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396323 Los(e)/Seite
Los 109
the first with a galloping race horse set with rose cut diamonds, the jockey in red, white, blue, black and pink enamel, pin length 3.1cm, in period fitted oval case; also a vintage chrysoberyl and seed pearl heart set on a similar pin, length 4.0cm, and single stone sapphire bar brooch, with a round cut mid blue sapphire on a lazy S bar with crossover twisted ribbon, hallmarked 9ct gold, length 5.0cm (Qty: 3)
Los 121
the principal length of the bracelet composed of small rondels depicting a gold crown on a white enamel ground alternating with gold rondels with red enamel initials FJ, for the Emperor Franz Josef (1838-1916), with two part enamelled pendants, the first for the Order of Franz Josef with a crown above a red Greek cross against a black double-headed eagle bearing in its beak a chain with the motto 'Viribis Unitis', in the centre a white disc with 'FJ' in gold, on the back a similar disc with '1849'; the second pendant for an unidentified order, with a white Maltese cross, the arms linked by ropetwist open knots, and in the centre a black eagle with red shield and white cross, on the back a blue disc with jewelled crown; the bracelet with open link back chain and engraved box clasp with Hungarian mark (current 1866-1937) of a chamois head and '3', signifying 18ct gold, also with maker's stamp 'AK', possibly for A.E. Köchert; length of bracelet 13.5cm, of larger pendant 2.4cm
Los 122
the interlaced initials signifying Edward Imperator Rex (Emperor, King), with the E and I in red guilloche enamel, the R in white opaque enamel, all studded with rose cut diamonds, beneath a crown surmount with red and green enamel details, the back stamped '18' and tests for 18ct gold, length 3.6cm, in original fitted gold-tooled leather case by Collingwood (Qty: 1)Footnote: King Edward VII and Queen Alexandra were regular clients of Collingwood & Co, buying many jewels there, especially gifts such as the present example, which were distributed at Christmas or on the occasion of a royal visit
Los 125
the oval half length portrait of a young man in early 19th century dress, with brown eyes and powdered hair, in a plain narrow mount, the back with a glazed panel of hairwork, with a lock of chestnut hair tied with a seed pearl band like a sheaf of corn, with gold work wheat stalks and ribband, in a broad mount of very dark blue thick guilloche enamel; the mount has formerly had a suspensory loop; length 7.2cm
Los 15
the rose gold curb link bracelet, every link stamped '9 .375', lobster claw clasp, length 20.5cm; the charms include a sovereign, a half sovereign, a snake encircling an enamel boss set with a ruby and diamond points, a bear, pig, shoe, key, riding crop, two carved gem miniature seals and others; gross weight 49.6g
Los 187
designed as enamelled links with opposing black and white fleur-de-lys separated by red quatrefoils, alternating with figure-of-eight links with small black and white fleur-de-lys details, all linked by pairs of collet set cabochon turquoises, the snap clasp set with a large oval cut aquamarine in a black and white enamel zigzag border, length 18.5cm; presented in a mid blue velvet and satin case by A.E.Köchert, Vienna
Los 227
the first a round cabochon light blue sapphire with loupe visible silk and displaying asterism; also a large cushion cut light blue sapphire; a round cut royal blue sapphire in a square white enamel mount; a closed back drop shaped top set with a pear cut topaz in a border of shaped topazes all of pale apricot colour; a pear cabochon emerald; a pear cut aquamarine and rose cut diamond; and a star and crescent moon set with graduated rose cut diamonds (Qty: 7)
Los 316
circa 1900, maker's mark 'M.N', possibly Moritz Nass, with Austrian marks for Vienna and the Hoopoe bird number 2 indicating 900/1000 standard silver, of rectangular portrait form with ridged sides, the piano hinged flush fitting cover set with a painted and lacquered Eastern scene within a green enamel border, plain thumbpiece, interior with mirror, powder gauze and puff, and presented with the original chamois leather pouch, 5.6ozt gross (Dimensions: h: 1.10cm w: 7cm d: 10.50cm )(h: 1.10cm w: 7cm d: 10.50cm )
