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396323 Los(e)/Seite
Los 1129
Mystischer Natural Fancy-Diamantring Gelbgold, teilw. schwarz emailliert, gest. 750. Zentral besetzt mit einem Natural Fancy Gray-Greenish Yellow-Diamanten von ca. 2,54 ct., zentrale Wolke über natürlichem Kreuzeinschluss, im Square Modified Brilliant Cut. Feiner ornamentaler Gravurdekor, akzentuiert durch zwei Rubine. Gew. ca. 10,80 g. Beiliegend GIA-Expertise, No. 1162605771. Mystical ring set with natural fancy diamond approx. 2,54 ct. with cloud over natural cross shapped inclusion, in 18 k gold and black enamel. Certificate included.
Los 258
Frühe Gallé-Vase mit Disteldekor und Lothringer Kreuz Gedrückt gebauchte, ovale, längsoptisch geblasene Form mit weiter Öffnung und gewellt gekniffenem Rand. Rauchfarbenes Glas. Dekor in farbiger Emailmalerei mit Goldkonturen. Schauseitig große Distelblüte, das lothringische Kreuz umrankend, als Wappenelement der Stadt Nancy, rücks. weitere Distelstängel. Feine, diamantgeritzte Sign. "E. Gallé Nancy". H. 14,2 cm; B. 23,2 cm.Das Lothringer Kreuz in Verbindung mit der Distel als heraldisches Motiv im Wappen von Nancy hatte eine doppelte patriotische Bedeutung, es kommt früh und oft auf Fayencen von Gallé vor, später auch auf rauchfarbenen und farblosen Gallé-Gläsern mit Emaildekoren.Vgl. Duncan/de Bartha: "Glass by Galle", Abb. 32, Kat. Hilschenz-Mlynek/Ricke, Kat. Sammlung Hentrich, Nr. 192 (Dekor).A rare French smoke-coloured glass bowl with enamel decor of the Cross of Lorraine and thistles by Emile Gallé. Signed.Frankreich. Nancy. Emile Gallé. Um 1890.
Los 2936
Silberoklad-Ikone "Hl. Nikolaus" Polychrome Malerei auf Holz. Halbfigurige Darstellung des Heiligen Nikolaus der Wundertäter im Bischofsornat mit Evangelium in der linken Hand, die Rechte zum Segensgestus erhoben. Oberhalb flankiert von Christus und der Gottesmutter. Reliefplastisch gearbeiteter, reich verzierter Silberoklad, Nimbus mit Cloisonné-Email. Kokoshnik-Marke, Gest. 84 Zolotniki, Meistermarke "EK" wohl Erik (August) Kollin, St. Petersburg. Minim. rest.; Oklad minim. besch.; Rücks. samtbezogen. 32 cm x 27 cm. Vgl. Verzeichnis russischer Gold- und Silbermarken, Nr. 1451.A Russian silver oklad and cloisonné-enamel icon polychrome painted with St. Nicholas on wood. Stamped 84 Zolotniki, Kokoshnik and master's mark, probably E. Kollin, St. Petersburg. Minor restored. Oklad minor damaged.Russland. Um 1900.
Los 383
Jugendstil-Mokkatasse mit Emaildekor auf Untertasse. Auf vierfach eingezogenem Stand glockenbecherförmiger Korpus mit geschwungenem Henkel. Auf der Wandung und im Spiegel axialsymmetrischer Dekor. Feinlinig, in Reliefgold konturierte Beerenzweige und Vergissmeinnicht-Blüten aus lilafarbenen und blassbläulichen Emailperlen sowie sonnengelben Fondflächen. Polychrome Aufglasur- und Emailmalerei mit Goldstaffage. Dekor-Entw. Richard Fuhry, um 1902. Minim. ber.; Zepter- und Malereimarke. H. 5,5 cm. Vgl. Kat. Bröhan-Museum, Bd. I, Nr. 108; I. v. Treskow, Jugendstil-Porzellane, Nr. 53, 63, S. 295, Nr. 6976.A fine Art Nouveau porcelain mocha cup with floral enamel decor. Minor rubbed. Sceptre and painter's mark.KPM-Berlin. Um 1900.
Los 7
Apothekenflasche Leicht graustichiges Glas. Vierkantflasche mit quadratischem Querschnitt und gerundeter Schulter. Schauseitig Dekor in farbiger Emailmalerei mit bekrönter, zweigumrahmter, weißer Ovalkartusche und griechischen, schwarzen Buchstaben. Lippenrand rep.; H. 12,5 cm.A German pharmacy glass bottle with enamel decor. Rim repaired.Deutsch 18. Jh.
