396323 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenSelection of Various Infantry Badges Including Rifle Brigade including WW2 plastic economy, KC Rifle Brigade ... White metal, KC Rifle Brigade ... Anodised, QC Royal Green Jackets ... Blackened, KC KRRC ... Silvered and enamel, KC Rifle Brigade brooch ... Bi-metal East Yorkshire ... Bi-metal Lincolnshire ... White metal Bedfordshire & Hertfordshire ... Bi-metal Northumberland Fus ... Bi-metal Scots Guards. 23 items. Payment by BANK TRANSFER ONLY
A gold, rose cut diamond, sapphire and enamel locket ring, possibly Austro-Hungarian, circa 1800, the hinged elliptical top mounted with a diamond and sapphire set standing figure on a red guilloche enamelled ground, revealing an oval compartment, each shoulder formed as an enamelled angelic figure with a rose cut diamond headdress, the shank with foliate engraved decoration, weight 4.3g, ring size approx L1/2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early 20th century silver mounted Viennese enamel vase of oval form with wavy rim, painted with a scene of a courting couple, signed 'Breval', reserved against a red enamelled ground decorated in relief with scattered pink and green roses, height 8.2cm, width 12cm (minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Edwardian silver and enamel curved rectangular vesta case, the front enamelled with a horse's head, hunting horn and riding crop, framed by a 'Good Luck' horseshoe, Birmingham 1908 by Robert Chandler, weight 34g, height 5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Edwardian silver and cut glass square inkwell, the silver collar with hinged lid, fitted with a double-sided keyless wind plated case Goliath pocket watch, one side with enamel dial and black Roman numerals, the other side with Arabic hours and subsidiary seconds, Birmingham 1907 by John Grinsell & Sons, height 11.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Collection of Victorian silver jewellery including an Art Nouveau enamelled pendant, a silver stamp case and button hook, carnelian ring etc. (B.P. 21% + VAT) Button hook is folding, damage to enamel on butterfly brooch and compass. Heart brooch is broken. Minor losses to enamel on Art Nouveau pendant
Georgian pear cased silver pocket watch marked G Williams, Carmarthen with fusee movement and Roman enamel face. Lacks suspension loop. (B.P. 21% + VAT) Generally worn overall. Does not tick. Face is good. Loop and crown missing. We would be able to post this lot. Outer case badly tarnished, scratched and dented.
Box of assorted china to include: a Meissen dish saucer with embossed and hand painted decoration inset with jade coloured enamel work, intricately painted with flowers and blue vines, Coalport bone china gravy boat with two oval saucers decorated with pale blue bands adorned with goats and cherubs surrounded by floral fronds, Italian Copeland Spode blue and white small drainer, 19th Century Spode plate, Aynsley plate florally decorated with a bird on a branch and pale blue banding with gilt decoration, Mappin & Webb soup bowl and saucer, Coalport cup and saucer, two Coalport oval meat plates matching the gravy boat, brass mantel clock etc. (B.P. 21% + VAT)
An Edwardian silver mounted pocket watch stand, William Comyns, London 1903, of rectangular form with pierced foliate silver mount, brown leather reverse, 8.3cm x 7.5cm, containing an open face pocket barometer, 48mm diameterCR; Some hairline cracks and wear to the dial. Some loss to the enamel on the dial, but lettering is still in tact and legible. Heavy scratching and wear to the case. The pendant loop is loose and requires retightening. Denting, misshaping and small areas of splitting to the pierced front and the corners and sides. There are gaps visible around the silver mount and cover. Heavy wear and loss to the leather of the reverse and sides. Moderate wear to the velvet and silk lining on the interior, particularly on the highpoints. The easel to the reverse is missing. Barometer is reacting to artificial pressure.
