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Los 94

William Moorcroft (1872-1945) for James Macintyre: A Florian Ware Alhambra Pattern Vase, circa 1903, in salmon, blue and gilt, brown printed factory mark, red painted M2427,8cm high (restored rim)William Moorcroft (1872-1945) for James Macintyre: An Aurelian Ware Twin-Handled Vase, circa 1897, transfer printed patterns enriched with red enamel and gilding, brown printed factory mark, green painted M294.3/160 B,15cm high (restored) (2)The twin-handled vase has a restored rim, wear to the gilding, surface wear and light scratches. Alhambra vase is crazed, evidence of restoration to the top, wear to the gilding.

Los 98

A Tray of Collectables, including a porcupine quill propelling pencil, small Victorian tortoiseshell box, agate desk seal, other seals, sealing wax, an Evans family seal, gun metal vesta case, silver demi hunter pocket watch etc (one tray)The tortoiseshell box with some loss to the tortoiseshell veneer. The cover somewhat warped/loose so does not close tightly. The watch face signed for Reid & Sons, Newcastle. The case with some scratches and minor bruising. Some losses to the enamel. The movement has not been tested to see if it functions properly. The vesta-case with some corrosion overall. The body of the spider was originally an applied stone which is now lacking, leaving a hole. The propelling pencil with some scratches overall. The three pencils each propel properly by pushing the button on each side. Each tip stamped lead size 'VS'. The remains of an old stickly label on one barrel.

Los 131

CLOISONNÉ ENAMEL CONJOINED VASE QING DYNASTY, 19TH CENTURY 清 銅胎掐絲琺瑯花蝶紋方勝瓶 cast in the shape of intersecting lozenges, decorated with floral sprays and butterflies against a turquoise ground, all raised on bracket feet Dimensions:16cm high; 358g

Los 132

CLOISONNÉ AND CHAMPLEVÉ ENAMEL DISH QING DYNASTY 清 '子孫永寶'底款 銅胎掐絲琺瑯萬壽無疆盤 heavily cast, the exterior decorated with four circular medallions enclosing the characters, 'wan shou wu jiang (ten thousand years of long life without end)', all surrounded by lotus scroll between yellow-green champlevé enamel borders of archaistic dragon scroll above and petal lappets below, the interior, foot and base heavily gilded, the base inscribed with a four-character mark reading 'zi sun yong bao (treasured forever by sons and grandsons)' within a double square Dimensions:16.9cm diameter; 592g Provenance:Provenance: Formerly in a private French diplomat's family collection (by repute) Note: Note: According to Qing court records, in the 45th year of the Qianlong reign (1780), a large number of cloisonné enamel bowls and dishes decorated with wanshou wujiang characters were produced for the celebration of the Emperor's 70th birthday. Some similar plates are in the collection of the National Palace Muesum, Taipei, museum number Zhong Fa 中琺199, 201, 203 etc.

Los 133

CLOISONNÉ ENAMEL DRAGON-HANDLED BALUSTER VASE QING DYNASTY, 18TH-19TH CENTURY 清 銅胎掐絲琺瑯福壽同慶鎏金銅雙龍耳海棠型瓶 the elegantly proportioned baluster vase of four canted sides, exquisitely enamelled with four lotus sprays borne on scrolling tendrils around the shoulder, the wider sides of the body decorated with a pair of bats holding tassels and shou-longevity roundels in their mouths, whilst the narrower sides enamelled a qin-musical instrument on the lower part, as the upper section mounted with an elaborately cast gilt-bronze dragon handles with flaming pearl, the lower body further mounted with a band of gilt-bronze ruyi-head clouds Dimensions:40cm high; 4047g Provenance:Provenance: Private Scottish collection, Edinburgh; acquired from current owner's grandmother, thence by family descent.

Los 134

PAIR OF CLOISONNÉ ENAMEL WALL VASES QING DYNASTY, 18TH-19TH CENTURY 清 銅胎掐絲琺瑯花卉紋壁瓶(一對) each bulbous body decorated with leafy branches of blossoming flowers against continuous key-fret pattern on turquoise ground, below ruyi-head clouds to the neck, the waisted neck with flower head against a light purple ground, the flat back has apertures for hanging Dimensions:15cm high each; 274g and 277g Provenance:Provenance: Private collection, London

Los 159

PAIR OF PAINTED ENAMEL JARDINERE QING DYNASTY, 19TH CENTURY 清 廣東畫琺瑯開光山水人物文長方盆(共兩件) each of rectangular form, the body supported on four corner-feet with gradual tapering sides, each side painted with mountainous landscape scene in foliate cartouche against floral ground, the interior and the base covered in apple-green enamel Dimensions:19.2cm wide Provenance:Provenance: Private collection, Cambridge

Los 179

FALANGCAI GLASS SNUFF BOTTLE QIANLONG MARK, 19TH-20TH CENTURY 十九至二十世紀 乾隆款 琺瑯彩山水詩文料器鼻煙壺 finely painted in red enamel with a continuous scene of small houses in mountainous landscape, one side inscribed with small seals around, all below a band of ruyi-head clouds in blue, the base inscribed with a four-character Qianlong mark in seal script Dimensions:6.3cm high

