work (there is a plaque above the dial North/South but no lever), brass bracket feet re placed. Fusee mov silks, grills replaced to the side of clock case, brass presentation plaque on the back of the clock. sorry unable to see movement as too close to sides
A George III Style Mahogany Bracket Clock, the circular silvered dial with Roman numerals, the rectangular base with inlaid decoration with brass carrying handle, the back plate inscribed 'Gustav Becker, Freiburg, Medalle D'Or, 2345213', 40cm high. Lot 1434 - Discolouration to the back of clock No 3842 back of dial, pendulum no 33437 the number on the movement doesn't match the pendulum ,with key, enamel loss to Paris (front of clock) slight rubbing to Roman numerals, 47cm high x 27cm wide.
A late 19th Century Sunderland Lustre jug depicting a hunting scene with impressed title "Epsom Cup" - H: 20cm, together with a Parian ware pitcher - H: 12cm, a Japanese cloisonne enamel brass dragon & phoenix vase - H: 15cm, Poole pottery pieces, Adams blue & white plates and other ceramic pieces. A collection of ceramics to include an iron Lustre pooja bowl by Wilkinson Ltd - D: 30cm, together with a Shelly bonbon dish, Wedgwood, Coalport cabinet pieces, lidded tureens, meat platters and other pottery pieces (5).
A Chinese famille rose vase, gilt and enamel decorated in rose medallion pattern with panels depicting figures, birds, flowers, gilt mask form handles, 46 cm, together with an oriental Geisha floor vase, 45 cm, a Cantonese satsuma vase of bulbous form depicting, exotic birds amongst foliage, scalloped edge with shell shaped top, 40cm, and a phoenix ware jug and bowl set, circa mid 20th century. (4)
The Russell, E. Ingraham, Bristol, U.S.A., a late 19th century American ebonised (Japaned) wood and gilt metal mantel clock, the movement striking on two rods, key, 31 x 47cm.E. Ingraham & Company was formed in 1860, Elias Ingraham (1805-1885) designed a variety of popular cases and case features for the firm, receiving 17 patents between 1857 and 1873. Ingraham's son Edward Ingraham (1830-1892) succeeded his father in 1885. He received an important patent in 1884 for a method of applying black enamel paint (Japan) to wooden clock cases. Using this method to produce cheaper imitations of French marble mantel clocks was a great success. Though the process was soon imitated by most other clock manufacturers, the Ingraham firm became a leading maker of "black mantel" clocks, introducing 221 models plus special order styles in the following three decades.
An early 20th Century oak cased bracket clock, 8 day movement (unsigned) striking to gong, together with a French porcelain mantle clock, with floral garland enamel arabic dial, 8 day barrel movement, within a waisted maroon porcelain case with painted brass leaf pattern mounts, flanked by gilt garlands to sides, 43cm tall. (2)
A mahogany cased mantel clock, 8 day movement, striking the hour and half hours, enamel dial with Roman numerals, bearing the name 'Mappin', mahogany case with decorative inlay detail, 26cm tall, together with a Franz Hermle barrister mantle clock, with a German Westminster chime 340-020 movement, striking the half's and the hours. 26cm tall. (2)
A late 19th century French Corniche cased brass striking and repeating carriage clock, white enamel dial with Roman numerals, the movement signed B, possibly for Brunelot, striking on a gong, key, 12 x 8.5 x 7.5cm.Condition report; case good, glass good, movement keeps time but not guaranteed, repeat button not working, half and full hours not striking
Winder, Eastbourne, a gilt brass Corniche cased striking carriage clock, white enamel dial with Roman numerals, the unsigned movement numbered 248, striking on a bell, key, 13 x 9 x 8cm.Condition report, case very good, glass good, dial good, movement not working, balance wheel stuck, striking working
A miniature gilt brass carriage time piece, white enamel dial, 7.5 x 5 x 4.5cm and another small brass carriage time piece, the white enamel dial signed a.w. Butt, Chester, 9 x 6.5 x 6cm. condition report, 1. case, dial, glass good, balance does nor spin, not working. 2. case dull, dial and glass good, not working, balance spins
L'Epee Fondee an 1839, c.1980/90, a rare gilt brass limited edition brass gilded carrousel type tourbillon Gorge cased carriage clock, the white enamel dial with radial Roman numerals, outer minute divisions, Arabic five-minute numerals, alarm setting, date and days of the week dials below, aperture for the moon phases with lunar calendar, blued steel Breguet hands, the signed movement numbered 79, striking on a gong, the case numbered 79, 14 x 9.5 x 8cm, key. When this model was first produced L?Epée made the following statement: L?Epée has decided to return to one of the firm?s key areas of expertise that has made the company famous over the years by designing and developing one of the complications most sought-after by connoisseurs: a ?Carrousel? type tourbillon. In this type of complication, the balance, the spring and the escapement are housed within a carriage of which the rotation axis coincides with the centre of the escapement and performs one complete turn per minute. This finely tuned carriage contains a poising weight and its rotation is driven by the barrel via a classic gear train. Condition report, overall very good condition, good case, good dial, good glass, the working movements keeps time, all features appear to work but not guaranteed. Appears original key.