Los 873
Kleine Ziervase mit Limoges-Emailmalerei Amphorenform, am Wandungsansatz mit goldradiertem Palmettenrelieffries. Seitliche Handhaben als Hermen über Blattansatz. Kobaltblauer Fond. Schauseitig ein zwischen Blütenzweigen sitzender Putto, einem Schmetterling zupustend. Weiße, leicht erhabene Emailmalerei nach Limoges-Art. Dezente Farbstaffage. Umlaufend äußerst feine Goldornamentbordüren. Minim. rest.; Schwertermarke. H. 15 cm. A small cobalt-blue Limoges style porcelain vase with cupid decor finely painted in white enamel. Minor restored. Crossed sword mark.Meissen. Um 1900.
Los 877
Paar monumentale Meissen Vasen mit Darstellungen aus dem Zyklus "Einzug Alexander des Großen nach Babylon"Über eingezogenem Stand balusterförmiger Korpus mit gerundeter Schulter und kurzem, zylindrischem Hals. Aufgewölbter, überkragender Deckel mit stilisiertem Zapfenknauf. Kobaltblauer Fond. Auf der Wandung umlaufender, antikisierender Figurenfries mit verschiedenen, frei komponierten Darstellungen aus dem sog. „Alexanderzug“, arrangiert auf breitem Ornamentsockel aus volutiertem Laubwerk mit Maskaron- und Blumenmedaillons sowie Blumenhörnern. Nach Vorbild des Marmorfrieses von Bertel Thorvaldsen (1770 – 1844) im Schloss Christiansborg in Kopenhagen sowie Zeichnungen und Stichen von Johann Friedrich Overbeck bzw. Samuel Amsler. Der Deckel mit korrespondierendem Ornamentband. Reliefartige, in Weiß aufgetragene Emailmalerei sowie Teilvergoldung des Knaufs und Goldrand. Schwertermarke. H. 64 cm. Auf kobaltblauem Grund effektvoll plastisch hervortretende Darstellungen in weißer Emailmalerei. In Anlehnung an Sèvres und Royal Worcester-Porzellane wurde diese Technik im Stil der Limosiner Maleremail-Arbeiten erstmals 1865 in Meissen ausgeführt und 1867 auf der Weltausstellung in Paris präsentiert. Diese zeigte szenische Darstellungen des Einzuges Alexanders des Großen in Babylon nach Thorvaldsens Vorlagen. Thorvaldsen fertigte den Triumphzug erstmals für Napoleon Bonaparte, danach im Jahre 1829 für Schloss Christiansborg in Kopenhagen, von denen Samuel Amsler Kupferstiche nach Zeichnungen von Friedrich Overbeck anfertigte. Amslers Kupferstiche, die zudem in Hermann Lückes "Der Einzug Alexander des Grossen in Babylon: Marmorfries von B. Thorwaldsen" erschienen sind, boten die Motivgrundlage für die Darstellungen auf der Meissener Weltausstellungsvase wie auch auf diesen Vasen, wobei die Motive hier in größerem Maßstab wiedergegeben sind.Vgl. Jedding, Meißener Porzellan, Farbtaf. I und S. 86f., Berling, S. 91; Siemen, Nr. 42, S. 368, 377; Klassisches Meissen, S. 103; Thorvaldsen-Museum, Kopenhagen, Inv.-Nr. E 35,0; 10, 11, 14, 15.A splendid pair of monumental lidded porcelain vases with depictions of "Alexander the Great‘s entry into Babylon" after a marble frieze by Bertel Thorvaldsen, drawings by F. Overbeck and engravings by Samuel Amsler painted in white enamel in Limoges style on cobalt-blue ground. Crossed swords mark.Meissen. Um 1924 - 1934.
