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Preisdatenbank abonnierenA pair of 19th century Chinese oriental enamel glaze Canton Celadon porcelain ground plates. Decorated with flora & fauna such as ripened fruits, peony, flowers, butterflies & birds on green background. One plate features blue glazed mark to base. Measure approx; 25cm. Condition; minor chips to both rims & previous repair to one rim.
A 19th Century Chinese porcelain vase of barrel shape having hand painted famille rose decoration with white cartouche panels depicting figures of teacher and children. Polychrome enamel decoration with repeating patterns and borders. Raised on a carved socle wooden base. Converted to a lamp. Measures approx; 44cm.
An early 18th Century George I mahogany cased table clock by Joshua Wilson of Stamford. The clock with sarcophagus shaped top and pineapple finial with central large white enamel dial having Roman numeral chapter ring in black and faceted hands. Raised on a stepped base with carved detailed front and set on bun feet. The back opening to reveal a signed Fusee movement and pendulum. Complete with both keys. Measures approx; 33cm tall.
A pair of 20th Century Chinese porcelain vases and covers. Both decorated in the scrolling leaves pattern with white cartouche panels depicting figures and children. Pink ground with polychrome enamel borders. The lids having matching decoration and Foo dog finial lids. Painted / stamped marks to bases. Restoration to one lid. Measures approx; 21cm tall.
A 20th Century Chinese Republic period Oriental porcelain bowl having a plain glazed interior with intricate Wucai polychrome enamel decoration to the body with a duck egg teal blue glaze. Botanical decoration throughout with floral medallions and scrolling leaves. The bowl of ogee shape with small circular foot decorated with a Famille Jaune Greek Key border. Four character Kaishu script mark to base in underglaze ochre. Measures approx; 5cm x 14.5cm. No visible damage.
A 19th Century French rosewood mantel / table clock having applied brass mounts of floral and scrolled form with detailed inlaid decoration. White enamel dial with Roman and Arabic numeral chapter ring with faceted hands. All raised on brass scrolled supports with the case housing an AD Mougin brass barrel movement. With weight and pendulum. Wear commensurate with age, mostly to the brass mounts. Measures approx; 32cm x 17cm x 11cm.
A 20th century French clock with 8-day movement, gilt embellished detailing and enamel single panel roman numeral chapter ring. The case with painted floral decoration, gilded ormolu gilt metal feet and finial tops with inset brass movement striking on a gong. Measures approx 59cm.Provenance; originally consigned from Tredean House: Tredean House, Devauden, Monmouthshire is a country house dating from 1901-02. It was designed in an Arts and Crafts style by the architect Arthur Jessop Hardwick.
A 19th Century French Boulle Work mantel clock by Samuel Marti. The clock of shaped form with red tortoiseshell and scrolling brasswork. Gilded ormolu finial top top with applied scrolled mounts. The dial being white enamel with gilt pierced hands. Strikes on a bell and compete with pendulum. Measures approx; 37cm tall.
Estate of Dave Prowse - MBE - Prowse's pair of hallmarked gilt silver cufflinks, featuring the emblem of the MBE (of which Prowse was awarded in 2000), with a red enamel border. Hallmarked to the rear for Toye, Kenning & Spencer, Birmingham, 2004. Housed in their original Toye, Kenning & Spencer presentation case.
Estate of Dave Prowse - Space Travel - a collection of x12 commemorative space related charms / plaques. Gold plated, with enamel decoration. Five mounted to letters addressed to Mrs Prowse from E. W. Nicks - charms for seventh flight of Columbia, Mission 51-L loss of the Space Shuttle Challenger, launch and landing of Atlantis, and others. All in original wrapping, unopened.
3 Keeling blue rock pattern teabowl and saucers c1800 , a spode hand-painted scene saucer , a Coalport sauce tureen decorated with hand-painted birds and butterflies , circa 1820 , 2 miniature toy plates and a small Delft teabowl and a victorian cranberry glass custard cup . (9)Condition , tureen with repairs to one handle and to the cover , Spode saucer cracks to centre , some staining and enamel flaking to the Keeling teabowls and saucers .
