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396323 Los(e)/Seite
An 18ct yellow gold, pearl and enamel memorial ring, featuring a central 3.9 x 3mm rock crystal within a border of eight 2.85mm pearls, with black enamel inlay and engraved trifurcated shoulders, size K½, gross weight 3.9g, hallmarked 18ct, London 1830, sponsor William EatonSome lead solder.
A lady's yellow metal half hunter fob watch, comprising a round white Roman dial with an engraved scrollwork case with central aperture within guilloche enamel Roman bezel, keyless movement, case dia.31mm, case numbered 7565, gross weight 26.1g, stamped and tested as 18ct with Helvetia mark for Switzerland, attached to a yellow metal open curblink chain with bolt ring clasp, length 540mm, width 2.1mm, gross weight 5.2g, stamped and tested as 9ctIn working order.Enamel worn at front.
A Longines gent's gold plated quartz dress watch, having a signed white enamel dial with baton markers and date aperture, the stainless steel back cover with presentation inscription, circa 1995, case dia.33mm, on original snakeskin bracelet with Longines gilt metal clasp, with boxAppears little worn, some wear to bracelet only.Not running, presumably requires battery.Dial good, case good.Engraved to case back.Original bracelet, modest wear.
A Chinese cloisonne black ground bowl decorated with dragons and a similar cup. Bowl 20cm diameter with minor enamel loss, the other bowl is mis-shapen , cup 9.5cm with small enamel loss to rim, 2 chips around base..WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
A PEWTER, POSSIBLY TUDRIC, AND ENAMEL BOSSED RECTANGULAR MIRRORCIRCA 1900, POSSIBLY ARCHIBALD KNOX FOR LIBERTYWith dedication 'Dorothy from Geoffrey'45cm high, 29cm wide Condition Report: The pewter surface with the usual pitting and discolouration, marks, knocks, indentations, some domestic paint deposits to the surface, the mirror plate with bloom and discolouration, the glass plate is securely fixed in place The plate with bloom, depletion, spotting. Almost certainly original. There are no ivorine labels present The bosses appear intact overallPlease see additional images for visual reference to conditionCondition Report Disclaimer
AN ARTS AND CRAFTS COPPER WALL MIRRORCIRCA 1900, POSSIBLY ARCHIBALD KNOX FOR LIBERTY Applied with enamel bosses tot he stylised tulips41cm high, 58cm wideCondition Report: The copper surface with the usual pitting and discolouration, marks, knocks, indentations, some domestic paint deposits to the surface, the mirror plate with bloom and discolouration, the glass plate is loose - this have been 'gaffer' taped to the rear to secure - this is apparent in the additional image on our website. These will need some attention prior to use in a domestic setting for security. The plate with bloom, depletion, spotting. Almost certainly original. There are no ivorine labels present The bosses largely intact, one appears to have some knocks to the surfacePlease see additional images for visual reference to conditionCondition Report Disclaimer
A FRENCH PATINATED METAL FIGURE MOUNTED GILT AND ONYX MANTEL CLOCK GARNITUREUNSIGNED, CIRCA 1900The eight-day countwheel bell striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with serial number 8117 to centre left over 9 10 to lower margin, the circular cream enamel Arabic numeral dial centred with an applied gilt grotesque chimera within vertically aligned numerals to chapter ring, with blued steel hands set within egg-and-dart moulded surround behind hinged bevel-glazed cast gilt brass bezel, the pedestal-form case with surmount cast as a winged female Putti holding a flaming torch seated on a stool, over break-arch cornice and leafy-spray decorated bowed fluted section beneath the dial flanked by seated putti to front angles, the sides decorated with raised vertical batons, on stepped cavetto mounded onyx plinth base incorporating central bowed section to front over foliate cast gilt paw feet with pendant apron between; the candelabra each with surmount cast as a kneeling putto supporting a