A rare and interesting Great War and South Russia M.B.E., D.C.M. group of 9 to Quarter-Master & Major F.W. Sharpe, R.A.M.C., comprising: The Most Excellent Order of the British Empire (M.B.E.), Military Division, breast badge, type 1; Distinguished Conduct Medal, Geo. V (S. Mjr.); 1914 Star & (copy) bar (Q.M. Sjt.); British War Medal; Victory Medal, with oak palm for despatches (both Q.M. & Major); Army L.S. & G.C., Geo. V (Q.M. Sjt.); Greece, Royal Order of George I, 5th class breast badge; Serbia, Order of St. Sava, 5th class breast badge, in silver-gilt and enamel; Russia, Order of St. Stanislaus, 2nd class neck badge, by Edouard of St. Petersburg, in gold and enamel, one eagle rather crudely resoldered back into position; also minor enamel damage to the St. Sava but otherwise generally good very fine (lot) M.B.E. London Gazette: 11th November 1919. D.C.M. London Gazette: 11th March 1916. ÒFor conspicuous gallantry and devotion in the performance of his duties, on many occasions under heavy fire.Ó M.I.D. London Gazette: 11th March 1916. Order of St. Stanislaus, Second Class, London Gazette: 3rd February 1920. Major Frederick William Sharpe was born in 1872, served in South Africa, 1900-02 (Q.S.A. & 2 clasps), in France & Belgium, 1914-15, in the Balkans, 1916-18, and in South Russia, 1919-20. Sadly the recipient's Q.S.A. was lost within the family some years ago. Also sold with the medals are five large original photographs, two of Sharpe in uniform (one on horseback) and the other three of him at the Cenotaph on Armistice Day; the original Warrant for the Greek Order of St. George and a relating testimonial from the Greek town of Edessa containing thanks for Sharpe's services there; photocopies of the R.A.M.C. Q.S.A. medal roll and Sharpe's Medal Index Card (ex. P.R.O.); and the recipient's mounted group of dress miniatures, including the now lacking Q.S.A.
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Three regimental badge brooches, comprising; Royal Horse Guards, a blue enamel and rose diamond round brooch with a central open panel 'GR' and a crown above, Royal Horse Guards, an oval blue enamelled garter 'Honi Soit Qui Mal Y Pense', enclosing rose diamond initials 'RHG' and crown above, and The King's Royal Rifle Corps, an enamel and paste badge brooch in the form of a Maltese Cross centred by a bugle and '60' with a crown and motto above 'Celer Et Audax', stamped verso 'Sterling Silver'
A collection of brooches, comprising; an early 20th century gold and polychrome enamel regimental badge brooch for The Royal Artillery, stamped '18', a Victorian rose diamond an bouton pearl lyre-shaped bar brooch, a diamond and half-pearl flower-head bar brooch, a half-pearl initial 'M' bar brooch, stamped '9ct', a horseshoe and crop bar brooch, a turquoise and bouton pearl flower-head circlet brooch, stamped '15ct', and a brooch centred with the Isle of Man cipher
A George III gold, black onyx, enamel and diamond mourning ring, the oblong head with applied old-cut and rose diamond collets, and indistinctly inscribed verso 'Mary Wilks Ob 6 Jany 1792 at 71', and an oblong hair-glazed 'In Memory Of' panel inscribed verso 'Mary Fowden Hindley Obt July 15 1844 at 82', later applied to a ring
A Victorian 18ct gold and black enamel memorial ring, the black enamelled band inscribed 'In Memory Of', within raised floral chased borders, the head with a small hair glazed panel, inscribed inside 'N. Mott, died 12 Novr 1828' over 'S. Mott. died 5 May 1840.', London 1840, the maker's mark indistinct
Two late George III gold and black enamel mourning band rings, comprising; one with a central band inscribed 'John Sykes Esq Died 5 Feb 1813 Aged 52', on a black ground between nulled borders, London 1812, the maker's mark indistinct, the other ring inscribed outside 'To The Memory Of', on a black ground between raised borders and inside 'James Ward, Obt 22 Nov 1815 At 54', London 1815
A collection of jewellery, comprising; a single diamond, emerald and white enamel round twin panel cufflink, a pair of early 20th century gold, mother-of-pearl and small diamond collar studs, in a Chaumet Ltd case, a sugarloaf cabochon white opal and rose diamond cluster stick pin, five facetted rock crystal buttons, in a case, and various buttons and studs
A collection of jewellery, comprising; a Victorian 18ct gold and garnet three stone gypsy ring, the Birmingham marks indistinct, a pair of Victorian gold and garnet collar studs, a 15ct gold 'horseshoe and crop' brooch, Birmingham 1892 and a pair of matching half-pearl horseshoe-shaped ear studs, a chrysoprase two stone lozenge-shaped open brooch in Arts and Crafts style, a bar brooch with a central mother of pearl round panel, and a green enamel and paste 'shamrock' brooch
