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Preisdatenbank abonnierenTwo enamel bodkin cases, probably French, late 18th century, the first painted with rococo scrolls and flower swags on a white ground, the cap end with a parrot on a basket, the base end with a pug on a cushion, 12.5cm (5in) high; the second painted with figures divided by white flowering foliage, now containing a glass scent bottle with stopper, 11.5cm (4.5in) high. Visit www.dnfa.com for condition reports.
A Russian silver gilt, garnet and enamel square bell push by Faberge, signed in full, workmaster Michael Perchin, Moscow, pre-1899, 88 zolotniks, with a cabochon garnet push piece on a white translucent guilloche enamel ground with foliate sprays centred by small ruby cabochons, with light green enamel spandrels with seed pearls, the sides with laurel swags and small ruby cabochons on a light green enamel ground, on turned feet, 4.7cm (1 7/8in) wide. Visit www.dnfa.com for condition reports.
A Russian partridge wood square bell push by Faberge, workmaster Vladimir Soloviev, 84 zolotniks, with a cabochon amethyst push piece on a light green translucent enamel ground framed by chased silver parcel gilt bound laurels with arrows at the points, the sides with conforming laurel swags, 4.2cm (1.5in) wide. See McCarthy, Kieran 'Forgotten Faberge', Antique Dealers and Collectors Guide, May-June 2004, pp. 40-42. The use of wood is in keeping with Faberge's principle of using materials for their decorative properties rather than just their intrinsic value. A surprisingly large and varied range of objects were produced in both Moscow and St Petersburg. The author suggests that the wood elements were supplied by the same workshop which made Faberge's fitted retail cases, run by the Finnish woodworkers Kaki, Kamara and Ampuja. Visit www.dnfa.com for condition reports.
A late 18th century enamel and paste locket pendant, circa 1790, the oval enamel plaque depicting a lady in 17th century costume mounted within a border of colourless pastes in cut down collets, with a glazed hinged locket to the reverse, mounted in gold backed silver, 4.9cm long. Visit www.dnfa.com for condition reports.
A bouton pearl and diamond cluster ring, the central 6mm bouton pearl (untested) set within a surround of eight cushion shaped old brilliant cut diamonds with black enamel accents between above diamond three stone shoulders, approximately 0.90 carats total, finger size R. Visit www.dnfa.com for condition reports.
A late 19th century French diamond, pearl and enamel hat pin, circa 1890, the balloon shaped top set in spirals with old and rose cut diamonds with blue enamel bands between and a 4mm bouton pearl top, the stem with French poincons and maker's marks, 16.1cm long overall; and an Art Deco rock crystal, emerald, sapphire and diamond jabot pin, circa 1925, the carved rock crystal palmette terminals applied with cabochon sapphires and emeralds and eight cut diamond connections, 5.9cm long. Visit www.dnfa.com for condition reports.
An Arts and Crafts turquoise, blue enamel and gold brooch, attributed to Liberty & Co., after a design by Jessie Marion King, the central turquoise within a wirework surround with translucent enamelled jewelling and turquoises at the cardinal points, 3cm wide. Visit www.dnfa.com for condition reports.
A 20th century Indian Jaipur enamel and gem set suite of jewellery, Rajasthan Northern India, comprising a three strand emerald bead and freshwater cultured pearl choker necklace (guluband) with a central amulet (bazuband) of green enamel set with cabochon jargoons (probably synthetic colourless sapphires) and red pastes to the front, the reverse polychrome enamelled with peacocks amongst poppy flowers on a white ground, with a similarly set and enameled ring and bangle, and a matching pair of cluster earrings, in a purple velvet fitted case. Visit www.dnfa.com for condition reports.
Rifle Brigade, an enamel and diamond regimental brooch, pave set throughout in a cross and wreath with rose cut diamonds beneath a red enamel crown, interwoven with battle honours in green enamel, 3cm long, in a fitted Carrington & Co pink leather case. Visit www.dnfa.com for condition reports.
West Yorkshire Regiment, a diamond and enamel regimental brooch by Carrington & Co, the horse motif pave set throughout with eight cut diamonds above a green enamel ground and blue enamel legend, mounted in 9 carat gold, Carrington & Co sponsor's mark, Birmingham 1982, 3.4cm long; and The Essex Regiment, an enamel regimental bar brooch, the central castle motif within a wreath border with blue enamel legends and battle honours for Egypt, stamped '15ct', 5.1cm long. Visit www.dnfa.com for condition reports.
An Arts and Crafts enamel and freshwater pearl pendant, in the style of Newlyn, the green oval panel enclosed by wirework with a drop below, 4cm long; an Art Nouveau enamel brooch, stamped 'Sterling Silver', 3cm long, and an amber set bracelet, 18cm long. Visit www.dnfa.com for condition reports.
Vacheron & Constantin, a silver half hunter pocket watch, retailed by Joh. Hartmann Berlin, circa 1910, No 177926, the four piece hinged case with a foliate chased cover with Arabic numeral chapter ring, chased suspension loop, the back case with foliate chasing and polished dust cuvette, the white enamel dial with black Arabic numerals, red outer minute track and subsidiary dial with blued steel hands, 15 jewel Vacheron & Constantin bar movement with bimetallic spilt balance, over coil balance spring and wolf tooth winding wheels, case with German 0.925 standard marks, case 5.2cm diameter, with an associated metal watch chain. Visit www.dnfa.com for condition reports.
Swiss, an early 20th Century small 18 carat gold minute repeating keyless hunter pocket watch, circa 1910, ref: 267, No 64267, the four piece hinged case with repeating slide bar, white enamel dial, black Arabic numerals, blued steel hands and subsidiary seconds dial, the Swiss bar repeating movement with bimetallic split balance and overcoil balance spring, case 3.8cm diameter. Visit www.dnfa.com for condition reports.