ewer on their back over stepped base incorporating gilt Vitruvian scroll frieze, cavetto moulded onyx skirt and gilt paw feet, (3).The clock 51cm (20ins) high, 28cm (11ins) wide, 18cm (7ins) deep; the candlesticks 40cm (15.75ins) high, 14cm (5.5ins) wide.Condition Report: Movement is in original but dirty/neglected condition, however it does run and strike hence a gentle clean and service is probably all that is required if intending to put the clock into daily service. The dial has a some very slight ear around the winding holes and the chimera cast centre is loose otherwise appears to be in fine original condition. The surmount to the case has at some point become detached at the junction of the feet of the stool and the platform onto which it rests; it has subsequently glued back into position. The case otherwise is in good original condition with overall age-related mellowing and light wear to the original finishes. Other than a few very small edge bruises the onyx appears free from visible damage/faults.The candelabra appear free form damage or repairs with faults limited to minor edge chipping to the onyx.Clock has pendulum but no winding key. Condition Report Disclaimer
A FRENCH NAPOLEAN III CONTINENTAL PORCELAIN-CASED FIGURAL MANTEL CLOCKUNSIGNED, THIRD QUARTER OF THE 19th CENTURYThe circular eight-day countwheel bell-striking movement with anchor escapement regulated by a disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped 2919, to upper left over 6 9 to bottom centre, the circular convex white enamel Roman numeral dial with Arabic five minutes to outer track and fine gilt scroll pierced gilt hands set behind hinged convex bevel-glazed cast brass bezel, the porcelain case modelled as three revelling Bacchantic putti carrying baskets of grapes and with vine headdresses attending a large barrel housing the movement and dial, on naturalistically modelled base applied with encrusted floral trail and vine decoration, the underside bearing an underglaze blue crossed swords mark.40cm (15.75ins) high, 27cm (10.75ins) wide, 23.5cm (9.25ins) deep.Condition Report: Movement appears complete with no visible evidence of alteration or noticeable replacements and is in working condition although a precautionary gentle clean/service is advised. The dial appears to be in fine original condition with no visible cracks or chips. The case is generally in very condition with damage limited to two finger losses and some relatively minor chipping/losses to the encrusted decoration throughout.Clock has pendulum and a winding key. Condition Report Disclaimer
TWO SEMI-PRECIOUS STONES TREES 19TH-20TH CENTURY 十九至二十世紀 銅胎掐絲琺瑯百寶花樹盆景(一對) each with a moulded tree issuing from a cloisonné enamel rectangular jardinière, tip of the tree with various coloured stones forming blossoms, further with cloisonné enamel birds perching on branchesDimensions:heights: 17cm and 19cmProvenance:Provenance: By descent- Private Scottish collection, Harrietfield, Kelso; previously from the family estate bought in 1847, Newton Don, Kelso.Newton Don lies in the lowland hills near Kelso, overlooking the Eden Water, a tributary of the Tweed. It owes its name to the Don family who first acquired the former manorial lands of Newton around 1648. Sir Alexander Don inherited the estate and baronetcy in 1776 and over the next forty years the family brought about significant change. The Dons sought to expand the pleasure grounds and to create a secluded, fashionable, country seat and by 1800, a visitor described the estate as a ‘remarkably pretty, cheerful place’. Between 1817 and 1820 renowned English architect Sir Robert Smirke (1781-1867) made considerable alterations to the eighteenth-century house, for which Robert Adam had prepared the original plans. Unfortunately, the transformation had strained the family coffers to such an extent that the estate was sold in 1847. Harrietfield was the farmhouse of the Newton Don estate home farm. It may have been built after the marriage of Lady Harriet Cunningham to Alexander Don in 1778, hence the name.
