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396323 Los(e)/Seite
A VICTORIAN GOLD AND PEARL MOURNING RING detailed with black enamel, the centre half pearl flanked by seed pearl groups with plaited hair inset to back. Marked Chester 15ct, 1890. Ring size M; Also A VICTORIAN GOLD GYPSY SET RING with centre ruby flanked by triple group half seed pearls. Marked Chester 15ct. Ring size N (2)
A Victorian oak mercury stick barometer, late 19th century, with foliate carved break-arch pediment above canted white enamel double vernier scales signed W. ARONSBERG & CO. 12 VICTORIA STR. MANCHESTER behind bevelled glass, the trunk with foliate carved panels above glazed mercury thermometer and conforming apron panel, with cartouche centred cistern cover to the circular base, 108cm high overall.
A lacquered brass gorge cased carriage clock with push button repeat Retailed by Klaftenberger, London, circa 1880 The eight-day gong-striking movement with platform lever escapement and stamped S'JHETY HELLER PATENT to backplate, with white enamel Roman numeral dial indistinctly inscribed with retailer's signature, in gorge type case with hinged carrying handle, 14.5cm high excluding handle.
A French brass carriage clock with push button repeat and alarm Draourt, Paris, late 19th century The eight-day rack and bell striking and repeating movement with original silvered platform lever escapement with split bi-metallic balance, the white enamel Roman numeral dial with retailer's signature ANCe Mes J F BAUTE &C, BOSSEL & FILS SUC... GENEVE to centre and subsidiary alarm dial beneath, in cannelee type case with oval top window and hinged handle, 15.5cm high excluding handle.
A Continental silver and faux red shell pair-cased quarter-repeating clock watch with alarm Unsigned, late 18th century The frosted gilt fusee verge movement with foliate pierced and engraved balance bridge, engraved regulation scale and four columnar pillars dividing the plates, with two hammers for quarter repeat and a third for the alarm sounding on a bell mounted within the rear of the case, the white enamel Arabic numeral dial with asterisk minute markers, gilt hour and minute hands and blued steel alarm pointer, the inner case with a border of ring-turned piercings to rear cover, the outer case with similar piercings to rear cover and front bezel, 11.5cm diameter, in a later English leather-covered carrying case.
A Swiss bull's-eye glass calendar desk watch with rolling moonphase Unsigned, circa 1900 The three-quarter plate keyless lever movement with split bi-metallic balance and numbered 124001 to backplate, the blue on white enamel circular Arabic numeral dial with subsidiary month, date of month, day of week and seconds dial incorporating rolling moonphase to centre, the nickel finish case with large suspension loop and hemispherical glass rear cover flattened to allow angled positioning on a table, 11cm high excluding handle. Formerly the property of Lord Camden who lived at Bayham Abbey, near Tunbridge Wells, gifted to a lady in their service
A cylinder pocket watch movement and dial Vulliamy, London, early 19th century The four cylindrical pillar full-plate fusee movement with Harrison's maintaining power, three-arm steel balance and cylinder escapement, the backplate with silvered regulation dial, foliate pierced back cock with diamond endstone and signed Vulliamy LONDON, numbered acua, the similarly signed white enamel Roman numeral dial with subsidiary seconds dial, now housed in a rectangular white marble case with moulded cornice and stepped base on brass bun feet, 17.8cm high.
An unusual Swiss brass pedestal table clock B. Blaser, Bern, late 18th century The four baluster pillar rack and bell striking movement with verge escapement and single spring barrel for both the striking and going trains, the backplate stamped B. BLASER IN BERNE 2198, the 7.5 inch circular convex white enamel Roman numeral dial with Arabic five minutes, gilt hands and scroll cast gilt metal crest and apron, on squat baluster turned brass upright issuing four brass supports, 32cm high. Probably made by a relation of Mathys Blaser who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as repairing the clock on Zeitglockenturm, Berne in 1814.
A French Charles X patinated and gilt bronze small figural mantel timepiece Unsigned, early 19th century The single train movement with silk suspension and circular white enamel Roman numeral dial set into case modelled as a chicken coup with gabled roof beside young boy feeding chicks from grain held in his hat, on oval base mounted with frieze of cockerels feeding from a tazza to apron, on engine-turned feet, 11.5cm high.
A French Louis XV style ormolu mantel timepiece Arthur, Paris, mid 19th century The eight-day single train movement with white enamel Roman numeral dial signed ARTHUR A PARIS to centre and with Arabic five minutes, in scroll cast and chased waisted case with foliate finial surmount, brass grille side frets and on integral shaped stand with pierced leafy apron and scroll feet, 38cm high overall.
A French Empire style ormolu and patinated bronze figural mantel clock Unsigned, mid 19th century The eight-day outside countwheel bell-striking movement with white enamel Roman numeral chapter ring and foliate pierced centre to dial, the case modelled as a winged classical male muse plucking the strings of a lyre, on plinth base applied with flaming torch and quiver of arrows and festoon swags to frieze, on ball feet issuing butterfly wings, 37cm high.
A French Louis XV style ormolu mantel clock Unsigned, mid 19th century The eight-day rack and bell striking movement with blue on white Roman numeral enamel dial with Arabic five minutes and blued steel hands, in finely chased waisted case cast with rococo scrollwork on integral scroll feet, 38cm high.