A collection of creamware to include a French candlestick 20th C , 2 18thC creamware plates , the smallest impressed Wedgwood , A Wedgwood plate date code for 1882 , a vase (6)condition , damage to the vase , chips to both 18C plates and brown enamel flaking to the edge of the later Wedgwood plate .
5 Halcyon days enamel boxes and a Royal Worcester example . The Halcyon days are the stock exchange , a floral box , birds , an oval box in a Bilston and Battersea box with a rhyme " my past , my future ,my love , my life , my wife , and a egg with a stand . The Royal Worcester reads with all my love . All 6 are with their boxes (6)Condition good
3 Halcyon days enamel boxes together with 3 continental boxes , 2 of the Halcyon days are limited editions , to celebrate the Beatrice inauguration by HRH Princess Alexandra in 1982 and the celebrate the Clyde inauguration by the Queen in 1987 , the third is marked happy anniversary , the 2 rectangular porcelain boxes are by Limoges and the circular example is unmarked . (6)Condition , cracks to the blue continental circular box
An 'Advanced Students' Petrological Microscope,C.1910, English, signed to the back of the foot 'J Swift & Son, London', standing on black enamel foot with a plano-concave mirror on a sliding collar, with swing-out sub-stage polariser and condenser, rotating stage with clips, body tube incorporating a Bertrand lens, with a swift 1in objective, an eyepice and fold in/out eyepiece analyser, height 41cm tall.
An Important 18th Century Cumming's Pattern Cutting Engine or Microtome,Possibly French, c.1770, unsigned, the body of the instrument is made of brass tube finished on the oustside with a black and mottled red fired enamel to simulate tortoiseshell, at the bottom is a lacquered brass end with a wheel engraved with a scale on a fine steel thread, as the wheel is turned the specimen is raised in front of the blade at the other end, the scale is marked against the brass stop next to the wheel, at the other end is the rotating elliptical blade, this is rotated by turning the polished lignum handle, two knurled wheel at the side are used to hold the blade in place and stop rotation, the other is used to hod the specimen push rod securely in the body of the instrument, the cutting engine comes in its original Fine red Moroccan leather-covered case lined to the inside with red chamois leather, in the case, there is the original shaped stone for sharpening the elliptical blade, a glass slide, a cut-glass bottle with a stopper and another similar but taller with a silver cap, the case 17.4cm wide Footnotes: The Cumming's Cutting Engine - The instrument that changed microscopy. In 1770 a book was published by John Hill (b.1714 – d.1755) on the structure of wood as examined under the microscope. In this book ‘The Construction of Timber from its Early Growth, Explained by the Microscope’, Hill illustrated finely cut sections of wood which were only made possible due to the recent invention of cutting engine or microtome designed and built by Alexander Cumming (ca.1743 – d.1814). This instrument allowed thin sections to be cut so that light could pass through enabling, for the first time, microscopists to see the cell structure of plants. This simple step revolutionised the use of the microscope into a serious scientific instrument. It was George Adams,, then, maker of scientific instruments to King George III, who before this pivotal moment had lamented that the interest in the microscope had waned, famously stating of microscopy “either satisfied with the discoveries already made … or tired by its own exertionsâ€, after Hill's book was published Adams went on to say “So important a subject soon revived the ardor for microscopic pursuits, which seems to have been increasing ever sinceâ€. From Hill’s book, it was stated that Mr. Cummings had made two or three of his cutting engines, the design was then passed to Ramsden who made them commercially, one of which resides today in the collection of the Oxford Science Museum. The Cumming's Pattern Cutting Engine proved difficult to use as keeping the curved blade sharp was a problem. It doesn't appear to have been a great commercial success with only a few instruments surviving today. However, the value of these sections that could be produced for microscopy was now