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396325 Los(e)/Seite
Los 1146
A Swiss 18 ct gold open-faced pocket, watch having a crown-wound and pin-set 19-ruby remontoir movement, its white enamel face having fancy gilt hands, Arabic numerals, outer 24-hour chapter with red numerals, and subsidiary seconds dial, case marked "K 18", 52 mm excluding stem, crown and bow, 90.6 g overall (running when catalogued, accuracy and reliability untested)
Los 257
Japan.A pair of late nineteenth of early twentieth-century Japanese silver and enamel Ginbari buttons, each of circular form, decorated in polychrome enamel with central flowerhead, branches and foliage against a blue sky ground, the underside with character mark, diameter 3cm, combined gross weight 17g/0.54ozt approx (2)
Los 201
China.A twentieth-century Chinese gilded and polychrome enamel filigree Cockatoo model canister box, or tea caddy, the detachable head when removed reveals a similarly gilt interior, the underside of the foot with an applied plaque incised, 'SILVER', height 15cm, weight 319g/10.25ozt gross all-in approx
Los 301
A twentieth-century Continental silver and enamel snuff box, of rectangular form, the slightly cushioned cover inset with a polychrome enamel plaque, depicting a shepherd and maiden, within a cast silver surround, bordered by foliate scrolls against a backdrop of blue enamel, the hinged cover opening to reveal a gilt interior, London import marks, British Commercial Transport Co Ltd, London 1930, length 8cm, together with a silver pill box with British import marks, combined weight 151g/4.85ozt gross approx (2)
Los 147
(†) Fred Rich. An Elizabeth II silver and enamel vase, of baluster form with gilt upper and lower bands and flared rim, with textured rocaille to the foot, the body cloisonné and basse-taille enamelled in polychrome with species of anatomically correct butterflies, atop a graduated blue ground, the underside signed, "Fred Rich", and struck with the millennium mark, sponsor’s mark, ‘FR’ in quatrefoil surround, and hallmarked for London 2000, height 24.8cm, weight 2297g/73.85ozt gross approx., ensuite with a lined fitted presentation case from Fred Rich Enamel Design. This piece is pictured on the front cover of the accompanying promotional booklet.Provenance: Private collection, United Kingdom.(†) Artist's Resale Right/Droit De Suite applies. Refer to our Terms and Conditions of Business.Catalogue Note: According to the literature accompanying this piece, 'Fred Rich is considered by many to be Britain's most dynamic and versatile art enameller, he has won innumerable art awards and his work is represented in all the major public collections in the UK as well as in many private collections worldwide. Most of his work is made for private commissions, with larger pieces taking many months of painstaking and arduous work, resulting in a very small output.'According to Andrew & Styles (2015), Fred Rich explains, 'I start with the form, a vase for example. The enamelled design has to be scribed onto the surface before 22-carat gold wire is applied and soldered on. This "draws" the design on to the vase. However, each piece of gold wire has to be cut and bent to shape before being soldered on. This can mean that hundreds of small pieces of gold wire are used in one design. Once the design is in place, the metal is hand-carved in relief. This not only removes the fire-stain from the metal, but gives the enamel definition and vitality and the resulting play with light makes a huge difference to the pictorial effect - transparency gives the whole piece life…The application of the enamel is an extremely painstaking process. Several layers of enamel have to be applied, working in sections at a time and each layer has to be fired at extremely high temperatures...this whole process can mean that larger pieces are fired in the kiln up to 40 times! You cannot cut corners with enamel and I do get hyper-critical with my work - it's the only way I know to maintain a standard.'Reference: Andrew, J. and Styles, D. (2015). Designer British Silver: from studios established 1930-1985. Woodbridge, Suffolk: Antique Collectors’ Club.‌
Los 311
A cased set of twentieth-century gilt metal and enamel coffee spoons, the stem of each with bead edge and finial decorated in polychrome enamel depicting differing types of flowerheads, apparently unmarked, together with two silver tablespoons, one hallmarked for London and the other for Dublin, a hallmarked silver topped glass powder jar and silver backed Art Nouveau style hand mirror, weight of hallmarked silver 232g/7.45ozt approx (5)
Los 436
Norway.A twentieth century Norwegian cruet set, comprising a pair of cut glass shakers with sterling silver tops secured with a screw thread and applied with guilloche enamel in opal, atop a fitted navette form base with dentil border, the silver and enamel tops marked, '925S Norway', the underside of the stand marked, 'SN', length of stand 11.3cm, height of shaker 4cm approx
Los 58
A Victorian silver and enamel calling card vesta case, of rectangular form, with applied enamel plaque of a calling card, 'George A. Smith / Thurston Manor / Bury St. Edmunds', with integral striker and hinged cover, sponsor's mark 'JB', Birmingham 1895, length 5.7cm, weight 42g/1.35ozt gross approx
Los 59
A Victorian silver calling card vesta case, of rectangular form with applied enamel plaque of a calling card, with signature, the base with integral striker and hinged cover, retailed by 'J. Sewill. 30 Cornhill. London', Sampson Mordan & Co., London 1894, length 5.7cm, weight 42g/1.35ozt gross approx
Los 60
An Edwardian silver and enamel vesta case, of rounded rectangular form, applied in polychrome enamel with, possibly, the arms of Clare, or, de Clare, with integral striker and hinged cover, Robert Chandler, Birmingham 1903, length 5cm, weight 34g/1.09ozt gross approx. Note: The Clare (de Clare) family were founders of Clare College, Cambridge University. The family coat of arms is incorporated into the College's crest. Founded in 1326, Clare College is the second oldest of Cambridge's thirty-one colleges.
