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Preisdatenbank abonnierenATTRIBUTED TO THE HAYASHI KODENJI WORKSHOP OF NAGOYAA Cloisonné-Enamel Dish Meiji era (1868-1912), late 19th/early 20th centuryFinely worked in silver wire of varying gauge with an eagle perched on flowering maple branches and gazing intently at the small prey in flight on a midnight-blue ground; unsigned. 24.2cm (9¼in) diam.For further information on this lot please visit Bonhams.com
NAMIKAWA YASUYUKI (1845-1927) OF KYOTOA Fine Double-Gourd Cloisonné-Enamel Vase Meiji era (1868-1912), late 19th centuryDelicately worked in silver wire on a midnight-black ground with two coiling five-clawed dragons, flames licking around their bodies, between formal floral borders, the neck with similar repeated stylised foliate motifs, applied with a silver rim and foot; signed on a silver tablet Kyoto Namikawa. 23cm (9 1/8in) high.Footnotes:This dragon design, typical of a pattern used by Namikawa Yasuyuki during the peak of his career in the late 1890s, is extremely close to that illustrated in the design book, Kyo Shippo Monyo Shu (A Collection of Designs for Kyoto Enamels), Yoshida Mitsukuni and Nakahara Kenji, eds., Kyoto, 1981, p.182, which states that the 'pair of coiled dragons' pattern was applied to a cloisonné dish made by the artist in 1896.Only a few models of this vase by Namikawa are hitherto known: an almost identical example but with variation in the foliate motifs is illustrated and published in Hida Toyojiro et al., Namikawa Yasuyuki no shippo: Meiji shippo no yuwaku: Tomei na kuro no kansei (Namikawa Yasuyuki and Japanese Cloisonné: The Allure of Meiji Cloisonne: The Aesthetic of Translucent Black), Tokyo, Mainichi Shinbunsha, 2017, no.14; a second was sold at Christie's, New York, 15 April 2016, lot 92; a third with the two dragons facing in other directions was offered in these salerooms, 11 November 2010, lot 315.Born in 1845 to a rural samurai family, Namikawa Yasuyuki started his cloisonné business in Kyoto in 1873 and by the 1880s was successful enough to build, and then extend and upgrade, a large compound that eventually included workshops housing 20 or more employees, a showroom, a family residence and a garden with a fishpond. He used these facilities to create a carefully orchestrated private retail experience that was described in admiring detail by American and European travel writers, selling many of his finest wares directly to private clients, as well as carrying out imperial commissions and participating in international expositions. Between 1876 and 1904 he won 11 overseas awards and in 1896, along with his unrelated namesake the Tokyo enameler Namikawa Sosuke (the two family names are written with different characters), was among the first individuals to be appointed to the ranks of Teishitsu Gigeiin (Artist-Craftsmen to the Imperial Household). Such was his reputation that at the 1900 Paris Exposition Universelle his wares were snapped up the moment they were unpacked and sold for up to ten times the amount anticipated. For a detailed biography of Namikawa Yasuyuki, see Frederic T. Schneider, The Art of Japanese Cloisonné Enamel: History, Techniques and Artists, 1600 to the Present, Jefferson, N.C., McFarland, 2010, pp.86–87.For further information on this lot please visit Bonhams.com
ATTRIBUTED TO HATTORI TADASABURO (DIED 1939)A Cloisonné-Enamel Suzuribako (Box for Writing Utensils) and Cover Taisho (1912-1926) or Showa (1926-1989) era, early 20th centuryWorked entirely in musen (wireless) wire, the kabusebuta (overlapping) cover inset with a square plaque decorated with a sugi (cedar) grove partially concealed in the mist on a light grey ground, the inside of the cover with a stag at the foot of a mountain, the sides of the cover, the box and underside of polished wood, the inside of the box fitted with a removable ita (baseboard) and tray containing the suzuri (ink-grinding stone), unsigned; with a wood tomobako storage box inscribed inside the lid Suzuribako with an oval red seal and signed Shippo Korin tsukuru with a round seal Korin. 