Los 303

PAIR OF CLOISONNÉ ENAMEL GARLIC-HEAD VASES QING DYNASTY, 19TH CENTURY 清 銅胎掐絲珐瑯墨地雙龍捧壽紋蒜頭瓶 (共兩件) each of slightly flattened bottle form, decorated on each side with a pair of dragons confronting a shou-roundel, further with dense scrolling tendrils and flower heads, all against a black ground Dimensions:22cm high each Provenance:Provenance: Private Scottish collection, Glasgow

Los 305

GROUP OF THREE PAINTED ENAMEL WARES QING DYNASTY, 18TH CENTURY 清 銅胎畫琺瑯蝶戀花紋杯及盞(共三件) comprising two saucers with a cup, all similarly decorated with peony sprays issuing from rockwork visited by butterflies, scrolling tendrils under the rims Dimensions:diameters: saucers, 11.2cm each; cup, 7.1cm Provenance:Provenance: Private Scottish collection, Glasgow

Los 332

FAMILLE ROSE SQUARE-SECTIONED BRUSH POT DAOGUANG MARK 道光款 粉彩開光山水人物及仿木紋方形筆筒 each side either painted with literati or landscape scene in rectangular panels, bordered with faux-bois ground, the interior and the base covered in turquoise enamel, the base inscribed with a six-character Daoguang mark in underglaze blue Dimensions:10cm high

Los 376

CLOISONNÉ ENAMEL 'ARCHAISTIC' BALUSTER VASE TIANLI MARK, LATE QING DYNASTY TO REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 天利款 銅胎掐絲琺瑯仿古饕餮紋瓶 the body vividly decorated with a pink-ground band around the shoulder containing six archaistic taotie masks, the body and the neck further with six cicada lappets with stylised taotie heads against light- and dark-blue ground, the base cast with a two-character 'Tian Li' mark Dimensions:31.5cm high; 1580g Provenance:Provenance: Private Scottish collection, Paxton House. From the collection of H.W. Robertson, Taipan for Butterfield & Swire in Shanghai then Hong Kong 1906-1912, whose son married the heiress to Paxton House in Berwickshire; thence by descent.Paxton House is situated on the banks of the River Tweed, near Berwick-upon-Tweed. Designed by John and James Adam in 1758, it is perhaps the finest example of an eighteenth-century Palladian country house in Britain and contains a pre-eminent collection of Chippendale furniture. In 1811, the Edinburgh architect Robert Reid added the largest purpose-built picture gallery in a Scottish country house.

Los 388

CLOISONNÉ ENAMEL VASE MEIJI PERIOD, BY OTA JIN’NOE (1858-1907) 明治 「太田造」款 銅胎掐絲琺瑯鴛鴦菊紋瓶 of oval form, decorated with a pair of mandarin ducks on water with a bunch of chrysanthemums growing on bamboo sticks against a maroon ground, silver rims, the base signed 'Ota zo' Dimensions:24.4cm high; 755g Provenance:Provenance: Private Scottish collection, Glasgow

Los 389

NAMIKAWA YASUYUKI (1845-1927) FINE CLOISONNÉ ENAMEL VASE AND COVER, MEIJI PERIOD 明治 「京都並河」款 並河靖之(1845-1927)作坊製 銅胎掐絲琺瑯菊紋蓋瓶 intricately worked in colourful enamel and silver and gold wire with scattered chrysanthemums against a simulated pale yellow drip glaze over a jet-black ground, the cover similarly decorated and surmounted by a gilt chrysanthemum bud finial, the base signed with chiselled characters Kyoto Namikawa on a silver tablet, with bespoke wooden stand Dimensions:11.7cm high; 126g Provenance:Provenance: Private Scottish collection, acquired in the UK art market in the early 1980s. Note: Note: Born in 1845 to a rural samurai family, Namikawa Yasuyuki started his cloisonné business in Kyoto in 1873 and by the 1880s was successful enough to build, and then extend and upgrade, a large compound that eventually included workshops housing more than 20 employees. Having won countless medals at national and international exhibitions, his works were sought after by the national and international collectors during his lifetime and became even more highly collectable thereafter. A comparable cloisonné enamel vase and cover, by the workshop of Namikawa Yasuyuki, with a similar design of simulated drips, albeit in celadon colour, and chrysanthemums, was sold at Bonham's New York, 19 March 2013, lot 2406. Also compare to a jar and cover by the same workshop, note the similarity of the wooden base, which might have been original, sold at Christie's New York, 18 Mar 2014, lot 555.