realised and new microtomes were designed and produced by a number of scientific instrument makers. These instruments were easier to use and produced better results consigning the Cumming's Pattern Cutting Engine to history. The design of the instrument offered here is particularly interesting and worth considering. Unlike the existing English instrument by Ramsden this instrument appears to be French in construction: the box is very typically continental with the inside lined with red chamois leather; the instrument has some typically French features with the double knurling of the brass adjusting wheels; the way the lignum handle is turned suggests there may well be Dutch influence. As far as we are aware this is the first time a Cummings Cutting engine has ever been offered for sale at auction. For a similar instrument see: https://www.ssplprints.com/image/81932/microtome-1770 https://www.mhs.ox.ac.uk/collections/imu-search-page/record-details/?thumbnails=on&irn=1733&TitInventoryNo=65389
ENAMEL AND SEED PEARL NECKLACE, CIRCA 1860The snake-link chain suspending seven heart-shaped charms, decorated with blue enamel each with a central half pearl, and glazed compartment to reverse, one containing a lock of hair, length 49.0cmFor further information on this lot please visit Bonhams.com
ART NOUVEAU OPAL, RUBY AND ENAMEL NECKLACE CIRCA 1900The white and black enamel bow set with opal cabochons, suspending tassels of circular-cut rubies and oval opal cabochons, on a necklace decorated with pink enamel flowers and opal cabochons, length 39.5cm, cased by DusausoyFor further information on this lot please visit Bonhams.com
ENAMEL AND GEM-SET SNAKE BRACELET/WATCHDesigned as a coiled snake with sprung structure, the head opening to reveal a round blue dial with dot hour markers and baton quarters, the eyes set with marquise-cut sapphire eyes, the head and tail accented with brilliant-cut diamonds, to a blue and white enamel decorated body, diamonds approx. 1.35cts total, inner circumference approx. 14.3cm (adjustable)Footnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
DIAMOND AND ENAMEL BIRD BROOCH, LATE 19TH CENTURYDecorated with blue enamel, the body set with rose-cut diamonds, the head set with a cushion-shaped diamond and ruby cabochon eyes, the reverse engraved C.E.P.B JULY 3RD 1898, linked to a bar brooch set with old brilliant-cut diamonds, two diamonds deficient, lengths: bird brooch 5.0cm, bar brooch 3.0cmFor further information on this lot please visit Bonhams.com
COLLECTION OF GEM-SET STICK PINSIncluding a realistically modelled enamel fly, carved coral corallium rubrum skull, a cannetille decorated orb opening to reveal a glazed compartment, a snake coiling around a drop-shaped chalcedony, and a variety of turquoise, agate, seed pearl and diamond-set stick pins, (66)Footnotes:This lot will be subject to US Fish and Wildlife inspection if imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
COLLECTION OF JEWELLERY1st: The locket of chased foliate design, 2nd: The foliate fob, set with an agate seal, 3rd: The bar brooch set with an oval opal cabochon, 4th: The stick pin with blue enamel decoration, and cushion and rose-cut diamonds, 5th: the stick with carved agate and glazed compartment to reverse, 6th: The stick pin with cushion-shaped diamond floral cluster, 7th: The dress studs and double-sided cufflinks with engraved initial GPW, 8th: dress studs of polished finish, lengths: 0.8cm to 9.1cm, 4th-8th with fitted cases (8)For further information on this lot please visit Bonhams.com
DAVID WEBB: ENAMEL FROG DRESS SETSingle-sided, each frog decorated with bright green guilloché enamel and red enamel eyes with green enamel T-bar terminals, accompanied by four matching dress studs, signed Webb, plaque lengths: cufflinks 1.8cm, studs 1.5cm (5)For further information on this lot please visit Bonhams.com
Two pieces of Moorcroft enamel to include a 'Snowdrop' design vase decorated with snowdrops on a mottled blue ground, designed by Rachel Bishop, gilt rim, no.98, 7cm high and a trinket pot with blue cornflower and crocus decoration on a white ground, initialled 'RDR' to base and dated 5/4/04, no.01 RDR, 4.5cm high