4.5cm x 19.5cm 22cm (1¾in x 7 5/8in x 8 5/8in). (6).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KINZAN COMPANYA Cloisonné-Enamel Rounded Square Tray Meiji era (1868-1912), late 19th/early 20th centuryConceived in the manner of Namikawa Sosuke, worked in copper wire with a cockerel, hen, and chick on a taupe-grey ground, bordered by a band of stylised butterflies among overlapping half-chrysanthemum blossoms, the underside decorated with a large peony blossom within a circular panel and surrounded by stylised tendrils; signed Kinzan with a seal Kinzan. 27.6cm x 27.6cm (10 7/8in x 10 7/8in).For further information on this lot please visit Bonhams.com
ATTRIBUTED TO THE ANDO JUBEI COMPANYA Pair of Cloisonné-Enamel Musen Baluster Vases Meiji era (1868-1912), late 19th/early 20th centuryEach vase decorated in predominantly musen ('wireless') enamels with a complementary design depicting deer grazing in the verdant grounds of probably Nara, large flowering wisteria trees in the foreground, applied with silver mounts, each vase stamped jungin (Pure silver); unsigned. Each vase: 34.3cm (13½in) high. (2).For further information on this lot please visit Bonhams.com
ANDO JUBEI COMPANYA Cloisonné-Enamel and Musen Baluster Vase Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryDecorated with a painterly design of a pair of egrets wading in a pond besides tall flowering yellow omodaka (arrowheads), reserved on a ground gradually changing from yellow to pale blue, applied with a silver rim and foot; signed on the base in silver wire with the mark of Ando Jubei. 24.2cm (9¼in) high.For further information on this lot please visit Bonhams.com
A CLOISONNÉ-ENAMEL KORO (INCENSE BURNER) AND COVERMeiji era (1868-1912), late 19th/early 20th centuryWorked in silver wire of varying gauge, the body decorated with a band of five-clawed dragons above tumultuous waters, the shoulder with a band of bats between roundels enclosing the auspicious character Ju (longevity), the oval reticulated cover similarly decorated and surmounted by a brass finial in the form of a seated shishi (Chinese mythical lion) with one paw resting on a ball, the underside bearing the single character Ju within a circle of linked bats; unsigned. 13cm x 11.5cm (5 1/8in x 4½in. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
GONDA HIROSUKE (1865-1937)A Pair of Cloisonné-Enamel Baluster Vases Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryEach vase finely worked in musen and silver wire of varying gauge with a continuous design extending over both vases, depicting pine-clad and wave-splashed, steep craggy rocks at sunrise or sunset, reserved on a graduated blue ground, each vase applied with a silver rim and foot, signed on the base with the silver wire mark of Gonda Hirosuke; with two inscribed wood storage boxes. Each vase: 31cm (12 3/16in) high. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
HAYASHI TANIGORO OF NAGOYAA Cloisonné-Enamel Hexagonal Slender Vase Probably Taisho era (1912-1926), early 20th centuryFinely worked in silver wire of varying gauge with all-over design, rendered in quasi-Chinese style, of a profusion of overlapping green and brown branches of flowering white prunus on a dark blue ground, the neck and foot with a repeated lappet border enclosing foliate motifs, the neck and foot applied with a silver rim; signed on the base with a silver seal Hayashi Tani. 37cm (14½in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
ANDO JUBEI COMPANYA Cloisonné-Enamel Musen Baluster Vase Meiji era (1868-1912), late 19th/early 20th centuryWorked in gilt wire and contrasting musen ('wireless') red and black enamels with poppies scattered over the surface, all on a royal blue ground, applied with a silver rim and foot; signed on the base with the silver wire mark of Ando Jubei. 24cm (9½in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