Los 323
sponsor's mark George Stockwell, with London import marks for Sterling silver 1929, of rectangular form, the sides and piano hinged cover decorated with a sunburst of fawn coloured guilloché enamel, the hinged clasp similarly decorated with an additional decoration of marcasite, the clasp clip on the cover being a bullet shaped rub over set citrine, the base with engine turned decoration, the edges and corners of engraved silver, the interior also engine turned and featuring an integral rectangular pill container with hinged cover and sky blue enamelled interior, a central circular section for powder, and a hinged and removable sliding lipstick holder, the inside of the cover mirrored (Dimensions: h: 1cm w: 7.50cm d: 4cm )(h: 1cm w: 7.50cm d: 4cm )
Los 324
sponsor's mark F.B. Reynolds with London import marks for Sterling silver, 1930, of rectangular form, the piano hinged cover decorated with a diagonal stripe of yellow guilloché enamel with marcasite set accent over a striped blue guilloché enamel field, verso with engine turned decoration, gilded interior with a single elasticated retainer, 3.4ozt (Dimensions: w: 6cm d: 8.50cm)(w: 6cm d: 8.50cm)
Los 325
by Beddoes & Co, Birmingham 1936, of elongated rectangular form, the piano hinged cover decorated with sky blue guilloché enamel in the Art Deco style, verso with engine turned decoration, gilded interior with personal engraving and two elasticated retainers, 4.6ozt (Dimensions: w: 5cm d: 15.50cm)(w: 5cm d: 15.50cm)
Los 326
by Henry Clifford Davis, Birmingham 1925, of rectangular form, the piano hinged cover decorated with a swirl of blue guilloché enamel in a bright cut engraved border, verso and sides with engine turned decoration, gilded interior, 3.8ozt (Dimensions: h: 1cm w: 8cm d: 5cm )(h: 1cm w: 8cm d: 5cm )
Los 327
sponsor's mark Henry Charles Freeman, with London import marks for Sterling silver, 1935, of rectangular form and decorated all over in brick red enamel, with two piano hinged covers, the first with black enamel thumbpiece and spring release to reveal a pop-up clock with unsigned cream coloured square dial, Arabic numerals and secondary seconds register, the second with mirrored interior and plain thumbpiece to reveal two inner compartments each with engine turned and hinged covers, one with black enamel interior and cork lined lid, the other with gilded interior, 4.3ozt gross (Dimensions: h: 1cm w: 9cm d: 4cm )(h: 1cm w: 9cm d: 4cm )
Los 33
of circular form, the central raised part set with an old oval cut diamond in a six point star with six rose cut diamonds and black enamel delineation, and stylised fleur-de-lys around the edge also in black enamel, to a polished, beaded and ropetwist mount; the central feature is hinged and opens to a glazed panel with hand-coloured photograph of a woman with dark hair and pendant earrings, the back of the jewel having another glazed compartment with a photograph of a man with moustache and exuberant side whiskers; brooch fitting and hinged suspensory loop with ring to enable wear as a pendant; diameter 3.8cm
Los 337
the first, by George Unite for Benzie of Cowes, Birmingham 1882, of rectangular form, with sprung hinged cover activated by a push button to the side and with strike to the base, the front decorated with two crossed flags - the white ensign and the pennant of the Royal Yacht Squadron - in full coloured enamel, signed to the inner lip 'Benzie Cowes'; the second by Robert Chandler, Birmingham 1920, of similar form, the front decorated with the Coat of Arms of the Leys school, Cambridge, below a crest, in full colour enamel, with suspension ring to the side, 2.16ozt gross (Qty: 2)Footnote: Other notes: Benzie of Cowes, known as the yachtsman's jeweller, is famous for producing jewellery and objets using enamelled signal flags and other nautical flags and their products are highly collectable.
