EARLY 19TH CENTURY ENGLISH SCHOOL; an oval portrait miniature on ivory, a young gent wearing high collared blue jacket with white lace ruff, in yellow metal frame and with blue guilloche enamel back centred with an oval compartment of interwoven hair, 7.5 x 6cm. CONDITION REPORT: We have had the miniature out of the frame and it remains in good condition free from splits or any damage, it is unsigned, the enamel back is in good condition with only very minor surface wear. The spotting you can see on the coat is actually on the underside of the glass.
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A Continental silver and enamel erotic cigarette case, the hinged lid depicting a bare breasted woman dressing, with sapphire cabochon set to thumbpiece, stamped 935 sterling UKA, and with gilt wash interior, 8.3 x 8cm. CONDITION REPORT: Several very small dents to the reverse and excessive surface scratches to the enamel. When you catch it in the light these are very visible.
An early 20th century yellow metal plique-à-jour floral brooch set with an old cut diamond, a salt water pearl, and diamond chips, length 2.8cm, approx 6.2g, and a carved cameo brooch in 9ct gold frame, height 5.5cm (2). CONDITION REPORT: The plique-à-jour brooch appears to be in very good condition, from the reverse there are three panels of the enamel with minor pitting but no losses and no chips or repairs.
An 18ct gold cased open faced crown wind free sprung pocket watch, the white enamel dial set with Arabic numerals and subsidiary seconds hand, the movement signed "Manoah Rhodes & Sons Ltd, Bradford" no.50558, case hallmarked for 1900, diameter 5.3cm. CONDITION REPORT: Overall appears to be in very good condition, ticks when wound, the only damage worth mentioning will be a slight chip to the subsidiary dial between 60 and 5.
A 19th century French boullework eight day mantel clock with white enamel dial set with Roman numerals and inscribed "Jean À Rennes", height 35cm (badly af). CONDITION REPORT: The case of the clock is in a state of excessive disrepair, several pieces missing, overcleaned, metalwork is lifted in several places, there is a chip to the rim one of the holes of the dial.
A large late 19th century gilt metal figural clock surmounted with a young woman cradling a baby in her arms with a further child by her side above a drum movement with circular white enamel dial set with Roman numerals and raised on an ebonised oval stand beneath a large glass dome, the movement by Marti Brothers, height of clock 49cm, overall height 64cm.
A Bow leaf-shaped dish with stalk handle, the underside moulded with veins, painted in enamel colours with a central bouquet of flowers surrounded by floral sprigs and foliage, the rim with iron red and gilt band of scrolling foliage, circa 1756 - 60, 18 cm wide, hair crack to rim, restored rim chip and minor rubbing near handle.
A Champion’s Bristol large trembleuse cup and saucer of fluted double ogee form, the cup with angular scroll handle with inner spur and moulded with foliage, finely painted in enamel colours with bouquets and single European flowers, blue B7 marks, saucer 14.5 cm diameter, cracks to handle, minor interior stress crack to saucer, minor rubbing to gilding.
A Worcester coffee can of feather moulded cylindrical form with flared rim, scroll handle, finely painted in enamel colours with European figures in a landscape with buildings and an estuary beyond, a floral spray to either side, the interior with further floral sprays, circa 1755, 6.4 cm high, two small chips and associated tiny crack.
Charles Frodsham FMSZ. An 18ct gold keyless half-hunter fob watch the circular white enamel dial with Roman numerals, subsidiary seconds dial signed Chas Frodsham, 07740 AD FMSZ’, the three quarter backplate similarly inscribed in an 18ct gold case with hallmarks for London 1895, later adapted to be worn as a wristwatch with attached flexible bracelet.
Walter Yonge. An 18ct gold cased key wound hunting cased pocket watch the circular white enamel dial 34mm diameter with Roman numerals, subsidiary seconds dial and signed ‘Walter Yonge London’, the backplate inscribed with repeat signature, ‘Patent’ and ‘1/5405’, the case with hallmarks for London 1844.
Barwise. An 18ct gold cased, key wound duplex openface pocket watch, the circular white enamel dial with Roman numerals and subsidiary seconds dial, the movement with back plate inscribed ‘Barwise London 11/637’ the dust cover similarly inscribed, the case with hallmarks for London 1844.
An 18th century enamelled gold and diamond mounted oval memorial ring, with central vase-shaped urn motif, initialled ‘AH’, decorated with rose diamonds, blue and white enamel on a blue enamel ground within a surround of graduated old brilliant-cut diamonds estimated to weigh a total of 1.5cts, the reverse with indistinct inscription ‘Ann Hodson Mort - OB....May 1703’ and with glazed compartment, 31mm long overall.