NAMIKAWA YASUYUKI (1845-1927) OF KYOTOA Cloisonné-Enamel Miniature Squat Jar and Cover Meiji era (1868-1912), early 20th centuryFinely worked in silver and gilt wire and decorated with butterflies hovering among meandering sprays of stylised chrysanthemum and other blossoms on a lightly mottled salmon-pink ground, the shoulder with a tightly clustered lobed band enclosing formal foliate motifs, the domed cover embellished with similar sprays of chrysanthemums and surmounted by a chrysanthemum finial, applied with a gilt brass rim and foot, signed on the base with chiselled characters Kyoto Namikawa on a silver plaque; with a wood storage box. 8.5cm (3 3/8in) high. (3).Footnotes:Published and illustrated:Sano Museum, Kindai kogei no hana, Meiji no shippo (Belle of Modern Crafts: Meiji-Period Cloisonné), exh. cat., Shizuoka, 2008, p.64, pl.73.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
NAMIKAWA YASUYUKI (1845-1927) OF KYOTOA Cloisonné-Enamel Miniature Ovoid Vase Meiji era (1868-1912), late 19th/early 20th centuryIntricately worked in silver and gold wire with an all-over design of overlapping stylised foliate roundels and scrolling floral vines scattered over eight differently coloured vertical panels, the shoulder, and foot with matching arabesque, foliate motifs, the en-suite domed cover similarly decorated and surmounted by a finial in the form of a gilt-metal chrysanthemum bud, applied with a gold rim and foot; the original silver plaque Kyoto Namikawa signature on the base removed. 11.5cm (4½in) high. (2).Footnotes:For information on the artist, see also the footnote to lot 218.For further information on this lot please visit Bonhams.com
A CLOISONNÉ-ENAMEL ROUNDED RECTANGULAR BOX AND COVERMeiji era (1868-1912), late 19th/early 20th centuryWorked in silver of varying gauge with a ho-o bird in flight above sprigs of flowering kiri (paulownia), the leaves extending over the sides of the box, reserved on a midnight black ground, the interior lined in silk brocade; unsigned. 5.8cm x 13cm x 10cm (2¼in x 5 1/8in x 4in).For further information on this lot please visit Bonhams.com
HAYASHI TANIGORO OF NAGOYASix Matching Cloisonné-Enamel Chawan (Tea Bowls) and Covers Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryEach bowl intricately worked in gold wire of varying gauge with stylised motifs of butterflies and exotic long-tailed birds hovering amongst floral sprays and maple leaves, the covers similarly embellished, all reserved on a peach ground, the rims and feet applied in silver; each bowl signed on the base in silver wire with seal Hayashi Tani. Each tea bowl: 8.2cm x 12cm (3¼in x 4¾in). (12).Footnotes:See also the footnote to lot 217.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
ANDO JUBEI COMPANY, AFTER A DESIGN BY WATANABE SEITEI (1851-1918)A Fine Pair of Cloisonné-Enamel Musen and Moriage Presentation Vases Meiji era (1868-1912), late 19th/early 20th centuryEach vase decorated partly in relief and finely worked in musen and yusen enamels with a complementary design, one vase depicting three carp swimming among tall stems of bearded irises growing in a pond, the second vase depicting two goldfish swimming towards the surface floating with a bed of dew-laden lotus leaves and flowers, all reserved on a pale-grey blue ground, each applied with a silver rim and foot, each vase signed on the bottom with a red seal Seitei and signed on the base with the silver wire seal of Ando Jubei, stamped jungin (Pure silver) on the foot rim. Each vase: 37.5cm (14¾in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
