Boite en écaille et or, à miniature figurant un jeune officier, vers 1815A tortoiseshell and gold portrait box, circa 1815, Prince of Wales FeathersRectangular shape, the lid set with a miniature on ivory depicting a young officer, under glass, in a frame of foliage and plumes, underlined by a blue enamel border, height 2.4 cm, length 8.7cm, weight 153gms.Footnotes:This lot is accompanied by a CIC.This lot is subject to CITES regulations. It is the buyer's responsibility to investigate such regulations and to obtain any necessary import or export certificates for export outside the European Union. Please contact the department for further details.Ce lot est soumis aux restrictions de la CITES. En cas d'exportation hors de l'Union Européenne, des formalités devront être réalisées et seront sous la responsabilité de l'acheteur. Veuillez contacter le département pour plus de détails.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.comSale Room NoticePlease note that the indicated weight is grossVeuillez noter que le poids du lot est à considerer brut
396323 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396323 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396323 Los(e)/Seite
Pendule en bronze doré figurant un joueur de lyre, Paris, XIXe siècleA large and good early 19th century French ormolu mantel clockParisSurmounted by a lyre player, a flowing robe draped over his shoulders and legs, seated upon the drum case flanked by a harp to the left and a stellar globe in a stand to the right, together with a lute, music books and a quiver of arrows, on a shaped plinth base and cast feet. The 4.5 inch white enamel Roman dial with Arabic quarter marks and good matching gilt hands. The large circular twin train movement with silk suspension and outside countwheel strike on a bell 56cms (22ins) highThis lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Pendule de cheminée d'époque Louis XIV en bronze doré et marqueterie Boulle en écaille de tortue et laiton, de Gaudron, fin XVIIe siècleA good late 17th century French brass-mounted tortoiseshell mantel clockGaudron, ParisThe caddy top with eight finials over long glass side panels to outswept front corners on turned feet and mounted with cherub term mounts, the side panels and front door all set in well-cast frames. The 8 inch dial with outer ring of individually engraved minutes 1-60 framing the 12 Roman cartouche enamel numerals on a chased gilt brass plate, with good blued steel hands, all set over a cast panel depicting Ceres and Urania along with their attributes. The rectangular movement signed along the lower edge Gaudron AParis united by four tapering pillars, the verge escapement with silk suspension and cycloidal cheeks, the strike via a solid outside countwheel and facetted hammer stand running vertically into the bell in the caddy above. 62cms (2ft) high. This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Pendule portique d'époque Louis XVI en marbre blanc et ornementation de bronze doré, de Piolaine à ParisA good late 18th century ormolu-mounted marble mantel clockPiolaine a ParisThe elaborate case surmounted by a flaming urn over a pair of tapered obelisks on flat columns set with Wedgewood-style plaques with ropetwist- and beaded- borders, on a shaped bow-fronted base and six turned feet. The 6.25 inch signed white enamel dial with black Arabic hours and quarters, good matching pierced hands and dotted minute track. The large circular twin train movement with silk suspension to a sunburst-mask pendulum, and outside countwheel strike on a bell.Footnotes:Comparative literature Tardy, Dictionnaire des Horologers Français, p.523. Tardy, French clocks the world over, p.65.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Pendule d'époque Empire à forme d'urne en bronze doré, FranceAn early 19th century French ormolu urn clockThe case with tall scrolled handles flanking a frieze of cherub mounts, the main body set with Classically dressed women on a socle base and square plinth on bun feet. The 4 inch enamel Roman dial with good pierced moon hands. The twin train movement with silk suspension (with engraved rating scale) and outside countwheel strike on a bell, (the bell and backplate both numbered 91). Now protected by a tall glazed dome on a circular ebonised stand, the dome 54cms (21ins) high. 42cms ( 16.5ins) high. (3)This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Y  GIUSEPPE MARIA BONZANIGO (1745-1820) A MICRO-WOOD CARVING OF MUSIC CIRCA 1800 Carved ivory and wood, in a glazed circular gilt-bronze and enamel frame with central tortoiseshell slip, unsigned 7cm diameter overall Please note that Dreweatts have applied for a de minimis exemption for this lot ref: LVHNTRJC. The Turin craftsman Giuseppe Maria Bonzanigo is regarded as one of the foremost exponents of 18th century Italian marquetry and exquisitely detailed wood working alongside Piffetti and Maggiolini. This micro-sculpture in wood, together with lot 138, are excellent examples of the virtuosity of the artist. His work was highly sought after in his time with commissions from the Italian Royal Family, the Savoy and international nobility and Élisabeth Philippe Marie Hélène de France, also known as Madame Élisabeth (1764-1794). He crafted busts, medallions and profiles for these clients and was appointed royal court sculptor by Vittorio Amedeo III in 1787. Condition Report: The strings to central instrument lifting- small section of possible repair to slip and small elements of dirt ingress- unexamined out of frameCondition Report Disclaimer
Lucie Rie (1902-1995, Austrian/British) Stoneware composite vase (circa 1979) Of compressed globular form, with tall neck and flared rim, in a spiralling olive green and beige pitted glaze, LR seal mark, 25.5cm high From the collection of the late Maurice Costley Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom, with paper label. Condition ReportOverall in good order. The upper rim is undulating and the globular shape is somewhat uneven in potting. There are some remnants of what is probably glaze to the underside of the foot, visible under UV, although the footrim surface is solid and does not appear to have been restored. The provenance label is faded and worn.