A GREAT WAR TRIO OF MEDALS TO CORPORAL F.W. SMALL, WEST SOMERSET YEOMANRY comprising the 1914-15 Star, British War Medal 1914-20 and Victory Medal (all 485 CPL F.W. SMALL. W. SOM. YEO), officially impressed, unmounted; together with a Comrades of the Great War enamel lapel badge, by J.R. Gaunt, London, no.183344, (4).
A PLAYER'S NO.3 VIRGINIA CIGARETTES ENAMEL SIGN with black and shaded red lettering against a white ground, 116cm x 50cm. Condition Report : Generally good condition; hole between the 'R' and 'E' of 'CIGARETTES'. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
GIULIO TURCATO (1912-1995)Reticolo1965 signé huile et émail sur toile signedoil and enamel on canvas90 x 130 cm.35 3/8 x 51 3/16 in. Réalisé en 1965.Footnotes:Cette œuvre est enregistrée sous le n° EZ241014SP02YA auprès de l'Archivio Giulio Turcato, Rome ; un certificat de l'Archivio Giulio Turcato sera remis à l'acquéreur.ProvenanceGalleria d'Arte del Naviglio, Milan Collection particulière, ItalieVente: Finarte casa d'Aste, Milan, 14 octobre 1997, lot 136Collection particulière, Milan (acquis dans cette vente)Puis par descendance au propriétaire actuelThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
AURELI TOLOSA Y ALSINA (Barcelona, 1861 - 1938)."Composition with Flowers and Mirror".Oil on canvas.Signed in the lower right corner.Size: 69 x 100 cm (frame).Tolosa y Alsina was a disciple first of the French master and painter Justin Simon and, later, of the master Modest Urgell. From his youth he was noted for his technical skill and his inspiration, especially in the field of landscape painting, which is confirmed by his enormous collection. He found numerous clients and powerful admirers among the Catalan and Spanish bourgeoisie and aristocracy, and worked on the decoration of bourgeois houses, such as the Palace of the Count of Figols and the Casa del Senyor Vitellin in the Plaça de Catalunya, as well as decorating the new headquarters of the Banco Americano. His popularity among the bourgeoisie made him much in demand as a private painting master; he thus came to have a large number of disciples and attained a high social standing. He took part in various art competitions and exhibitions in Barcelona, where he was awarded several prizes. His work includes paintings of landscapes and vases of flowers, but it was his fan paintings that earned him the status of a neat painter and excellent decorator. Also worthy of note are his imitations of antique paintings, as well as the tapestry, enamel and gilding of various works that he painted in his studio in the Plaza de Letamendi, in the city of Barcelona. He became very popular on the peninsula, and specialised newspapers such as La Esfera: la ilustración mundial or La Ilustración Artística, among others, often mentioned him as a great master. His presence in exhibitions and competitions at the national level was frequent and he was often awarded prizes. For example, he took part in the General Exhibition of Fine Arts in Barcelona in 1894, the National Exhibition of Fine Arts in Madrid in 1930 and even in an exhibition of Spanish products held in Melilla in 1916. Although he painted individually, he was a member of the Artistic and Literary Society of Catalonia, based in the Sala Parés, which organised annual exhibitions in which its members - Catalan painters such as Modest Urgell, Joaquim Mir and José Masriera - exhibited their work. He also often collaborated with the Sala Busquets in Passeig de Gràcia, also in Barcelona. As has been said, he was a highly valued figure at local and national level, and was awarded numerous prizes, including the following: General Exhibition of Fine Arts of 1894. Painting Section Prize at the Exhibition of Plants and Flowers in 1895. 1st Class Medal. International Furniture Exhibition of 1924. Medal of Honour.
Spanish school, 20th century. Following models by KARL HAGENAUER (1898-1956)Bronze.Measurements: 57 x 46 x 6 cm.In this bronze sculpture, the author wanted to express the extreme lightness that the dancer's body assumes, giving it a filiform canon. The long open arms seem about to take flight and the slender legs form a triangle in the air, supporting the body in perfect equilibrium on the tip of one foot.The son of the goldsmith Carl Hagenauer, Karl studied at the Vienna School of Arts and Crafts, where he was taught by Josef Hoffmann and Oskar Strnad and imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, he did military service between 1917 and 1919, and on his return he began to work as an architect and in his father's studio. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after his father's death, he took over the management of the workshop and was responsible for the expansion of the firm, extending production to cabinetmaking and opening shops in Vienna and Salzburg. Since then he has exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was made a member of the Austrian Werkbund and the Werkstätte. His works are now in collections all over the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.
