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396323 Los(e)/Seite
A LATE 19TH CENTURY FRENCH GILT BRASS CARRIAGE CLOCK by Oudin-Charpentier, Paris, c. 1880, with an eight day alarm movement, striking on the full and half hour, the enamel two-part dial with Arabic numerals, subsidiary dial below, within a gilt fascia, maker`s mark stamped on the backplate, 14.5cms high handle down. See illustration
A LATE 19TH CENTURY CHINESE ENAMEL AND SILVER CENSER, the circular bowl with dragon handles and applied with celestial dragons chasing the sacred pearl amongst clouds and set with four cabochon hardstones, the pierced filigree cover with a white jade figure finial, set with a further four cabochon stones, raised on four shield shape feet, 14.5cm high, 18cm diameter over handles, approximate weight 14oz. See illustration
Gilt brass carriage clock , circa 1880, white enamel full face, roman numerals, silvered platform with English lever escapement striking the half on a coil (not working), the backplate stamped BS, No. 383, in an anglaise case, height 15.5cm (the going ticks to unwound, strike barrel lacks any tension).
Bilston enamel box and three novelty Vesta cases the enamel box painted with a star design and scattered flora, late 18th century (small hairlines and chips to enamel) The first Vesta case modelled as a gentleman on the toilet, the second modelled as a bust, the third by `Hickmets Mixture` moulded with an image of an anti smoker being kicked out of a carriage, the slogan reading `Anti Tobacco Outside` (4)
Pair of bisque figures by Jean Marie Gille Paris circa 1850 modelled was a lady and gentleman in floral dress, applied JG pad marks to base, (the gentleman stapled and restuck at the base) (2) 34cm high Condition reports: Lady: Chip to the flower in her hair, firing cracks to her skirt and base, minor losses to the white enamel jewelling. Gentleman: broken at his feet and at his knees and re-joined with staples. minor losses to the white enamel jewelling.
Brown Westfield and Moore plaque signed S. Ellis painted with a beagle within a forest landscape, impressed marks to base, late 19th century (retouched enamel flaking) 48cm diameter Condition report: Patches of glaze flaking to the rim between 12 and 3 o`clock painted over in bright green enamel. Overall heavy crazing and some peppering.
Masons ironstone octagonal jug with dragon handle, painted with a bold imari pattern on a blue ground, (crack to base enamel flakes) together with a similar plate, also an large unmarked octagonal jug decorated in elaborate blue and gilt flora and one other smaller jug, mid 19th century, (wear to enamel) (4) the tallest jug 21cm high Condition report: Imari jug with dragon handle: Hairline crack to base, firing crack to interior, wear to gilding on the points. Heavy enamel flaking to the handle. Large blue and gilt jug: gilt wear to the points and edges, heavy peppering to the gilded area of the glaze. Glaze chipping to the footrim area where the jug has stuck to the kiln floor during firing. Small jug: short hairline to rim, wear to gilding and to pattern, tiny chip to point of handle. Plate: Wear to the gilded rim, otherwise ok.
Four La Courtille Paris porcelain cups and saucers outside painted by Anne Rushout, dated from 1805 - 1811 painted en grisaille with landscapes, each scene titled on the reverse, artists marks, initials and dates to bases, together with a copy of the Article by Kenneth Hancock relating to Anne Rushout published in the NCS Newsletter No.144 December 2006 (8) Condition report: small enamel flakes to the scene on one saucer, heavy gilt wear to the inner border of another saucer, gilded and glazed over rim chip to another saucer. Gilt wear to the handles of the cups.
Derby lozenge shape footed dish and a plate painted by Billingsley circa 1786 painted in the Sevres style with a landscape within a blue gilt and white dotted border, numeral 7 and puce painted marks to base, (rim of dish broken and stapled, two large enamel flakes to plate) (2) 33cm wide Condition report: Large section of the rim broken and stapled back together. The staple holes are not drilled through the face of the dish. There are small chips around the fault lines. The plate has two large sections of the enamel missing from the rim at 4 and 6 o`clock. There is very minor gilt wear to both pieces.
Seven Minton plates and a footed dish, two painted with floral sprays signed B. Smith, another painted with a Skylark signed Helen Hatton, two painted with portraits signed Alice Earl, another decorated with raised gilding, the footed dish painted with `Place House Cornwall` (some damages) (8) Condition report: Footed dish: short rim hairline, several hairlines to foot. Pierced border plate: ground out chips to footrim. Gilded plate: minor wear to high points. Skylark plate: Probably outside decorated, enamel wear and flaking, stained crazing. B. Smith floral plates: minor rim nick around 1mm in size. Alice Earl portrait plates: One cracked, the other lacking gilded border.
Group of Minton decorated with white enamel on coloured grounds, to include a framed dish, a cup and saucer signed W. Key, a medium plate, rectangular dish and a large plate signed A. Pointon, also a cup and saucer painted with decorated with raised gilt berries, and a coffee can and saucer with Islamic crest, (restuck chip to the large plate, short hairline to the cup) (9) Condition Report: Restuck chip to the large plate with blue border. Minor scratches to the turquoise dish and to the rim of the pink enamelled cup. Short hairline to the small cup with raised gilding.
Gilt brass pair cased verge pocket watch , signed Francis Gregg, London No. 781 , white enamel arabic dial, 35mm, gilt spade fingers, fusee movement, four barrel turned pillars, circular pierced cock engraved with a cherub mask and dolphins, silvered regulation, signed dust cover, repairer`s label for 1831 detailing work carried out, overall diameter, 45mm (not ticking).
A late 19th/early 20th Century gilt brass four glass mantel clock with eight day movement striking on a bell, the circular white enamel dial with Roman and Arabic numerals, the case surmounted with a flaming torch, quiver and foliate wreath flanked by four cone finials above caryatid style pilasters, on foliate decorated rectangular base and tapering feet, height approx 51.5cm, with a key and pendulum.

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396323 Los(e)/Seite