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396325 Los(e)/Seite
Los 686
A collection of Chinese dishes, to include an 18th Century Imari dish, two 18th Century export porcelain blue and white dishes and an Imari lobed dish, size ranging diameters 16cm to 22cm, S/D. (4) Large blue and white dish - extensive staples to the back, previously broken in two pieces.18th Century Imari dish - Extensive chips to the entire rim, several hairline cracks, loss to the enamel in the central well.Japanese Imari dish - Large chip to the rim, approx. 1cm x 1cm in size, hairline crack approx. 6cm in length visible to the backSmall blue and white dish - hairline crack extending from the rim, approx. 6cm in length. Small chips/nibbles to the entire rim of the dish.
Los 691
A pair of 19th Century Chinese Imari bowls, each rising from a high footring, the circular bowl with an everted rim, decorated in iron-red and cobalt enamels with panels filled with flowers, height 9cm. (2) One bowl with firing crack to base and small firing cracks throughout.minor loss to enamel on bothfree from chips or restoration
Los 701
Two Chinese 18th Century export porcelain famille rose dishes, each of circular form, each decorated in pink and green enamels depicting flowers and foliage, before a white ground, diameter 23cm, S/D. (2) Each dish has hairline cracks, small chips to the rim, minor loss the the enamel throughout.
Los 706
A Chinese 18th Century blue and white bowl, the exterior side with fan shaped panels detailed in Mandarin enamels depicting various figures within interior or veranda settings, before cobalt blue foliate designs, picked out in gilt, height 11cm, diameter 26cm. - Hairline crack extending vertically from the rim, approx. 3 cm in length.- Minor loss to enamel throughout
Los 158
A Russian biscuit porcelain group of two men, Moscow, Gardner's factory, late 19th centuryDecorated in enamel colours, the bearded figures wearing hats and pale-grey and black coats, respectively, on a rectangular base, 21.7cm high red-printed and impressed marksFor further information on this lot please visit Bonhams.com
Los 13
An early Meissen teapot and cover, circa 1715-20Decorated in the workshop of George Funcke, Dresden, of globular form with a curved spout with mask terminal and loop handle with foliate terminals, each side moulded with a flower spray in high relief and a border of tassels and lappets below the rim, the domed cover moulded with three flower sprigs and flower motifs around the finial, enamelled in blue, green, puce, black and yellow, 13cm high (small flat chip to mask, a few spots of flaking to enamels) (2)Footnotes:Provenance:Anon. sale, Sotheby's Olympia, 12 June 2002, lot 94George Funcke's invoices for enamel colours (published by Claus Boltz, Steinzeug und Porzellan der Böttgerperiode, in Keramos 167/168 (2000), p. 143) suggest that black enamel was only used from 1718. A similar teapot from the historic collection of the Margraves of Baden is in Schloss Favorite (U. Grimm/W. Wiese, Was bleibt (1996), p. 57), and another is the Ariana Museum, Geneva (R. Blaettler, Ariana Museum Geneva (1995), p. 63).For further information on this lot please visit Bonhams.com
Los 15
A very rare polished stoneware teapot and cover, probably Plaue a.d. Havel, circa 1720Of rectangular form with a curved shoulder and rectangular neck, the unpolished branch spout and handle with foliate terminals bearing traces of cold-painted green enamel, the polished rectangular cover with an unpolished finial in the form of a dromedary, 16.7cm high (handle restuck, restored chips to rim of cover) (2)Footnotes:Provenance:The Property of German Baroness, sold at Sotheby's London, 24 February 2015, lot 236For further information on this lot please visit Bonhams.com
Los 17