Los 300
A Continental nineteenth-century silver-coloured metal snuff box, of rectangular form with canted corners and stepped base, the cover with a classical scene raised in relief featuring two figures locked in embrace, amidst a landscape, with rococo shell and foliate scroll surround, the hinged cover opens to reveal a similar scene in polychrome enamel on metal, the box with gilt interior, maker's mark only, 'WC' with fleur-de-lis above, length 7.4cm, weight 88g/2.82ozt gross all-in approx
Los 259
Japan.A pair of late nineteenth of early twentieth-century Japanese silver and enamel Ginbari buttons, each of circular form, decorated in polychrome enamel with central flowerhead, branches and foliage against a blue sky ground, the underside with character mark, diameter 3cm, combined gross weight 15g/0.48ozt approx (2)
Los 24
An early twentieth-century silver and enamel cigarette case, of rounded cushioned rectangular form, the exterior decorated with bands of Greek key and bead in relief, bordering panels of polychrome guilloche enamel, depicting flowerheads and gold-coloured roundels, the push button release inset with a sapphire cabochon, the hinged cover opens to reveal a gilt interior, with British import marks for London 1908, length 8.9cm, weight 139g/4.46ozt approx gross all-in
Los 75
A cased set of six Elizabeth II silver and enamel coffee spoons, the obverse of each bowl featuring polychrome enamel decorated with a variety of species of flower, to include bluebell and peony, Henry Clifford Davis, Birmingham 1957, length 7.7cm, combined weight 38g/1.22ozt gross approx, ensuite with a fitted presentation case
Los 258
Japan.A pair of late nineteenth of early twentieth-century Japanese silver and enamel Ginbari buttons, each of circular form, decorated in polychrome enamel with central flowerhead, branches and foliage against a blue sky ground, the underside with character mark, diameter 3cm, combined gross weight 16g/0.51ozt approx (2)
Los 86
Cartier.A twentieth-century silver and enamel flower study, depicting lily of the valley in polychrome enamel with foliage and gilt stems, the faceted silver vase with a weighted stepped and spreading circular form foot, the underside marked, 'Cartier / Sterling / Weighted', height 23.7cm approx
Los 509
†ROBIN WELCH (1936-2019); a monumental tall stoneware bottle form covered in cream and bronze glaze with a band of salmon pink, black enamel and black and white linear decoration, impressed RW mark, height 134cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Los 487
Case 1920's original Omega large sterling silver TONNEAU shaped wrist watch. Sterling Silver case not hallmarked gold gilted measures 58 mm long including perfect wire hinged lugs (case alone is 44 mm long). Width of case measures 34 mm across the middle.including winder Back hinged cover works perfectly. has beautiful black enamel EXPLODING NUMBERS. Blue steel hands are original to the watch and are in excellent condition.
Los 1456
A Mid XIX Century Rosewood Bracket Clock, with brass inlay fretwork side panels with ring handles, raised on ball feet, the white enamel dial with Roman numerals inscribed "Stripling, Litchfield" above subsidiary dial market 'strike' and 'silent', the movement striking on a ball, key and pendulum present, 34.5cm high.1) Losses to top section corners and left hand side, where the top and side meet. 2) Silk stained and coming off. 3) No glass to door, 4) Face - crazed and worn. 5) Joints coming apart throughout. 6) Back door - wood cracked. 7) Scratches and wear throughout. 8) Top cracked and worn.
Los 1277
An Arts & Crafts Copper Lidded Box, inset with an enamel panel painted with a semi-clad lady amongst peacocks, 15.5cm long; An Art Nouveau Joseph Sankey and Sons Lidded Tankard, cast with stylised heart motifs, 15cm high. (2)some surface scratches, inside lining ripped, enamel panel with a couple of small cracks, lid sits on well and flush without movement although there are small gaps.
Los 1460
A Mid-Late XIX Century French Wall Clock, the white enamel dial inscribed "Chevassy a Reichelieu" with black Roman numerals within a puce border, the brass surround cast with figures amongst sacks of hay and flowers, large brass pendulum (later), two weights, wall bracket and winding key, verge movement, face 39cm long, pendulum 100cm long.
Los 1452
A Late XIX Century L. Leroy, Paris Mantle Clock, the gilt metal and white marble base applied with flowers and foliate motifs, raised on shaped rectangular base and circular feet, the circular white enamel dial with Arabic numerals, the movement striking on a bell, 18cm high.1) Beading at front - gilt wearing off in places. 2) Several cracks to dial, small chip around winding circle, 3) Chips to laurel wreath around the dial. 5) Large chip to back of base. 6) Dial casing marked. 7) No key unable to say if it works.
Los 1453
A Late XIX Century French Mantle Clock, the ornate ormolu case cast with scrollwork and flowers, the circular white enamel dial decorated with floral swags and Arabic numerals, the movement striking on a bell, 39cm high.1) Dial cracked and piece missing between 8-9, cracks to middle section, chip to enamel around winding hole. 2) Re-gilded. 3) Crack to inside front at rear. 4) Not working.
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396325 Los(e)/Seite