Los 410

NAMIKAWA YASUYUKI (1845-1927) TWO FINE CLOISONNE ENAMEL VASES, MEIJI PERIOD 明治 「京都並河」款 並河靖之(1845-1927)作坊製 銅胎掐絲琺瑯楓樹紋及花鳥紋瓶 共箱(共兩件) one worked in silver wire and coloured enamels with a lone bird perched in a branch of red and yellow maple leaves against a bright blue ground, the foot decorated with floral lozenges, the rims silver, the base signed with chiselled characters on a silver tablet Kyoto Namikawa; the other one intricately worked in colourful enamel and gold wire with two birds perched on prunus branches and bamboo leaves against a black ground, the base signed with chiselled characters of the same mark; both with bespoke wooden stand and tomobako Dimensions:heights: 12.1cm and 23.2cm Provenance:Provenance: Private English collection, London; acquired by current owner’s great-aunt Etta May Gubbins (1871-1955) during her honeymoon trip in Yokohama in 1910. Etta May Gubbins married in 1909 at Kilmallock, Ireland to Captain Burston Beresford Gubbins (1876-1929), The 13th Hussars.May Gubbins, nee May Gibson, was the eldest of the three daughters of Edmund Gibson who was born at Quernmore Park, near Lancaster in 1824, went out to New Zealand with his brother Wilson and staked a claim to about 20,000 acres of land in South Island and died at Otago in 1886. Note: Note: Born in 1845 to a rural samurai family, Namikawa Yasuyuki started his cloisonné business in Kyoto in 1873 and by the 1880s was successful enough to build, and then extend and upgrade, a large compound that eventually included workshops housing more than 20 employees. Having won countless medals at national and international exhibitions, his works were sought after by the national and international collectors during his lifetime and became even more highly collectable thereafter. A closely comparable cloisonné enamel small vase, by the workshop of Namikawa Yasuyuki, with the same, shape and almost identical design of a lone bird perched in a branch of red and yellow maple leaves but against a pale green ground, was sold at Bonham's New York, 24 September 2020, lot 1039.

Los 53

WORKS OF ART REFERENCE BOOK COLLECTION 中國藝術參考書籍(共三十六本)含雜項、漆器、掐絲琺瑯、青銅器、家具、文房珍玩、佛教藝術等著作 Including: Chinese works of art, cloisonne enamel, archaic bronze, furniture, Buddhist art, Scholar's pieces etc, in total 36 publications.Including but not limited to:Berliner, Nancy Zeng. Beyond the Screen: Chinese Furniture of the 16th and 17th Centuries. Boston: Museum of Fine Arts, 1996.Brinker, Helmut, and Lutz, Albert. Chinese Cloisonné: The Pierre Uldry Collection. London: Bamboo Publishing, 1989.Chou, Ju-His. Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors. Cleveland: Cleveland Museum of Art Bookstore, 2000.Clifford, Derek. Chinese Carved Lacquer. London: Bamboo Publishing, 1992.Deydier, Christian. Ancient Chinese Bronze Vessels, Gilt Bronzes and Early Ceramics. 1986.Dye, Daniel Sheets. Chinese Lattice Designs. New York: Dover Publications, 1974.Eskenazi. Chinese Lacquer From The Jean-Pierre Dubosc Collection And Others. London: Eskenazi, 1992.Fang, Jing Pei. Treasures Of The Chinese Scholar. New York: Weatherhill Inc., 1997.FitzGerald, C. P. Barbarian Beds: the origin of the chair in China. London: The Cresset Press, 1965.Gyllensvärd, Bo. Chinese Gold, Silver and Porcelain: The Kempe Collection. New York: The Asia Society, 1971.Hu, Shih-Chang. Chinese Lacquer. Edinburgh: National Museums of Scotland Publishing, 2001.Jenyns, Soame, and Watson, William. Chinese Art: Gold, Silver, Later Bronzes, Cloisonne, Cantonese Enamel, Lacquer, Furniture, Wood (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Jenyns, Soame. Chinese Art: Textiles, Glass and Painting on Glass, Carvings in Ivory and Rhinoceros Horn, Carving in Hardstones, Snuff Bottles, Inkcakes and Ink Stones (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Kates, George N. Chinese Household Furniture. New York: Dover Publications, 1962.Kerr, Rose. Later Chinese Bronzes. London: Bamboo Publishing, 1990.Krahl, Regina and Morgan, Brian. From Innovation to Conformity: Chinese Lacquer from the 13th to 16th Centuries. London: Bluett & Sons, 1989.Moss, Paul. Educated Palates: an exhibition at 63 East 82nd Street New York. London: Sydney L. Moss Ltd., 1987.Moss, Paul. The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects. Hong Kong: Andamans East International Ltd., 1986.Moss, Paul. The Second Bronze Age: Later Chinese Metalwork. London: Sydney L. Moss Ltd., 1991.Mowry, Robert D., and Brown, Claudia. Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars' Rocks. Cambridge: Harvard University Art Museums, 1997.Page, J. and Page, S. The Woven Mystery: Old Tibetan Rugs. Bangkok: Craftsman Press, 1990.Pratapaditya, Pal et al. Art of the Himalayas: Treasures from Nepal and Tibet. New York: Hudson Hills, 1992.Rawson, Jessica (Ed.). Treasures from Shanghai: ancient Chinese bronzes and jades. London: British Museum Press, 2009.Rawson, Jessica. Chinese Bronzes: Art and Ritual. London: British Museum Press, 1987.Rawson, Jessica. The Ornament on Chinese Silver of the T'ang Dynasty, A.D.618-906. London: British Museum Press, 1982.Sir Garner, Harry. Chinese and Japanese Cloisonné Enamels. London: Faber & Faber, 1970.Spink. Lacquer From The Collection of Derek Clifford. London: Spink, 1999.The British Museum. Chinese and Associated Lacquer from the Garner Collection. London: British Museum, 1973.The furniture of the Ch'ing dynasty: the art pieces with utility purposes. Taipei: Chun Kuei-miao, 1989.Thurman, Robert A. F., and Weldon, David. Sacred Symbols: The Ritual Art of Tibet. New York: Sotheby's, 1999.Vainker, Shelagh. Chinese Silk: A Cultural History. London: British Museum Press, 2004.Watt, James C. Y. and Barbara Brennan Ford. East Asian Lacquer: The Florence and Herbert Irving Collection. New York: Metropolitan Museum of Art, 1991.Watt, James C. Y. and Knight, Michael. Chinese Jades from the Collection of the Seattle Art Museum. Seattle: Seattle Art Museum, 1989.Watt, James C. Y.. The Sumptuous Basket: Chinese Lacquer with Basketry Panels. New York: China House Gallery, 1985.河北省文物硏究所,《歷代銅鏡紋飾》,河北:河北美術出版社,1996.Li, Jiufang. Metal-bodied Enamel Ware (金屬胎琺瑯器). Hong Kong: The Commercial Press, 2001. Note: Please note this lot will be offered with no reserve. 本拍品不設底價