A French inlaid mahogany mantel clock Duval, Paris, mid 19th century The eight-day outside countwheel bell-striking movement stamped DUVAL A PARIS and numbered 48 to backplate, the similarly signed white enamel circular Roman numeral dial in rectangular case with hinged brass carrying handle and line inlaid borders to top and sides, the front decorated with foliate scrolls, on conforming plinth base with block feet, 21cm high excluding handle.
A French ormolu quarter striking skeleton clock Hatton, Paris, late 19th century The eight-day rack and bell ting-tang quarter striking movement stamped Hatton, Paris, 845 to backplate with two bells mounted above Roman numeral enamel chapter ring with under-dial work visible to centre, on baluster profile hexagonal lobed upright and rosette cast panelled plinth with marble base, 29cm high, under glass dome.
A French gilt and patinated bronze figural mantel clock Raingo Freres, Paris, late 19th century The eight-day outside countwheel bell-striking movement with white enamel Roman numeral dial signed RAINGO FRE'S, PARIS, the case with reclining female figure in classical dress above elaborate foliate scroll cast apron incorporating foliate chased feet, 35cm high.
A large French ormolu, patinated bronze and verde antico marble figural mantel clock Baltazard, Paris, mid 19th century The eight-day outside countwheel bell-striking movement with silk suspension and 5.75 inch circular blue on white enamel Roman numeral dial with Arabic five minutes and signed BALTAZARD A PARIS to centre, set into gilt break-arch case with scroll cast angles beside a patinated gilt bronze reclining figure of a classical woman reading a book, on gilt edged verde antico and Carrara marble stepped base with foliate cast gilt disc feet, 46cm high, 71cm wide.
An ebonised small bracket clock with enamel dial Late 18th century The slender four-pillar twin fusee rack and bell striking movement with verge escapement, trip repeat and foliate engraved backplate bearing signature Geo. Graham FECIT, the 5 inch circular convex white enamel Roman numeral dial with Arabic five minutes and blued steel hands, the inverted bell top case with hinged carrying handle and foliate cast brass finials above arched side windows and hinged front door with circular dial aperture, on moulded base with cast brass block feet, 31cm high excluding handle.
a Canton enamel table screen painted with 18th century European figures at a table on a terrace, with children walking a dog in the foreground, the background depicting an alpine landscape with churches, the verso with cranes and waterlilies, signed bottom left, within a moulded rosewood frame on a foliate carved trestle stand 13.5cm wide,18.5cm high (panel)
two similar Canton enamel canted square sweetmeat trays one with flowerhead and scrolling foliate border and circular panel decorated with a European woman, child and animal in a landscape setting, 10cm wide; the other with a scrolling foliate border, decorated with Shou Lao, the god of longevity, and two children with a deer in a landscape setting, 10cm wide; and a pair of Canton enamel spoons, each with bronzed bird's head handle, decorated with scrolling foliage and flowers (4) the sweetmeat trays were purchased from Spink & Sons Ltd, in June 1969. the spoons were purchased from Sydney L Moss Ltd, in June 1969.
a 19th century Austrian enamel timepiece the oval enamel top with French fusee movement, slight silvered chapter ring, hands lacking, and the interior of the case with farmyard setting raised on floral sprays and on circular base with applied winged head motifs and painted figures [damages] 18cm purchased at Gordon Lawrence, 37 Jermyn Street, St. James's, London. 1958
a Limoges enamel decorated compact of elongated octagonal form, cast gilt frame enclosing an enamel panel with black ground and floral sprays and central vignette of two figures with a distant city beyond, the rear with well engraved panel of a vase of flowers and scrolling swgas and masks 125 x 71mm wide
a 19th century silver gilt and Viennese enamel comport the oval bowl with red ground and vignettes of figures in landscapes, the exterior with a pale blue ground with trailing floral design and vignettes of classical buildings with silver gilt engraved rim and scrolling handles with enamel detail [damages to gilt metal collars] 82mm high x 105mm wide
a French boulle marquetry bracket clock, circa 1700 by Francois Rabby, Paris (c.1655-1717) the caddy top with flame finials above larger foliate finials and a balustraded frieze, the arched and glazed door enclosing a raised enamel Roman chapter ring with rococo engraved centre, single wind hole and strapwork apron inscribed with maker's signature, between corinthian columns, on a shaped apron and gadrooned toupie feet, the anchor escapement striking on a bell, the backplate boldly engraved 'Rabby Paris', the whole decorated with silvered and gilt cut and engraved brass arabesques on scarlet tortoiseshell 60cm high, 40cm wide, 18cm deep note: Rabby produced movements for many fine Boulle marquetry clocks, including one in the collection of the Duke of Marlborough at Blenheim Palace.
a late 19th century French white marble and gilt-metal mounted clock garniture in the Empire taste the circular convex enamel dial with arabic numerals with 8 day twin train movement striking the hours and half hours on a bell, indistinctly signed, the backplate stamped S.C. Paris, the twin pillar case with anthemion surmounts and central eagle finial on an engine-turned plinth draped with festoons, the dial with a pendant neo-Classical 'drape' above a stepped bowfront base with foliate mounts and beaded braces, on spreading circular engine-turned feet, with a pair of five light candelabra, on pillar supports and stepped plinth bases, en suite (3) 36 cm wide, 53.5cm high, 14cm deep

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396323 Los(e)/Seite