A Cartier mid-size stainless steel Santos wristwatch, the cushion shaped white enamel dial with Roman numerals, inner seconds track and date window to three 'o' clock, polished gold coloured screw detail bezel, brushed stainless steel case, synthetic blue spinel set to crown, 30mm wide, numbered to reverse '296180083', automatic movement, screw detail bracelet and deployment clasp, set to an associated Les Must de Cartier box with spare links Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Condition Report: This watch is currently ticking. Crown pulls out to position one and adjusts the date window. Crown open to position two and adjusts the hands. The reverse is marked 'Automatique' (please see the 12th image for the reverse).Dial: Good order. No cracks, chips or losses. All numbering and lettering is in good order. Some scratching to the dial, visible under reflected light.Case: Moderate scratching to the gold coloured bezel. Scratching and wear to the case. No denting, splits or signs of repair. All lettering to the reverse of case is clear and legible. Crown in good order.Strap: Moderate scratching and wear to strap and buckle commensurate with age and use. Very minor pulling to links, but all appear to be secure. Buckle in working order, opens smoothly and closes with a snap.The watch comes in an Les Must de Cartier case, but does not come with any paperwork. There are two spare links within the case.
A ladies 14ct gold half-hunter fob watch, the round white enamel dial with roman numerals and subsidiary dial to six 'o' clock, set to a 14ct gold case, the cover with black enamelled roman numerals and engine turned decoration, monogrammed initials to cartouche on reverse, hand wind movement, later gold coloured loop, 38mm diameter, weight 34.7gms Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.CR; Not in working order. Dial in good order, no cracks, chips or losses. All numbering and lettering is in good order. Glass is absent. Heavy denting to exterior, heavy wear to engraved detail, heavy scratching. Large split to the hinge of the back cover (see pictures). Small split to the rim of the front cover. No signs of repair. Heavy wear to the enamel on the front cover. PLEASE NOTE: The loop to the watch is gold plated and is NOT gold.
A lady's vintage 9ct gold wristwatch, the circular white enamel dial with Arabic numerals and subsidiary seconds dial to six 'o' clock, set to a plain polished 9ct gold case, marks for London 1927, case size 25mm diameter, set to a later gold coloured strap, together with a gentleman's Rotary 17 jewels incabloc wristwatch, case size 35mm, set to an expanding strap, a Globa Shockproof wristwatch, case size 30mm, set to a black leather strap, and a gold plated open face pocket watch, 50mm diameter (4) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A George V 9ct gold full hunter Waltham pocket watch, the round white enamel dial with Arabic numerals and subsidiary seconds dial to six 'o' clock, set to a plain polished 9ct gold case, marks for Birmingham 1919, inscription to inner dust cover, hand wind 17 jewels movement, 50mm diameter, weight 95.6gms Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.CR; Currently not in working order.
A continental yellow metal open face pocket watch by Robert Courvoisier, 19th century, the gold toned case enclosing a circular enamel dial painted with a classical romanticist view of a maiden and a cherub, initialled 'R&C' Arabic dial and subsidiary seconds dial, fusee movement signed Robert Courvoisier, papers named for 'W & H Crawford' watchmakers, case diameter 55mm (at fault)CR; Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Condition Report; This watch is ticking intermittently. There is indications that the watch was once a quarter repeater, but this part of the mechanism has been removed. The watch has been opened in a workshop previously in order to photograph the inside and the movement, however the watch has now been re-assembled and can not be opened without professional intervention. Please view additional pictures to look at the movement and interior.Dial in good order, no signs of restoration to the scene. No hairline cracks, chips or losses to the dial, minor scratching and wear, mostly concentrated around the edges and key holes. Glass in good order, no cracks, chips or losses, general scratching and wear only. Moderate denting to the case, mostly concentrated on the reverse. Heavy scratching and wear to the exterior, with deep scratches around the opening clasps.The case bares no marks, and has not been tested. Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A Victorian Fattorini & Sons silver pocket watch, the circular white enamel dial with roman numerals, outer seconds track and subsidiary seconds dial to six 'o' clock, set to a plain polished case, shield cartouche to reverse, marks to inside reverse cover for Fattorini & Sons, Chester 1898, key wind movement, 55mm diameter, weight 152.1gms Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A Victor Mayer for Faberge limited edition emerald, diamond and enamel 18ct gold ring, the central floral design set with a mixed cut emerald and brilliant cut diamonds, with a blue enamel surround, plain polished 18ct yellow gold shank, marked to inside '142/300', ring size O, weight 5.7gmsNote; Enamel in good order, no chips, cracks or losses, light scratching and wear only. All stones are present, one diamond shows a small chip to the table edge, but all others are in good order, showing light wear commensurate with use only. There is some wear/thinning to the base of the shank, commensurate with wear. No splitting, resizing or repair. There is no certificate or box accompanying this lot.
