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396323 Los(e)/Seite
A Viennese Carved Rock Crystal, Silver and Enamel Trinket Box, circa 1870], of tapering oval section, the domed lid carved in high relief with the profile portrait bust of a bearded gentleman, within a white metal frame engraved and enamelled with repeat scrolls and renaissance cabochon motifs, fleur de lys thumb lift to the clasp, the lower vessel carved with four scroll and anthemion devices, mark of classical woman's head and "VR" stamp, 6.1cm long, 3.5cm high See illustration
A Miniature of a Naval Officer, after Smart, 1799], head and shoulders almost full face, hair en queue, with ruddy complexion, his blue uniform with red facings, white crossbelt and gold epaulettes, over a white frilled jabot, the reverse with lock of hair within an enamel border inscribed "To his dear child Eliz Spence Feb 1799", in gold frame, oval, 7.2cm by 5.5cm
A Fine Posthumous Portrait Miniature on Enamel by William Essex], of Anna Matilda, wife of Henry Seymour Simes, depicted half height and length in brown bonnet and dress, oval, 5.5cm by 4.5cm, inscribed on the reverse ". born 20 Novr 1812, married 17 April 1841, died 7 April 1845. She being dead yet speaketh. Painted by W Essex, Enamel Painter to Her Majesty & HRH Prince Albert, AD1845", in an engraved gold pendant mount, all within a contemporary gilt brass frame, glazed to the reverse and with lock and key, 12cm by 11cm overall *Ex Greenwood Collection, Tennants Auctioneers, Friday 6 December 1991, lot 331. *William Essex (1784-1869) became enamel painter to Her Majesty in 1839.
A Gold Full Hunting Cased Quarter Repeating Keyless Lever Pocket Watch with Chronograph, signed Lega, circa 1900], frosted gilt fusee movement, overcoil hairspring, button in the band operated to strike hammers on gongs for the hours and the quarters, white enamel dial with Arabic numerals, subsidiary seconds, fifths of seconds outer scale, button in the band to operate centre chronograph hand, case with plain polished finish and numbered "333668", 58mm wide
A 9ct Gold Full Hunting Cased Pocket Watch, signed Thos Russell & Son, Liverpool, 1909], 17-jewel nickel finished lever movement, bimetallic compensation balance with blued overcoil hairspring, micrometer regulator, white enamel dial with Roman numerals, subsidiary seconds, spade hands, plain polished case, Chester 1909, numbered "8802", 51mm wide, together with 9ct gold curb linked chain, 44gms
An 18ct Gold Full Hunting Cased Lever Pocket Watch, signed Jas McCabe, Royal Exchange, London, No.05054, 1865], gilt finished fusee movement, diamond endstone, white enamel dial with Roman numerals, subsidiary seconds, case with engine turning (rubbed) and coin edge decoration, maker's mark "AS", London 1865, numbered "05054", 42mm wide
A 9ct Gold Open Faced Keyless Lever Pocket Watch, signed Rolex, 1930], 17 jewel lever movement with bimetallic compensation balance and blued overcoil hairspring, micrometer regulator, white enamel dial with Arabic numerals, subsidiary seconds, plain polished case with maker's mark "ALD", Birmingham 1930, 49mm wide
A Silver Open Faced Chronograph Pocket Watch with Flying Fifths, signed Heny King, Widnes, 1878, Marine Chronotype Registered], gilt finished lever movement, bimetallic compensation balance, white enamel dial with Roman numerals, subsidiary dial for fifths of seconds, centre chronograph hand operated by slide in the band, case back with vacant cartouche, inscribed cuvette, Chester 1878, 57mm wide
An 18ct Gold Open Faced Chronograph Keyless Lever Pocket Watch, signed F E Rutherford, Hawick, No.18938, 1893], frosted gilt finished lever movement with bimetallic compensation balance and overcoil hairspring, white enamel dial with Roman numerals, centre chronograph hand operated by slide in the band, plain polished case with maker's mark "RJP", Chester 1893, 54mm
A Silver Pair Cased Verge Pocket Watch, signed G Caygill, Ripon, No. 1011, 1809], gilt fusee movement with verge escapement, turned pillars, white enamel dial with Roman numerals, case with plain polished finish, both cases with Birmingham marks for 1809, outer case with two watch papers and inner case with maker's mark "RC" and numbered "1011", 58mm wide
A Silver Pair Cased Verge Pocket Watch with Calendar, signed Geoe Jefseyman, Northallerton, No.972, 1797], gilt fusee movement with verge escapement, turned pillars, white enamel dial with Roman numerals (chipped), two subsidiary dials for day of the week and date, outer case back with inscription "J Cockburn", both cases with plain polished finish, maker's mark "JH", Birmingham 1797, outer case with two watch papers by "Pratt" of Askrigg and "Skidmore & Sons" of Askrigg, 58mm wide
A Victorian Gold, Enamel and Diamond Necklace, circa 1870], composed of a uniform row of pierced ropework beads, suspending seven oval gold lockets each inset with six rose-cut diamonds in cross formation with black enamel outline; and [A Matching Bracelet], composed of two graduating rows of pierced ropework beads (2)
An Belle Epoque Sapphire, Diamond and Enamel Pendant and Necklace, circa 1910], the French heart shaped locket pendant with cushion-cut sapphire collet set within a blue guilloche enamel surround and diamond set borders, the reverse with central hinged locket compartment within enamel and diamond surround, suspended from a cushion-cut sapphire and diamond set hoop, on a necklace composed of graduating old brilliant-cut diamonds collet set, with a sapphire set clasp