RARE LARGE YELLOW AND RED-ENAMELLED 'DRAGON AND PHEONIX' DOUBLE-GOURD VASE MING DYNASTY, JIAJING MARK AND OF THE PERIOD 明嘉靖 青花「大明嘉靖年製」六字楷書款 黃地紅彩龍鳳呈祥紋葫蘆瓶 sturdily potted on a flared foot rising to a larger globular body, waisted middle section, further with a smaller rounded body topped with a tubular mouth, enamelled in iron-red on a yellow ground to leave the designs in reserve, the black enamel outlining dragons and phoenixes with clouds in roundels separated by floral scrolls and auspicious emblems both on lower and upper bulbs, the mouth and middle section each with a floral scroll band, the base inscribed with a six-character Jiajing mark in underglaze blue Dimensions:43cm highProvenance:Provenance: Formerly in a private English collectionNote: Note: During the Jiajing reign, the range of colour combinations on ceramics was expanded. The red enamel painting onto a yellow glaze was an innovation of that time. First, a yellow overglaze was fired onto the ware, then red enamel was added with the designs reverse; later black enamel was used to add the details. [1]Several related examples with dragon and cloud as the motif can be seen on different wares, mainly jars. See a lidded jar with cloud and dragon decoration in overglaze yellow on red ground, Jiajing mark and period, in the National Palace Museum, Taipei, museum no. Gu Ci 故瓷6090N; Another comparable jar with more rounded lower sides, without a lid, is in the collection of the British Museum, museum no. 1930,0719.48, and illustrated by Jessica Harrison-Hall in Ming Ceramics in the British Museum, London, 2001, no.9:90; Various similar jars were seen in auctions, one sold at Sotheby's Hong Kong, 07 October 2015, lot 3659, another one previously in the collection of the Manno Art Museum, no. 388 and subsequently sold at Christie's Hong Kong, 28 Oct 2002, lot 540.A slightly larger (45.1cm high) and less bulbous double gourd vase, decorated with similar colour scheme and technique, but painted with lotus scroll instead of dragons and phoenixes, previously in the collection of the Qing Court, is now in the collection of the Palace Museum, Beijing. [1] Harrison-Hall, J. Ming Ceramics In the British Museum, London: The British Museum Press, 2001, pg. 254.
GROUP OF EIGHT CLOISONNÉ ENAMEL PLAQUES QING DYNASTY, 19TH CENTURY 清 銅胎掐絲琺瑯花蝶紋嵌版 (共八件) each delicately enamelled with floral sprigs and butterflies, all on a wan-diaper groundDimensions:app. 8.5 x 29.5 cm eachProvenance:Provenance: Formerly in the collection of Andrew McIntosh Patrick, managing director of London's Fine Art Society; the plaques used to decorate the kitchen door of Andrew's flat in Craven Street.Published: Nest: A Quarterly of Interiors, Spring 2002, n.p., illustrated in Andrew McIntosh Patrick's home at 34 Craven Street near Trafalgar Square, London.
SATSUMA 'DOLL'S FESTIVAL' PLATE IKKO FOR THE KINKOZAN WORKSHOP, MEIJI PERIOD, CIRCA 1900 明治 '一香畫' '錦光山造'款 薩摩燒女兒節圖盤 finely painted with beauties unboxing and displaying dolls for the Hinamatsuri, the rim with a border decorated with gilt blossoms reserved on a black ground, signed in red enamel Ikko ga (painted by Ikko), the underside with impressed and gilded seals Kinkozan zo (made by Kinkozan)Dimensions:25cm diameterProvenance:Provenance: Private Scottish collection, Edinburgh. An extensive collection of Japanese ceramics, mostly Satsuma wares, Chinese ceramics and works of art, including works on paper and textiles from the same provenance, was sold in these salerooms on 4 November 2022, lot 16, 18, 227, 239, 262, 282-283, subsequently on 15 March 2023, lot 215-240.Note: Note: Comparable Satsuma dishes signed 'Ikko' made for the Kinkozan workshop, offered at Bonhams New York, 22 July 2020, lot 1047 and 1048.
OTTOMAN ROSE-CUT DIAMOND NECKLACE FROM THE REIGN OF SULTAN ABDULHAMID II (r.1876-1909) CIRCA 1900 composed of raised clusters and foliate motifs, set throughout with rose-cut diamonds and diamond slices in foiled closed back settings, two drops and a couple of diamonds deficient, to a later freshwater cultured pearl necklace and 9ct gold and blue enamel claspDimensions:Length: 46.5cmProvenance:Provenance: Private collection of a notable Ottoman family in London; formerly the property of the wife of a Pasha, Egypt.The collection is from a notable Ottoman land-owning family, that married over generations into the Sultans’ court. Some were judges, civil servants and vizirs in the Damascus vilayet, as well as members of parliament to the Sublime Porte.