RACING INTEREST: A diamond and enamel bar brooch, modelled as a horse and jockey, the horse's body set with single cut diamonds, the jockey decorated in polychrome enamel, all set in white and yellow metal to a plain polished bar stamped '14CT PLAT', hinged pin and safety loop fastening to reverse, 52mm wide, weight 6.1gms, complete in a brown leather case (at fault)CR; All stones are present and in tact. Moderate scratching, wear and loss to the enamel of the rider. The setting of the horse and rider is in good order, some scratching and wear, but no splitting or major damage. One of the fittings connecting the pin and the body is broken, so the horse is loose on the bar. There are signs of possible previous solder repair, which has since split. Some denting, scratching and wear to the bar. Pin on the reverse is bent, but the loop and safety fitting is in working order. Please view additional images.
An Edwardian pearl and turquoise set floral garland brooch, indistinctly stamped to reverse, 25mm diameter, together with an Edwardian pearl and turquoise set bar brooch, 52mm wide, a carved shell cameo brooch in a gold coloured mount, 42mm long, a Victorian ruby and diamond bar brooch, 43mm wide, a 15ct gold horseshoe stick pin, 53mm long, and a silver gilt and enamel watch pendant, 22mm diameter (at fault) (6)
A silver and enamelled dressing table set, Adie Brothers, Birmingham 1939, comprising mirror, clothes brush and hairbrush, each with shaped borders and light blue guilloche enamel, mirror 28cm long, complete in a fitted caseCR: Chip to the enamel of the reverse of the hairbrush, about 8mm wide. General scratching and wear, no other large chips or losses. Some light denting and splitting to the silver around the brush head. Bristles show moderate to heavy wear.Enamel to mirror is in good order, no cracks, chips or losses, general scratching and wear only. Glass in good order, no cracks, chips or losses. No splits or denting to the silver, general scratching and wear commensurate with age and use only.Enamel to clothes brush is in good order, no cracks, chips or losses. Silver in good order, some thinning and very minor denting around the bristles, but this is largely in good order. Bristles show moderate to heavy wear.One of the buckles to the case is missing/not functioning. Heavy wear and tear to the leather, perticularaly concentrated on the edges. Interior silk and velvet show general wear and tear, but largely in good order.
An early 20th century Hungarian silver enamelled box, of circular form with red and white guilloche enamel decoration to hinged cover, plain polished exterior, gilt interior, stamped 'BACHRUCH 900' to cover, 10.2cm diameterCR; Weight: 12.75oztCracks to the enamel to the cover, possible signs of later repair. Enamel to the base shows heavy scratching and wear, but no signs of loss, possible signs of repair. Several, shallow dents, moderate scratching and wear to the metal on the cover and base. Signs of solder repair around the lip of the cover, further signs of possible solder repair to the base. Heavy scratching to the interior, some wear and loss to the gilt interior. Cover opens and closes smoothly, but does not sit completely flush. There is a rattling sound when the box is moved, probably emanating from the cover, though its cause is unexplained.
A selection of silver commemorative and novelty teaspoons and coffee spoons, including a pair the silver jubilee of George V, Josiah Williams & Co, London 1935, each 13cm long, three coffee spoons for the silver jubilee of George V, Barker Brothers Silver Ltd, Birmingham 1936, each 9.2cm long, a silver and enamel teaspoon for the coronation of Edward VIII, 12.2cm long, and a further fifteen silver spoons of assorted dates, styles and sizes, gross weight of group 9.41ozt (21)
A pair of Chinese cloisonné inset Archaic style vases, 19th century, each of Hu-type form with beast mask lugs and set to each side with a cloisonné roundel featuring an imperial five-clawed dragon, Spurious Yongle-type character mark to the underside, 33cm high (2) (at fault) CONDITION REPORT:The cloisonné enamel is inconsistently applied and crosses the wire lines in several areas. The base of one is detached but present. There is a build up of dirt or other residue across the piece, possibly later applied.