Los 34
Totem COWDENBEATH RAILWAY Sign British Railways fully flanged blue and white enameled steel Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 10 1/4 inches, Width: 36 3/8 inches, Depth: 7/8 inches Condition: overall light wear consistent with normal use, having chips to enamel at edges, occasional light scuffs and scratches, small areas of oxidation Category: Collectibles > Railwayana - Totem Signs Estimated Sale Time: 11:30 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 104
Totem STYAL RAILWAY Sign British Railways fully flanged brown and white enameled steel Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 10 1/8 inches, Width: 36 1/2 inches Condition: overall light wear consistent with normal use, having minor chips to enamel at edges, occasional light scuffs and scratches, small areas of oxidation Category: Collectibles > Railwayana - Totem Signs Estimated Sale Time: 12:35 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 84
Totem PRESTATYN RAILWAY Sign British Railway enamel and steel in midland region colors, half flange Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 1 1/8 inches, Width: 36 inches, Depth: 3/4 inches Condition: overall moderate wear consistent with normal use, sign having repair to right wing and restoration to enamel using paint, rust, chips and missing edge Category: Collectibles > Railwayana - Totem Signs Estimated Sale Time: 12:17 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 91
Nameplate CITY OF WINCHESTER 4-4-0 GWR Numbered 3441, re-numbered 3718, built 1903, withdrawn 1927, 'L 3718' is etched on the back rim indicating this is the left side plate Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 18 inches, Width: 69 inches Condition: original condition, enamel loss noted Category: Collectibles > Railwayana - Locomotive Nameplates Estimated Sale Time: 12:23 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 44
Nameplate VULCAN 4-4-0 GWR Bulldog Class Originally numbered 3330, renumbered 3318, built 1908, withdrawn 1934, left side plate, '3330' is stamped on the top of the rear rim with a second '3318' stamping, including certificate of authenticity from Sheffield Railwayana Auctions (Ian Wright) Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 21 inches, Width: 69 inches Condition: surface wear and enamel loss noted Category: Collectibles > Railwayana - Locomotive Nameplates Estimated Sale Time: 11:40 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Los 54
Totem HORNCHURCH RAILWAY Sign British Railways enamel and steel in Eastern region colors, half flange Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 10 1/8 inches, Width: 36 inches, Depth: 1 inches Condition: overall light wear consistent with normal use, scuffs, chips, nicks, surface rust, some repainting Category: Collectibles > Railwayana - Totem Signs Estimated Sale Time: 11:49 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 172
Great Western Railway Tin Map GWR system enamel map, in original oak frame Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 23 1/2 inches, Width: 29 1/2 inchesFrame Size: 28 inches by 33 3/4 inches Condition: overall light wear consistent with normal use, having scuffs, nicks, chips, missing paint, scratches, tape marks, crazing and fading overall, frame having cracks to wood, loose joints, missing wood Disclaimers: not examined out of frame Category: Collectibles > Railwayana - Maps Estimated Sale Time: 1:39 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 123
Totem YEOVIL PEN MILL RAILWAY Sign British Railways half-flanged green and white enameled steel Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 10 1/8 inches, Width: 36 inches, Depth: 1 inches Condition: overall light wear consistent with normal use, having minor chips to enamel at edges, occasional light scuffs and scratches, small areas of oxidation Category: Collectibles > Railwayana - Totem Signs Estimated Sale Time: 12:53 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 10
Totem CHEPSTOW RAILWAY Sign British Railways half-flanged brown and white enameled steel Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 10 1/4 inches, Width: 36 inches, Depth: 1 inches Condition: overall light to moderate wear consistent with normal use, having chips to enamel at edges and extending into brown above the W, occasional light scuffs and scratches, small areas of oxidation Category: Collectibles > Railwayana - Totem Signs Estimated Sale Time: 11:07 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Los 6441