AN INLAID IRON RECTANGULAR BOX AND COVERBy Kazutoshi, Meiji era (1868-1912), late 19th/early 20th centuryThe cover decorated in high-relief cloisonné-enamel, silver, bronze, and gilt with a solitary butterfly hovering over flowering stems of chrysanthemums, the inside corner of the cover engraved with a leaf caught in a spider's web; signed with chiselled characters Kazutoshi with a gold seal. 3.3cm x 12.1cm x 8.3cm (1¼in x 4¾in x 3¼in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A BLACK-AND-GOLD-LACQUER FOUR-CASE INROBy Nakaoji Moei, Edo period (1615-1868), early 19th centuryThe roiro (black-lacquer) ground shading to fundame, decorated in gold takamaki-e and togidashi maki-e depicting large pine trees, one tree with a few small reishi fungi at the base of its trunk, the interior black lacquer with kinji edges, signed Moei with a seal Moei, 7.7cm high; the ojime of cloisonné-enamel with shell inlay; the netsuke of stag-antler in the form of a reishi fungus, unsigned, 4.5cm long.For further information on this lot please visit Bonhams.com
TWO LACQUER BOXES AND COVERSEdo period (1615-1868), early/mid 19th centuryEach decorated in gold and slight coloured takamaki-e, the first an oval black-lacquer suzuribako (box for writing utensils), the cover with a pair of doves, the inside of the box embellished with fern and containing a detachable baseboard for the suzuri (ink-grinding stone) and a cloisonné-enamel suiteki (water dropper) in form of a teapot, unsigned, 4.5cm x 24cm x 20.5cm (1¾in x 9½in x 8 1/16in); the second a tiered jubako (picnic box) decorated with overlapping fans enclosing seasonal bird-and-flower scenes on a polished wood ground, the en-suite removable tray embellished with autumnal plants bending against the full moon, signed on the base in gold lacquer Hotokusai Kakushu with a kao; 13cm x 19.2cm x 16.3cm (5 1/16in x 7½in x 6 3/8in). (8).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Yellow metal fancy-link bracelet with red and white enamel heart-shaped padlock, unmarked, 12.2g gross approxThe bracelet appears in good condition. No obvious faults, repairs, etc. Unmarked. The enamel padlock, unmarked, small area to lower part has scratch marks, probably from where the item has been tested. The enamel appears ok on the main body except to the white border where there is a worn patch, light surface scratches. **General condition consistent with age and use.
TWO CHINESE PORCELAIN TEAPOTS, MID 20TH CENTURY. One with bird and floral scene with inscription. The other with figures in landscape scene with inscription. Both with two-character maker's marks to base. Approx. 16.5cm length. (2)Red enamel teapot in good overall condition, without damages or repairs. The black enamel teapot with small chip to rim with no other damages or repairs.
A CHINESE PORCELAIN DISH WITH BOX AND COVER, 20TH CENTURY. The dish decorated with two immortals in famille rose enamels with inscription, four-character mark of Qianlong to base. Together with a circular porcelain box and cover decorated with laughing Buddha and children with inscription, with four-character mark of Qianlong in blue enamel. Dish 26cm diam. (2)Dish in good condition - Two pierced holes to foot rim for hanging. The box and cover in good overall condition.
HEIBONSHA UNIFORM VOLUMES FROM THE TOJI TAIKEI 陶磁大系 series of 69 vols. Tokyo: Heibonsha, 1972 onwards. First Editions. The Toji Taikei is an authoritative account of Chinese porcelain by the respected Japanese art book publisher Heibonsha. Vol. 3 Seiji [Celadon] 38 Tenmoku [Temmoku] 40 Ryo no toji [Ceramics of the Liao Dynasty] 42 Min no sometsuke [Ming underglaze blue and white] 43 Min no akae [Ming red enamel] 44 Kosometsuki Shonzui [Old blue and white and Shonzui] 45 Gosu akae, Nankin akae [Red enamelled ware and Nanking red ware] 46 Shin no kan’yo [Qing official ware]. And from Toki Zenshu 陶器全集(Compete Collection of Pottery), 18 vols also Tokyo, Heibonsha: vol 13 So no Jishu [Song dynasty Ci ware] and vol 18, Shincho no kan’yo [Qing dynasty official ware]. Some light wear to dust jackets. (10)All volumes in otherwise good or better condition. Hardcover.
