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396323 Los(e)/Seite
GENTLEMAN'S OMEGA SEAMASTER PROFESSIONAL CHRONOMETER STAINLESS STEEL AUTOMATIC WRIST WATCHoriginally purchased 2004, Ref: 25318000, Watch No. 80492808 all from papers, the round blue machined dial with baton and dot hour markers in white, date aperture at 3, outer seconds track, blue enamel bezel, the 41mm case with SEAMASTER, hippocampus and Omega logo to the reverse exterior, on a stainless steel bracelet strap with Omega clasp, in box, with additional links, with outer box, with papers
GENTLEMAN'S OMEGA SEAMASTER PROFESSIONAL CHRONOMETER STAINLESS STEEL AUTOMATIC WRIST WATCHoriginally purchased 2001, Ref: 22545000, Watch No.80159748 all from papers, the round black machined dial with luminous baton and wedge hour markers, date aperture at 3, outer seconds track, black enamel bezel, the 41mm case with SEAMASTER, hippocampus and Omega logo to the reverse exterior, on a stainless steel bracelet strap with Omega clasp, in box, with additional links, with outer box, with papers
GENTLEMAN'S TAG HEUER CARRERA STAINLESS STEEL AUTOMATIC WRIST WATCHthe round black dial with applied stainless steel baton hour markers, subsidiary dials at 12, 6 and 9, date aperture at 3, black enamel tachymeter scale bezel to the 41mm case and with partial crystal to the caseback, with CV2010-1, FS2265 to the caseback edge, on a stainless steel bracelet strap, with a TAG Heuer clasp, lacking box and papers
GENTLEMAN'S TAG HEUER CARRERA STAINLESS STEEL AUTOMATIC CHRONOGRAPH WRIST WATCHthe round black dial with applied stainless steel hour markers, subsidiary dials at 12, 6 and 9, date aperture at 3, outer seconds track, black enamel tachymeter scale bezel, the 42mm case with partial crystal to the caseback, with CV2010-3, RWA3869 to the edge, on a stainless steel bracelet strap with a TAG Heuer clasp, lacking box and papers
A LATE 19TH CENTURY WHITE MARBLE AND GILT METAL CLOCK GARNITURE, the clock with urn finial and bow above a circular enamel dial with Arabic numerals and floral swags, bell strike, flanked by pineapple topped columns, on a rectangular base with beaded mounts and on four turned feet, the twin branch garnitures on single columns, clock height 38cm, with pendulum and key (3)
A LATE 19TH CENTURY WALNUT AND EBONISED VIENNA REGULATOR WALL CLOCK, Eagle surmount to pediment flanked by turned finials, circular enamel dial with Roman numerals, surrounding a gilt embossed Art Nouveau foliate centre, the glazed door with turned half columns, height approximately 130cm, with grid iron pendulum
A LATE 19TH CENTURY WALNUT CASED VIENNA REGULATOR WALL CLOCK, horse surmount to pediment with turned finials and central female mask, circular enamel dial with Roman numerals and a gilt centre embossed with a bird on a branch, the glazed door with turned half columns, height approximately 141cm, with grid iron pendulum and key
A VICTORIAN SILVER AND GUILLOCHE ENAMEL DESK CLOCK, London 1886, retailed by Clark, 20 Old Bond Street, London, the dial set with Arabic numerals and contained within a border of gold rosettes, supported on articulate stand. 8cm diameter; together with a Victorian silver combination desk bell and ink well, Birmingham 1887, mark of George Unite & Sons. 12.5cm high. (2)Provenance: Captain HCP Hamilton, Moyne, Durrow, Co. Laois; thence by descent.
CHATELAINE POCKET WATCH BY CHARLES OUDIN PARIS, CIRCA 1830Watch case of ebony, with Roman numerals on white enamel round markers across the front of the case. The white dial with Arabic numerals, is signed “CH. OUDIN BREVETÉ” and “PALAIS ROYAL 52” The back displays a monogram of RB and a crown, in sterling silver. The chatelaine designed to hang on a belt comprising leather and sterling silver, the key with ebony component hangs by chain from chatelaine. Length of chatelaine and pocket watch approx. 18cm, pocket watch width approx. 4cmImitation is the sincerest form of flattery, or so the saying goes, and in the case of precious materials used in jewellery production, numerous replicates were fashioned to substitute the real thing. The inclination behind their simulation was twofold, both practical and aesthetic. To improve the durability of rubber and to mimic the quality of jet, a moulding process was developed using high temperatures and sulphur. However, while it may have enhanced its strength, it did little to the appearance. Unlike jet, the colour was a dull brown and lacked the sharp definition of its original. There was more success to be had with ebonite, a substitute for ebony wood. A later technique was developed that extended the vulcanizing process to increase the amount of sulphur which ensured it retained its colour for longer. Once moulded it was polished to high finish. This present example is ornamented with silver accents and could be suspended from the wearer’s waist by the leather chatelaine. Another example of the ebonite pocket watch by the same maker, Charles Oudin of the renowned French horologist family, is housed in the collections of the British Museum.
A late Victorian 18ct gold open faced pocket watch, white enamel dial with Roman numerals and subsidiary seconds at six o'clock, fusee movement, and engraved backplate signed H C Samuel and numbered Chester 1888, in fitted case, engraved to inner case, Miss Wright presented to Mr T Kelk in recognition of his bravery together with £80, March 1889.
International Watch Company, an early 20th century 18ct gold keyless lever pocket watch, white enamel dial, Arabic numerals, outer minute calibrated chapter ring and subsidiary seconds at six o'clock, the outer case with engraved monogram, the inner case with commemorative inscription NB: We have confirmed that the watch was presented to Hermann Gilomen who was employed as a Acheveur (regulation of suspensions/setting hairsprings) from 1905. The watch was a long service award for his 30 years of employment from 1895 to 1925.

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396323 Los(e)/Seite