A French Brass Grande Sonnerie Carriage Clock with Alarm, circa 1880], the "gorge" case with glazed bevelled panels, top with carrying handle and repeat button, white enamel dial with Roman and Arabic numerals, subsidiary dial for alarm, spade hands, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, strike/repeat/alarm on two gongs with three hammers, backplate stamped "D C" within a cartouche (Drocourt), numbered "35114", three position sonnerie adjustment lever to underside, 18cm hilt of handle, together with fitted leather box
A French Brass Striking and Repeating Carriage Clock, circa 1890], the case with curved sides and bevelled glasses, top with carrying handle and repeat button, white enamel dial with Roman and Arabic numerals surrounded by engine turned decoration, twin barrel movement with silvered platform lever escapement and striking on a gong, backplate numbered "441", 18cm hilt of handle
A French Brass Striking and Repeating Carriage Clock with Alarm, circa 1890], the "corniche" case with glazed panels, the top with carrying handle and repeat button, white enamel dial with Roman numerals, subsidiary dial for alarm, blued steel moon hands, twin barrel movement with silvered platform escapement stamped "JS"(Soldano) and numbered "2123", bimetallic compensation balance, strike/repeat/alarm on a gong, 16.5cm hilt of handle
A French Brass Striking and Repeating Carriage Clock, circa 1890], the "anglaise" case with glazed panels, the top with carrying handle and repeat button, white enamel dial with Roman numerals, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, strike/repeat on a gong, 16.5cm high hilt of handle
A Brass Striking and Repeating Carriage Clock, circa 1890], case with glazed sides and carrying handle and repeat button to the top, white enamel dial with Roman numerals, spade hands, twin barrel movement with platform lever escapement and striking on a gong, backplate stamped "HJ" (Henri Jacot) and numbered "19374", 16.5cm hilt of handle, together with original fitted box and key numbered "19374"
A French Brass Compendium Desk Timepiece, circa 1890], case with glazed panels, two white enamel dials for meantime and aneroid barometer, the top depicting silvered dial for compass and carrying handle, single barrel movement with silvered platform cylinder escapement, 15.5cm high hilt of handle, 14cm wide
A French Brass Striking and Repeating Carriage Clock, circa 1880], the "gorge" case with beautifully engraved floral decoration, the top with carrying handle and repeat button, white enamel dial with Roman numerals, moon hands, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, strike/repeat on a bell, movement frontplate stamped "HL" (Henri Lepaute), backplate numbered "3647", 15.5cm hilt of handle
A French Gilt-Brass and Champleve Enamel Striking Carriage Clock, circa 1890], the "anglaise riche" case highly enamelled with scroll work decoration, the top with carrying handle, white enamel dial with Roman numerals and monogram for (Chevenal), blued spade hands, twin barrel movement with gilt finished platform lever escapement and striking on a gong, 16.5 cm high hilt of handle, together with fitted leather box
A French Brass and Champleve Enamel Striking Carriage Clock, circa 1890], the "Cannelee" case highly decorated with floral polychrome enamels, white enamel dial with Roman numerals, spade hands, twin barrel movement with silvered platform lever escapement and striking on a gong, backplate stamped "(Honore Pons). Medaille D'Or 1827 Paris" and numbered "2565", 17.5cm high hilt of handle
A Mahogany Inlaid Electric Mantel Clock, signed Eureka Clock Co Ltd, London, Pat No.14814-1908 No.3435, circa 1910], the balloon shaped case with shell inlaid front and stringing around the borders, the back with rectangular door to reveal large size battery, 4-1/2-inch enamel dial with retailers name "Payne & Co 163, New Bond St, London", dial centre showing movement, plaque signed "Eureka Clock Co" and large oscillating balance, 36cm high
A Tortoiseshell Striking Mantel Clock, retailed by Goldsmiths & Silversmiths, 112 Regent St, London, circa 1890], the case with inverted bell top pediment with carrying handle and finials, glazed sides, rectangular plinth raised on feet, 4-1/2-inch enamel dial with Arabic numerals and swag floral decoration, twin barrel movement striking on a gong, backplate stamped "Medaille D'Argent" and numbered "11 860 3 11", 33cm high
A French Tortoiseshell Boulle Mantel Clock, circa 1880], the Louis XV-style waisted case with foliate inlay and applied gilt metal mounts, side glazed panels and glazed pendulum aperture to the front, 5-1/2-inch twelve-piece enamel cartouche dial with blue Roman numerals, sunburst pendulum, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Oppenheim A Paris" and numbered "657", 53cm high
A French Ormolu and White Marble Striking Mantel Clock, circa 1880], the case surmounted by love birds and flanked by two putti supporting the drum movement case, 4-¾-inch white enamel dial with Arabic numerals (later re-enamelled), gilt pierced hands, twin barrel movement striking on a bell, backplate numbered "2740 52", 46cm high
A Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1880], case with floral, leaf and swag mounts, blue gilded Sevres style porcelain mounts depicting floral, bird and building scenes, 3-1/2-inch enamel dial with Roman numerals and bird scenes to the centre, twin barrel movement with striking on a bell, backplate stamped "Chenaud, Paris" and "Japy Frères", numbered "2137", 44cm high
A French Bronze and Ormolu Striking Mantel Clock, signed Lesieur, a Paris, circa 1830], the case with a cast bronze of Venus dressed in the classical style and nursing cupid, rectangular plinth raised on bun shaped feet, 4-inch white enamel dial with Roman numerals and signed "Lesieur a Paris", twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate signed "Lesieur", 47cm high
A French Ormolu and White Marble Striking Mantel Clock, circa 1790], the case surmounted by a urn and flanked by two further urns holding fruits, applied foliate mounts, raised on reeded bun shaped feet, 4-inch white enamel dial with Roman and Arabic numerals, pierced filigree hands, twin barrel movement with silk suspension and outside countwheel striking on a bell, 36cm high
A French Marble Portico Mantel Clock, signed Cachard, Sucr de ChLeRoi, circa 1790], the drum shaped case with urn finial, flanked by the black marble and ormolu foliate apron, 4-1/2-inch white enamel dial with Roman and Arabic chapter signed "Cachard, Sucr de ChLeRoi", twin barrel movement with outside countwheel striking on a bell, 53cm high *Cachard was a famous maker in Paris during the last 20 years of the 18th century and was successor to the firm of Charles LeRoy. Similar clocks by the same maker are today exhibited in the Garde Meuble in Paris, Chateau de la Malmaison and the Hamburg Museum fur Kunst und Gewerbe.
A Gilt Bronze and White Marble Striking Mantel Clock, signed Raingo Fres, a Paris, circa 1880], the case surmounted by a bronze figure amongst flowers blowing a horn and numbered "158" to the base, 3-1/4-inch white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Raingo Fres, Paris" and numbered "158", 35cm high
A French Bronze and Ormolu Striking Cartel Clock, late 18th Century], the case surmounted by a goat's head handled urn over drapes of ribbon tied laurel and berry leaves, glazed front pendulum window, 6-1/2-inch white enamel dial with Arabic and Roman numerals, pierced gilt hands, the large rectangular movement with canted corners and tic tac escapement, silk suspension and striking the hours and the half hours on a bell, 72cm high
A Rare One-Day Mahogany Marine Chronometer, signed Charles Young, No. 480, London, circa 1820], 2-inch white enamel dial with Roman numerals, signed "Charles Young, No.480", with subsidiary seconds dial, spade hands, similarly signed gilt fusee movement with “Earnshaw's” detent escapement, hairspring with rare flexible stud, temperature compensation balance with triangular weights and timing screws, movement contained in a weighted drum case with dust shutter for winding square, and gimbal fitted within a three tier mahogany box with the lid having a label signed "Charles Young, Jerusalem Coffee House", 9.5cm high *Charles Young worked at 14 Felix Place, Islington, North London between 1815-35. He was renowned for making small chronometers and used flexible spring studs instead of using terminal curves. The Jerusalem Coffee House was situated in the heart of the 'city',in Cowper's Court, Cornhill. It was a subscription house for merchants and others trading to the East Indies, China and Australia and was therefore an obvious venue for Mr Young's famous chronometers.
A Rosewood Mantel Clock Timepiece, retailed by Payne, 163 New Bond St, London, circa 1900], the nicely figured rosewood case with bevelled top with foliate decorated carrying handle, glazed side panels, twelve piece enamel cartouche dial with blue Roman numerals, enamel dial centre signed "Payne, 163 New Bond St, London", pierced blued steel hands, single fusee movement with large platform lever escapement, maintaining power, 33cm high hilt of handle
A Fine French 18th Century Tortoiseshell Boulle Bracket Clock, signed Raymond, Paris, circa 1750], the highly elaborate waisted case with brown tortoiseshell inlaid with brass and foliate gilt-brass applied mounts, the flower-trellis cresting surmounted by the goddess Flora, 9-3/4-inch twelve-piece enamel cartouche dial with blue Roman numerals, the rectangular plated movement with baluster pillars, verge escapement with silk suspension and outside countwheel striking on a bell, movement backplate finely signed "Raymond Paris", clock 87cm high, together with conforming ogee wall bracket with applied acanthus leaf gilt-brass mounts and a scrolled base finial, bracket 34cm high, (both clock case and bracket with imperfections)
A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial with black and white enamel tablet numerals, the central field chased with a profile head portrait of a king amongst military trophies and a crown, with lower tablet "Mynuel a Paris", the “later” twin fusee movement with striking on a bell, whole case highlighted in stained ivory and mother of pearl, the lower case with eagle and viper mount amongst scrolls, on scroll form feet, 71cm high, conforming wall bracket, 95.5cm high overall

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396323 Los(e)/Seite