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396323 Los(e)/Seite
Spain: Humanitarian Order of the Holy Cross and the Victims of the 2nd May 1808, breast star, silver and enamel, 68 mm, eight pointed star, latin cross in red surmounting crossed cannon, 'ORDEN DEL 2 DE MAYO 1808' to a scroll, all within a wreath, second half 19th century, lacking reverse fittings and some enamel damage, about very fine. A humanitarian organisation affiliated with the Spanish Red Cross, which invoked the memory of the victims of the French in Madrid, 1808.
Portugal: Commander's Medal for the Pyrenees, gold and enamel, 40 mm, openwork design with 'PYRENEOS' to a central leaf, edge engraved 'RAFAEL OUSELEY TENE CORONEL. DOS REGTOS No 8. E 18'; elaborate swivelling suspension arrangement, contemporary ribbon, loss to blue enamel on one side, nearly very fine.
Spain: Cross for the Defence of Madrid 1808, gilt and enamelled eight pointed cross, 41 mm, flames to the angles between the arms, obverse with central oval displaying an arm holding a sword and the legend 'AL VALOR Y FIDELIDAD DE MADRID', suspension with modified crown, minor loss to enamel, good very fine or better. Instituted in 1817 the design of this award mimicked that of an earlier French cross issued to suspected Spanish collaborators who's property had been burned by their compatriots.
Spain: a collection of campaign awards, reduced size or miniature, gilt and enamelled, comprising: Cross for Zaragoza 1808, 17.7 mm, nearly extremely fine; Cross for Mora Y Consuegra, white cross with flaming grenades between the arms, surmounted by a trophy of arms, 18.5 mm, minor damage to enamel, very fine; Cross for Talavera 1809, eight pointed cross, 17.5 mm, articulated crown suspension, damage to enamel involving loss to parts of legend, fine; Cross for Chiclana 1811, 18 mm, very fine; Cross for Pamplona and Bayonne 1813-14, 19.5 mm, manufacturing flaws in enamel, otherwise nearly extremely fine. [5]
The Crimea and Indian Mutiny group of five medals to Major (later Lieut.-Col.) John Singleton, Royal Artillery: Crimea, 4 clasps: Alma, Balaklava, Inkermann, Sebastopol (JOHN SINGLETON MAJOR R.A.), engraved in large serif capitals, much edge bruising, good fine; Indian Mutiny, no clasp (MJR J. SINGLETON V FIELD BATY NO. 1. CPY 6TH BATTN R.A.), good very fine, reverse better; France: Legion d' Honneur, Knight's badge, loss to enamel; Turkey: Order of the Medjidieh, 5th Class breast badge, good very fine; Turkish Crimea, Sardinian type, very fine. [5] In addition to being present for all four major actions of the Crimean War, Major Singleton was present at the Bulganak and at MacKenzies Farm and took part in the repulse of the sortie of 26th October 1854. Served in India in 1858 and took part in the repulse of the Sepoys at Mooltan on the 31st March. All foreign awards confirmed in Hart's Army List.
Spain: Cross for Castalla 1813, red enamelled cross formy, 35 mm, laurel leaves in the angles between the arms, circular white centre 'CASTALLA 13 DE ABRIL 1813', reverse 'D. M.' (División Mallorquina), articulated laurel wreath suspension lacking ring fitting, various enamel damage, fine. Instituted in 1816 to distinguish members of the forces who took part in this Anglo-Spanish victory over the French Army of Valencia and Aragon.
Spain: a collection of three associated awards: Order of St Ferdinand, laurelled cross, gilt and enamelled, 61 mm, four outward pointing swords, white stone to the centre, minor enamel damage, nearly extremely fine; Medal for San Sebastian 1836, silver, reduced size or miniature, 16 mm, extremely fine; medal for Irun 1837, silver oval, uniface, 22 mm, extremely fine. [3] Ex. Christies (Melbourne?) 31st March 1998, lot 415.