Los 100

Elephant Alexander, He’s the Greatest. One of the three Cybis circus elephants debuted in 1975. Hand painted with stunning elaborate enamel details by George Ivers. Cybis markings on the base. Artist: George IversIssued: 1975Dimensions: 6"L x 3"W x 7.25"HManufacturer: CybisCountry of Origin: United StatesCondition: Age related wear.

Los 15

FRENCH GILDED CLOCK AND GARNITURES WITH ENAMEL PANELS DEPICTING CHERUBS, BIRDS AND FLORAL SPRAYS, GARNITURES UNDER GLASS DOMES USED CONDITION WITH EVIDENCE OF DAMAGE, MISSING FINIAL, ETC, NOT TESTED

Los 345

A RARE CLOISONNÉ-ENAMEL AND GILT-BRONZE VASE, FANGGUQianlong four-character mark and of the periodCrisply cast of square section, the bulbous central section with archaistic taotie masks, the square flaring neck with stylised chilong beneath upright lappets, the interior with a band of scrolling lotus, the spreading foot with further chilong and lappets, with scrolling flanges on the edges and centre, gilt base with the incised four-character mark within double square, drilled, wood stand. 24cm (10in) high. (2).Footnotes:清乾隆 銅胎掐絲琺瑯獸面紋出戟方觚「乾隆年製」楷書款Provenance: an English private collection來源:英國私人收藏The present lot is based on an archaic prototype, fanggu, or ritual wine vessel of the Shang dynasty. The Qianlong Emperor was known for his admiration of 'the ancient ways'. During his reign, not only a large number of antiquities were collected at Court, and many works of art, such as the present fanggu, were made with archaic references. Compare with a related square cloisonné gu with animal-mask decoration, Qianlong mark and of the period, in the Palace Museum, Taipei, illustrated in Enamel Ware in the Ming and Ch'ing Dynasties, 1999, Taipei, p.127. See also a related square cloisonné gu with flanges and design of animal masks, in the Palace Museum, Beijing, illustrated in Compendium of Collections in the Palace Museum: Enamels, Cloisonné in the Qing Dynasty, Beijing, 2011, p.183.A related gilt-bronze and cloisonné enamel gu, Qianlong mark and of the period, was sold at Christie's Paris, 7 June 2011, lot 208. See also a similar cloisonné enamel gu, 17th century, which was sold at Bonhams Hong Kong, 29 May 2023, lot 849.For further information on this lot please visit Bonhams.com

Los 321

A CLOISONNÉ-ENAMEL AND GILT-BRONZE VASE, GUMing/early Qing DynastyOf archaistic gu form, rising from a splayed foot the central section enamelled with chrysanthemum, lotus, peony, and pomegranate blossoms in rich tones of red, yellow and green, divided by gilt-bronze vertical flanges in the shape of coiling sinuous chilong, the long neck curving up to a trumpet decorated with various flower heads on leafy tendrils, all reserved on a turquoise ground. 22.5cm (8 3/4in) high.Footnotes:明/清早期 掐絲琺瑯花卉紋出戟花觚Provenance: a Swiss private collection, and thence by descent來源:瑞士私人收藏,並由後人保存迄今The present lot is notable for its extremely rare coiling sinuous chilong shaped flanges. See a related cloisonné enamel gu vase, late Ming dynasty, illustrated in the Compendium of Collections in the Palace Museum: Enamels 1, Beijing, 2011, p.247, no.124. See also a related cloisonné-enamel gu vase with flanges, early Qing dynasty, illustrated in Ibid., vol.2, p.61, no.34.Compare also with a related cloisonné-enamel and gilt-bronze flaring vase, gu, 17th century, which was sold at Bonhams London, on 17 May 2012, lot 129.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 375

