A South Staffordshire Enamel Box and Cover, circa 1780, of acorn form, moulded and painted with flowers on a sea-green, 5.5cm long; and A Similar Smaller Example, with flowers and ribbons on a sea-green ground, 4.5cm long (2)Provenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: First with lid stuck to body. Some typical minor wear and crazing. Second with section of base restored.
396325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396325 Los(e)/Seite
A South Staffordshire Enamel Plaque, circa 1770, of circular form, printed with A pledge of Love on a scroll ground, 4.5cm diameter, mounted in a later snuff box; A Similar Patch Box, printed A Present from London with scroll and swag borders, base with yellow ground, 4cm diameter; A Similar Patch Box, early 19th century, of oval form, inscribed Hail gentle Peace to Britain’s shore O dwell with us nor leave us more, base with blue ground, 14cm diameter; and A Similar Pill Box, early 19th century, of circular form, inscribed I will not CHANGE Till Death, 13cm diameter (4)Provenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some damage and restoration.
A South Staffordshire Enamel Nutmeg Grater, circa 1770, of egg form, painted with landscapes in panels on a blue ground with white diaper, steel grater, 4cm longProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some typical wear, particularly to white enamel. Minor crazing. Grater with surface rust.
A South Staffordshire Enamel Bonbonniere, circa 1770, of fluted acorn form, painted with rose sprigs in panels on a pink ground with white foliate scrolls, 6cm longProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Damage and losses to lid. Other minor wear.
A South Staffordshire Enamel Scent Bottle Case, circa 1770, of domed rectangular form, painted in pink monochrome with flowers on grey panels within gilt cartouche on a green dotted ground gilt with scrolls, 6.5cm highProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Bottle missing. Some typical flaking and cracking to enemal.
An English Enamel Snuff Box, probably Battersea, circa 1755, of circular form, printed en grisaille with a lady and chinoiserie servant with a cat in a classical landscape, base with turquoise ground, 7cm diameterProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical hairline cracks.
A South Staffordshire Enamel Snuff Box, circa 1800, of oval form, transfer printed and overpainted with MISS/GRANDMA, the box with pink ground, 5cm longProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some typical hairline cracks and wear.
A South Staffordshire Enamel Patch Box, circa 1770, of oval form, printed and overpainted with A London Gift Westminster Bridge, box with yellow ground, 5.5cm wide; and A Similar Box, printed and overpainted with The Queen’s House Greenwich, box with blue ground, 5.5cm wide (2)Provenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Both with cracks, losses and wear.
A South Staffordshire Enamel Patch Box, circa 1790, of oval form, printed and overpainted with an altar inscribed Esteem the Giver within a white beaded border on a pink ground, 15.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Mirror probably later. Some typical minor war, scratching and hairlines.
A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, printed and overpainted with a gentleman serenading a lady with a flute and painted with flowersprays, 8cm longProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some surface scratching. Typical minor flakes and hairline cracks.
A South Staffordshire Enamel Patch-Box, circa 1780, printed with a courting couple and inscribed My Love I’ll Treat With Kisses Sweet, box with blue ground, 4cm wide; and A Similar Patch Box, Let Virtue be your Guide, box with pink ground, 4cm wide (2)Provenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Minor wear, scratching and flakes.
A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, the central lozenge panel painted with a flowerhead and set with cut steel beads on an orange lattice ground painted with flowers, 5.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Hinge damaged. Losses to enamel on footrim. Other typical minor losses and hairline cracks.
An Unusual South Staffordshire Enamel Box and Cover, circa 1770, of rectangular form, the hinged cover moulded, pierced and painted with a basket of flowers, 5.5cm longProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Mount separated from base. Some typical chips, flakes and hairlines.
A South Staffordshire Enamel Snuff Box, circa 1770, of rectangular form, painted with a bird and fruit on a blue and white diaper ground, 5.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical minor flakes and hairline cracks.
A South Staffordshire Enamel Patch Box, circa 1770, of rectangular form, painted in puce monochrome with classical buildings in landscape, the inside inscribed Fidelle et Secret, 5.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical minor wear and hairlines.
A South Staffordshire Enamel Snuff Box, circa 1770, printed and overpainted with a couple before a chapel and with flowersprays, 16cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical hairline cracks and wear.