A very rare pair of Meissen tortoise-shaped boxes and covers, circa 1728Naturalistically modelled by Georg Fritzsche, with the domed shells forming the covers, the sides of the bodies and feet covered in burnished gilding, the shells with a gilt sponged pattern tooled at the edges, each incised 'N' through the gilding at one end of the shell and beneath one neck, 16.5cm long; 7.5cm high (one tail restored) (4)Footnotes:Provenance:The Collection of Thomas Goff, eminent harpsichord maker in London; and by family tradition given by King William IV of England to his mistress 'Mrs Jordan', from whom Goff was descended;Private Collection, Switzerland;Anon. sale in these Rooms, 5 July 2013, lot 29, where acquired by the present ownerLiterature:Johanna Lessmann, Du Paquier and Meissen: Inspiration and Competition, in M. Chilton (ed.), Fired by Passion: Vienna Baroque Porcelain of Claudius Innicentius Du Paquier (2009), p. 438, ill. 5:30 (one illustrated, image reversed);U. Pietsch/C. Banz (eds.), Triumph der blauen Schwerter (2010), no. 39Exhibited:Dresden, Japanese Palace, 'Triumph der blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710-1815', 8 May-29 August 2010Modelled by Fritzsche for an order by Augustus the Strong: the weekly reports of the Drehers and Formers at the Meissen manufactory between 1722 and 1728 list the model in 1727 and 1728, when several were produced by Fritzsche and Schmahl (published by Claus Boltz, Die wöchentlichen Berichte über die Tätigkeit der Meissner Dreher und Former vom 6. Juni 1722 bis 31. Dezember 1728, Keramos 178 (2002), p. 32.Together with the pair in the Pitti Palace, Florence (from the collection of Grand Duke Gian-Gastone (1671-1737), the last Medici Grand Duke of Tuscany; published by T. Clarke/A. d'Agliano, Le Porcellane tedesche di Palazzo Pitti (1999), no. 2), this lot represents the earliest known examples of the Meissen tortoise boxes.Later examples, all marked with crossed swords, are in the Untermyer Collection, Metropolitan Museum of Art, inv. no. 64.101.171-172 (Y. Hackenbroch, Meissen and other Continental Porcelain Faience and Enamel in the Irwin Untermyer Collection (1956), fig. 127); Schloss Laubach (published by H. Jedding, Meissener Porzellan des 18. Jahrhunderts (1979), fig. 70); the British Museum (published by A. Dawson, The Glory of Saxony: Meissen Porcelain in the British Museum, The International Ceramics Fair and Seminar Handbook (2005), p. 21, fig. 5); Virginia Museum (J.J. Miller, Eighteenth-Century Meissen Porcelain from the Margaret M. and Arthur J. Mourot Collection (1983), no. 55). In 1734, Kaendler renewed a butter box in the form of a tortoise (Lessmann, op. cit., n. 47).For further information on this lot please visit Bonhams.com
Los 18
An important early Meissen figure of Augustus the Strong as Imperator, circa 1715Modelled by Johann Joachim Kretzschmar (1677-1740), probably decorated in the workshop of George Funcke, standing on a square base, the base, cuirass, his laurel wreath and facial features all picked out in gold, 10.5cm high (very minor wear to gilding, some narrow flat chips to edges of drapery)Footnotes:Provenance: With Errol MannersLiterature:R. Roos (ed.), Meissen SO-IL, exhibition catalogue, Kunsthal KAdE, Amsersfoort (2011), pp. 46-47Exhibited:Amersfoort, Kunsthal KAdE, 'Meissen SO-IL', 28 May-28 August 2011This and another figure depicting Augustus the Strong in Roman armour were likely conceived of as part of a chess set ordered by the Elector. They are first mentioned in a letter from Johann Friedrich Böttger of 9th September 1713, in which he refers to two 'Königs-Bilder oder kleine Statuen, als in Romanischer und Teütscher Kleidung...' [portraits of the king or small statues, in Roman and German costume] for one of two chess sets, one in porcelain and the second in 'LandEdelsteinen' [precious stones] (quoted by Johann Melchior Steinbrück, Bericht über die Porzellanmanufaktur Meißen von den Anfängen bis zum Jahre 1717, ch. 10). No other chess figures of this type are recorded, however, and it seems likely that only the two figures of the elector/king were subsequently produced, probably for use by the court as gifts. The 1719 inventories of the Dresden and Leipzig warehouses list 6 and 24 white 'königl. Statuen, respectively, as well as a number in production in the manufactory itself (C. Boltz, Steinzeug unf Porzellan der Böttgerperiode, in Keramos 167/168 (2000), p. 66).Böttger stoneware examples of this figure (in 'German' armour) survive in the Dresden porcelain collection (PE 890), the Kunstgewerbemuseum Berlin and the Dr. Ernst Schneider Collection in Schloss Lustheim; the production of Böttger