A RARE FAMILLE ROSE PINK-GROUND SGRAFFIATO 'MEDALLION' BOWLDaoguang seal mark and of the periodExquisitely potted with deep rounded sides rising to a slightly everted rim, the exterior decorated with four roundels enclosing various flowers, trees, and rockwork, divided by stylised lotus sprays, all reserved on a pastel-pink sgraffiato ground, the interior painted in underglaze blue with a central medallion enclosing a rabbit in a landscape, surrounded by four detached flower sprays around the cavetto. 14.8cm (5 7/8in) diam. Footnotes:清道光 粉彩軋道粉地開光花卉圖盌青花「大清道光年製」篆書款Provenance: an Irish private collection, and thence by descent來源:愛爾蘭私人收藏,並由後人保存迄今Notable for the exquisite enamelling with flower medallions on an ornately decorated pink ground, this bowl is based on elaborate designs pioneered by eighteenth century artists working during the Qianlong period. The sophistication of the present bowl was achieved through the combination of underglaze blue decoration on the interior, which was applied in Jingdezhen, the intricate sgraffiato ground and finally the fusion of Western painting techniques with traditional Chinese motifs. The flowers and leaves adorning the pink ground, masterfully rendered in various tones and hues to create a three-dimensional effect, recall the techniques introduced in China by the Jesuit painters during the eighteenth century. This complicated and laborious technique, known as jinshang tianhua ('adding decorative pattern onto brocades'), involved needle-point etching the design onto a monochrome enamel ground.A very similar famille rose pink-ground bowl, Daoguang seal mark and period, is illustrated in Encompassing Precious Beauty: The Songzhutang Collection of Imperial Chinese Ceramics, Hong Kong, 2016, pp.214-215, no.83. One of a pair of very similar pink-ground medallion bowls, Daoguang seal mark and period, is also illustrated in Imperial Porcelain of the Late Qing from the Kwan Collection, Hong Kong, 1983, no.37.Compare with a similar pair of pink-ground famille rose 'medallion' bowls, Daoguang seal marks and of the period, which were sold at Christie's Hong Kong, 3 December 2021, lot 2923. Another very similar bowl was also sold at Sotheby's New York, 20 March 2019, lot 772. See also a similar bowl, which was sold at Bonhams, London, 15 May 2014, lot 90.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 344

A PAIR OF CLOISONNÉ-ENAMEL SPITTOONS, ZHADOU18th centuryEach compressed globular body decorated in red, white, blue, yellow and green enamels with lotus flowers borne on meandering scrolls, the tall neck splaying out to a trumpet mouth similarly decorated, separated by a pendant ruyi-head band to the shoulder and mouth rim. 8.5cm (3 2/8in) high. (2).Footnotes:十八世紀 銅胎掐絲琺瑯纏枝蓮紋渣斗 一對Provenance: an English private collection來源:英國私人收藏Compare with a relates small pair of cloisonné-enamel zhadou, Qianlong, which were sold at Christie's Hong Kong, 1 December 2010, lot 3231.For further information on this lot please visit Bonhams.com

Los 342

A PAIR OF CLOISONNÉ-ENAMEL AND GILT-BRONZE STIRRUPSKangxiEach of the flat circular bases finely enamelled with a pair of archaistic chilong amidst cloud scrolls, cast with a vertical high arch surmounted by a pair of bronze dragon-heads pierced to the centre for suspension. Each 14.5cm (5 3/4in) high. (2).Footnotes:清康熙 銅胎掐絲琺瑯鎏金龍紋蹬一對Compare with a stirrup cast with similar gilt-bronze dragon-heads depicted on a painting illustrated in Life in the Forbidden City of Qing Dynasty, Beijing, 2007, pp.70-71. The painting, attributed to the Jesuit painter Giuseppe Castiglione, portrays the young Qianlong Emperor seated on horseback dressed in formal military regalia. A related stirrup and saddle, Shunzhi, is illustrated in Ibid., no.115.A related pair of cloisonné-enamelled stirrups was exhibited in the Museum fur Kunsthandwerk, Frankfurt am Main, illustrated by G.Gabbert Avitabile, Die Ware aus dem Teufelsland, Hannover, 1981, no.64. See also a further example of a pair of cloisonné-enamel stirrups, in the Victoria and Albert Museum, London, acc.no.1327-1871.For further information on this lot please visit Bonhams.com

Los 322

A VERY RARE CLOISONNÉ-ENAMEL AND GILT-BRONZE WINE EWER AND COVERJiajing incised six-character mark and of the periodThe oviform tall slender body enamelled on one side with a blue-bodied flying crested mythical phoenix with yellow-tipped wing feathers, the other side with a similar yellow phoenix with blue wing tips, all on a dark turquoise ground enriched with densely scrolling simple flower heads on a gilt meander, the dome cover with eight brick-red lappets radiating from the bud finial. 17cm (6 3/4in) wide. (2).Footnotes:明嘉靖 掐絲琺瑯鳳紋執壺帶蓋「大明嘉靖年製」刻款Provenance: a Swiss private collection, and thence by descent來源:瑞士私人收藏,並由後人保存迄今Jiajing mark and period cloisonné ewers and covers are extremely rare. See a cloisonné-enamel bowl, however, decorated with a similar pair of phoenix and scrolling lotus, with similar Jiajing incised six-character mark and period, illustrated by H.Brinker and A.Lutz, Chinesisches Cloisonné: Die Sammlung Pierre Uldry, Zurich, 1984, no.70. See also a cloisonné-enamel ewer and cover, 16th century, but decorated with lions, illustrated in Ibid., no.98.Compare with a related cloisonné-enamel and gilt-bronze 'Buddhist lions' ewer, 16th century, which was sold at Bonhams London, 12 May 2022, lot 100.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 151

