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396325 Los(e)/Seite
A late 19th century French ormolu and champleve mantel clock, of arched form, the ‘CAF’ twin train drum movement with anchor escapement striking on a bell, the gilt and champleve enamel dial bearing Roman hour numerals, surmounted by a cupola above turned columns with putti, on a shaped plinth and turned feet, complete with a separate giltwood plinth, 45.5cm high in total
An Edwardian enamel, pearl and diamond heart shaped pendant, circa 1910, centrally set with a double heart of half pearls within a surround of rose cut diamonds, to a blue and white enamel border studded with small pearls (untested), attached to a curb link chain set along the length with 3mm pearls (also untested)
A pair of Worcester porcelain oval dessert dishes, each moulded with vine leaves and tendrils lying on an arcaded basket and picked out in blue enamel, the centre painted with ‘dry blue’ flowers and insects, 29.5cm wide, circa 1765-68. One dish with paper label for the J Heber Percy collection
Eugene Burnand & Co St. Croix Switzerland a minute repeating full hunt pocket watch with white enamel Roman dial and subsidiary seconds dial the visible 31 jewelled lever movement signed Eu. Burnand & Co St. Croix Suisse the inner cuvette number 7985 in the original presentation case similarly number 7985 and stamped Winner of the Silver Medal Paris Exposition 12878 with a fetter link albert chain attached
An enamel fob watch with white and gilt enamel Roman dial jewelled lever movement the inner cuvette numbered 102783 and stamped 14k the outer cuvette with foliate scroll engraved decoration and a polychrome enamel scene depicting a maiden playing a harp on the shore of a lake suspended by a 9 carat gold bar brooch
An inlaid rosewood mantel clock of stepped pavilion form the circular white enamel dial with Roman chapter ring and visible escapement eight day movement striking on a gong the case flanked by two pairs of pilasters inlaid with flutes beneath a triangular pediment and brass finials inlaid throughout in engraved bone and boxwood with leafy strapwork dolphins and shell on brass leaf scroll feet 48cm high (65cm over centre finial)
Three South Staffordshire enamel boxes, comprising; an oval box on a blue ground, the lid painted with birds in a nest and ‘Esteem the Giver’, 3.5cm wide (1.5in), another yellow with a basket of flowers and ‘Rings & true Friends Are without Ends’, 4.5cm wide (1.75in) and a round example decorated with flowers, 4cm diameter (1.5in)
A Victorian gold, enamel and multi-gem ‘Dearest’ ring, the head collet set with an old-cut Diamond, Emerald, Amethyst, Ruby, Sapphire and a pink Tourmaline, within a white enamelled border and between green and yellow enamelled shoulders in the form of oak leaves and acorns The oak is emblematic of strength and or the strength of friendship as well as of England. This ring with acorns may be considered a sign of intent in the early stages of a relationship
A set of six Charles Horner Art Nouveau silver and enamel buttons, designed as berries and leaves, (some enamel damage) Chester 1909, in a case, a violet enamelled and engraved small photograph frame, a blonde tortoiseshell photograph frame, and a silver matchbox holder, Birmingham 1903 For the set of buttons see Lawson, Tom J. Charles Horner of Halifax. Leicester 2002, p 77, pl 3-82 for a set of the same date
A pair of early 20th century Cartier gold, enamel and diamond round twin-panel cufflinks, each panel centred with an old-cut diamond collet approx. 0.14ct within a golden guilloche enamel surround and a white dot enamelled border, each disc engraved ‘Cartier London’ (minor scuffs to golden enamel and borders)
A Cartier Paris gold, coral, diamond and enamel blackamoor clip, the black enamelled female bust wearing small seed pearl earrings, a cream enamelled turban with a rose diamond plume and a coral bun, and a multi-hoop collar necklace, French marks and engraved Cartier Paris and numbered 6040 marks (see illustration and back cover)
“A George II gold enamel and crystal mouring ring, centrally set with a square crystal with a painted skull beneath and rose cut diamond shoulders, the black enamel band with the dedication ‘Walt Williamson OB 11 Mar 1735 AET 53’, finger size N, and an early eighteenth century amethyst and diamond ring, circa 1700, centrally set with an amethyst in a fluted cut down collet with rose cut diamond open work shoulders and silver fleur de lis detailing, the shank with ribbed detailing, finger size L”
“A late nineteenth century pearl, diamond and enamel pendant, circa 1875, centrally set with a half bouton pearl within a surround of rose cut diamonds and outer border of blue enamel batons and half pearls (all pearls untested), to a three stone rose cut diamond suspensory loop, mounted in gold backed silver”
“A late Victorian gold and diamond star brooch, circa 1880, set with a central cluster of nine old brilliant cut diamonds, approximately 0.60 carats total, within a further surround of rose cut diamonds, an Edwardian half pearl necklace, with a crescent motif at the centre attached to a fine trace link chain stamped ‘15 carat’, and a late nineteenth century half pearl, blue enamel and rose cut diamond pendant, circa 1890, mounted in gold (3)”
“A 1930’s 9 carat gold full hunter pocket watch, the keyless lever movement 381879, with white enamel Roman dial and subsidiary seconds dial, the cuvette hallmarked London 1934, maker’s mark R&S, the outer cuvette engraved in script with initials, attached to a 9 carat gold curb link albert chain with ‘T’ bar connection and a George V sovereign dated 1918 attached, gross weight 40.8 grammes, and a silver half hunter pocket watch, with keyless lever movement, white enamel Arabic dial with subsidiary seconds dial, the chapter ring with black enamel Arabic numerals, the inner case numbered 9105042 1733 and hallmarked London import 1918 (2)”

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396325 Los(e)/Seite