stoneware is thought to have been discontinued after 1713 except for particular commissions for the court. Only very few examples of this figure in porcelain are recorded; see T.H. Clarke, August der Starke in Chatsworth, in Keramos 95 (1982), pp. 3-10): two white figures on higher pedestals (ills. 4-7); an example with a low pedestal similar to the present lot in the Royal Collection is decorated with gilt armour and flesh tones in the face (ills. 8 and 9 - attributed by the author to the Auffenwerth workshop in Augsburg); and another white example on a low base, formerly in the List Collection, Magdeburg (sold by Hans W. Lange, Berlin, 28-30 March 1939, lot 672). There are also several later examples with enamel decoration. This model was first attributed to the Dresden sculptor Johann Joachim Kretzschmar on stylistic grounds by Siegfried Asche (Die Dresdner Bildhauer des frühen achtzehnten Jahrhunderts als Meister des Böttgersteinzeugs und Böttgerporzellans, in Keramos 49 (1970), pp.82-89). The author compares the drapery and sculptural presence of the small figure to the larger garden statuary, especially to that of the lyrical Apollo in the Schlosspark in Hermsdorf, and the figures created by Kretzschmar for the Kronentor of the Zwinger in Dresden. Kretzschmar was a student of Balthasar Permoser in Dresden, who - in 1712 - secured him a position at the Dresden Court to complete the large amount of sculpture required for the newly-designed Zwinger in Dresden. From 1728 until his death he worked as court-sculptor but was largely overlooked in the canon of Dresden sculptors until his rehabilitation thanks to the research by Siegfried Asche in the 1960s.For further information on this lot please visit Bonhams.com
Los 27
A Meissen waste bowl, circa 1725-30Superbly painted on each side with a harbour scene within a gilt scrollwork cartouche filled with Böttger lustre and edged with iron-red and purple scrollwork, one scene depicting figures in a barge with a ship to the side and another by a tower in the distance, the reverse with figures on a harbour foreshore by overgrown ruins, the sides with indianische Blumen, the inside with a similar cartouche enclosing a river scene and an elaborate gilt scrollwork border around the rim. 9cm high; 17.6cm across, crossed swords mark in blue enamel, gilt 1. (scattered wear to gilt border inside rim)For further information on this lot please visit Bonhams.com
Los 43
A Meissen beaker, circa 1730Finely painted with a harbour scene depicting elegant figures in a park in the foreground, within a gilt foliate scrollwork and trellis cartouche filled with Böttger lustre, edged with purple and iron-red scrollwork and flanked by indianische Blumen, birds and insects, the ear-shaped handle embellished in gilding, a formal gilt foliate scrollwork border inside the rim, 7.8cm high, crossed swords mark in blue enamelFor further information on this lot please visit Bonhams.com
Los 6
Two miniature portraits of Augustus the Strong (1670-1733), Elector of Saxony and King of Poland, circa 1720The first attributed to Georg Friedrich Dinglinger (1666-1720), wearing a powdered wig, in armour with an ermine-lined blue cloak and the Star of the Order of the White Eagle; the second attributed to Charles Boit (1662-1727), wearing a powdered wig, armour and a crimson ermine-lined cloak with a star, enamel on copper, the first with gold rope-twist frame and suspension loop, the second with a later gilt-metal pierced floral scrollwork frame surmounted by a crown, the first: 2.8cm high, 4.6cm high overall; the second: 3.5cm high, 7.1cm overall (2)Footnotes:Provenance:Collection of Gustav von Klemperer (1852-1926), Dresden;Thence by descent until sold at Sotheby's London, 16 December 1998;Purchased at the above sale by the present ownerLiterature:Hans Buchheit, Miniaturen aus der Sammlung Gustav von Klemperer (1928), nos. 63 and 209 (illustrated on pl. 3);M. Cassidy-Geiger, Porcelain and Prestige. Princely Gifts and 'White Gold' from Meissen, in M. Cassidy-Geiger (ed.), Fragile Diplomacy (2007), p. 6, fig. 1-9Exhibited:New York, The Bard Graduate Centre, 'Fagile Diplomacy', 15 November 2007-10 February 2008, nos. 4 and 5Both miniatures are after portraits of Augustus the Strong by Louis de Silvestre of 1716-18. Charles Boit also made an almost full-length miniature after a Silvestre portrait that was possibly recorded in the Pretiosenkammer by 1725 and is now in the Green Vaults in Dresden. A similar miniature attributed to Georg Friedrich Dinglinger, once in the possession of the Radziwill family, is now in the collection of the Royal Castle in Warsaw. See W. Schmidt/D. Syndram (eds.), Unter einer Krone (1997), nos. 506 (Silvestre), 510 (Boit) and 511 (attr. G.F. Dinglinger).For further information on this lot please visit Bonhams.com