Gold carnelian and onyx swivel pendant, gold crystal swivel pendant, two hardstone charms with gold clasps, gold locket with enamel leaf decoration, all 9ct and a carved lavender jade dragon charm with 14ct gold spring loaded clasp, stamped 585Condition Report:9ct approx 11.2gm (gross), 14ct approx 2.64gm (gross), good condition
Early 20th century gold graduating split pearl pendant, 15ct gold amethyst pearl brooch, 9ct gold blue zircon brooch, silver-gilt guilloche enamel heart pendant, stamped 830, brooches, heart enamel and pearl pendantCondition Report:Zircon brooch approx 1.8gm (modern hallmark), amethyst brooch approx 1.7gm, pearl pendant approx 9.5gm tested approx 9ct
9ct gold full hunter 7 jewels keyless Traveller pocket watch by Waltham U.S.A, No. 19508959, white enamel dial with Roman numerals and subsidiary seconds dial, case by Benson Brothers, Chester 1920Condition Report:Approx 101.2gm gross, movement not currently working (overwound) but clean, seconds hands missing, scratches to case but closes tight, inner dust cover also hallmarked 9ct, case diameter = 50mm
Swiss 14ct gold ladies keyless cylinder pocket watch, white enamel dial with Arabic numerals, back case with engine turned and blue enamel decoration, squirrel hallmarkCondition Report:Approx 18.6gm, inner dust cover not gold, movement currently functioning and clean , hands moving freely, outer case good, few scratches to inside of gold outer case, closes tight, dial good, well presented watch, case diameter = 28mm
Chinese silver full hunter key wound lever pocket watch, white enamel dial with Roman numerals, subsidiary seconds dial and numbered 30450, case with Chinese and Swiss hallmarksCondition Report:Movement not currently functioning, overwound, dial some light browning and very faint hairline from 12-4 o'clock, case closes tight with light scratches, decoration good, case diameter = 48mm
Rolex silver manual wind gentleman's wristwatch, Edinburgh 1929, white enamel dial with Roman numerals and red 12 o'clock, back case No. 3631209 and engraved with initials 'JB', on brown leather strapCondition Report:Movement currently functioning, hands moving freely, replacement crown, case diameter = 30mm, dial few light spots otherwise good, back case doe not quite close tight - possibly replacement, scratches to case
Early 20th century Rolex manual wind wristwatch, white enamel dial with Roman numerals and red 12 o'clock, in gold-plated case and a Zenith manual wind wristwatch, both on leather strapsCondition Report:Movements currently functioning, subsidiary dial to Zenith loose, case not original to either Rolex - glass loose also, faint hairline form centre to 11 o'clock on the Rolex, crowns not original
Christopher Rowlands, London, - 18ct gold open face pocket watch, London 1826, unsigned white enamel dial with black Roman numerals, subsidiary seconds dial and blued steel hands, the three peice hinged case housing a signed key wound movement, No. 3891, 4.9cm diameter, 118g gross approx inclusive of the movement
Chinese bronze and champlevé enamel vase, circa 1900, of octagonal shouldered baluster form with twin mask sconces supporting ring handles, the body with two shaped panels cast in relief with buildings in a mountainous landscape reserved on a trellis-pattern ground, unmarked, 34cm highOverall sound condition with some age related deterioration to the enamelling.
19th Century French pair of gilt metal and enamel pedestal cups and covers, gilded and ‘jewelled’ , in the Renaissance Revival taste on cobalt blue ground, the ovoid bowl raised on baluster stem with openwork domed and stepped spreading foot, the cover with berry finial, 25cm high; together with a similarly decorated pair of Neo-Classical influence candlesticks, with cast fluted cylindrical sconce, tapered shaft and domed foot raised on gilt metal base with laurel wreath and engine turned border and block feet with parterae, 21.5cm high, both unmarkedCandlestick 1: Some areas of loss to gilding around edge of base just above metal surround. Approximatelt 10 turquoise dots around collar absent. Some minor loss and dulling to gilt decoration in places.Candlestick 2: Two 'c' scrolls at top of shaft missing their ruby jewelling. Six turquoise dots around collar absent (at regular intervals) and one over painted. Some wear to gilding at base of shaft.Cup and cover 1: One red central jewel absent from pendant. One central white jewel from pendant with what appears to be a spot of gold paint. A little staining to interior.Cup and cover 2: Cover with raised inclusion (possibly an air bubble). Cup with slight chip to one large cream jewel and losses to gilt surround of another.It has been suggested that the cups may have originally been mounted in similar bases to the candlesticks, although we have no way of knowing this for certain.
18ct gold, diamond and enamel ladybird brooch pendant, the hinged back set with six brilliant cut diamonds, opening to reveal a body pave set with rose cut diamonds, with brooch fitting attached, 2.2cm long, 8g gross approx, on a 9ct gold chain, 45cm long approx**General condition consistent with age and use.
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