A French bronze and ormolu mantel clock the eight-day duration movement striking the hours and half hours on a bell with the backplate stamped with the trademark for the movement maker Japy Freres & Co, the white enamel dial with black Roman numerals and blued steel moon hands, the movement set within a bronze rectangular block surmounted by a Greek warriors helmet, with a depiction of the Goddess Diana the Huntress to one side with an ormolu pillar the other side adorned with a mount depicting a quiver of arrows and surmounted by a lamp, the base with raised relief to the front depicting Diana the Huntress stood before three classical figures, height 50cm.* Japy Freres was founded by Frederic Japy of Beaucount, born 1749 who first made movements for the clock industry at his factory in 1777, becoming the largest and most commercially important clockmaking concern in France. The business continued after his death.
L’Echopié Jne à Paris, a bronze, ormolu and marble mantel clock the eight-day duration movement striking the hours on a bell with an outside countwheel, the white enamel dial signed L’Echopié Jne à Paris, with black Roman numerals and decorative brass hands, the three tier bronze case with raised relief to the front depicting children playing instruments within a field, with goats to the case sides and floral swags set below, standing on ormolu cloven supports, surmounted by a suckling baby with mother, possibly Apollo with the Goddess Leto, seated on a classical day bed with ormolu griffin supports to the four corners, standing on a further green marble base with ormolu mounts to the edges and turned feet, height 45cm.* Adam L’Echopié was a good maker of clocks working in Paris in the late 18th century and was particularly known for his bronze and marble pieces, which his younger son, the maker of this clock, obviously continued. Adam actually had two sons, both of whom worked at Rue Neuve des Petits Champs from circa 1812, the same address from where the father is recorded working from 1772, they presumably continued his business and would’ve used the same casemaker. There is known a white marble and bronze clock entitled Femme Couronnée par un Amour, signed L’Echopié à Paris, that sold in 1913 for 8,800 francs, presumably by the father, Adam. * A near-identical clock, although signed Bassot à Paris, is illustrated and described in the Encyclopedie de La Pendule Francaise, by Pierre Kjellberg.
A French brass mantel clock the eight-day duration movement striking the hours and half hours on a bell with the round cast silvered dial having white enamel plaques for the black Roman numerals and blued steel hands, surmounted by a cast garland of flowers above and standing on a shaped base with shield & sword mounts to the front and standing on gadrooned brass feet, height 40.5 cm.
Leroy à Paris, a black marble perpetual calendar mantel clock the eight-day duration movement striking the hours and half-hours on a bell, stamped on the backplate with the signature & serial number of the retailer, Leroy à Paris, 13492, and the trademark of the maker of the roulant blanc, S. Marti et Cie, Medaille de Bronze and oval stamp with the initials C.A.F quite probably the finisher of the movement for Leroy, with a visible Brocot escapement to the centre of the two-piece enamel dial, black Roman numerals and blued steel moon hands, signed to the centre for the retailer Leroy & Fils, 211 Regent Street, 13 & 15 Palais Royale, Paris, with a thermometer set below the dial showing both Reaumur and Fahrenheit, with a round barometer dial set to the lower right-hand side having two badges stamped on, with a second subsidiary dial having further subsidiary dials showing the moonphase, day & date and with the outer dial marked for the perpetual calendar changes and month, the black marble case of serpentine design with scroll sides, height 51 cms.* Le Roy et Fils were established by Basile Charles Le Roy in 1785 and were well known and fine makers of clocks. Basile Charles Le Roy was the Master Clockmaker to Napolean & along with his son Charles-Louis were clockmaker’s to the Princess Pauline and the Duke de Bourbon. Examples of their work are in all the major collections as well in the Ministere de la Guerre, Paris. The Maison de Le Roy was founded in 1785 at Palais Royal & continued until the death of Charles at Versailles in 1865. They took on premises at 13-15 Galerie Montpensier, Palais Royal, Paris when the Duc d’Orleans opened the Palais Royal gardens for both the trade and public’s use with many prestigious shops opening under the arcaded walkways. From 1885 their London retail outlet was at 57 Bond Street having moved from Regent Street. * Samuel Marti was one of the prolific French makers of the 1800’s and was known to be working circa 1860 at Le Pays de Montbeliard, Paris making roulant blancs. Along with Japy Freres and Roux they set up a business in 1863 to market their movements to such firms as L’Epee. Their Paris address was Rue Vieille-du-Temple from 1870.

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