Foskett geb. Kirk, Daphne -- Miniatures. Dictionary and Guide, Woodbridge 1987. Das Standardlexikon zur britischen Portraitminiaturmalerei. Dazu, von der selben Autorin: Samuel Cooper 1609-1672, London 1974; und von Sarah Coffin & Bodo Hofstetter: Gilbert Collection - Portrait Miniatures in Enamel, London 2000; und von Jörg Nimmergut & Anna-Maria Wager: Miniaturen. Dosen, München 1982; und von Graham Reynolds: Fitzwilliam Museum Handbooks - British Portrait Miniatures, Cambridge 1998, English Portrait Miniatures, London 1952, Wallace Collection. Catalogue of Miniatures, London 1980; und Ausstellungskatalog Treasures from the Royal Collection, London 1988/1989; und Auktionskatalog The Albion Collection, London, Bonhams, 22. April 2004. Insgesamt neun Bände. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Los 6450
Bone, Henry -- Miniatur Portrait des britischen Königs William IV., in der blauen Uniform eines Flottenadmirals mit blauem Schulterband und Bruststern des Hosenbandordens und Herrscherinsignien des Bath-Ordens. Emaille auf Gold. 3,3 x 2,6 cm (oval). In gerillter, vergoldeter Metallfassung auf dem Deckel einer runden, gefleckten dunklen Schildpattdose (D. 7,5 cm, H. 2,6 cm), die weiße Contre-Emaille signiert, datiert und beschriftet "His Majesty / William 4th. / London Octr. / 1830 / Painted by Henry Bone / R. A. Enamel Painter / to His Majesty &c &c / after the Original / by Morton".William IV. (1765 - 1837) war der dritte Sohn König Georgs III. Er folgte seinem Bruder Georg IV. 1830 im Alter von 64 Jahren auf dem Thron als König des Vereinigten Königreiches Großbritannien und Irland und auch als König von Hannover. Seiner seit 1791 bestehenden Beziehung mit der irischen Schauspielerin Dorothy Jordan entsprangen zehn illegitime Kinder, von denen acht das Erwachsenenalter erreichten. Erst 1818 fand William eine passende Braut, die sich auch der unehelichen Kinderschar liebevoll annahm: Adelheid von Sachsen-Meiningen. Da die beiden keine überlebenden Kinder hatten, fiel der britische Thron 1837 an Williams Nichte Victoria, und der Hannoveraner Thron an seinen Bruder Ernst August. Zur Vorlage unserer Miniatur, einem Gemälde von Andrew Morton (1802 - 1845), und anderen Emaille-Fassungen von Henry Bone, siehe Remington 2010, supra.Provenienz: London, Sotheby's, Auktion "British and Continental Portrait Miniatures" am 1. Dezember 1987, Los 129 mit Abb., Zuschlag 620 GBP plus 10 % Aufgeld. London, Bonhams, Auktion "Fine Portrait Miniatures" am 8. März 1993, Los 59 mit Abb., Zuschlag 1.900 GBP plus 10 % Aufgeld.Literatur: Vanessa Remington: "Victorian Miniatures in the Collection of Her Majesty The Queen", Bd. I, London, 2010, S. 80. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Los 44
The 'Worshipful Company of Stationers' silver-gilt and enamel table centrepieceWilliam Hutton & Sons, Sheffield 1924Depicting the polychrome enamelled coat of arms of the 'Worshipful Company of Stationers', flanked by two classical angel supporters blowing their trumpets triumphantly, both standing on a pierced scrolling foliate back-plate, the Company's motto enamelled in Latin beneath, two scroll panels reading 'VERBUM DOMINI MANET, the third panel 'IN AETERNUM' is missing, all raised on an elaborate knopped baluster stem, terminating in a spread domed oval base embossed in high and low relief with angels, scrolls and acanthus leaves, inscribed 'The Gift of Herbert Fitch Master 1922/23', height 60cm, width 34cm, weight total 188oz.Footnotes:ProvenanceCommissioned by Herbert Fitch in 1924 and presented to the 'Worshipful Company of Stationers', to commemorate his time as Master of the 'Stationers' Company' from 1922 to 1923. For use at members banquets and prestigious occasions, hosted within the historic 'Stationers' Hall', Ave Maria Lane, in the City of London. It would either be placed in front of the Master on the top table, or clearly exhibited during ceremonial occasions and Court meetings.Henceforth held at 'Stationers' Hall' since 1924, up until the present day.Introduction to the 'Stationers' Company'The 'Worshipful Company of Stationers' and Newspaper Makers', also known as the 'Stationers' Company', has represented publishing and communications professionals since 1403. Originally formed to represent members of a manuscript-based book trade, the 'Stationers' Company' rose to prominence with Caxton's introduction of the printing press to England in 1476. As the subversive potential of this new technology was recognised, successive English governments during the turbulent sixteenth and seventeenth centuries enlisted the Stationers' help in regulating the press, making the Company a dominant force in the publishing landscape for some time to come. The Stationers' embraced their position, fully participating in the pomp and pageantry of the City of London. Rebuilt in the 1670s on its original foundations after the Fire of London ravished its medieval