A VERY RARE GREEN-ENAMELLED BLUE-GROUND 'DRAGON' BOWLKangxi six-character mark and of the periodThe exterior all reserved on a solid blue ground with two striding five-clawed dragons pursuing flaming pearls above a double band of overlapping petals, the dragons, pearls and cloud coils all washed in a translucent pale green glaze, with the very unusual added detail that in each case the fifth claw on the dragon's foot has been over-enamelled in black, the centre of the interior with a single coiling dragon and the same black enamel concealment of the fifth claw. 14cm (5 1/2in) diam.Footnotes:清康熙 藍地綠彩雲龍紋碗青花「大清康熙年製」楷書款Provenance: Christie's Hong Kong, October 28, 2002, lot 739A European private collection來源:香港佳士得,2002年10月28日,拍品編號739歐洲私人收藏Bowls decorated with green dragons on a blue ground are extremely rare. Even more uncommon is the fact that the fifth claw of the dragons are all covered in black enamels, a feature shared by several porcelain vessels of the Kangxi period. See a 'dragon' dish painted with green enamel on an underglaze-blue ground, in the Baur Collection, Geneva, illustrated by J.Ayers, Chinese Ceramics in the Baur Collection, vol.2, Geneva, 1999, pp.36-37. Another similar bowl with the same detail is illustrated by Lu Minghua, Kangxi Porcelain Wares from the Shanghai Museum Collection, Hong Kong, 1998, p.300, no.194.A similar green-enamelled blue-ground bowl, Kangxi mark and period, was sold at Sotheby's New York, 23 September 2020, lot 560.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 188

A RARE PAIR OF GREEN-GROUND FAMILLE-ROSE TROMPE L'OEIL VASESQianlong Each vase delicately potted with an ovoid body rising from a splayed foot to an elongated neck with a flaring mouth, the shoulders moulded with a beribboned coral-red sash tied at the centre and filled with gilded designs of vaporous clouds and bats, reserved on the overall turquoise-ground decorated with blossoming lotus, all between a band of ruyi at the foot and shoulders, the neck with further blooming lotus. 16cm (6 2/8in) high. (2).Footnotes:清乾隆 粉彩描金綠地花卉紋包袱瓶一對Provenance: Robert Charles Bruce MC (1898-1953), LondonAntique West Ltd., London, June 1998A European private collectionExhibited, Illustrated and Published:The Oriental Ceramic Society, Exhibition of Enamelled Polychrome Porcelain of the Manchu Dynasty 1644-1912, London, 1951, no.202 (one of the pair)來源:Robert Charles Bruce MC (1898-1953),倫敦倫敦古董商Antique West Ltd.,1998年6月歐洲私人收藏展覽著錄:東方陶瓷學會,《Exhibition of Enamelled Polychrome Porcelain of the Manchu Dynasty 1644-1912》,倫敦,1951年,第202號(其中一個)Robert Charles Bruce (1898-1953), who ran a business on the London Stock Exchange, developed his interest in collecting after inheriting the Imperial ceramics and cloisonné enamels collected by his great uncle Sir Frederick Wright-Bruce, British Envoy Extraordinary and Minister Plenipotentiary to China (1859-1865). He loaned more than a dozen items to the Royal Academy Exhibition in London, 1935-1936. During the First World War he served with the Grenadier Guards and won a Military Cross for outstanding service. Notable for their extravagant designs and refined workmanship, the present vases display the technical innovations and unconventional aesthetics characterising porcelain vessels made during the reign of the Qianlong Emperor. Porcelain vases decorated with the eye-catching designs of knotted cloths, such as the present examples, are exceedingly rare and remarkable examples of trompe l'oeil. The design was much favoured by the Qianlong Emperor who favoured porcelain wares that contained elements simulating objects in other materials. The potters active at the Imperial kilns in Jingdezhen were thus prompted to create wares that were technically innovative and unconventional in their aesthetics.The Japanese packaging tradition, known as furoshiki, strongly influenced the silky knotted cloth design on the present vases. The illusion of an object wrapped in cloth was frequently evoked in Japanese lacquer and replicated at the Palace Workshops in various media, such as painted enamels, cloisonné, glass, wood and lacquer, throughout the reigns of the Yongzheng and Qianlong Emperors. See, for example, a painted enamel vase and cover, Qianlong mark and period, decorated with designs of knotted scarves, illustrated in Compendium of Collections in the Palace Museum: Enamels, vol.5, Beijing, 2011, nos.141 and 142. See also a lacquer box, Yongzheng, decorated with knotted cloth designs, illustrated in China: The Three Emperors, London 2005, no.175.The strikingly conceived design depicted on the present vases convey the high standards achieved by the Imperial ateliers inside the Forbidden City, where artists and artisans, well versed in different media, worked together and influenced each other. The resulting overall design is not only visually appealing, but also highly auspicious as the term baofu ('wrapping cloth') is a wordplay on 'wrapping up good luck.'Compare with a green-ground famille rose trompe l'oeil vase, Qianlong mark and period, featuring similar designs of vaporous clouds decorating the beribboned sash, which was sold at Sotheby's New York, 5 April 2017, lot 3640; see also a pair of related pink-ground famille rose 'trompe l'oeil' jars and covers, Qianlong marks and of the period, which were sold at Sotheby's Hong Kong, 5 October 2016, lot 3611.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 126