Los 65
A very rare large Meissen octagonal bowl and cover, circa 1730Each painted in Kakiemon style with elaborate meandering flowering branches of indianische Blumen and scattered insects, the octagonal finial embellished in gilding, 15.5cm high; 18.5cm across, crossed swords mark in blue enamel (2)Footnotes:Part of the large order of Meissen porcelain mostly copying Japanese originals that was placed by the Paris merchant, Rudolph Lemaire, much of which was subsequently seized and incorporated into Augustus the Strong's collections in the Japanese Palace. No other examples of this shape appear to be recorded in the literature.For further information on this lot please visit Bonhams.com
Los 259
A 19th century carriage clock, with repeat, the 6.5 cm wide enamel dial signed Leroy & Fils, 211 Regent Street/13 Palais Royale, Paris, with Roman numerals and subsidiary alarm dial, fitted an eight day movement striking on a gong, in a brass four pillar case, inscribed and dated 1872, 18 cm, removal cost AReport by JSBrass very tarnished. It has been engraved on the front - Emma Catherine Prescott, 7 November 1872.Glass in good order. Movement appears complete but we have not had this clock working.Report by PMBackplate Serial No 1114719cm high
Los 338
18th century enamel patch box of oval form, the cover depicting a weeping widow and dog by a grave, mirror to interior, 5cm wide; a pink enamel oval box inscribed "A trifle from Hull" with mirror to interior, 4cm wide and another of circular form decorated with a bacchanalian putto, 3cm diam. (3).
Los 44
AN S. SMITH AND SON LIMITED MILITARY ISSUE KEYLESS LEVEL NICKEL CHRONOSCOPE STOP WATCH WITH SWISS MOVEMENT, CASE BACK ENGRAVED GOVERNMENT PROPERTY BROAD ARROW MARK AND No 252-81, 58MM, EARLY 20TH C Slight wear and minor dent on case back but in good condition and working order, enamel dial undamaged
Los 554
A PAIR OF JAPANESE CLOISONNE ENAMEL (GINBARI), GLOBULAR VASES AND COVERS AND ANOTHER CONTEMPORARY PAIR OF JAPANESE CLOISONNE ENAMEL VASES, DECORATED WITH IRISES, 10 AND 18CM H, MEIJI PERIOD One of the covers slightly damaged on the underside. Both keku knops loose. One of the globular vases with small damage. One of the taller vases with shallow grooves
Los 581
FOLK ART. A FRENCH CARVED OAK MANTEL CLOCK IN THE FORM OF A VILLAGE SCENE, WITH THE SEATED FIGURES OF A MAN AND WOMAN EITHER SIDE OF A TREE CENTRED BY THE PRIMROSE ENAMEL DIAL, THE FRENCH BELL STRIKING MOVEMENT WITH OUTSIDE COUNTWHEEL AND REPLACEMENT PLATFORM ESCAPEMENT ON BACK PLATE, 33CM H, 81CM L, BRITTANY, LATE 19TH C Good condition, dial undamaged, movement untried
Los 92
A SWISS SILVER AND ENAMEL KEYLESS CYLINDER LADY'S WATCH, THE CASE BACK ENAMELLED WITH FLOWERS, IMPORT MARKED BIRMINGHAM 1885, SUSPENDED FROM A SILVER BOW BROOCH, A PASTE SET GOLD RING, A GILTMETAL CAMEO BROOCH WITH THE HEAD OF DIANA, A ZIPPED PIGSKIN WALLET WITH BRASS COMPARTMENTS BY SIR JOHN BENNETT NEW BOND ST W1 AND AN IMITATION PEARL NECKLACE Enamel on back of watch slightly chipped, dial undamaged, little sign of wear, brooch also in good condition, watch in working order. The other items in the lot in generally good condition, including the wallet
Los 102
A SWISS 9CT GOLD LADY'S WRISTWATCH WITH ENAMEL DIAL, MOVEMENT MARKED BIRD-IN-RING, 26MM, IMPORT MARKED LONDON 1924, PLATED BRACELET, A SMALLER, TIMOR 9CT GOLD LADY'S WRISTWATCH, PLATED BRACELET AND TWO OTHER LADY'S WRISTWATCHES Bird-in-hand watch - not in working order; dial cracked. Timor watch lacking winding crown. The two other watches in apparently good condition. Movement untried
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396325 Los(e)/Seite