A collection of paste and other jewellery, comprising; a pair of paste graduated-drop pendent earrings, a pair of floral drop earrings, a blue enamel and paste round bosse brooch with an applied basket of flowers, a marcasite and multi-gem giardinetto brooch, a spray brooch, two Art Deco double clips, a similar panel bracelet, three green and white paste necklace-spacers, a canted square single stone ring and other items
A collection of Victorian and later jewellery and other items, including; a Victorian, gold, black enamel and half-pearl oval memorial brooch with an applied forget me not motif and a hair glazed back panel, a gold and bloodstone revolving watch key on a strap, a French enamelled oval panel depicting an angel, set in a floral carved wood pendant mount, a pair of gold oval twin-panel cufflinks with inscriptions, a rose diamond stick pin '97', two other stick pins, a floral engraved Latin cross, a lady's 9ct gold round wristwatch, circa 1924, another in a silver case, circa 1935, a rolled-gold canted rectangular watch, and other items in a leather bound jewellery case with three trays
A collection of Edwardian and later jewellery, comprising; a gold, diamond, pale blue guilloche enamel and half-pearl round brooch/pendant with a fluted back and a detachable suspension loop, in a case, a pearl and diamond cluster triple-bar brooch, (pearl untested), a lapis lazuli and half-pearl 'snowflake' pendant, a brooch '2287' with a small turquoise collet, a carnelian oval pendant with a monogram, and an Edwardian gold 'key to your heart' brooch in the form a heart, a padlock and a key
A late 19th century gold, diamond and polychrome enamel solitaire ring in Renaissance style, the cushion-shaped old-mine diamond measures approximately 6.7 x 6.8mm, cut-away collet set to a closed-back mount with polychrome enamelled border, back and scroll shoulders on a part-floral chased and polychrome enamelled shank
A pair of late Victorian gold and enamel cufflinks by Carlo Giuliano, each link with two open oval panels with black chevron enamelled spiral banding resembling snakes and ivory-coloured inter-sections, the interlinks in the form of repeating round and figure-of-eight links with applied discs with initials 'CG', in the original fitted case marked 'Giuliano, 115 Picadilly, London'
An early 20th century French gold, enamel and diamond fob watch, with a keyless bar cylinder movement, cream dial with blue Arabic numerals, four piece hinged case, the back centred with a small rose diamond within a blue du Roi guilloche enamelled surround and a gold fan and scroll border, together with a blue enamelled ribbon tied bow fob
An 18ct gold keyless half-hunter cased pocket watch, no. 114730, quality Swiss 15 jewel movement no.232530 with screw set jewels to train, split bi-metallic balance, overcoil balance spring and micro-screw regulator, white enamel dial with black Roman numerals, subsidiary seconds and blued steel spade hands, five piece hinged case with Roman chapter, the back engraved with a crest, the cuvette with an inscription, import marks for London 1915 and a gold plated half-hunter pocket watch, circa 1920 with 7 jewel Swiss movement
J W Benson, London, a Victorian 18ct gold half-hunter cased fob watch, no.7202, keyless three quarter plate lever movement, white enamel dial with black Roman numerals and blued steel spade hands (cracked), five piece engine turned and hinged case with blue enamel Roman chapter, the back with a crest, hallmarked London 1873 (in need of attention)
Finnigans, London, a 9ct gold purse watch, circa 1920, no.71032, Swiss 15 jewel movement with split bi-metallic balance and overcoil balance spring, white enamel dial with skeleton luminous Arabic numerals and hands and subsidiary seconds dial, three piece cushion-shaped folding case and base metal movement casing, the back inscribed 'Wild Times Dec 1924', import marks for Glasgow 1924, in original gilt tooled brown leather case #100-150. Boxes, Objects and Small Silver 490. A Victorian calamander and brass bound inlaid dressing box with two short and two long drawers with brass flush handles, the case enclosing twelve hobnail cut glass bottles and jars with foliate engraved covers with monograms, and two leather bound inkwells, the mounts London 1858-60 by James Vickery, the hinged lid with a mirror, the fitted fall front with a double-ended medicine spoon, London 1870 by G W Adams, a scroll engraved propelling pencil, stamped 'Rodrigues, 21 Piccadilly', three pairs of steel scissors and various mother of pearl handled manicure and other accoutrements (lacking a pair of scissors), 39 x 21 x 20cm (15.5 x 8.25 x 8in), together with a leather carrying case with initials 'C.E.L.'