Lucie Rie (1902-1995, Austrian/British) Large porcelain footed bowl (circa 1982) Porcelain bowl, of flared conical form, in matt white glaze, decorated with bands of pink double concentric lines inside and out, raised on a high foot, with LR seal mark, 21 cm. diam. From the collection of the late Maurice Costley See the similar bowl in the sale: Lucie Rie and Hans Coper, Exceptional Ceramics: Selections from the Estate of Jane Coper and the former Collection of Cyril Frankel, Phillips, London, 1 November 2023, lot 404. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom. Condition ReportOverall in good order. There is a very minor, shallow footrim chip at the edge of the footim and a very minute footrim chip beside this, please see additional image. There is some typical and relatively minor pitting and sanding to the glaze, the pink bands have bled somewhat, as is the case with other bowls with this type of decoration. This has been inspected under UV light and there is no restoration or damage is visible.
Lucie Rie (1902-1995, Austrian/British) Porcelain vase (circa 1960) Of cylindrical form, with tall neck and flared rim, with bronzed manganese body above bands of sgraffito white and blue bands, the flared rim and underside of the base with radiating sgraffito lines, with LR seal mark, 22.3cm high The upper rim with restored break From the collection of the late Maurice Costley See the similar vase from the Shipley Collection, sold MAAK, London, 11 May 2023, lot 11. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her career.Condition ReportApproximately 14 cm of the circumference of the upper rim has been cracked into three sections and restuck, with some small old areas of in-filling to the enamels. The glue has yellowed at the breaks. This could be cleaned and professionally restored. Some very minor footrim chipping, possibly occurring in the making.
Liberty Heritage limited edition pewter and enamel clock, 188/250, design no. 9808, with enamelled face, within rounded rectangular border, stylised foliage to the trunk, 23cm high From the collection of the late Maurice Costley Condition ReportThere are some small scratches and wear to the casing. The battery pack inside is loose. The hands are not currently moving, but it may just need a new battery - I can't tell without changing the battery.
Iran, Order of The Lion and The Sun Officer's Neck badge, with red enamel decoration and ring hanger, approx 10cm excluding the ring hanger, 48.2g red enamel has some damages, the central enamel cartouche is in generally good conditionred enamel has some damages, the central enamel cartouche is in generally good condition
Iran, Order of The Lion and The Sun Officer's Breast badge, with red enamel decoration and pin and two lug construction, approx 8.5cm, 51.6g red enamel has some damages, the central enamel cartouche is in generally good conditionred enamel has some damages, the central enamel cartouche is in generally good condition
Tunisia, Order of Glory (Nichan Iftikhar) Officer's Star Neck badge, having strike mark to the reverse, approx 8.5cm including ribbon hanger, 53.5g, AF enamel with damages, one of the red points with majority of the damage, light surface scratches all overenamel with damages, one of the red points with majority of the damage, light surface scratches all over
An assortment of Commemorative items, to include a Golden Wedding 1997 bottle of Moet & Chandon, a 40th Anniversary Wine glass with etched design, R.H.S.C Buckingham Palace Wine Glass with etched design, silver gilt and enamel monogramed cufflinks, Diamond Wedding Anniversary cake in tin with card, 80th Birthday Chocolate, Princess Margaret monogramed table decoration and some teaspoons (parcel)generally good condition, please see additional images
Spain, Order of Isabella The Catholic, Commander Commander's Neck Badge, in gold and enamel, 32.7g minor damage to the green enamel on the wreath, other enamel appears to the in generally good conditionminor damage to the green enamel on the wreath, other enamel appears to the in generally good condition
Greece, Royal House Order of SS. Olga and Sophia, 3rd Class, silver gilt and enamel construction, with pierced design, complete with hanger, 28g the enamel is in generally good condition, some of the silver gilt is missing to the back and to the hanger through general wear and tearthe enamel is in generally good condition, some of the silver gilt is missing to the back and to the hanger through general wear and tear
A Victorian silver open faced pocket watch, fusee movement signed 'Wm Liddall, Edinburgh', '1651', 'Detached', pierced and engraved balance cock with floral decoration and 'Patent' 'Lever', white enamel dial (cracked), Roman numerals, outer minute track (only bent minute hand present), subsidiary second dial (missing hand) gilt dust cover, n/w, silver case (no glass), monogrammed, engraved silver inner dust cover, James Widmer, Chester, 1886, 140g gross; a silver open faced pocket watch, fusee movement signed 'Robert Anderson, Portsoy', '47624', pierced and engraved balance cock with floral decoration, white enamel dial marked 'Improved Patent' above '4' over '7624', Roman numerals, outer minute track, subsidiary second dial (missing hands), gilt dust cover, n/w, silver case (plastic glass), Albert Waterfall, Chester, 1902 a Victorian silver open faced pocket watch, unmarked movement, n/w, A M Jacobs & Co, Birmingham, 1885, 160g gross; others inc. a goldplated Limit full Hunter (5)
