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Los 1

A Victorian Silver and Enamel Vesta Case], oblong, the hinged lid enamelled with a cavorting couple, hinged match striker, maker's mark "AF", London 1886, 3cm wide

Los 1

A Continental 19th Century Silver Gilt and Enamel Box], oblong, the base decorated with a pale blue guilloche enamel panel within Royal blue and gilt surround, the front of the lid enamelled with a scene of classical figures and a chariot, marked "800", 7.5cm long

Los 1

A Viennese Carved Rock Crystal, Silver and Enamel Trinket Box, circa 1870], of tapering oval section, the domed lid carved in high relief with the profile portrait bust of a bearded gentleman, within a white metal frame engraved and enamelled with repeat scrolls and renaissance cabochon motifs, fleur de lys thumb lift to the clasp, the lower vessel carved with four scroll and anthemion devices, mark of classical woman's head and "VR" stamp, 6.1cm long, 3.5cm high See illustration

Los 1

A Late Victorian Continental Silver and Enamel Cigarette Case], oblong, the front enamelled with a scene of a brothel interior, 9.5cm long

Los 1

An Enamel Miniature of a Gentleman, circa 1720], head and gaze three quarters dexter, wearing a full wig, blue jacket and white cravat, mounted in a gold frame, the reverse with (broken) brooch fastener, oval, 4.2cm by 3.5cm

Los 1

A Miniature of a Naval Officer, after Smart, 1799], head and shoulders almost full face, hair en queue, with ruddy complexion, his blue uniform with red facings, white crossbelt and gold epaulettes, over a white frilled jabot, the reverse with lock of hair within an enamel border inscribed "To his dear child Eliz Spence Feb 1799", in gold frame, oval, 7.2cm by 5.5cm

Los 1

A Fine Posthumous Portrait Miniature on Enamel by William Essex], of Anna Matilda, wife of Henry Seymour Simes, depicted half height and length in brown bonnet and dress, oval, 5.5cm by 4.5cm, inscribed on the reverse ". born 20 Novr 1812, married 17 April 1841, died 7 April 1845. She being dead yet speaketh. Painted by W Essex, Enamel Painter to Her Majesty & HRH Prince Albert, AD1845", in an engraved gold pendant mount, all within a contemporary gilt brass frame, glazed to the reverse and with lock and key, 12cm by 11cm overall *Ex Greenwood Collection, Tennants Auctioneers, Friday 6 December 1991, lot 331. *William Essex (1784-1869) became enamel painter to Her Majesty in 1839.

Los 1

A Lady's 18ct Gold Wristwatch, signed Longines, circa 1925], frosted gilt finished lever movement, bimetallic compensation balance with overcoil hairspring, white enamel dial with Arabic numerals, case with hinged back numbered "2479735", 27mm wide

Los 1

A Gold Full Hunting Cased Quarter Repeating Keyless Lever Pocket Watch with Chronograph, signed Lega, circa 1900], frosted gilt fusee movement, overcoil hairspring, button in the band operated to strike hammers on gongs for the hours and the quarters, white enamel dial with Arabic numerals, subsidiary seconds, fifths of seconds outer scale, button in the band to operate centre chronograph hand, case with plain polished finish and numbered "333668", 58mm wide

Los 1

A 9ct Gold Full Hunting Cased Pocket Watch, signed Thos Russell & Son, Liverpool, 1909], 17-jewel nickel finished lever movement, bimetallic compensation balance with blued overcoil hairspring, micrometer regulator, white enamel dial with Roman numerals, subsidiary seconds, spade hands, plain polished case, Chester 1909, numbered "8802", 51mm wide, together with 9ct gold curb linked chain, 44gms

Los 1

An 18ct Gold Full Hunting Cased Lever Pocket Watch, signed Jas McCabe, Royal Exchange, London, No.05054, 1865], gilt finished fusee movement, diamond endstone, white enamel dial with Roman numerals, subsidiary seconds, case with engine turning (rubbed) and coin edge decoration, maker's mark "AS", London 1865, numbered "05054", 42mm wide