Los 338
the first, London 1886, of plain rectangular form with sprung hinged lid and strike to the base, the front with the motto 'A match for you at any time' in dark blue enamel; the second, London 1891, decorated all over with foliate engraving around a circular vacant cartouche, both ends with spring hinges and strikes; the third, London 1890, of similar design, the cartouche with monogram, plain hinged lid and strike to the base, 2.3ozt gross (Qty: 3)
Los 34
the first with a glazed oval panel over a finely wrought silhouette of a young man with pigtailed wig, lace frilled shirt and buttoned frock coat, in black enamel on a plain gold ground to a floral and foliate border with detailing in very fine black enamel, the whole in a gaspipe and polished border, closed back setting, simple pin and hook clasp, length 2.8cm; the other brooch with a circular thick black onyx plaque in the centre of which is a raised button of patterned black enamel around a rose cut diamond highlight, the whole in a broad undulating border with six raised reeded half hoops, bright cut decoration, and ropetwist edges, back with pin and suspensory loop, diameter 3.1cm (Qty: 2)
Los 345
by James Deakin & Sons (John & William F Deakin), Chester 1899, of rectangular form, the outer cover decorated in black and yellow enamel to represent a domino tile, strikes to each side, with slide out inner section, lightly gilded and concave interior, 1ozt (Dimensions: h: 1cm w: 4.50cm d: 2.50cm )(h: 1cm w: 4.50cm d: 2.50cm )
Los 35
composed of six rectangular open panels with borders of two alternating designs bright cut and finely detailed in black and white enamel, over which is laid a linear oval then a parcel gilt symbol mostly with strong Scottish associations, variously; St Andrew (patron saint of Scotland, who was crucified on a diagonal cross), a Scottish rampant lion, a crowned thistle, a Scottish unicorn with shield, a Saltire, and a stag with cross (possibly a symbol of either St Hubert or St Eustace), the panels are joined by oval bright cut plaques, hidden clasp, length 18.7cm, width 2.9cm (Qty: 1)
Los 370
by Derepas, Paris, the main body in red enamel with gold coloured vine leaf, tendril and bunch of grapes decoration between beaded borders, each friction fitting, tapering and collapsible section with millegrain edge, with the eyepiece signed 'Derepas' to the top and 'Breveté du Roi Palais royal no 23' to the side, presented in the original red leather edged case with hinged lid and original paper label to the base (Dimensions: h: 9cm w: 4cm)(h: 9cm w: 4cm)
Los 372
probably by Jean-Louis Leferre (active 1803-1822), the rectangular black tortoiseshell box with piano hinged friction fitting cover with gold thumbpiece, decorated with an oval miniature, workshop of Jean Petitot: "Portrait of Louis XIV", dressed in armour with a blue shoulder sash, within a glazed octagonal frame in gold repoussé, bordered with a line of blue enamel, the interior of rose gold with Paris mark, (cockerel and '3' in vertical hexagon - Paris mark for third standard gold, 1809–19) duty mark (lion's head in circle - excise mark for gold, Paris,1809–19), maker's mark (J.L, a head of Mercury above, a bird below, in vertical lozenge) and another unidentifiable mark (Dimensions: h: 2cm w: 8.50cm d: 4.50cm )(h: 2cm w: 8.50cm d: 4.50cm )Footnote: Other notes: In eighteenth and early nineteenth century Europe, Paris led the way in the production of high-quality luxury goods and Parisian goldsmiths were famous for producing a wide range of small, personal articles. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the Court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best quality boxes often made use of gold and were embellished with diamonds, enamelled decoration, lacquer and other luxurious materials, as in this example.
Los 38
the first with a rose cut diamond and black enamel urn on a white ground, with black border bearing the words 'Adieu, Remember Me', the curved plaque engraved on the back 'The Right Hon'ble Lady Lyttelton, Ob't Aug 27, 1795, Æt 78', on a plain tapered shank (not round); the second ring with rectangular glazed panel containing plaited chestnut hair, in a double border of seed pearls and black enamel with scalloped outer edge, to trifurcated shoulders and plain shank size O, the back engraved 'Bate Richards Esq'r, died 23 Feb, 1815, Aged 69' (Qty: 2)Footnote: Lady Lyttelton was born Elizabeth Rich, daughter of Field Marshall Sir Robert Rich. She was the second wife and widow of Sir George Lyttelton, 5th Baronet, who was a Privy Councillor and Chancellor of the Exchequer. In 1756, Sir George was raised to the Barony, thereafter being styled the Right Honourable Lord Lyttelton. He died in 1773. His seat was Hagley Hall in Worcestershire. Also living in Hagley was the Richards family. Bate Richards (1745/6-1815) appears to be the father of John Richards of Hagley (1780-1847), MP for Knaresborough, and in 1844 High Sheriff of Worcestershire. His oldest son was Alfred Bate Richards (1820-1876) who was a journalist and author, and friend of the explorer Richard Burton.