An English Enamel Snuff-Box, possibly Battersea, circa 1755, of oval form, printed en grisaille with a family travelling on a donkey and with figures in rural landscapes, 8cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Cover with chips and cracks. Other typical minor flakes and hairline cracks.
A South Staffordshire Enamel Snuff Box, circa 1765, of oval form, painted with a village scene and with flowersprays on a gilt lattice, the interior inscribed L’Amour & L’Gloire, 14.5cm diameterProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical minor wear and hairlines.
A South Staffordshire Enamel Snuff-Box, circa 1770, of rectangular form, painted with figures on a bridge and in a boat in a park landscape and with landscape vignettes on a pink ground, 8cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some damage and restoration.
A Japanese Cloisonne Enamel Box and Cover, early 20th century, of cylindrical form, decorated with leaf scrolls on a yellow ground, 8.5cm high; A Gilt Metal Mounted Shell Box and Cover, 10cm long; Various Mother-of-Pearl Coasters; A Pair of Chrome Plated Cowrie Shell Boxes; and Various Items of Treen (qty)
A Gilt Metal Desk Set, 20th century, comprising a stapler in the form of a grasshopper, a pencil sharpener surmounted by a mouse, four clips, a note frame and pen, four various glass paperweights, a white metal mounted horn inkpot, a chrome sellotape dispenser, three Limoges Chantilly sprig boxes and covers, a Staffordshire enamel box, a faux ivory box and cover, a glass dish, four lacquer wine cups, a chrome circular box, a desk blotter, ten polished stone pebbles, two trench art ashtray (qty)
A Cartier Gilt and Enamel Fountain Pen and Pencil, Stamped Panthère de Cartier, and dated 1990, Numbered 022712 and 023325, each part-fluted and enamelled with stars, in fitted Cartier case and with a further case, the cases each 20.5cm longCondition report: There is some scratching and wear to both the pen and the pencil as well as some dings to the caps. There is no ink currently in the fountain pen so it is not possible to test if it functions properly. The cover does not currently close tightly. There is no lead in the pencil so it is not possible to test if it functions properly. The mechanism does however appear to be functioning properly. There are some minor scuffs and to the leather cases.
A Cased Set of Eleven Elizabeth II Silver and Enamel Cocktail-Sticks, by Garrard, Birmingham, 1961, the terminal of each enamelled with a face card, the King of clubs lacking, in fitted case, Together With: a cased set of silver and enamel pencils, stamped 'Sterling', each with engine turned decoration and enamelled with one of the suits from a deck of playing cards and a quantity of cocktail sticks, variously formed as gold-clubs or with animal terminals, in associated case
PAIR OF 20TH CENTURY CHINESE VASES,with figural and floral decoration, along with a similar smaller vase and a circular plate (4)Condition report: Cracks to the plate, including area of loss to rim. Further hairlines and a chip to rim. Large area of loss to lip of smallest vase and some hairlines. One large vase is cracked throughout with small areas of loss, repaired with rivets, chipping to rim. Second large vase has no discernible damages. General surface wear present, including to painted areas, with some small losses to the enamel. Gilt has rubbed heavily. Images available.