A silver gilt and enamel surprise egg by Stuart Devlin, the textured silver gilt egg opening to reval a leaping frog with vari shade enamel pool, lily pad and flowers, numbered 28 to base, Stuart Devlin, London, 1987, height 6cm, gross weight 83.4g. With maker's fitted case and stand 'Works of Art by Stuart Devlin Exclusive to Boodles'.Condition report: Overall condition good to fairTarnishing and discolouration in keeping with ageMarks clearEnamel in good to fair condition, some light scratches and losses to edgesStand with losses
A silver gilt and enamel 'Silver Jubilee' surprise egg by Stuart Devlin, the exterior decorated with royal crest, shamrocks, thistles and roses, opening to reveal an enamel and red velvet crown, base numbered 15, Stuart Devlin, London, 1977, length 7cm, gross weight 234.1g. With maker's fitted case.Condition report: Overall condition good to fairTarnishing and discolouration in keeping with ageA couple of losses to cream enamel on crown, visible only on close inspectionMarks clearFitted case slightly faded
An Art Deco silver and enamel cigarette case, the yellow guilloche enamel within a black enamel and silver motif border, size approx 70 x 80mm, push clasps, Birmingham 1930, maker mark rubbed, total gross weight approx 3.58oztCondition report: Good- some scratches to yellow enamel but intact, black enamel border some losses to enamel, clasp good, slight tarnish to gilt interior, wear and tear commensurate with age
An Austro-Hungarian pearl, quartz and enamel gilt metal memorial pendant/locket, the oval central form set to the centre with a round foil backed quartz within borders of alternate half pearls and oval faceted foil backed stones, with black and white scrolled enamel decoration, hinged cover opening to reveal a glazed compartment set with a lock of hair, to a further ornate pierced border of enamel with round faceted stones, the bail also stone set, one dropper set with a pearl to the base four others missing, the back with engraved decoration, length approx. 80mm x 45mm, continental marks, total gross weight approx. 26.3gms; in an antique leather case Condition report: some enamel loss, slight abrasions to stones, four missing droppers, wear and tear commensurate with age
Fabergé - a pair of contemporary limited edition 18ct gold enamel and diamond oval cufflinks, the centre set with a round brilliant cut diamond approx 0.03ct each, collet set within a border of yellow guilloche enamel, with an outer border of black enamel, inset with golden leaf motifs with round brilliant cut diamonds set at each quarter, oval length approx 18mm, swivel fittings, hallmarked Fabergé, total gross weight approx 19.3gms, along with original sales invoice and certificate limited edition 102/300 and original boxCondition report: good - all stones and enamel present and intact, minor wear and tear
An 18ct gold half hunter pocket watch, round enamel white dial, approx 32mm, black Roman numeral markers, the case with blue Roman numeral markers, case approx 37mm, movement marked 86723, John Byrne, Liverpool, case back monogrammed, total gross weight approx 57.9gms Condition report: fine hairline to dial, outer case glass missing, two small dents to case edge,CONDITION:case dust cover free from inscription
A George III gold and enamel mourning ring with high relief floral decoration to the centre with black enamel edges, inscription to interior but very faded, circa 1818, milled border, width approx 8mm, size N1/2, unmarked, total gross weight approx 6.4gms Condition report: Good- enamel intact, minor wear and tear fine scratches to interior
A 19th Century enamel and unmarked yellow metal brooch, painted with a scene of Geneva, oval form within a gold border with Greek key pattern, the enamel reverse marked Genieve, size approx 52 x 42mm, unmarked assessed as 15ct gold, total gross weight approx 16.2gms together with a porcelain pendant, set in unmarked yellow metal, depicting cupid, size 35x 42mm, unmarked assessed as 15ct gold, with base metal bail, total gross weight approx 14gms (2)Condition report: brooch intact, some tarnish minor wear, pendant wear to porcelain fine scratches to mount
A George III 18ct gold and enamel mourning ring, with high relief floral decoration to the centre with applied black enamel plaque with gold initials AG with black enamel edges, tapering reverse, inscribed to interior ' Ann Greig ob Oct 26 Oct 1819 ae 75', milled border, width approx 8mm, size N, unmarked, total gross weight approx 6gms Condition report: Good- enamel intact, but ring has been sized to reverse so repair to enamel, minor wear and tear fine scratches