structure, 'Stationers' Hall' is a testament to the Company's rich social and cultural life over the centuries. Today the headquarters of a vibrant professional membership organisation, in the Hall's fabric, fittings and fixtures are inscribed the history of a London Livery Company where tradition and innovation have always gone hand in hand. Lot ResearchThis is the present full armorial of the 'Worshipful Company of Stationers' and Newspaper Makers'. Created in 1403 as the 'Worshipful Company of Stationers', this has been their official title since the incorporation of the Newspaper Makers in 1937. The arms were granted in 1557 to the then 'Worshipful Company of Stationers' but without crest and supporters, which should only officially appear after 1951. However the Company did unofficially adopt a crest and supporters from the eighteenth century and crests have been found to appear from 1789, and supporters from 1834. These are useful dating attributes. The Stationers' Company's motto is 'Verbum Domini Manet in Aeternum', Latin for 'The Word of the Lord endures forever'.In terms of the provenance of this piece on offer, Court Orders for 1st December 1925 note: 'Mr Herbert Fitch (Master 1922/23) ... said that when he was Upper Warden the Court on the 4th day of April 1922 resolved on his proposition 'that it is desirable that a Standard Emblem or Device be adopted.'' Consequently, he decided to 'provide and present to the Company a piece of plate embodying the approved design in a permanent and artistic form.' 'The work of art which he asked the Court to accept was of silver gilt and consisted of a pillar and base carrying the Arms and Crest of the Company (which were shown in enamels of correct Heraldic colours) flanked on either side by the angels which had been the supporters for over 100 years.''That the Court of Assistants do offer to Mr Herbert Fitch their most cordial thanks for his unique and valuable gift.'Herbert Fitch (1849-1933) established a respected printing business on Bury Street, in the City of London. In 1922 he received the honour of being elected as Master of the 'Stationers' Company', and was also an esteemed member of Lloyds. After a full life, he passed away at the age of 84 and was duly buried at Brompton Cemetery. As a wealthy business owner, his life was commemorated with a Grade 2 listed tomb made of Portland Stone and green marble columns. Over time, his wife Jeannie and their three sons were laid to rest with him. His son, also named Herbert, was a member of Special Branch Police and his memoirs detail how he listened to a secret meeting by Lenin and his comrades, whilst hiding in a pub cupboard.Literature'Stationers' Hall' Court records, accessed via the Stationers' Company archivist.Friends of Brompton Cemetery,'Tomb of Herbert Fitch', accessed 26/10/23 via https://brompton-cemetary.org.ukFor further information on this lot please visit Bonhams.com
Los 81
A French late 19th/early 20th century ormolu mounted tulipwood, amaranth, bois satine, kingwood, sycamore and parquetry pedestal clock1890-1905, after the model by Jean-Henri RiesenerIn two sections, the hood mounted and surmounted with three cherubs amidst billowing clouds and floral pendants, with a later white enamel dial, above a triple panelled cavetto frieze with tablets of lozenge inlay mounted with ribbon tied floral and foliate garlands, over a tablet with an entwined olive leaf branch and sunburst mount centred by a relief cast Apollo mask, the panelled pedestal door inset with a central glass oval and mounted with an elaborate pendant comprised of a ribbon tied flaming torch, opposing flower-filled cornucopiae and wreath crowned urn replete with flowers, acanthus, scrolled sunflower, tasselled floral swagged stem and entwined olive branch lyre-centred musical trophy, flanked by beaded and acanthus clasped scrolled corbel mounts inset with berried rosettes and entwining floral, berried and foliate pendants, on acanthus headed hairy lion paw foot mounts, with a concave quadripartite base mounted with an entwined florid branch and wreath, terminating in four stiff leaf toupie sabots with egg-and-dart moulded collars, approximately: 63cm wide x 32cm deep x 241cm high, (24 1/2in wide x 12 1/2in deep x 94 1/2in high)Footnotes:Several pedestal clocks of the same model to the offered lot have sold at auction this century. These include the following unsigned and unstamped versions; Christie's, New York, 19th Century Furniture, lot 132; Christie's, London, 19th Century Furniture, lot 15 and Christie's, London, 23 September, 500 Years: Decorative Arts Europe, lot 343. However a stamped example, one by Henry Dasson dated 1888, sold Christie's, London, 28 October 2014, Chateau - A Distinguished American Collection of Important 19th Century Furniture, lot 14.The present lot is a copy of the celebrated model attributed to Jean-Henri Riesener (maître 1768; d. 1806), executed in 1785 and now in the Louvre (cat. C.Dr., No. 185). In the mid 19th century, a barometer version of the clock - also in the Louvre - was made by the cabinet maker, Guillaume Grohe (for an illustration of Riesener's original clock and Grohé's barometer, see P. Verlet, Les Bronzes Dorés du XVIIIe Siècle, Paris, 1987, p. 116, no. 145 and p. 384, no. 394).Arguably the most notable 19th century pedestal clocks of this type, or the equivalent 'regulateurs de parquet', are those that were executed by the celebrated cabinet makers, Emmanuel-Alfred (dit Alfred II) Beurdeley, Paul Sormani, Grohe freres and Henry Dasson. Indeed a copy of this type by Dasson is illustrated in C. Mestdagh, L'Ameublement d'Art Francais, 1850-1900, Paris, 2010, fig. 220, p. 192.Another maker, who slightly later on, revitalised this Riesener pedestal clock form was Julius Zwiener. A version of Zwiener's, which is dated 1906, appears in J. Meiner, Berliner Belle Epoque, 2014, Petersberg, Abb. 107, p. 91.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 94
An Italian enamel and diamond ring, An Italian enamel and diamond ring, designed with vari shade enamel floral decoration and brilliant cut diamond accents, stamped 14K, ring size N1/2, gross weight 9.1g.Overall condition good to fairLight scratches and abrasion in keeping with occasional wearEarrings with fixed post fittings for pierced earsSome light discolouration and marks to lighter enamel, visible only with magnification
Los 192A
A steel and gold Cartier Pasha chronograph quartz wristwatch, A steel and gold Cartier Pasha chronograph quartz wristwatch, ref. 1032, the signed circular guilloche dial with arabic 12 marker, luminous dot hour markers, date aperture to 6 and three subsidiary dials to 3, 6 and 9, quartz movement within a steel and gold case with uni-directional bezel, cabochon set screw down crown cover and twin cabochon set chronograph pushers, numbered C135990, to the fancy link bracelet with folding clasp, case diameter 38mm. With box, papers and recent service papers dated 2021.Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with age and wearSome wear to black enamel on calibrated bezel, visible with close inspection, see imagesSome cracking and losses to maker's box interior
Los 4
DAUMPetit vase soliflore à décor de penséesCirca 1905Signé 'Daum Nancy' avec la croix de LorraineInscription à l'or 'Flore de souvenir'Verre givré à l'acide, émaux polychromes et dorureH: 10cm. (3 15/16in.); D: 4cm. (1 9/16in.).A signed soliflore vase adorned with pansies in acid-etched glass, polychrome enamel and gilt by Daum circa 1905.For further information on this lot please visit Bonhams.com
Los 60
PIERO FORNASETTI (1913-1988)Lampe à poser mod. 'Castello'Création circa 1960Edition Fornasetti MilanoEtiquette de l'éditeurLaiton, émail sérigraphié et peint à la mainLe pied de lampe :H: 36cm. (14 3/16in.); L: 10cm. (3 15/16in.); P: 10cm. (3 15/16in.)A 'Castello' table lamp in brass, screen-printed and hand-painted enamel by Pietro Fornasetti designed circa 1960 and edited by Fornasetti Milano.Footnotes:Bibliographie :B. Fornasetti, M. Casadio, Fornasetti. The Complete Universe, Ed Rizzoli, New York, 2010, p. 488, n. 255For further information on this lot please visit Bonhams.com
Los 7
DAUMPetit vase sur piédouche à décor de feuilles et fleurs de jacinthe des boisCirca 1905Signé 'Daum Nancy' avec la croix de LorraineVerre triple couche gravé à l'acide, émaux polychromes et dorureH: 10,5cm. (4 1/8in.); D: 4cm. (1 9/16in.).A signed small vase with pedestal adorned with bluebell flowers and leaves in triple-layered glass, acid-etched glass, polychrome enamel and gilt by Daum circa 1905.For further information on this lot please visit Bonhams.com
Los 9
DAUMPetit vase soliflore à décor de vrilles, feuilles et fleurs de pois de senteurCirca 1905Signé 'Daum Nancy'Verre, émaux polychromes et dorureH: 12cm. (4 3/4in.); L: 4cm. (1 9/16in.).A signed soliflore vase adorned with sweat pea flowers, leaves and tendrils in glass, polychrome enamel and gilt by Daum circa 1905.For further information on this lot please visit Bonhams.com
Los 8105
Early 20th century enamel and turquoise Mexican Thunderbird pendant on chain, the wings filled with coloured enamel and set with turquoise, to a fine chain with turquoise links and a decorative barrel claspCondition Report:Approx 13.4gm, minor crazing to the enamel, light general wear. pendant height = 6.5cm, width = 5cm tested silver
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396323 Los(e)/Seite