A RUBY-RED-ENAMELLED SLENDER VASE18th centuryThe exterior all under a rich even slightly mottled glossy glaze of the rich tone associated with ruby-back dishes, the interior plain. 18cm (7 1/8in) high.Footnotes:十八世紀 胭脂紅釉瓶Provenance: Guest & Gray, London (according to the collector's documents)A European private collection來源:倫敦古董商 Guest & Gray(據藏家文件)歐洲私人收藏The ruby-red enamel was first created during the late years of the Kangxi reign, and was one of the favourites of the Imperial household. It is also known as 'Western red' 洋紅 (yanghong) because the pigment was imported from the West. Compare with a similarly-shaped vase, Qianlong, in the collection of the British Museum, London, (acc.no.Franks.477.+). Compare with a related ruby-red enamelled vase, Yongzheng, which was sold at Sotheby's Hong Kong, 25 May 2022, lot 505.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 283

Group of 9ct gold mounted charms, gross weight 5.65g. Floral green enamel Art Nouveau pendant / charm has design 1900 & marked 9ct. L charm fully hallmarked, masonic charm marked 9ct. The smallest piece & blue stone charm or pendant are not hallmarked but are probably gold.

Los 360

Liberty & Co sterling silver vintage brooch, with floral enamel centre, surrounded by paste stones, marked 'L & Co', 6.2 grams, 38mm.

Los 40

Silver plated cigarette box with enamelled decoration with Dutch scenes, 14cm x 8.5cm. Some crazing to enamel.

Los 204

NAMIKAWA YASUYUKI (1845-1927) OF KYOTOA Miniature Cloisonné-Enamel Slender Ovoid Vase Meiji era (1868-1912), late 19th/early 20th centuryDelicately worked in silver wire with a solitary butterfly hovering over stalks of purple and yellow wild flowers on a midnight-blue ground, the foot and neck of silver; signed directly on the silver base with engraved characters Kyoto Namikawa. 10cm (4in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 206

A CLOISONNÉ-ENAMEL ROUNDED DEEP KOBAKO (SMALL BOX) AND COVERMeiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th centuryWorked in silver wire, decorated with parasols scattered among falling cherry blossoms interwoven with trailing willow on a pale-grey ground, the interior lined in gilt, applied with gilt rims; unsigned. 5.8cm x 8.2cm (2¼in x 3¼in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 208

NAMIKAWA YASUYUKI (1845-1927)A Fine Spherical Cloisonné-Enamel Jar and Cover Meiji era (1868-1912), circa 1900Delicately worked in silver wire and green and pink enamels with two cherry blossoms on the front and two sprigs of buds strewn on the reverse on a pea-green ground, the en-suite domed cover decorated with matching leafy cherry blossoms; signed directly on the silver base with engraved characters Kyoto Namikawa. 8cm (3 1/8in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 209

NAMIKAWA YASUYUKI (1845-1927) OF KYOTOA Fine Spherical Cloisonné-Enamel Jar and Cover Meiji era (1868-1912), circa 1900Delicately worked in gold and silver wire and blue, white, brown, and contrasting tones of pink enamels, depicting three doves among flowering clumps of nadeshiko (pink) on a pea-green ground, the en-suite domed cover surmounted with a silver knop in the form of a kiku (chrysanthemum) bud; signed on the base with chiselled characters Kyoto Namikawa on a silver plaque. 9.5cm (3¾in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 211

A CLOISONNÉ-ENAMEL BALUSTER VASEMeiji era (1868-1912), late 19th/early 20th centuryFinely worked in gold and silver wire of varying gauge with overlapping closed and open ogi (folding fans), each decorated with a different-coloured ground enclosing seasonal kacho-ga (bird-and-flower scenes) scattered over a midnight-blue ground, the neck and foot encircled with a wide swirling simulated brocade enclosing repeated chrysanthemums interwoven among karakusa ('Chinese grasses'); unsigned. 16cm (6¼in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 212

A CLOISONNÉ-ENAMEL MASSIVE BALUSTER VASEMeiji era (1868-1912), late 19th/early 20th century Finely worked in silver wire of varying gauge on a lilac-blue ground, decorated with an all-over flamboyant design of different species of birds and fowl among blooming seasonal plants and flowers, the neck and shoulder with a simulated brocade, enclosing on the neck assorted overlapping takaramono ('precious objects'), comprising tama (wish-granting jewel), tsuchi (Dakikoku's magic mallet), makimono (handscroll) and a kakuregasa (hat of invisibility), the shoulder with five confronting dragons writhing among clouds; unsigned. 77.5cm (30½in) high.For further information on this lot please visit Bonhams.com

