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396323 Los(e)/Seite
Los 801
A collection of mostly compacts and cigarette cases, including one silver engine turned cigarette case, Chester 1934, S Blanckensee & Son Ltd, a second plain silver pill box, indistinct marks, together with a matchbox cover commemorating the signing of the Declaration of Peace 1919 and various other leather, enamel and white metal cases, 4.15toz total silver weight. (20)
Los 806
A selection of mostly silver items including three silver cigarette cases, respectively marked Birmingham 1883, Birmingham 1930, S Blanckensee & Son Ltd, and Birmingham 1900, Deakin & Francis Ltd, together with a silver and enamel Art Deco compact, Birmingham 1936, Deakin & Francis Ltd, a heavily engraved and embossed white metal cigarette box, possibly Indian, a vesta case, Birmingham 1919, and a black enamelled small compact set with marcasites, London 1929, Stockwell & Co, 9.8toz total silver weight. (11)
Los 812
An Art Deco silver and enamelled travelling clock, the frame of arched square easel form, with line decoration framing a pink enamelled border, the clock with silvered dial, Arabic numerals and minute band, marked '8 days' and 'Swiss Made', Henry Matthews, Birmingham 1923, a/f repairs to the enamel and no glass to clock face, 9 by 5 by 8.5cm high.
Los 878
An Art Deco Omega 9ct gold cased gentleman's wristwatch, circa 1935, white enamel dial with black Arabic numerals, minute band, and subsidiary seconds dial, blued steel hands, manual wind, calibre 26.5 SOB, 15 jewel movement, no 7900830, Dennison case no 940235, 34mm across, Birmingham 1930, on a later brown leather snakeskin effect strap, together with a spare plastic crystal.
Los 880
A Longines lady's 18K gold cased wristwatch, champagne enamel circular dial bearing gilt batons, ref 410, movement no 13792426, case no 7739 and marked Longines, 18K, Helvetica head, hammer head (marteau sans manche) number 221 for Manufacture Cartier La Chaux-de-Fonds, on a decorative fancy link bracelet, with clasp marked, and safety chain, 68.6g total weight.
Los 286
PICASSO PABLO: (1881-1973) Spanish Painter. An extremely rare three colour proof for artist or printer of Portrait de Jacqueline ("Jacqueline´s Portrait") by Picasso, 12th April 1956, signed and inscribed by Picasso to the bottom left corner to his friend and artist Manfredo Borsi `Pour mon cher Borsi, son ami, Picasso´ ("to my dear Borsi, his friend, Picasso"). The present copy being almost certainly one of the proofs for artist or printer done in 1956, offered to his colleague, and therefore do not bear the number of the one hundred numbered lithographs signed by the artist. The three colour drawing being black, blue and brown. The signature and inscription being in red pencil, the first underlined in red and blue pencil. The present document size being in full 19.8 x 26,1, (50,2cm x 66,4cm), while the drawing portrait and date sizes are 15.3 x 20.4, (39cm x 52cm). VG £8000-12000 Portrait de Jacqueline ("Jacqueline´s Portrait") is a lithograph by Picasso, done in Cannes, on 4th December 1956. Portrait de Jacqueline was initially intended as a poster for the Picasso exhibition "Un demi siècle de livres illustrés" ("Half a century of picture books") at the Matarasso Gallery in Nice, 21st December 1956 to 31st January 1957. At the last moment, Picasso started over and executed a second magnificent three colour portrait of Jacqueline. Picasso worked right side out in lithographic crayon on three zincs which Matarasso brought to him. The run was executed on an offset press in Marseille, which explains why the image and the date are right reading, whereas in a non-offset lithograph run the printing would be reversed. A few proofs were done for the artist and printer in various colours. A hundred impressions of the lithograph Portrait de Jacqueline numbered and signed by Picasso were issued. Jacqueline Roque (1927-1986) Second wife of Picasso 1961-73 until the artist´s death. Jacqueline Picasso killed herself by gunshot in 1986 when she was 59 years old. A muse and source of inspiration of Picasso who created over 400 portraits of her. Pablo Picasso met Jacqueline in Vallauris, French Riviera, in 1953, she was 26 years old and he was 72. He romanced her by drawing a dove on her house in chalk and bringing her one rose a day until she agreed to date him six months later. They married in 1961. It is likely that Picasso's series of paintings derived from Delacroix´s The Women of Algiers was inspired by Roque. The artist commented that `Delacroix had already met Jacqueline´. After Picasso's death in 1973, Françoise Gilot, Pablo´s companion 1943-53, and mother of his two children, contested the will in favour of Roque on the grounds that Picasso was mentally ill. Provenance, the present document was offered by Picasso to his friend Manfredo Borsi in 1957 during a visit of the last to Picasso in Vallauris, and has been kept since by Borsi´s wife family Bianca Valentini Borsi, belonging today to her sister by inheritance. Manfredo Borsi (1900-1967) Italian Painter, Ceramicist and Lithographer. Borsi was graduated in the Florence academy of Arts, specialized in enamel ceramics. Borsi met Picasso in the 20´s in Paris and both became friends. Both moved to the south of France, Picasso to Vallauris, while Borsi moved to St Paul de Vence. Accompanied by a certificate issued and signed by Claude Picasso confirming that the lithograph is authentically signed and inscribed by Picasso. IAA Europe are indebted to Salvador Bonet, Archive Information Officer of the Museum and Natal House of Pablo Ruiz Picasso, and to their Archive Department for their assistance with the present lot.
