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396323 Los(e)/Seite
FLEETWOOD VARLEY (1863-1942) AND THE GUILD OF HANDICRAFT LTD. ARTS & CRAFTS CASKET, LONDON 1903 silver and enamel, the enamel plaque signed VARLEY and inscribed in gilt verso BLACK MOUNTAINS, MANUELS, CONCEPTION BAY NFL, the casket with stamped maker's marks and hallmarks for London 1903(panel 12.3cm x 5.7cm; box 16cm wide, 6cm high, 9cm deep)
ATTRIBUTED TO FLEETWOOD VARLEY (1863-1942) RARE ARTS & CRAFTS PLAQUE BROOCH, CIRCA 1900 white metal and enamel(5cm x 3.5cm )Footnote: Literature: Karlin, E.Z. Jewelry & Metalwork in the Arts & Crafts Tradition, p.97 for a similar enamel plaque brooch by Varley in a pierced silver mount. Note: Fleetwood Varley (1863-1942) worked at The Guild of Handicraft from 1899 and was a renowned artist and gifted enameller. He was a friend of C. R. Ashbee and collaborated on finely painted enamel works mounted in silver at Chipping Camden.
ATTRIBUTED TO NELSON DAWSON ARTS & CRAFTS JEWELLERY BOX, CIRCA 1900 copper and enamel, set with four blue cabochons, with applied enamel demi-lune panels, 12cm wide, 4.5cm high, 8cm deep; together with a BOX & COVER, silver plate, set with an enamel panel, bearing initials F.C/ H.C, 5cm high
ATTRIBUTED TO HEINRICH LEVINGER ART NOUVEAU PILL BOX, CIRCA 1900 silver and enamel, maker's mark to rim and stamped 800(4cm diameter)Footnote: Note: Heinrich Levinger was an important jeweller from Pforzheim, Germany specialising in fine enamel work in the Jugendstil style. A similar fully marked pill box decorated with Cornflowers by Levinger was sold at Lyon & Turnbull, Decorative Arts: Design since 1860, 1st April 2020, lot 500
CLEMENT HEATON (1861-1940) ARTS & CRAFTS RECTANGULAR PLAQUE, DATED 1898 copper cloisonné enamel, within an oak frame, stamped mark to base N134B/ CLEMENT HEATON/ ET CO./ NEUCHATEL/ 1898(45cm x 35.5cm)Footnote: Note: Clement Heaton, an early member of A.H. Mackmurdo’s Century Guild, set up his company ‘Heatons Cloisonné-Mosaic Ltd’ at 6 Berners Street, London in 1887, a year after selling his share in his father’s lucrative stained glass business Heaton, Butler & Bayne for £4,800. He patented his enamelling technique in 1886, inspired by medieval techniques which precluded the firing process, and which instead used coloured cements: a mixture of resin, beeswax, sulphur marble dust and coloured pigments. Hardening over time, these cements could be polished to give the soft matt finish characteristic of Heaton’s work and seen in the present example.
Y ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON 'CYMRIC' PAPER KNIFE, BIRMINGHAM 1904 silver, enamel and ivory, set with a turquoise cabochon stone, stamped maker's marks L&Co/ CYMRIC, hallmarked Birmingham 1904(22.5cm long)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
EDWARD WILLIAM GODWIN (1833-1886), PROBABLY FOR WILLIAM WATT HANGING WALL CABINET, CIRCA 1870 ebonised wood, cloisonné panels, mirrored glass(106cm wide, 65.5cm high, 21.5cm deep)Footnote: Literature: Soros, Susan The Secular Furniture of E. W. Godwin, Yale 1999, p. 200, no. 320-b, where this cabinet is illustrated. Provenance: Paul Reeves, London Property from an Important Private Collection Note: William Watt (1834-1885) established his upholstery business in 1857; it appears in the directories as William Watt & Co., art furniture manufacturers, 21 Grafton Street, London in 1860. The firm produced and sold some of the finest furniture of the Aesthetic Movement, including cabinets designed by Edward William Godwin like the present example. The cabinet is typical of the Anglo-Japanese style associated with Godwin’s designs. He often incorporated real Japanese artefacts into his work, shopping regularly in the 1870s at Liberty’s East Indian Art Warehouse on Regent Street, which stocked such items. This is possibly where the Japanese cloisonné enamel panels on the cabinet doors came from.
the circular white enamel dial inscribed ‘Charpentier, Rue du Roule, No. 291, A Paris’, countwheel striking silk suspension movement, the portico case with dragons to the upper spandrels, a swag below, on four tapering columns and platform base on disc feet 34cm high, 20.5cm wideFootnote: Provenance: From the collection of Hubert Faure (1919-2020), Albany, Piccadilly, LondonCondition report: pendulum lacking; movement rather dusty and untested
the frieze drawer with gilt metal and enamel applied handles, above a pair of cupboard doors decorated with marquetry frames incorporating mother of pearl panels, on tapering supports 84 x 79 x 41cmCondition report: some dry cracking commensurate with age, enamel to key plate chipped and detatched, some minor scratching
the rectangular case on moulded breakfront plinth base, with twin dials within a foliate engraved gilt surround, two part enamel dial having Roman numerals and visible Brocot escapement, bell striking drum movement, above calendar dial with moonphase aperture, indicating year, month, day and date, the backplate marked 'P B Seul Brevete', some damage to case in places 46cm high, 35cm wideCondition:Some chips and cracks to the case (see photos). Movement appears fully wound, and ticks for a short time. Does not appear to strike.Dial door a little tight to close/open.Sold as seen.
A collection of small silver and silver plated items, to include three silver mounted glass jars, various dates and sizes, a silver plated three branch candelabrum in mid 18thC style, on a domed octagonal base, 17cm wide, and a silver fob watch, with white enamel dial with Roman numerals, in a scroll and shield design case, with loose link, key wind. (a quantity)
A 9ct gold cushion shaped early Rolex wristwatch, singed inside Oyster Watch Co, R.W.C LTD, 260554/1925, with white enamel dial with seconds complication, Arabic numerals on later extending strap movement marked Rolex Prima, screw down crown, case size approx 30mm, some areas of rewelding to lugs, movement not working, stem of the winder detaches, some cracking to dial.
A reproduction brass carriage clock with repeating/striking movement, white enamel dial with 3 subsidiary drawers, the dial lettered 'Sainte Lausanne, France', height 15 cm The escapement does rotate but then stops suddenly, the strike hammers are out of alignment. Both trains of the clock are fully wound - so it is going to need some attention

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396323 Los(e)/Seite