A selection of Japanese Satsuma porcelain, Meiji period (1868-1912) and later, to include a coffee pot and cover, decorated with multiple figures and with a chilong moulded spout and handle, Seto crest mark, 18cm high, with a collection of further satsuma including an immortals vase, 18cm high, a Chinese ginger jar and cover, three Chinese enamel trays etc (Qty) (at fault)
A George V silver cigarette case, A & J Zimmerman Ltd, Birmingham 1911, of curved rectangular form, the cover with engraved monogrammed initials, 8.7cm x 7cm, together with an Edwardian silver and enamelled compact, Douglas Clock Co Ltd, Birmingham 1905, of circular form with guilloche enamelled cover decorated with roses, 38mm diameter, and a silver coloured blue enamel compact, 41mm diameter (3)CR; Cigarette case: Some denting to the body, mostly concentrated to the corners and sides. Very heavy scratching to the exterior and interior, general wear and tear. Loss of definition to the monogrammed initials. No splitting or signs of repair. Case does close flush, but is difficult to open - button is not in working order.Blue Enamel compact: Heavy denting to the sides and reverse. Heavy scratching and wear to the exterior. Enamel in good order, scratching and wear, but no cracks chips or losses. Mirror in good order no cracks, chips or losses. Powder and puff present to the interior. No splits of signs of repair. Cover is in working order.Rose Enamel compact: Some chips to the enamel, around the centre of the cover - these are relatively shallow, and do not expose the metal underneath. Heavy scratching to the enamel cover. Heavy denting, concentrated around the sides. Heavy scratching, wear and tear. No splits or signs of repair. Cover in working order.
An Art Deco silver and enamel compact by Adie Brothers, Birmingham 1933, of hexagonal form with green guilloche enamel decoration to cover, engine turned detail to reverse, 8cm wide, together with a George V silver and enamel pill box, Langstone Silver Works, Birmingham 1923, 38mm diameter (at fault), and a silver coloured pill box with abalone shell inlaid cover, 36mm wide (3)CR; Compact: Some chips to the corners of the enamel cover. Short, deep scratch to one corner, general scratching and wear to enamel commensurate with age and use throughout. A couple of minor dents to the side of the compact, moderate scratching and wear. Cover opens smoothly and closes with a snap, but does not sit completely flush. Conchoidal fracture to the bottom right of the mirror, about 1cm wide. Minor wear to the engine turned detail, general scratching and wear.Enamel pill box: Large chip to the enamel edge of the cover, 13mm wide, 4mm deep. There is another, small chip on the other side of the cover. Light denting to the edge of the cover. Heavy denting to the body, heavy scratching and wear, but no splitting or signs of repair.Abalone example: Denting to the body. Hinge is damaged, pin is bent, and as a result the cover is wobbly. Shell is in good order, no cracks, chips of losses.
2 silver necklaces. A modern design two tone illusion pendant set with small round cut diamonds. On an 18 inch fine snake chain by The Genuine Gem Company. Together with a circular pendant with floral design, pink enamel and clear stones on a pale pink cord with silver fixings and clasp. Both pendants have silver marks. Both clasps marked 925.
BAPTISTE LAURENT (Nantes, France, 1980)."Muraille Bleu", 2018.Attached certificate issued by the author.Acrylic and enamel on canvas.Signed, dated and titled on the back.Size: 96 x 98 x 3 cm.This work belongs to the series Exit, which gave rise to a set of three exhibitions that could be seen at the National Museum of Anthropology in Madrid, the Alliance Française in Madrid, and the Gazzambo Gallery. The series deals with travel and exile, attempting through the paintings to evoke dreams of the traveller.Baptiste Laurent is a visual artist based in Spain since 2007. Founder of the shared artists' studio, Latolier, located in the Barrio de Usera, Madrid, Spain. He has exhibited in different artistic and cultural institutions such as Espacio Seara, Palais de Tokyo, Gazzambo Gallery, Alianza Francesa, Museo Nacional de Antropología, and Espacio FL among others. He has developed his artistic practice as a self-taught artist in parallel to his studies in political science and art history. He has been an art director and manager of cultural projects in numerous cultural and artistic institutions (Palais de Tokyo, La Maison Rouge, Venice Biennale, Gallería Continua, among others). His traditional medium is painting, but he also works in sculpture and, mainly, on projects with a strong literary, social and anthropological component. In his recent publications "Bajo el mismo mar" and "Exit", he has already experimented with collaborative creative work with literary authors. He is an anti-academic, eclectic painter who likes the syncretism of pictorial styles, and who vacillates between neo-figuration narrative, graphic painting, urban art and abstraction.
Loading...