Los 1

A 9ct Gold Open Faced Keyless Lever Pocket Watch, signed Rolex, 1930], 17 jewel lever movement with bimetallic compensation balance and blued overcoil hairspring, micrometer regulator, white enamel dial with Arabic numerals, subsidiary seconds, plain polished case with maker's mark "ALD", Birmingham 1930, 49mm wide

Los 1

A Silver Open Faced Chronograph Pocket Watch with Flying Fifths, signed Heny King, Widnes, 1878, Marine Chronotype Registered], gilt finished lever movement, bimetallic compensation balance, white enamel dial with Roman numerals, subsidiary dial for fifths of seconds, centre chronograph hand operated by slide in the band, case back with vacant cartouche, inscribed cuvette, Chester 1878, 57mm wide

Los 1

An 18ct Gold Open Faced Chronograph Keyless Lever Pocket Watch, signed F E Rutherford, Hawick, No.18938, 1893], frosted gilt finished lever movement with bimetallic compensation balance and overcoil hairspring, white enamel dial with Roman numerals, centre chronograph hand operated by slide in the band, plain polished case with maker's mark "RJP", Chester 1893, 54mm

Los 1

A Silver Pair Cased Verge Pocket Watch, signed G Caygill, Ripon, No. 1011, 1809], gilt fusee movement with verge escapement, turned pillars, white enamel dial with Roman numerals, case with plain polished finish, both cases with Birmingham marks for 1809, outer case with two watch papers and inner case with maker's mark "RC" and numbered "1011", 58mm wide

Los 1

A Pair Cased Verge Pocket Watch, signed J Morin, London, No.306, circa 1770], gilt fusee movement with verge escapement, square pillars, ruby endstone, white enamel dial with Arabic and Roman numerals, pierced hands, both case with plain polished finish, 47mm wide

Los 1

A Silver Pair Cased Verge Pocket Watch with Calendar, signed Geoe Jefseyman, Northallerton, No.972, 1797], gilt fusee movement with verge escapement, turned pillars, white enamel dial with Roman numerals (chipped), two subsidiary dials for day of the week and date, outer case back with inscription "J Cockburn", both cases with plain polished finish, maker's mark "JH", Birmingham 1797, outer case with two watch papers by "Pratt" of Askrigg and "Skidmore & Sons" of Askrigg, 58mm wide

Los 1

A Mid Victorian Enamel, Pearl and Diamond Bracelet], composed of eight rows of alternate blue enamel beads and pearls with rope work spacers, on a domed blue enamel clasp with diamond set border, pearls untested and unwarranted

Los 1

A Diamond and Enamel Mourning Ring], set with a circular-cut blue stone within a closed-back setting within a bezel of old brilliant-cut diamonds between enamelled shoulders

Los 1

A Victorian Gold, Enamel and Diamond Necklace, circa 1870], composed of a uniform row of pierced ropework beads, suspending seven oval gold lockets each inset with six rose-cut diamonds in cross formation with black enamel outline; and [A Matching Bracelet], composed of two graduating rows of pierced ropework beads (2)

Los 1

A Pair of Victorian Gold, Quartz and Enamel Earrings, circa 1880], the navette-shaped cabochon-cut quartz foil backed within a shaped mount with white enamel detail and nine pendant drops

Los 1

A Lady's Diamond and Gold Watch], circular, white enamel dial, the bezel set with old brilliant-cut diamonds

Los 1

An Art Nouveau Plique-a-Jour and Silver Pendant], the front composed of a green and pink plique-a-jour enamel pendant suspended from a fine chain with plique-a-jour highlights, on fine back chain (drop deficient)

Los 1

A Late Victorian Diamond Tie Pin], the fox mask pavé-set with rose-cut diamonds on a gold pin; and [An Edwardian Enamel and Diamond Tie Pin], the enamelled head with rose-cut diamond set collar (2)

Los 1

A Gold Sovereign and Enamel Bracelet], composed of a row of five sovereigns each mounted in blue, green and red enamel mounts with oval link spacers, similarly decorated clasp

Los 1

A Victorian Pearl and Enamel Novelty Brooch, circa 1900], the pearl forming the body of a yellow enamelled chick, on knife edge bar with pearl highlight

Los 1

A Gold and Enamel Brooch], modelled as a duck in flight, with two colour gold body and wings and green and white enamel head; and [Another Gold and Enamel Brooch], modelled as a partridge in flight with three colour gold body and wings and brown and red enamel head (2)