An Asprey gentleman's 9ct gold and enamel pocket necessaire with a small rectangular timepiece, a folding magnifying glass, key and knife, a propelling pencil and a perpetual calendar, and engraved with initials 'E.J.H.M', London 1937 by S Mordan & Co, 8 x 3cm (3.25 x 1.25in), in an Asprey case
A Newlyn silver and enamel napkin ring, made by Reginald Dick, of circular shape with slightly flared rims, having a pierced panel with wire-work edges and centred with a small stud enamelled in shaded blue, green and turquoise, 4.8cm diameter, marked 'R.T.D' for London 1911 also stamped 'Newlyn' and 'Newlyn Enamel'.
A Gaskin Arts and Crafts enamelled pendant brooch, having an oval plaque set with aquamarine and rock crystal amid blue enamelled leaves and florets with larger white blooms, with similar plaque and drops below, with small enamelled detail on back below signature 'G', 6cm suspended from simple chain (some small losses to enamel).
A lady's wristwatch, the 9ct gold case with white enamel dial to a Swiss Vesta 15 jewel movement (no strap), another lady's wristwatch with off white enamel dial and octagonal gold coloured case with leather strap and a Swiss wristwatch with white enamel dial and import marked silver case for London 1916 with later leather strap. (3).
An oval "Palais Royale" chalcedony desk seal , surmounted by a yellow metal head of an eagle having ruby cabochon eyes and blue enamelled plumage (enamel damaged), the matrix engraved with a crest of sailing ship, glove and cross of Lorainne with motto "Touch not the cat but a glove". 2 1/4 in. (5.5cm) high.
Henry Pierce Bone (1779-1855) after J W Wright Charles Robert Webber as a young child Enamel on copper, oval Signed, dated and inscribed fully to the counter-enamel 'Charles Robert Webber. Born/5th April 1831 Died 9th Augt. 1831/Only Son of Chas. Geo. & Louisa Webber/London. April 1835. Painted by/Henry Pierce Bone, Enaml. Painter/to her Majesty &c. From a/sketch by J W Wright.' 7cm x 5.5cm In gilt metal frame.
Henry Pierce Bone (1779-1855) after Nicholas Mignard 'Ninon de l'Enclos' - half-length portrait Enamel on copper, oval Signed, dated and inscribed fully to the counter-enamel 'Ninon de l'Enclos/ London Novr. 1842. Painted by/Henry Pierce Bone Enamel/Painter to Her Majesty & H.R.H./Prince Albert. From the Origi-/nal by Mignard in the Collec-/tion of Earl Spencer/Althorp, North-/amptonshire'. 9.7cm x 7.7cm In gilt gesso frame.
Henry Bone, RA (1755-1834) after Titian 'Montmorency, Constable of Bourbon' - half-length portrait Enamel on copper Signed, dated and fully inscribed to the counter-enamel 'Montmorency, Constable of Bourbon/from a Copy after Titian in the/possession of Lord Howard/of Effingham-/London/May-1824/Painted by Henry Bone RA/Enamel painter to His Majesty/& To His R.H. the Duke of York'. 14cm x 12.7cm.
Henry Pierce Bone (1779-1855) after Sir Thomas Lawrence His Grace the Archbishop of Canterbury - three-quarter length portrait Enamel on copper Signed and dated 1838 Signed and fully inscribed to label verso 'His Grace/the Archbishop of Canterbury/from the Original Picture in/Winchester College, Hants/painted by Sr Thos. Lawrence/Enamel/H.P.Bone/12 Percy Street/Bedford Square'. 22.5cm x 18.5cmIn gilt gesso frame The sitter is William Howley (1766-1848) who was Archbishop from 1828 to 1848 and was previously Bishop of London 1813 to 1828. He was an old boy of Winchester.
A French Gothic Revival belge noir, red and green marble eight-day mantel clock circa 1870, the bell-striking movement with two-piece white Roman numeral enamel dial with visible brocot escapement to centre, in rosette centred gable pedimented rectangular case, with gilt foliate corner spandrels flanked by pilasters to front and on shaped scroll decorated plinth base, 49cm high.

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396323 Los(e)/Seite