Chronometre Repetition, an early 20th Century French 18 carat gold open faced quarter repeating pocket watch, circa 1917, No 82802, the four piece hinged case with white enamel dial, black Arabic numerals, subsidiary seconds dial and Louis hands, a repeating slide at 3 o'clock, 15 jewel Swiss repeating movement striking on gongs, monometallic movement with a flat balance spring, the bale loop stamped with French import poinons, 5.6cm diameter. Visit www.dnfa.com for condition reports.
Romilly Paris, a mid 19th Century French open faced gold and enamel pocket watch, circa 1850, ref: 5343, the two piece hinged case with half pearl bezels, the white enamel dial with black Arabic numerals and spear hands, the rear cover polychrome enamelled with a lady sitting by a table beside a bird cage on a blue ground, the verge fusee movement with cylindrical pillars, pierced and engraved balance cock, the brass balance with an undersprung flat hairspring signed Romilly Paris, 5.8cm diameter. Visit www.dnfa.com for condition reports.
Vauchers Paris, an early 19th Century gold, enamel and half pearl fob watch, circa 1820, the two piece case with half pearl bezels, the white enamel dial with black Roman numerals and outer Arabic numeral minute track with a winding hole at 2 o'clock and mudge style hands, the case back polychrome enamelled with the Madonna and Child within a pink guilloche enamel ground, the small fusee verge movement with abridged pierced balance cock, steel balance, undersprung balance spring and cylindrical pillars,3.2cm diameter. Visit www.dnfa.com for condition reports.
Cartier, Paris, a gold, enamel and diamond pendant watch and chain, circa 1915, the three piece case with black and white candy stripe enamelling, the engraved silvered dial with black Arabic numerals and blued steel hands, the case back with a central cluster of rose cut diamonds with rose cut diamond winding crown and pendant suspension loop, the 18 jewel Cartier bar movement adjusted to eight positions with a bimetallic split balance and flat balance spring, the inner case numbered 3884 8005 8828 and scratch numbered 792389 with French poincons, case 3cm diameter, attached to a gold chain with a white enamel trefoil connection, the bolt rings with French poincons, maker's marks and indisctinctly numbered 6074, 51.5cm long. Visit www.dnfa.com for condition reports.
A French ormolu mantel clock by F L Hausburg, Paris, No. 3970, the clock in the Gothic taste with porcelain panels, the 3¢ inch enamel dial with ring of Roman numerals, the case of hexagonal Gothic form with flame finial over fluted side pilasters on a hexagonal spreading foot and beaded scrolling Heraldic side feet, 31cm high
A VIENNA ENAMEL BOX, 19th century, in the form of an egg, the lid with enamelled and silver gilt eagle finial, painted with panels depicting figures at leisure, on a turquoise foliate scroll ground, raised on three monopodia silver gilt figures with lion paw feet, impressed H.R. mark (possibly Hermann BShm) date letter for 1866, 5 1/4" high
A FRENCH ALABASTER AND GILT METAL MANTEL CLOCK, late 19th century, the twin barrel drum movement with outside count wheel striking on a bell, stamped No.389, 3" white enamel dial with Roman numerals inscribed "Bastide Lermont", the arched scroll moulded and waisted case flanked by a seated bronze figure of Moliere, rounded oblong base with inset panels applied with trophies representing music and drama over ribbon and reed and stiff leaf banding, on scroll mounded turned feet, 16 1/2" wide
A FRENCH PINE CASED COMPTOISE LONGCASE CLOCK, 19th century, the twin barrel movement with verge escapement striking on a bell, 8 1/2" white convex enamel dial with Roman numerals and painted with flowers, unsigned, within a gilded pressed metal surround surmounted by a vase of flowers, issuing from foliage with frieze of florettes below, the pine cartouche case with arched and moulded top, pierced spindle gallery below dial, sunburst linticle, on bracket feet, 89" high
A 19th century Viennese enamel and ebonised table cabinet, with gilt metal mounts raised on a bracket foot platform above a drawer to a waisted base, with urn surmounted scroll veloutes and a twin door cabinet containing three short drawers with further drawer above, the sloping top with an urn surmount, all the painted panels depicting mythological scenes, 11in (28cm) h, 9in (23cm) square. Cracks and losses to carcass, minor repairs to some panels.
A pair of French Renaissance revival gilt metal candlesticks, each with three branches above a Limoges enamel stem painted with cherubs and trophies, on lion's paw tripod supports and a triform base, with giltwood stands, the bases stamped 'D. S 618', 14.25in (36.3cm) h, 6.25in (15.8cm) w. (2)
A 19th century cold painted bronze mantel clock, with a single barrel movement and 2.5inch engine turned dial, inscribed 'G. L. FLESCHELLE A PARIS', with enamel numerals, VIII missing, the simulated marble case with an urn surmount, a laurel decorated arch and an eagle attacking a serpent, 13in (33cm) h.
A 19th century French marble and gilt metal mounted mantel clock, with an eight day movement, having an outside count wheel striking on the bell, with a 4 inch circular enamel dial inscribed 'GUGELOT A ST OMER', within a drum case, having a pierced tasselled drape and a bird surmount flanked by winged sphinx on colonnade supports to a rectangular base, 18.5in (47cm) h, 13.75in (35cm) w. Butterlfly pendulum and a winding key.
A 19th century French gilt brass mantel clock, with an eight day movement having an outside count wheel striking on the bell, stamped 'Japy Freres & Cie', '32560' and 'Hy Marc Paris', to a circular enamel dial inscribed 'Hry Marc A Paris', the case surmounted with a young girl gathering fruit, the base with an inset floral painted porcelain panel, 12in (30.5cm) h. Chips to winding holes.
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