LARGE CLOISONNÉ ENAMEL 'GU' VASE QING DYNASTY, 18TH CENTURY 清 銅胎掐絲琺瑯觚式大瓶 of gu-form with trumpet-shaped upper and lower body adorned with bat in plantain-leaf-shaped cartouches, joined by a slightly bulging cylindrical centre with lotus motif, all reserved on a turquoise groundDimensions:32cm high; 1739g
GILT-DECORATED TEA-DUST-GLAZED 'FLORAL SCROLL' BOTTLE VASE QING DYNASTY, JIAQING MARK AND OF THE PERIOD 清嘉慶款及年代 茶葉末地描金纏枝蓮紋荸薺瓶 the compressed globular body resting on a slightly waisted ring foot, rising to a long cylindrical neck, finely painted in gilt with scrolling tendrils with lotus flowers within a ruyi band under the mouth and a lappets band above the foot, all against an even tea-dust-glazed ground, the base inscribed with a six-character Jiaqing mark in gilt Dimensions:30.5cm highProvenance:Provenance: Formerly in a private European collection, bought in AustraliaNote: Note: Tea-dust-glazed bottle vases are well-known, most notably made in the Qianlong period. Compare to a similar vase in shape but broader cylindrical neck, Qianlong mark and period, in the collection of the British Museum, accession no. 735-1883. Tea-dust-glazed wares with additional silver, gilt, or enamel decoration are rare. Compare to a hexagonal vase with tea-dust-glazed and gilt decoration, dated to the Qing dynasty, 1720-1820, in the British Museum, museum no. Franks.57; See another rare gilt-decorated tea-dust-glazed double-gourd handled vase, Qianlong mark and of the period, was sold at Christie's Hong Kong, 28 Nov 2005, lot 1311.
FAMILLE ROSE 'POPPY' PLATE QING DYNASTY, 18TH-19TH CENTURY 清 九畹山房款 外胭脂紅釉内粉彩虞美人紋盤 delicately painted with flowering poppies elegantly issuing from one side of the rim, exterior covered with ruby-red enamel, the base inscribed with a four-character 'Jiu Wan Shan Fang' hallmark in underglaze blueDimensions:21.7cm diameter
Quantity of clock related spares and repairs including an early 20th century brass cased carriage clock, the enamel dial with Roman numerals denoting hours, a German anniversary clock with glass dome, etc Condition ReportTwo are approx 8", three are approx 9" diameter. We do not provide in house postage. Would suggest contacting Mailboxes or mjmpost458@gmail.com for a quote.
Early 20th century brass-cased chiming carriage clock by Bennetfink & Co London, made in Paris, the enamel dial with Roman numerals denoting hours, single handle to top, 15cm high Condition ReportLight surface marks, damage and repair to top right corner of dial. Unable to say whether in full working order. Not currently running and has no key. General wear and tear.
Tall slender mahogany longcase clock case with stepped and dentil carved cornice, with an 18th century square painted dial with eight-day movement, signed Jn Hayes, Wrexham, 218cm Condition ReportDial dimensions - 12" x 12" Dial masking size - 11.5" x 11.75" Surface scratches, scuffs and knocks to case. Split to the front of base. Section of panel missing from side of base. Areas of loss to the moulding on door and hood. Dial with scratches and small chips to the enamel. General wear and tear.
Set of five large and eight smaller Chinese Canton porcelain plates, enamelled with birds and flowers on a celadon ground, the largest 26cm diameter (13) Condition ReportLight surface marks, all with varying degrees of loss to the enamel decoration, crazing to some, some with chips and and some with hairlines. General wear and tear.

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396323 Los(e)/Seite