396325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396325 Los(e)/Seite
Wireless cloisonne box of rounded rectangular form,. the blue grey ground decorated with a scene of a boat by Mount Fuji, silk lined interior, Meiji . Taisho. 10cm x 13cm CONDITION REPORT: Top Metal tarnished Silk in good condition, the outside rim slightly rough Side: front has central pinpoint bit of enamel missing 1cm Three small pinpricks centrally to enamel Base Enamel apprears in good condition to the sides Base: with wear commensurate with age. Three areas of pin pricks c 2/3mm groups Interior lining fairly good condition. one pull to central silk pane;, (loop). Tiny label marked 1193 Metal rim slightly tarnished
A fine mid 19th century gold, hardstone and enamel box of canted rectangular form the hinged lid applied gold screaming grotesque masks, with an oval frame, the central ivory naked female figure with two winged amorini flanked by tree, Roman soldier, female and peacock, the outer border with various musical and other trophies, pair of ivory roundels within decorative borders, the front back and sides with various carved ivory and coloured enamel garlanded trophies, within blue and white enamel barber pole stringing, 9.5cm wide, 5cm deep, 4cm high, Circa 1850 (faults)
A fine gold and enamel mounted tortoiseshell snuff box, the lid inset with a rectangular miniature of Jupiter and Io, with eagle, pair of infant figures and swooping peacock, an extensive landscape with town beyond, chased mounts, waisted sides, gold interior, probably Swiss, late 18th / early 19th Century, 8.25cm wide, 6.2cm deep, 2.5cm high Io was a priestess of the Roman goddess Juno. Juno was the jealous wife of Jupiter, the king of the gods. Jupiter was very unfaithful. When Jupiter fell in love with Io, he changed himself into the shape of a dark cloud to hide himself from his jealous wife Juno. However, Juno looked down on earth and noticed the small cloud. She knew it was her husband. As soon as Juno arrived, Jupiter immediately transformed Io into a white cow to avoid his wife's wrath. But Juno tied the poor cow and sent her faithful servant Argus to watch over Io. Argus had a hundred eyes and only a few were ever closed at any time. To free Io, Jupiter sent his son Mercury to sing and tell boring stories to make Argus sleep with all his eyes. Mercury told so many stories that finally Argus close all his hundred eyes. Only then did Mercury kill Argus and untie Io who ran home free. Yet when Juno discovered what had occurred, she was so furious that she sent a vicious gadfly to sting the cow forever. Meanwhile, Io who was still prisoner into the shape of a cow could not get rid of the malicious gadfly. Finally, after Jupiter vowed to no longer pursue his beloved Io, Juno released Io from her inhuman prison, and Io settled in Egypt, becoming the first queen of Egypt.
A Swiss rectangular two colour gold and blue enamel snuff box with canted corners, the hinged lid with four rows of leafage within circle and guilloche frames, pale and dark blue enamelled borders, the engine turned sides and base similarly framed, maker's mark MM conjoined, stamped 14, 8.8cm long, 5.2cm wide, 1.4cm deep, early 19th Century
Georges Le Saché (1849 - ?) - a gold enamel and gem set moor's head brooch with decorated gem set turban, seed pearl earrings, diamond and gem set pearl collar, 4.8cm high overall; together with three sheets with jewellery designs, family photographs of his father Emile Le Saché, others with his brothers and sister, wedding invitation for Georges Le Saché and Madame Verve Bessault, various letter heads, identity cards, invoices etc.
A Swiss silver and enamel miniature timepiece of shallow arched form the olive green enamel with two tone green stylised leafy border, the cream enamel dial with Arabic numerals inscribed "Favre-Leuba & Co, Swiss Made, Zenith", the hinged back engraved Zenith, the base inscribed Argent 0.925 and numbered 2652, the movement numbered 160869, in Morocco leather triptych case, Circa 1920
A Victorian silver chatelaine, the clip hung with three blue enamel silver "yolks" with belt suspension loops hung four curb and oval link chains suspended with vesta, stamp case, thimble case, scissor case, pin cushions, propelling pencils etc., some plated, 32cm high overall, by E K, London 1873
A George III oak cottage longcase clock the hood with swan neck pediment terminating in brass roundels with three ball and spire finials, the arched enamel dial painted to the top with a female figure in extensive landscape oval, floral spandrels, the cream enamel dial with subsidiary seconds dial and month aperture, inscribed "J Levy, & Co, Boston", eight day movement striking on a bell, the hood door flanked by a pair of brass capped tapered pillars, mahogany crossbanded trunk door, on plain plinth with shaped apron and bracket feet, 216cm high overall, Circa 1800 (faults and old restorations)
A George III oak cottage longcase clock the hood with swan neck pediment terminating in embossed brass roundels and three brass ball and spire finials, carved with brick work and dog tooth, the cream enamel dial inscribed to the arch "Thomas Regis ?, Cambridge", Arabic numerals with subsidiary seconds dial and month aperture, eight-day movement striking on a bell, floral painted spandrels, the hood with brass capped fluted tapered pillars, the trunk door with applied moulding to the lancet arched door, skirted plinth, shaped apron with bracket feet, 218cm high, Circa 1800
A Black Forest drop case wall clock the burr walnut veneered case brass inlaid with stars and stringing the cream enamel dial with Roman numerals, twin winding holes, twin train movement within wooden frame striking on an external bell, the drop case with shaped brass framed lenticle and pair of foliate carved spandrels, dial 26cm diameter, 52cm high overall, late 19th Century