Los 216

NAMIKAWA YASUYUKI (1845-1927) OF KYOTO A Fine Pear-Shaped Cloisonné-Enamel Teapot and Cover Meiji era (1868-1912), circa 1890sIntricately worked in silver and gold wire with an all-over design of two butterflies, one on either side, hovering among stylised, scrolling, leafy peony blossoms on a yellowish-brown ground, the spout featuring other stylised flowerheads interwoven on a tight whorl ground, the domed cover with a design matching the neck of the teapot, surmounted by a gilt knop in the form of a chrysanthemum bud; signed on the base with chiselled characters Kyoto Namikawa on a silver plaque. 9.8cm (3¾in) high. (2).For further information on this lot please visit Bonhams.com

Los 218

NAMIKAWA SOSUKE (1847-1910) OF TOKYOA Fine Cloisonné-Enamel Rounded Rectangular Box and Cover Meiji era (1868-1912), late 19th/early 20th centuryFinely worked in musen shippo (wireless enamel), decorated with snow-capped Mount Fuji appearing above bands of clouds on a pale-grey ground, the mounts of shakudo, the interior and underside of the box a plum-coloured ground, signed on the base in thick silver wire with the Sakigake mark of Namikawa Sosuke. 4.2cm x 12.2cm x 10cm (1 5/8in x 4 13/16in x 3 15/16in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 219

ANDO JUBEI COMPANYA Cloisonné-Enamel Baluster Vase Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryWorked in silver wire of varying gauge with stalks of windswept white chrysanthemums and hageito (Joseph's coat), more stalks of white chrysanthemums on the reverse, all reserved on a yellow-celadon ground, applied with a silver rim and foot; signed on the base in silver wire with the mark of Ando Jubei. 31cm (12 1/8in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 220

HATTORI TADASABURO (DIED 1939)A Cloisonné-Enamel Koro (Incense Burner) and Cover Taisho (1912-1926) or Showa (1926-1989) era, early 20th centuryWorked in gilt wire with a continuous design of six exotic long-tailed birds framing stylised flowers on a dark teal ground, the silver cover pierced and engraved with clouds, signed on the base with a round seal Korin; with a wood stand and a wood tomobako storage box inscribed on the lid Koro (incense burner), and signed [...]do Korin tsukuru with a seal Korin. 10.2cm (4in) high. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 221

MURASE JINZABURO OF NAGOYAA Pair of Cloisonné-Enamel Rectangular Vases Meiji era (1868-1912), early 20th centuryEach vase worked in silver wire of varying gauge with an almost identical design, each depicting a profusion of summer and autumn flowers in bloom including maple, lilies, chrysanthemums, peonies, daffodils, and irises; each vase signed on the base Murase seizo. Each vase: 13cm (5 1/16in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 1254

Unused boxed ships barometer plus a vintage enamel faced barometer.

Los 1442

Large mixed lot to include a Maling coffee set, Enamel pan and bowl, baby dishes etc.

Los 1543

2 Large vintage enamel industrial light shades, diameter at the base 15.5".

Los 173

Enamel faced brass barometer on wooden mount approx 10" diameter.

Los 181

Small enamel faced barometer plus a banjo clock, barometer, thermomter (thermometer missing)

Los 213A

Selection of very pretty costume brooches together with a Silver and Enamel Shell brooch and Silver framed glass bird pendant. See photos.

Los 218

Various costume jewellery and a sterling silver Royal artillary enamel badge.

Los 238

11 vintage enamel pin badges relating to bowling and Womens institute.

Los 451

Two Silver cased pocket watches, both with enamel faces. One by John Forrest the other by John Dent of Brigg. Both have enamel faces and are non runners for spares or repairs. See photos.

Los 66

2 Arora Hidden treasures enamel trinket boxes with necklace and pendants plus a Royal Doulton and a Goebel cat figurines.

Los 706

Small jewellery box and contents of pre 1947 silver coins, enamel badges , cufflinks etc. plus a carved african ashtray.

Los 98

Large selection of Perfume bottles, enamel trinket boxes etc.

Los 13

A 9ct gold cased half-hunter pocket watch, the movement faced by a white enamel Roman dial, incorporating a subsidiary

Los 212

An early 20thC Hampden pocket watch, in an 14ct gold fitted case, the 17 jewel movement faced by a white enamel Arabic dial, incorporating a subsidiary

Los 218

Ceramics: to include Royal Crown Derby china plates; Spode china plates  7" & 8"dia; and Halcion Days enamel boxes

Los 23

An early 20thC French oval brass cased carriage timepiece with bevelled glass panels and a folding top handle, on button feet; the movement faced by a white enamel Roman dial  5"h

Los 34

An early 20thC French lacquered brass cased carriage clock with a folding top handle and bevelled glass panels; the gong strike movement with a repeater, faced by a white enamel Roman dial, incorporating a subsidiary  6.5"h

Los 37

A set of six Venetian decoratively engraved, cylindrical tot glasses, set in coloured enamel and gilt metal frames with handles  cased

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