An Irish Guards stick pin, white and yellow metal, eight pointed St. Patrick’s Star, centred saltire and clover leaf, bordered by the motto ‘Quis Separabit MDCCLXXXIII’ (Who Shall Separate Us 1783), original presentation case Carrington & Co.; A silver and enamel Coldstream Guard's sweetheart brooch; another similar;
A Victorian silver cased open faced pocket watch, silver plated pair case with Andrew M'Kenzie Watchmaker, Turrife label, fusee movement stamped with manufacturers mark & 82894, white enamel dial, Roman numerals, another outer minute track, subsidiary second dial, n/w, silver case Edward Hickman, London, 1878, 43mm dia., 74.8g gross (without pair case); another similar, silver plated pair case with James Budge Watch Maker, Keith, label, fusee movement engraved No. 14369, white enamel dial, Roman numerals, another outer minute track, subsidiary second dial, n/w, silver case Charles Cooke, London, 1880, 44.5mm dia., 84.5g gross (without pair case)
A 19th century coin silver full hunter pocket watch, Safety Pinion Grade 6 movement, engraved Elgin Natl. Watch Co. Safety Pinion Elgin F11 no.2635526, white enamel dial, signed Elgin Nat'l Watch Co., Roman numerals, subsidiary second dial, blued hands, the case stamped Keystone Coin C no.133554 (missing glass), n/w 147.4g gross; a continental silver lady's open faced pocket watch, unsigned key wound movement, white enamel dial, signed Kay & Compy, Worcester 24, hand painted with a floral border and to the centre, Roman numerals, minute track, the Swiss silver case stamped 0.935, the silver dust cover stamped Made in Locle For Kay & Compy, Worcester, n/w, 52.87g gross; a continental silver lady's open faced pocket watch, the key wound movement sound Gardin, Geneve, white enamel dial, Roman numerals, minute track, the silver case chased and engraved with floral decoration, vacant cartouche, stamped Fine Silver, w/o, 42g gross; another similar
A pair of silver and enamel pedestal salts, blue enamel interior (losses), Horton & Allday, Birmingham, 1923, 77.7g gross; a pair of silver pepperettes, Bristol Blue liners (one chipped), C M & Co, Birmingham, 1911 & 1912, 62.9 gross; a pair of silver salts, pad feet, Bristol Blue liners, Mappin & Webb, Birmingham, 1914, 105g gross
A Victorian silver open faced pocket watch, the fusee movement signed Chas Skinner, 24 South St. Sheffield, no.2248, engraved foliate balance cock, white enamel dial, Roman numerals, outer minute track, subsidiary second dial, silver case, engine turned, monogrammed (worn), RJP, London, 1881, working order, 142.5g gross
A white metal open face pocket watch, the movement engraved 'Non Magnetic - High Grade - Fully Jewelled', white enamel dial, Roman numerals, outer minute track, subsidiary second dial, w/o, the case stamped Warranted 7530 30; a bell metal open faced pocket watch, unsigned movement, white enamel dial, Roman numerals, outer minute track, n/w; a silver lady's open faced pocket watch, unsigned movement, white enamel face, lilac chapter ring, Roman numeral, outer minute track, case stameped Fine Silver, no 39882, etc.
A Georgian silver caddy spoon, further teaspoon, two decorative silver knives, one with carved mother of pearl handle, the other with carved agate handle, a small Chinese silver and enamel pill box, and a Japanese inlaid metal document clip. CONDITION REPORT: Two spoons 21.8g gross, Chinese box 12.4g.
A tortoiseshell and gilt metal boullework mantel clock, 19th century, French, the white enamel dial with Roman numerals, 32cm high together with a giltwood wall mirror, 19th century, in the Baroque style, 28cm wide 44cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportClock) The enamel dial is heavily cracked. With pendulum. Ticks but cannot be guaranteed to continue for a prolonged period. Mirror) The surmount is heavily cracked. Marks to the mirror plate.
A French gilt metal mantel clock, late 19th century, the circular white enamel dial flanked by figure on a Rococo base, under glass dome,56cm highCondition ReportMinor scuffs, blemishes comensurate with ageNot been subject to internal inspection, Sworders can not guarentee the time keeping or running of this piece
A pair of Japanese Satsuma ware plates, Meiji period (1868-1912), of lobed form, each painted with a rakkan, seated in a landscape or accompanied by a dragon, 30.5cm long,together with a pair of Kutani plates, of circular form, painted with literati with attendants, signed Kutani Sanmyou sei,33.5cm diameter (4)Condition ReportSatsuma - one cracked. All with enamel and gilt losses.
Loading...-
396323 Los(e)/Seite