A George III gold and enamel mourning ring, with high relief floral decoration to the centre with black enamel edges, inscribed to interior ' Ann Greig ob 26 Oct 1819 ae 75', milled border, width approx 8mm, size N1/2, unmarked, total gross weight approx 6.3gms Condition report: Good- enamel intact, minor wear and tear fine scratches to interior
A George III 18ct gold and enamel mourning ring, with three rows of alternate black and gold decoration, inscription to interior 'James. Paton. D.D. Ob 10 Nov 1811, ae 85', milled border, makers mark T.M, London 1812, width approx 9mm, size R, total gross weight approx 6.4gms Condition report: chip to enamel and some crazing and scratches to enamel and interior but otherwise good
An early 20th century 18ct gold hunter pocket watch, Dent London, white enamel dial with Roman numeral markers, subsidiary dial, approx 38mm, machine engraved case with round vacant cartouche, case approx 45mm, key wind, inner case cover marked 6467, total gross weight approx 86.9gms Condition report: chip to dial at 6, minor wear and tear commensurate with age CONDITION:minor wear to the machined engraving to edge in a couple of areasno visible dents cases an inner case marked 18ctno inscriptioncase shuts with a snapno visible dentingsome fine scratches hinges good
An early 20th century 18ct gold hunter pocket watch, by McCabe Royal exchange London, white enamel dial with Roman numeral markers, subsidiary dial, approx 37mm, (hairline to dial centre to 3) machine engraved case with round vacant cartouche, case approx 43mm, key wind, inner case cover and movement marked 07131 , total gross weight approx 74gms, with keyCondition report: hairline to dial at 3, scratch to glass, fine scratches minor wear and tear commensurate with age CONDITION:some small dents to case edgeminor pin dents to case edge and the case rim an inner case marked 18ctno inscriptioncase shuts with a snapno visible denting to case front and backsome fine scratches to metal and glassdial with scratches and darkening to gold hinges goodscratch to glass and fine scratches to case
Rolex- a ladies early 20th Century 9ct gold cased Rolex wristwatch, white enamel dial with painted number markers, red 12 o'clock, subsidiary dial at 6, on later plated expander strap, total gross weight approx 23gms, in a owe & Sons Chester watch box Condition report: winds and working at time of report, cracks to glass, fine hairline to dial
A George III 18ct gold and enamel mourning ring, with black enamel centre inscribed 'James. Napier. Paton. OB. 4 April 1818', milled border, makers mark IG, width approx 6mm, size J1/2, total gross weight approx 5.6gms Condition report: Good- enamel intact, some crazing and scratches to enamel but otherwise good condition
A Victorian unmarked yellow metal locket, oval form with blue enamel star decoration, set to the centre with a half pearl, size approx 22 x 28mm, unmarked assessed as 18ct gold, total gross weight approx 11gms Condition report: good- enamel and pearl intact, some scratches to metal but no visible sign of damage
A Victorian 18ct gold and enamel diamond set mourning ring, comprising alternate diagonal black enamel and diamond set gold decoration, width approx 6mm, tapering to the reverse, the shoulders with fleur de lis style motifs, engraved to interior: John Vaudrey Obt 25th Jan 1861 A' 81, London 1854, maker's mark CK, vacant hair compartment under bezel, size L1/2, total gross weight approx 3.8gmsCondition report: good- some fine scratches to enamel, some abrasions to diamonds all present
A George III pearl, enamel and gold swivel mourning ring, the front with rectangular plaited glazed hair compartment with half pearl border, the reverse with white enamel inscribed 'JA s Paton D:D OB LO Nov 1811AE 85', black paste set border, scroll decoration to shoulders with ridged band, size N1/2, unmarked probably 15ct gold, total gross weight approx 4.8gms Condition report: Good- enamel intact, swivel in working order, slight minor chips/abrasions commensurate with age to several stones, fine scratches and evidence shank has been sized
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