A mid 19th Century ormolu mantel clock of Chinoiserie design, the elaborate case with pair of figures on top of a rocky outcrop, the white enamel dial with Roman numerals and twin winding holes, shaped three quarter gallery and lappet cast frieze above an ogee body decorated to the centre with a shaped reserve with figures with instruments and fishing within ornate leaf, flower, bird and insect cast borders, waisted base with shaped apron and hatched floral and leaf cast circular feet, the whole brightly polychrome decorated, 45 cm high, 36cm wide max., the striking movement initialled FC, numbered, Circa 1860
Lenoir, Paris - a late 18th / early 19th Century mantel clock with finely carved white carrara marble case the naked female with her right foot on a jar, her left hand on a Medusa fountain mask, rock and leaf carved base, the white enamel dial with Roman and Arabic numerals inscribed "Lenoir á Paris", within ormolu laurel cast bezel and leafy spandrels the rounded rectangular red marble base applied finely cast ormolu panels of winged amorini, trophies and leafage, beaded borders on cast ormolu toupie feet, the eight-day movement inscribed 20669, striking on a bell, 64cm high, 52cm wide, Circa 1790-1810 bearing old inventory label to the front clock case
A pair of 19th Century oval enamel plaques, one with young woman wearing pearl earrings and necklace and ornate pink dress with lace trimmings, the other with young prince beneath a tree, a mountainous landscape beyond, 20cm x 15cm, contained within gilt metal frames cast ribbon tied floral drapes, oak leaf and acorn branches, 30cm high overall, Circa 1850 (faults)
Walter Steinberg abstract study, mixed media, also two enamel on copper paintings, one of trees, the other of a still life, (2) This lot is sold subject to V.A.T. Therefore £100 hammer price will have Buyers premium on top and also an extra £20 in V.A.T. Condition report: see terms and conditions
Elgin 14K gold cased hunter fob watch, circa 1909, white enamel dial, subsidiary seconds, case 32mm, Elgin 15-jewel ¾ plate movement 13583759, stem wind, Keystone case set on the back with three old cut diamonds and an engraved fleur-de-lys (ticks, winds,adjusts). *See clocks and watches proviso. Condition report: see terms and conditions
A LATE 19TH CENTURY DIAMOND, ENAMEL AND PEARL BROOCH PENDANT of stylised flower head design with central circular cluster of old brilliant-cut and rose-cut diamonds with central single pearl, within a petal frame of pearls and rose-cut diamonds with black enamel decoration, with a chain loop suspending three pear-shaped drops, 4cm. dia., together with a pendant loop and a fine link gold neckchain.
GLASGOW SCHOOL - ARTS & CRAFTS ENAMEL PANEL by Agnes Bankier Harvey, in enamel on copper of the Madonna and Child, and in a plain wooden frame. Signed to the reverse, A B Harvey 1901, and with a paper label which reads Agnes B Harvey Designed and Executed. Glasgow 1901. Panel 4 1/4ins (11cms) diameter. *Agnes Bankier Harvey (1874-1947) was born in 1874 in Glasgow, and attended the Glasgow School of Art from 1894-1899. She then studied at the London School of Silversmithing before returning to Scotland and teaching at the Glasgow School of Art from 1904-1908. She specialised in enamels and metalwork and exhibited both in the UK and internationally including Turin, Cork, Budapest, and Berlin
A QUANTITY OF JEWELLERY including an enamel and gold brooch for Queen Victoria's diamond jubilee, a Victorian enamel and seed pearl mourning brooch, a pietra dura floral brooch, a Victorian gold and pearl mourning ring, an archery brooch inscribed York 1888 and to the reverse Greatest no. of hits at 60 yards, and various other items.
A QUANTITY OF JEWELLERY including an amethyst, seed pearl, enamel and gold pendant, a diamond solitaire ring, with sapphire set shoulders, a Scottish and silver hardstone brooch, a peridot, seed pearl and gold pendant, a garnet and gold oval-shaped brooch, a Georgian ring set with three rose-cut diamonds, a turquoise and seed pearl flower head ring, and various other items.
A QUANTITY OF JEWELLERY including a gold propelling pencil by S. Mordan & Co., a lady's diamond cocktail wristwatch, two gold and pearl set naval crown brooches, a William IV black enamel, pearl and rose-cut diamond mourning brooch, with locket compartment to the reverse containing hair, and various other items.
A 9CT. GOLD HALF HUNTING CASED POCKET WATCH BY WALTHAM the signed white enamel dial with Roman numerals and subsidiary seconds dial, with engine turned and cartouche decoration to the back case, 50mm. dia., 96 grams, together with a 9ct. gold watch chain, suspending a gold 't' bar and a George I two guinea piece, 1715, attached to a pendant fitting, 19 grams.
A SILVER HALF HUNTING CASED WRISTWATCH the outer case with blue enamel Roman numerals and plain white enamel dial, the inner case with London import marks for 1934, a silver wristwatch by J.W. Benson, London, the white enamel dial with Arabic numerals, the inner case with Glasgow import marks for 1933, an Art Deco silver tonneau shaped wristwatch, the dial with Arabic numerals, the inner case with London import marks for 1929, and a stainless steel wristwatch by Audax, the dial with Arabic numerals, with box by Audax.
A VICTORIAN GOLD AND ENAMEL PENDANT the domed section of turquoise enamel with half pearl star decoration, within a gold surround with white enamel decoration and with gold fringe drops, locket compartment to the reverse, 7cm. long including pendant loop, with fitted box. Together with a damaged snake bracelet.

-
396325 Los(e)/Seite