Spain: Cross for the Defenders of Astorga, red enamelled cross, 39 mm, the arms with swollen ends, blue central oval with cannon crossed with a sword and a musket, suspension involving a scrolled embossed 'EN ASTORGA CON VALOR ADQUIRIMOS ESTE HONOR', blue and white ribbon, minor enamel damage, repair to reverse, very fine. Astorga, in North West Spain, lay on the flank of the French advance toward Portugal. Its defenders surrendered in April 1810 only after exhausting their ammunition and inflicting heavy casualties on the invaders.
Spain: Medal for the Night of 7th October 1841, gilt and enamels, 19.8 mm, enamelled oval within a wreath surmounted by a crown, a depiction of the constitution of 1837 and the Spanish legend 'They gave their blood for the law and for the throne', purple enamelled plaque to the reverse with 'NOCHE DEL 7 DE OCTUBRE DE 1841', awarded to the forces who foiled a plot to kidnap the queen on the night in question, minor enamel damage, very fine.
Spain: a small collection of miniature badges of orders of chivalry, enamelled crosses, comprising: San Fernando, eight pointed cross, circular centre with dark blue border, chips to arms, good fine; San Fernando, centre with pale blue border, green enamelled 'rams horns' in suspension, chip to upper arm, near very fine; Isabel the Catholic, cypher of Ferdinand VII, chip to reverse centre, otherwise nearly extremely fine; Charles III, some damage to enamel, about very fine; the Royal Order of Spain, very fine or better. [5]
A good Nantgarw plate, circa 1818-20Of Cardiff Castle Service type, painted in London in Canton enamel style, the border with lobed panels of brightly coloured birds reserved on a blue ground painted with blossom, the centre with another bird perched on a branch, 20.8cm diam, impressed NANT-GARW CW slightly off centre
A fine Nantgarw cabinet cup and stand, circa 1818-20The cup of U-shape, the twin griffin handles resting on the everted rim picked out in dark green and black enamel, locally painted by Thomas Pardoe with pairs of garden birds perched on wispy branches, a single insect in flight just inside the rim of the stand, a gilded formal border inside the rim of the cup, stand 11.2cm diam (2)
A Swansea inkstand, two inkwells and covers, circa 1815-17The stand with a central handle modelled as two entwined dolphins picked out in green enamel, a gilt border around the base, the inkwell and cover locally painted with flower sprays and scattered insects, within gilt dentil rims, stand 9.8cm long (5)
A rare West Pans milk jug, circa 1764-66Of distinctive form moulded with six lobed panels, painted in a bright palette with a spray of flowers tied with a trailing red ribbon, the central bloom highlighted in white enamel against the puce petals, smaller sprigs and insects in flight to the side, 10cm high
A Swansea plate by Henry Morris, circa 1815-17Painted in a soft palette with a spray of flowers including morning glory, speedwell and carnation, a subsidiary spray to one side including a passionflower, the border with sprigs including heather and daffodil, a foliate band in gilt and green enamel just inside the rim, 22.7cm diam
A Swansea dish by Henry Morris, circa 1815-17Of square form, the rim moulded with eight small and eight large lobes, locally painted by Henry Morris with a large spray of flowers, including speedwell, a variegated tulip and roses, the elaborate gilded border highlighted in green enamel, 23.8cm diam, impressed SWANSEA
ENGLISH GILT BRASS CARRIAGE CLOCK MID 19TH CENTURY in a column case with bevelled glass panels enclosing a circular white enamel dial with Roman numerals and a mask engraved with an exotic bird and scrolling foliage, the fusée movement and platform escapement, raised on flattened feet (Dimensions: 15cm high (handle up))(15cm high (handle up))Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. with a winder and two further keys case is a bit tarnished and has lost some of it's lacquered surface; the rear L finial is lacking, this has made the top panel a bit loose small chip to corner of front glass at upper RH corner dial generally good, some rubbing around the hands hole and some light craquelure between the IIII and V markers currently the movement does run when wound there are push-button releases on the underside for the front and rear doors no maker's name discernible