GROUP OF FOUR CHINESE CANTON ENAMEL ITEMS, 19/20TH CENTURY. To include two yellow-ground cylindrical pots and covers, a pink-ground square form box and cover and a green-ground cup and cover decorated with figures. 5-8cm heights. (4)Each pot with minor knocks and enamel loss. Cup and cover with minor crazing to interior but in good overall condition.
GROUP OF FOUR JAPANESE CLOISONNÉ ITEMS. To include a pair of dishes decorated with quails and floral blooms. Together with two bottle vases. Dishes 30cm diam. (4)One dish with enamel loss to back edge with slight bending, visual crazing to front. Both vases with knocks to body. The dark vase with filled repair.
A LARGE CHINESE CANTON FAMILLE ROSE PORCELAIN VASE., 19TH CENTURY. Decorated with large panels depicting warrior and court scenes, with moulded chilong to shoulders and gilt lion dog handles. 61cm height.Lamp conversion with hole drilled to exterior foot and ground down rim. Faint vertical 17cm hairline to lower half of body. Minor areas of enamel loss to decoration.
A CHINESE BLUE AND WHITE AND IRON RED 'BAJIXIANG' DISH, 18TH CENTURY. Decorated with the eight Buddhist emblems and central lotus in iron red with a band of lotus and 'Shou' characters in underglaze blue. To the underside of the dish, famille rose enamel decoration of sanduo 'the three abundances', peach, pomegranate and finger citron. Six-character seal mark of Qianlong to base. 26cm diam.8cm piece missing to the edge of dish. One small chip to rim. 5cm hairline running vertical from rim. General surface wear.
WWI era cap badges including Manchester Regiment; Duke of Wellington West Riding Regiment, Royal Artillary, North Stafford, Sherwood Forresters Notts & Derby and a selection of WWII cap badges including The Tank Regiment, The Cheshire Regiment, Lincolnshire Regiment amongst others. This lot includes eleven brass buttons, thirteen enamel badges including ARP and WVS Civil Defence and Home Guard all housed in an original Cremona Malted Milk Toffee box. This lot includes a genuine WWI era canvas and leather belt with various cap badges including a scarce bronzed City 1 Manchester (battalion of the Manchester Regiment Manchester Pals) Royal Engineers, Notts and Derby, Manchester City 1, Army Remount Service badge and The Essex Regiment amongst others.
Quantity of military cloth badges including 1st Cavalry Division Association, high rank shoulder epaulettes including Major General, a number for the German Airforce, East German Airforce, Patriot Missile Systems cloth badges, together with twelve German military enamel badges, including Luftflotte and Radar, approx 50+
Gentleman's vintage 9ct gold trench watch. The watch having a white enamel face with Arabic dial approx 38mm, case stamped 375, mm FF with Swiss movement, approx 29 gms. This lot includes an 1920's Acier Garanti open-face steel pocket watch. The watch having a white enamel face with Roman dial and subsidiary dial, mm J.D with gold inlaid monogram. May Sale 12/05/2022Glass is missing, light abrasion to case, moving forward at time of cataloguing. (ii) pocket watch moving forward at time of cataloguing, deterioration to the outside case.
J.W Benson 9ct gold open faced self-wind pocket watch, 50mm dial, approx 77 gms. The pocket watch having a white enamel face with Arabic dial and subsidiary second dial, case nr 13757, Birmingham hallmark, dated 1928.May Sale 12/05/2022Testing mark to dust cover. Good condition, moving forward at time of cataloguing.
Antique silver and guilloche enamel pocket watch. The open-faced pocket watch having a white enamel face with numeric dial, suspended from a bow brooch heightened with enamel, approx. 28 x 30mm, in the original presentation box. May Sale 12/05/2022The pocket watch is moving forward at time of cataloguing. Some enamel loss to bow pin clasp. No guarantees given or implied.
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