Los 1

An Edwardian Enamel, Diamond and Pearl Pendant Locket], set with rose-cut diamonds in stylised flower head mount above a pale green guilloche enamel ground of ribbon tied swags within a pearl border, glass locket reverse, diamond set hoop, on fine tracelink chain

Los 1

An Belle Epoque Sapphire, Diamond and Enamel Pendant and Necklace, circa 1910], the French heart shaped locket pendant with cushion-cut sapphire collet set within a blue guilloche enamel surround and diamond set borders, the reverse with central hinged locket compartment within enamel and diamond surround, suspended from a cushion-cut sapphire and diamond set hoop, on a necklace composed of graduating old brilliant-cut diamonds collet set, with a sapphire set clasp

Los 1

A Pair of Enamel Plaques, probably Limoges, 19th century], one depicting St Jerome with lion in an interior, the other Pope Leo II, 8.3cm by 6.2cm, in ebonised "ripplework" frames (both chipped)

Los 1

A French Brass Grande Sonnerie Carriage Clock with Alarm, circa 1880], the "gorge" case with glazed bevelled panels, top with carrying handle and repeat button, white enamel dial with Roman and Arabic numerals, subsidiary dial for alarm, spade hands, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, strike/repeat/alarm on two gongs with three hammers, backplate stamped "D C" within a cartouche (Drocourt), numbered "35114", three position sonnerie adjustment lever to underside, 18cm hilt of handle, together with fitted leather box

Los 1

A French Brass Striking and Repeating Carriage Clock, circa 1890], the case with curved sides and bevelled glasses, top with carrying handle and repeat button, white enamel dial with Roman and Arabic numerals surrounded by engine turned decoration, twin barrel movement with silvered platform lever escapement and striking on a gong, backplate numbered "441", 18cm hilt of handle

Los 1

A French Brass Striking and Repeating Carriage Clock with Alarm, circa 1890], the "corniche" case with glazed panels, the top with carrying handle and repeat button, white enamel dial with Roman numerals, subsidiary dial for alarm, blued steel moon hands, twin barrel movement with silvered platform escapement stamped "JS"(Soldano) and numbered "2123", bimetallic compensation balance, strike/repeat/alarm on a gong, 16.5cm hilt of handle

Los 1

A French Brass Striking and Repeating Carriage Clock, circa 1890], the "anglaise" case with glazed panels, the top with carrying handle and repeat button, white enamel dial with Roman numerals, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, strike/repeat on a gong, 16.5cm high hilt of handle

Los 1

A French Brass Striking Carriage Clock, circa 1890], the "corniche" case with glazed panels, the top with carrying handle, white enamel dial with Roman numerals, spade hands, twin barrel movement with silvered platform lever escapement and striking on a gong, 17cm high hilt of handle

Los 1

A Brass Striking and Repeating Carriage Clock, circa 1890], case with glazed sides and carrying handle and repeat button to the top, white enamel dial with Roman numerals, spade hands, twin barrel movement with platform lever escapement and striking on a gong, backplate stamped "HJ" (Henri Jacot) and numbered "19374", 16.5cm hilt of handle, together with original fitted box and key numbered "19374"

Los 1

A French Brass Compendium Desk Timepiece, circa 1890], case with glazed panels, two white enamel dials for meantime and aneroid barometer, the top depicting silvered dial for compass and carrying handle, single barrel movement with silvered platform cylinder escapement, 15.5cm high hilt of handle, 14cm wide

Los 1

A French Brass Striking and Repeating Carriage Clock, circa 1880], the "gorge" case with beautifully engraved floral decoration, the top with carrying handle and repeat button, white enamel dial with Roman numerals, moon hands, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, strike/repeat on a bell, movement frontplate stamped "HL" (Henri Lepaute), backplate numbered "3647", 15.5cm hilt of handle

Los 1

A French Gilt-Brass and Champleve Enamel Striking Carriage Clock, circa 1890], the "anglaise riche" case highly enamelled with scroll work decoration, the top with carrying handle, white enamel dial with Roman numerals and monogram for (Chevenal), blued spade hands, twin barrel movement with gilt finished platform lever escapement and striking on a gong, 16.5 cm high hilt of handle, together with fitted leather box