FRENCH GILT BRONZE PENDULE D'OFFICIER, JUMP & FILS, PARIS 19TH CENTURY the white enamel Arabic number dial with two winding holes and signed 'Jump & Fils/ Paris' and '93 Mount St/ London', in a beaded bezel and gilt bronze case with flower heads, acorns and oak leaves, and serpent loop handle, raised on pad feet; the movement stamped S Marti et 12.5cmCie and numbered 34451, striking a bell (Dimensions: 12.5cm wide, 21cm high (handle up), 8.5cm deep)(12.5cm wide, 21cm high (handle up), 8.5cm deep)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. no winder currently the clock is not running. It is appears that has been overwound as there is no movement on the winding the case is in good order although somewhat dirty; the gilding is generally good with some areas of wear and spotting the dial is generally good, some small irregularites around one winding hole; this appears to be in the manufacturing as it appears to be enamelled with the rest of dial; a couple of other light abrasions
GILT BRASS REPEATING CARRIAGE CLOCK, CHARLES FRODSHAM, LONDON 20TH CENTURY the four-glass corniche case enclosing a white enamel dial with Roman numerals, signed CHARLES FRODSHAM/ LONDON, the movement with platform escapement and bell strike (Dimensions: 17.5cm high (handle up))(17.5cm high (handle up))Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. no winder currently the movement will run when wound although the strike and repeat doesn't engage case generally good with some light scratches and rubbing through the lacquer in places glass panels are all good dial is clean with no blemishes or marks
THREE GEORGIAN WINE GLASSES 18TH CENTURY comprising an example with a pan top, enamel twist and folded foot, 14cm high; an ogee-bowled glass with swollen knopped stem and folded foot, with a label for the James Hall Collection, 12.5cm high; and a cylindrical-shaped bowled glass with teared stem and domed foot, 14.5cm high (Qty: (3))Footnote: Provenance: Private collection of G. S. May, EsquireCondition report: Please note that general condition reports are provided for group lots Pan top glass in good overall condition Ogee glass with a few small scratches/light scores to bowl, and a few light surface scratches/signs of use to swollen knop on stem; rim with a minor old nicking Glass with domed foot with a couple of small chippings to foot rim; foot rim appears quite small, possibly trimmed down a little; some little scratches here and there to the bowl
FRENCH CHAMPLEVÉ ENAMEL MANTEL CLOCK LATE 19TH CENTURY the scrolled arched top above a corresponding case enclosing a painted porcelain dial with Roman numerals and retailer's signature THE SHEFFIELD GOLDSMITH'S CO./ SHEFFIELD, above a painted plaque depicting a classical maiden and Cupid, signed COLLOT, the glazed sides and back enclosing a mercury filled pendulum and eight-day movement striking a gong, raised on splayed bracket feet (Dimensions: 31.5cm high, 22cm wide)(31.5cm high, 22cm wide)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. with a mercury pendulum and winder the gilding is worn throughout with much of the lacquer off the dial is in good order with very little signs of rubbing or loss; glass bezel is in good order the suspension spring is broken so the pendulum can't attach and hang properly movement stamped 4 11 and 739 glass panels are all in good order no dings, dents or losses to the champlevé enamel the pendulum also in champlevé enamel we have not had the clock running but expect that some repairs/adjustments are required
THREE LACQUERED BRASS CASED CARRIAGE CLOCKS LATE 19TH/ EARLY 20TH CENTURY the first in a corniche case with a white enamel Roman numeral dial with subsidiary alarm dial, platform escapement and gong strike, with a presentation inscription to the top, in a red leather travelling case; the second with an oval case with circular white enamel dial and plain mask inscribed BARNARD, MIDDLESBRO., platform escapement and non-striking movement, in a mahogany travelling case, 15cm high (handle up); and the third in a four column brass and white metal case with a white enamel Roman numeral dial with Arabic seconds, signed RITCHIE & SON/ EDINBURGH, platform escapement and non-striking movement, in a red leather travelling case, 14cm high (handle up) (Dimensions: Largest 18cm high (handle up)) (Qty: (3))(Largest 18cm high (handle up))