Los 389
the outer (and inner) case with indistinct maker's mark overstruck by Joseph Walton, London 1815, the hinged cover activated by push button, the open faced pocket watch with white enamel dial, 50mm diameter, black Arabic numerals, gold coloured spade hands and dot minute track, front loading mechanical key wind fusée movement, signed 'T Spencer London' number 6570, with engraved balance cock, and presented with the winding key
Los 406
the front lid with applied rose gold coloured circlet, blue enamel Roman numerals and chemin de fer chapter ring, the white dial, 38mm diameter, with black Roman numerals, blued double swell spade hands, subsidiary seconds register and chemin de fer chapter ring, the 15 jewel mechanical crown wind movement number 31058 with onion shaped winder, the slimline gunmetal case number 85278, the cuvette similarly numbered, with gold coloured bow
Los 407
circa 1911, the front lid with blue enamel Roman numerals between an outer circle and in inner chemin de fer chapter ring, the signed white dial, 43mm, with black Roman numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the mechanical crown wind Ludgate movement with hand setting button at 4 o'clock numbered A5651, the case, 52mm diameter, by James William Benson, with London hallmarks for Sterling silver, number 651, the cuvette similarly marked, attached to a Victorian silver curb link double Albert chain, terminating in two swivel catches, one of which supports a George V silver vesta with Birmingham hallmarks for 1920, the midpoint of the chain supports the T bar marked for 1898 from which hangs an Edward VII silver medallion with Birmingham hallmarks for 1904, gross weight of the watch 135.3g and of the chain with all the attachments 96g (Qty: 3)
Los 437
circa 1948, the front lid with blue enamel Roman numerals within a ring of blue enamel and above a blue enamel chapter ring, the white dial signed for the retailer, 42mm diameter, with black Roman numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the signed mechanical crown wind 15 jewel movement number 31, the case, 48mm diameter, by Dennison for Vertex with Birmingham hallmarks for 9ct gold, number 697614, the cuvette similarly numbered with presentation engraving, gross weight 95.1g
Los 439
circa 1909, the front lid with blue enamel Arabic numerals and chemin de fer chapter ring, the signed white dial, 40mm diameter, with black Arabic numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the signed mechanical crown wind movement additionally marked 'Watchmaker to the Queen', with hand setting button at 4 o'clock and onion shaped winder, the case, 48mm diameter, faintly numbered and with London hallmarks for 18ct gold, the cuvette similarly marked, gross weight 108gFootnote: Other notes: Established in 1814 by Edward J Dent, the company created precision chronometers to navigate the Royal Navy, and guide some of the most intrepid explorers on their voyages. In addition to making the Standard Clock at the royal Observatory, Greenwich, which keeps 'Greenwich Mean Time', Dent also made the clock for the Houses of Parliament, familiarly known as 'Big Ben'.
Los 44
the yellow metal mounted needle case with inset enamel cartouche depicting a blue and white pansy (in French 'pensée' which also means 'thought' - in other words, 'think of me when you use this'), length 6.8cm; together with a circular fob pendant with engine turned decoration on both sides, hinged, and inside a glazed panel of plaited blonde hair, yellow metal tests for 14ct gold, length with hinged suspensory loop 3.7cm; and a circular magnifier on a chain stamped '9ct', lengths respectively 5.6cm and 55cm (Qty: 3)
Los 442
circa 1880, the front lid with blue enamel Roman numerals around an inner chemin der fer chapter ring, the unsigned white dial 32mm diameter, with black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the unsigned crown wind mechanical movement with hand setting button at 2 o'clock, the case, 36mm diameter, covered with engine turned engraving, verso with a small circular and vacant cartouche, inner stamped '18K' numbered 15614, the cuvette, similarly numbered and engraved, 'To the Queen, Charles Frodsham, 84 Strand, London' below a crown, gross weight 48gFootnote: Charles Frodsham was a distinguished English horologist founding his business in the 1840s. From 1884 he traded as Charles Frodsham & Co, which remains in existence as the longest continuously trading firm of chronometer manufacturers in the world. At the Great Exhibition in 1851, he was awarded a first-class medal for his timekeepers. The firm won fourteen further medals and honours at the major international exhibitions over the rest of the nineteenth century. In 1997 the company moved to new retail premises at 32 Bury Street, St. James’s, and set up a manufacturing and conservation workshop in East Sussex, where it continues today, specialising in English precision horology.