Los 1

A French Brass and Champleve Enamel Striking Carriage Clock, circa 1890], the "Cannelee" case highly decorated with floral polychrome enamels, white enamel dial with Roman numerals, spade hands, twin barrel movement with silvered platform lever escapement and striking on a gong, backplate stamped "(Honore Pons). Medaille D'Or 1827 Paris" and numbered "2565", 17.5cm high hilt of handle

Los 1

A Mahogany Inlaid Electric Mantel Clock, signed Eureka Clock Co Ltd, London, Pat No.14814-1908 No.3435, circa 1910], the balloon shaped case with shell inlaid front and stringing around the borders, the back with rectangular door to reveal large size battery, 4-1/2-inch enamel dial with retailers name "Payne & Co 163, New Bond St, London", dial centre showing movement, plaque signed "Eureka Clock Co" and large oscillating balance, 36cm high

Los 1

A Tortoiseshell Striking Mantel Clock, retailed by Goldsmiths & Silversmiths, 112 Regent St, London, circa 1890], the case with inverted bell top pediment with carrying handle and finials, glazed sides, rectangular plinth raised on feet, 4-1/2-inch enamel dial with Arabic numerals and swag floral decoration, twin barrel movement striking on a gong, backplate stamped "Medaille D'Argent" and numbered "11 860 3 11", 33cm high

Los 1

A French Tortoiseshell Boulle Mantel Clock, circa 1880], the Louis XV-style waisted case with foliate inlay and applied gilt metal mounts, side glazed panels and glazed pendulum aperture to the front, 5-1/2-inch twelve-piece enamel cartouche dial with blue Roman numerals, sunburst pendulum, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Oppenheim A Paris" and numbered "657", 53cm high

Los 1

A French Ormolu and White Marble Striking Mantel Clock, circa 1880], the case surmounted by love birds and flanked by two putti supporting the drum movement case, 4-¾-inch white enamel dial with Arabic numerals (later re-enamelled), gilt pierced hands, twin barrel movement striking on a bell, backplate numbered "2740 52", 46cm high

Los 1

A Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1880], case with floral, leaf and swag mounts, blue gilded Sevres style porcelain mounts depicting floral, bird and building scenes, 3-1/2-inch enamel dial with Roman numerals and bird scenes to the centre, twin barrel movement with striking on a bell, backplate stamped "Chenaud, Paris" and "Japy Frères", numbered "2137", 44cm high

Los 1

A French Bronze and Ormolu Striking Mantel Clock, signed Lesieur, a Paris, circa 1830], the case with a cast bronze of Venus dressed in the classical style and nursing cupid, rectangular plinth raised on bun shaped feet, 4-inch white enamel dial with Roman numerals and signed "Lesieur a Paris", twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate signed "Lesieur", 47cm high

Los 1

A French Ormolu and White Marble Striking Mantel Clock, circa 1790], the case surmounted by a urn and flanked by two further urns holding fruits, applied foliate mounts, raised on reeded bun shaped feet, 4-inch white enamel dial with Roman and Arabic numerals, pierced filigree hands, twin barrel movement with silk suspension and outside countwheel striking on a bell, 36cm high

Los 1

A French Marble Portico Mantel Clock, signed Cachard, Sucr de ChLeRoi, circa 1790], the drum shaped case with urn finial, flanked by the black marble and ormolu foliate apron, 4-1/2-inch white enamel dial with Roman and Arabic chapter signed "Cachard, Sucr de ChLeRoi", twin barrel movement with outside countwheel striking on a bell, 53cm high *Cachard was a famous maker in Paris during the last 20 years of the 18th century and was successor to the firm of Charles LeRoy. Similar clocks by the same maker are today exhibited in the Garde Meuble in Paris, Chateau de la Malmaison and the Hamburg Museum fur Kunst und Gewerbe.