GEORGE III MAHOGANY SECRETAIRE PRESS CUPBOARD 18TH CENTURY the moulded cornice over two oval moulded panel doors enclosing three sliding trays; the lower section with a secretaire drawer over two short and one long drawer, raised on bracket feet, bearing an enamel plaque inscribed 'C. PERRY' (Dimensions: 125cm wide, 198cm high, 63cm deep)(125cm wide, 198cm high, 63cm deep)Condition report: 2 x keys
FRENCH GILT BRONZE MANTEL CLOCK, ALPHONSE GIROUX & CIE., PARIS 19TH CENTURY surmounted by a putto holding drafting equipment flanked by a globe, set square and a compass, over a signed white enamel dial with Roman numerals, on an acanthus cast curved base inset with an agate roundel, the signed eight-day movement striking a bell (Dimensions: 27cm high, 23cm wide)(27cm high, 23cm wide)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. pendulum, NO WINDER case is overall in good condition with good original colour, some rubbing to the high points the dial is in good order with no significant damage or overpainting the movement signed ALPH GIROUX and numbered 41 both front and rear door glass is in good order
FRENCH BRONZE, CHAMPLEVÉ ENAMEL, AND ONYX CORINTHIAN COLUMN TABLE LAMP LATE 19TH/ EARLY 20TH the column in champlevé depicting fruiting branches against a turquoise ground, on a stepped onyx base with foliate gilt bronze mounts, fitted for electricity (Dimensions: 50cm high excluding fitting)(50cm high excluding fitting)Condition report: will require re-wiring general good condition and appearance for age gilding worn with some signs of oxidation to the bronze onyx with some minor nibbles to the edges in places, no major chips or losses enamel is in good order
FRENCH BRASS AND CHAMPLEVÉ ENAMEL MANTEL CLOCK LATE 19TH CENTURY the four-glass case enclosing the cream enamel dial with Arabic numerals, raised on a shaped plinth base, with a mercury-filled pendulum and eight-day movement striking a gong (Dimensions: 30.5cm high, 17cm wide)(30.5cm high, 17cm wide)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. mercury pendulum and winder the dial has several cracks and a chip above the 12 old polish build-up in the recesses glass panels are ok movement stamped 1948 58; pin wheel escapement the movement runs for short periods but will require service/adjustments
ENGLISH SILVER AND PINK ENAMELLED DRESSING SET SECOND QUARTER 20TH CENTURY with guilloche and pink enamel backs depicting floral reserves, various maker's marks, London and Birmingham hallmarks; comprising a hand mirror; four wheel-engraved glass scent bottles, 10.5cm high; two clothes brushes, 16.5cm long; a cut-glass powder box and cover, 14cm diam.; two hairbrushes, 23.5cm long; two small covered pots, 4cm diam.; and a nail buffer, 12.5cm wide; together with a small TABLE CLOCK, of similar design and colour, London 1925, 11cm high (Dimensions: Mirror 26cm long) (Qty: (14))(Mirror 26cm long)Condition report: overall very good condition and appearance; rubbing to the silver in places and some very minor abrasions and little dings also to the silver enamel is good throughout with no cracks or notable damage the scent bottle collars stamped OGDENS/ HARROGATE & LONDON; glass is clear and bright, no interior residue or staining; hinges good; all with original cork stoppers; maker Henry Clifford Davis, Birmingham, 1928 powder box glass is clear and bright, no chips or staining; maker Goldsmiths & Silversmiths Co. Ltd., London, 1930 two pill boxes, both with a little roughness to the interior of the glass rim, otherwise clean and bright; maker Richard Crossley, London, 1928 hand mirror, plate with some surface scratches, maker Charles & Richard Comyns, London, 1925 hair brushes with nylon bristles,hollow handles, marks slightly rubbed, Charles & Richard Comyns, London, 1925 clothes brushes, one with nylon bristles, the other with natural bristles, maker Charles & Richard Comyns, London, 1925 nail buffer, chamois is a bit worn and dirty; marks rubbed, maker Richard Crossley, London, 1928 clock is currently working, with a strut support, marked SWISS MADE, the silver stamped Charles & Richard Comyns, London, 1925
FRENCH BRASS AND FAUX SHAGREEN PENDULE D'OFFICIER LATE 19TH CENTURY the white enamel circular Arabic numeral dial enamelled with ribbon-tied swags enclosed by a paste 'jewel' bezel, in a square case with pagoda top covered in green paper simulated shagreen, with a brass handle and classical style mounts, raised on toupie feet; the movement striking a bell (Dimensions: 14cm wide, 29cm high (handle up), 9.5cm deep)(14cm wide, 29cm high (handle up), 9.5cm deep)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.