Los 443
the front lid with blue enamel Arabic numerals within individual circles between two concentric enamel rings, one dotted, the white dial, 26mm diameter, with black Roman numerals, blued spade hands and chemin de fer chapter ring, the unnumbered crown wind mechanical movement with hand setting button at 4 o'clock and gold coloured pumpkin shaped winder, the case, 34mm diameter, monogrammed to the reverse, the inner numbered 80097 with the Swiss Bear mark for 875/1000 standard silver alongside marks for Geneva, the cuvette and inner lid similarly marked
Los 446
circa 1900, the front lid with blue enamel Roman numerals and chemin de fer chapter ring over a pink guilloché enamel background, the white dial, 32mm diameter, with black Roman numerals, blued spade hands and chemin de fer chapter ring, the mechanical crown wind movement with hand setting button at 2 o'clock and onion shaped winder, the case, 38mm diameter, double struck with the Swiss Helvetia mark for 18ct gold G for Geneva, number 87792, the cuvette similarly marked, gross weight 46g
Los 448
circa 1908, the front lid with black enamel Roman numerals outside a black chemin de fer chapter ring, the unsigned white dial, 28mm diameter, with black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed mechanical crown wind movement with hand setting button at 4 o'clock and onion shaped winder, the case, 33mm diameter, by Charles Nicolet with London import hallmarks for 9ct gold, number 221730, the cuvette similarly marked, decorated all over with floral engraving, verso with vacant escutcheon shaped cartouche and presented in the (probably) original fitted caseFootnote: Other notes: Stauffer, Son & Co. was established in Switzerland in 1830 and a London branch, Stauffer & Co, was opened soon after. They became one of the largest importers of Swiss watches in Britain, also importing watches made by Patek Philippe, Jaeger Le Coultre, IWC, Fontainemelon and Eterna. Charles Nicolet, a Swiss horologist, formed a partnership with them between 1874 - 1940.
Los 453
circa 1860, the white dial, 23mm diameter, with black Roman numerals, gold coloured moon hands and chemin de fer chapter ring, the key wind mechanical movement, the slimline case, 25mm diameter and 3mm thick, with engraved bezel, number 1771, the cuvette similarly numbered, verso engraved and with white enamel highlights, bordered by 6 groups of green, blue and white enamel foliate decoration, ring fittings to a black material strap with adjustable slider
Los 455
the white dial, 22mm diameter, with black Arabic numerals, gold coloured Louis style hands and gold coloured dot minute track bordered by a half pearl set bezel, the reverse a swirl of emerald green guilloché enamel with gold scrolled design overlay and with matching pearl set bezel (one pearl lacking), the unnumbered mechanical crown wind movement with hand setting button at 1 o'clock and pumpkin shaped winder, the unmarked case 28mm diameter, suspended from a similarly enamelled bow shaped ribbon brooch by a swivel catch fitting, and with attached safety chain
Los 92
of circular form, the engine turned lilac guilloche enamel with an applied seed pearl set ribbon-tied posy in the centre, and suspending a further seed pearl below, twin short suspensory chains meeting in a jump ring, back with vacant glazed panel, diameter of pendant 2.9cm, length with chains and bottom pearl 6.2cm; in a period snakeskin fitted case with velvet lining
Los 729
A 19th century sixteen piece hand painted dinner service, each with floral decoration, also a 19th century floral bowl with panel decoration, diameter 29cm.Additional InformationChip to the lid of the twin handled urn. The base of the larger comport has been crudely glued back on and is loose. The plates have scratches, some more extensive than others. One of the shallow footed bowl's base has also been off and crudely reglued. The other has extensive scratches to the surface. The larger bowl has pronounced rubbing to the painted and enamel decoration. Further rubbing to both aspects throughout. General surface wear, scratches, dirt and marks, etc.
Los 737
A pair of 19th century Continental shallow bowls with gilt heightened Greek key decorated border and central panel set with a butterfly (one slightly smaller), a matching small oval dish and three further cream ground blue and gilt decorated shallow bowls (6).Additional InformationThe three items with butterflies all have quite short hollow sounding rings but no visible hairlines, all with heavy scratches and pitting, similar to the remaining three items these are even more heavily scratched to both sides and all items show manufacturing imperfections but the three items with the ribbon and floral swags to centres have much more so with inclusion throughout and firing flaws, all with rubbing to gilt and enamel details.
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396323 Los(e)/Seite