Los 1

A Gilt Bronze and White Marble Striking Mantel Clock, signed Raingo Fres, a Paris, circa 1880], the case surmounted by a bronze figure amongst flowers blowing a horn and numbered "158" to the base, 3-1/4-inch white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Raingo Fres, Paris" and numbered "158", 35cm high

Los 1

A French Bronze and Ormolu Striking Cartel Clock, late 18th Century], the case surmounted by a goat's head handled urn over drapes of ribbon tied laurel and berry leaves, glazed front pendulum window, 6-1/2-inch white enamel dial with Arabic and Roman numerals, pierced gilt hands, the large rectangular movement with canted corners and tic tac escapement, silk suspension and striking the hours and the half hours on a bell, 72cm high

Los 1

A Rare One-Day Mahogany Marine Chronometer, signed Charles Young, No. 480, London, circa 1820], 2-inch white enamel dial with Roman numerals, signed "Charles Young, No.480", with subsidiary seconds dial, spade hands, similarly signed gilt fusee movement with “Earnshaw's” detent escapement, hairspring with rare flexible stud, temperature compensation balance with triangular weights and timing screws, movement contained in a weighted drum case with dust shutter for winding square, and gimbal fitted within a three tier mahogany box with the lid having a label signed "Charles Young, Jerusalem Coffee House", 9.5cm high *Charles Young worked at 14 Felix Place, Islington, North London between 1815-35. He was renowned for making small chronometers and used flexible spring studs instead of using terminal curves. The Jerusalem Coffee House was situated in the heart of the 'city',in Cowper's Court, Cornhill. It was a subscription house for merchants and others trading to the East Indies, China and Australia and was therefore an obvious venue for Mr Young's famous chronometers.

Los 1

A Rosewood Mantel Clock Timepiece, retailed by Payne, 163 New Bond St, London, circa 1900], the nicely figured rosewood case with bevelled top with foliate decorated carrying handle, glazed side panels, twelve piece enamel cartouche dial with blue Roman numerals, enamel dial centre signed "Payne, 163 New Bond St, London", pierced blued steel hands, single fusee movement with large platform lever escapement, maintaining power, 33cm high hilt of handle

Los 1

A Fine French 18th Century Tortoiseshell Boulle Bracket Clock, signed Raymond, Paris, circa 1750], the highly elaborate waisted case with brown tortoiseshell inlaid with brass and foliate gilt-brass applied mounts, the flower-trellis cresting surmounted by the goddess Flora, 9-3/4-inch twelve-piece enamel cartouche dial with blue Roman numerals, the rectangular plated movement with baluster pillars, verge escapement with silk suspension and outside countwheel striking on a bell, movement backplate finely signed "Raymond Paris", clock 87cm high, together with conforming ogee wall bracket with applied acanthus leaf gilt-brass mounts and a scrolled base finial, bracket 34cm high, (both clock case and bracket with imperfections)

Los 1

A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial with black and white enamel tablet numerals, the central field chased with a profile head portrait of a king amongst military trophies and a crown, with lower tablet "Mynuel a Paris", the “later” twin fusee movement with striking on a bell, whole case highlighted in stained ivory and mother of pearl, the lower case with eagle and viper mount amongst scrolls, on scroll form feet, 71cm high, conforming wall bracket, 95.5cm high overall

Los 1

19th Century walnut cased Vienna regulator wall clock with turned, carved and pierced pediment, enamel dial flanked by tcarved pilasters, shaped glass panel door with grid iron pendulum - eight day striking movement, 130cm high

Los 1

Whitefriars glass goblet commemorating the coronation of Queen Elizabeth II, the bowl diamond point engraved by W J Wilsred, blue and white enamel twist stem engraved on foot Whitefriars no. 552, 20cm high

Los 1

Brass cased carriage clock having circular enamel dial with blue numerals within an engine turned rectangular panel, folhandle, 15cm high

Los 1

Late 19th Century French marble and enamel three piece garniture de chemine‚ comprising four glass clock with circular dserpentine front door having eight day movement striking on a gong, 32cm high together with a pair of two handled urn shon serpentine fronted bases, 28cm high

Los 1

A blue enamel brooch modelled as the badge of 63rd Foot depicting the Sphinx above `Egypt’ set with eight cut diamonds 26mm diameter cased the cover inscribed M.D.H.C. 9th July 1937 Badge of the 63rd Foot now 1st Bn The Manchester Regiment

Los 1

A late Victorian/Edwardian sprig brooch decorated with coloured enamel diamonds and pearls 43mm

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  • 396323 Los(e)
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