A selection of silver, to include a silver teapot, silver candlesticks, silver salts, etc, gross weight of solid hallmarked items 20.02ozt. Condition report: Overall condition fairSalts - hallmarks worn, partially indistinct, one blue glass liner cracked in halfTeapot - marks wornEnamel box - stamped SIL, some losses to enamel
A selection of silver, to include silver backed brushes, silver lidded jars, enamelled trinket pot, silver trinket dishes, etc, gross weight of solid and hallmarked items 3.83ozt.Condition report: Overall condition fair to goodEnamelled pot - damage to enamel, dents to pot, Lawrence Emanuel, Birmingham, 1912Heart shape trinket dishes - engraving to central cartouche - hallmarks for BirminghamOval bottle - lid dented, stopper deficientSmaller bottle - good condition, stopper intactAtomiser - good condition, hallmarks for Samuel M Levi, Chester, 1912Silver backed brushes - some light dents throughout
A selection of hair combs and pins, to include two Chinese enamelled silver hair combs, two seed pearl combs, and various gem set and white metal clips, pins and sticks.Condition report: Overall condition fairEnamelled combs with Chinese marks to reverse, some losses to enamel and slightly misshapenSeed pearl combs- with discolourationTarnishing, discolouration and abrasion in keeping with age and use
An Austrian Neoclassical Revival moss agate, guilloché enamel and silver-mounted ebony walking stick, the slender tapering semi-precious handle with ribbon-tied swags, laurel garlands and a band of white of white enamel, tapering cane, horn tip, 92cm long, hallmarked George Adam Schied, Vienna, c.1900
A late 18th/early 19th century unusually large gilt brass mounted Staffordshire enamel rectangular box, the domed cover decorated with figures and cattle in a castle river landscape, the front, sides and back with floral panels, all against pearled lattice jewelled powder pink ground, 23cm wide, c.1800
A 19th century French Belle Epoque ormolu Cartel wall clock, 15.5cm circular enamel dial with Roman and Arabic numerals, twin winding holes, 8-day movement numbered 13514, striking on a bell, the case cast with flaming urn finial with loose ring goats head handles suspending husk swags and pendants, fluted urn uprights and pierced grille panels, leafy bud under-finial, 70cm high
A 19th century French empire style bronze and gilt bronze portico clock, 11cm circular enamel dial with Arabic numerals, Breguet hands, twin winding holes, eight-day movement, striking on a bell, the case with rectangular tablet cast with lotus leaves above a deep frieze applied with stylised pierced anthemion's, four stop fluted columns with lotus capitals, the stepped rectangular base applied with a pair of stylised swans supporting a basket of flowers, lion paw feet, 37cm high (the panel to the top of the case missing)
A 19th century gilt brass carriage clock, by Jules, Paris, 7cm rectangular enamel dial signed and inscribed with Roman numerals, eight-day movement striking on a bell, numbered W686, the case engraved with flowers and scrolling foliage, the door to verso with sliding aperture covers, swan neck carrying handle, skirted base, 14cm high, c.1870
A George III ormolu mounted mahogany petite sonnerie table clock by Marriott, London, of small size, 9.5cm enamel dial with Roman and Arabic numerals and strike silent dial to arch, brass foliate spandrels, twin winding holes, the quarter striking 8 day movement with verge escapement striking on the hours on one bell and the quarters ting tang on two bells, the back plate engraved and chased with foliate scrolls and cartouche inscribed Marriott, London, the case with pagoda top, flame finial and pierced sides, acanths scroll feet, applied overall with ormolu leaves, scrolls and husks, 40cm high overall, c.1785John Marriott, clock maker of Fleet Street, London was apprenticed until 1755 and free of the clock makers company from 1768 until his death in 1824. He made clocks for the Turkish and Chinese export market including many musical. A fine musical and automaton clock by Marriott is now in the Palace Museum, Beijing.
A large late 19th century lacquered brass repearter carriage clock, 6.5cm rectangular enamel dial inscribed with Roman numerals, repeating movement striking on a gong, five-glass gorge case with swing carrying handle, skirted base, shallow bracket feet, 15cm high, c.1900, morocco travelling case
A late 19th century French repeater carriage clock, by Le Roy & Fils, Paris, the 6cm rectangular enamel dial signed and numbered 18120, Roman and subsidiary Arabic numerals, alarm setting chapter, eight-day repeating movement striking on a gong, the backplate stamped Patent Surety Poller, five-glass fluted gorge case with swing carrying handle, corresponding numbers throughout, 14.5cm high, c.1890
A late 19th century lacquered brass carriage clock, 5.5cm rectangular enamel dial inscribed with Roman numerals, eight-day movement striking on a gong, the five-glass gorge case with swing carrying handle, 12.5cm high, c.1900; another carriage timepiece, retailed by H GreavesLtd, Birmingham; another (3)
A late 19th century lacquered brass repeater carriage clock, 6cm white enamel rectangular dial inscribed with Roman and Arabic subsidiary numerals, 8-day repeating movement with platform escapement, striking on a gong, the five-glass gorge case with swing carrying handle, 17cm over raised handle, the backplate numbered 1243, diced calf travelling case en suite, c.1900
A Louis XVI gilt-metal and porcelain-mounted mantel clock, 8cm white enamel dial inscribed Rollin, A Paris, Roman numerals, twin-winding holes, 8-day movement striking on a bell, the allegorical case surmounted by the reclining figure of Calliope the muse, a framed portrait of Marie Antoinette rests beneath her arm, the base centred by a musical trophy, scroll feet, 33cm high, 38cm wide, c. 1870
Loading...-
396325 Los(e)/Seite