FRENCH GILT BRONZE AND LIMOGES ENAMEL TABLE MIRROR 19TH CENTURY the enamelled portrait roundel on a floral ground with swag and acanthus leaves, fitted with a bevelled mirror verso, raised on tapered uprights and scrolled acanthus-form feet (Dimensions: 24cm high)(24cm high)Condition report: 15cm wide, at widest point Frame stands securely overall, ever so slightly wobbly on a flat surface but not significant In good overall condition, including mirror plate and enamel panel, few very light surface scratches here and there but nothing of note Plaque is signed, although this is difficult to see - F. BIENVENU/ LIMOGES
FRENCH LIMOGES ENAMEL AND GILT BRASS REPEATER CARRIAGE CLOCK LATE 19TH/ EARLY 20TH CENTURY the four-glass column case enclosing a circular gilt dial with Roman numerals, and a plain gilt mask signed MACKAY & CHISHOLM/ PARIS, the sides with Limoges enamel plaques depicting a gentleman playing chess, with a platform escapement and gong strike (Dimensions: 21cm high (handle up))(21cm high (handle up))Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.] NO WINDER the dials and mask are in good condition as are the top and front glass panels the clock is currently running but the repeat/chime is not; this probably means a broken or slipping spring drive or other fault that will require professional attention the case is in good order although there is some wear to the lacquer; the handle is loose and will not stay upright on its own the L side enamel panel is in good order with no cracks, scratches or blemishes, one small nick to the bottom edge; the R side panel has taken a bash to the centre with significant loss to the panel, mainly the figure seated on the chair, we have some parts the backplate stamped 2360; enclosed by a removable brass back cover
Y PORTRAIT MINIATURE OF PRINCE WILLIAM FREDERICK, DUKE OF GLOUCESTER AND EDINBURGH LATE 18TH/ EARLY oval, watercolour on ivory, shown in three-quarter profile, wearing a red jacket, blue sash and the Order of the Garter, in a gilt metal frame with an enamelled coronet bale and inscribed WILLIAM FREDERICK DUKE OF GLOUCESTER, with woven hair verso (Dimensions: 7cm high)(7cm high)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/Condition report: general good condition and appearance overall no notable splits or cracks to the ivory; looks relatively flat but has not been viewed out of the frame no areas of damage or loss to the painting the enamel on the coronet with a small chip to the L edge the hair is mainly intact but with some loose hairs that have worked out of the knot the hair with some very small brown round particles visible in places when viewed under a loupe, this may be dust or powder and seem to be attached to some of the hair strands the glass and bezels are in good order
A canton enamel tray with figure scenes, Qing Dynasty, 18 th /early 19 th century, of rectangular form with re-entrant corners, the well painted with two figures, one holding a fan looking towards a pavilion with two figures standing on steps within an rock landscape garden and within borders of flowers and finger citron panels and black foliate work, the underside painted with finger citron and peony butterflies within a yellow ground band of scrolling flowers, 29.5cm wide, 18.5cm deep
A Canton enamel dragon bowl, Qing Dynasty, with dished everted rim, the interior with two peaches on a branch, the exterior decorated with three scaly dragons amongst famille rose clouds and against a blue ground within black karakusa scrolling lime green ground bands, restored, 12cm diameter, 6cm high
A pair of Chinese famille rose porcelain indented plates, Qing dynasty, Yongzheng, each decorated with a spotted deer beneath rockwork, a double scroll, basket of fruit including pomegranate, and chrysanthemum and within stylised floral borders, the undersides each with three iron red lingzhi funghus, hairline cracks, 22.5cm and a Chinese Canton enamel famille rose celadon plate, 19th century, decorated with a bird in flowering branches and butterflies, crack, 18cm diameter (3)

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396323 Los(e)/Seite