Los 41
Sir Francis Burdett: a Bilston enamel oval box the hinged cover inscribed ‘Long live Sir F. Burnett’, circa 1810, 45mm wide (commemorative, commemoratives, commemorate, politics, political) * Entering Parliament in 1796, he inherited the Baronetcy in 1797, and was imprisoned for sedition in the Tower in 1810
Los 84
Queen Charlotte: an oval Bilston enamel box with blue base, the hinged lid printed en grisaille with a head and shoulders profile, circa 1790, 48mm long (commemorative, commemoratives, commemorate, royal) * A not-dissimilar named contemporary print of the same subject, but reversed, may be seen at the Nation Trust’s Felbrigg in Norfolk
Los 194
An Arts & Crafts Tudric Pewter and enamelled vaseOf shouldered cylindrical form, having four green and blue enamelled cabochons, impressed marks to base and numbered 02510 to base, height 20cm CONDITION REPORT: Vase has been dropped doesn't sit flush on base, denting to top rim, three enamel cabochon with damage see image
Los 1
A Victorian Continental 18ct gold pocket watch, the white enamel dial with Arabic numerals surrounded by large black enamel chapter ring decorated with metal overlay depicting putti, swags and bells, glass lacking to front, engine turned decoration to reverse with Masonic compass and set square crest to cartouche, inscribed '1801 FB to JHBM 1858', stamped 'K18' to suspension ring, 5.5cm diameter, including two keys CONDITION REPORT: Lot 1 - no glass face, hands look to need replacing, small chip to black enamel chapter ring below suspension ring, very minor dent to back cover, looks to be in original box, 2 keys present, but mechanism untested, not in working order. Gross weight over 120g (too heavy for our scales)
Los 147
A Chinese cloisonne vase on gilt metal base, decorated with colourful symbols, and gilt metal handles, 21cm high CONDITION REPORT: Lot 147 - slightly pitted to surface, chip/repair to enamel near base, small chips to enamel allover body, metalwork scratched, finial handles slightly loose, weight unknown but approx 750g
Los 193
A 19th century Dunmore style storage jar with lid, painted Mrs Lindsay 1895 to the front, 20cm high, together with four similar Seaton pottery storage jars for sugar, tea, tobacco and tapioca, lid to tapioca, also with a three piece Art Deco yellow enamel brush set (8) CONDITION REPORT: Lot 193 - two jars with lids - Tapioca and Mrs Lindsay 1895, Tapioca has chip to lid and tiny nibbles to rim of jar underneath lid, crazing to glaze, Mrs Lindsay jar has numerous chips to lid, has been broken and repaired, numerous chips to rim of jar also, hairline cracks to base, filled with eight marbled ceramic eggs, nobs on both jars are ceramic
Los 2
A late Victorian 18ct gold pocket watch, the white enamel dial with Roman numerals and subsidiary seconds dial, the reverse ornately decorated with foliate engraving and plain cartouche to centre, stamped 18 to inside of back plate and to suspension ring, lacking actual ring, glass loose to front, 4.5cm diameter CONDITION REPORT: Lot 2 - chips to enamel face under seconds subsidiary dial, second hand is ticking, case in good condition, lacking suspension ring, glass loose, therefore cover does not always close shut, inner dust cover screwed down therefore movement not seen, inside stamped 18 and inscribed 'Daniel A Macleod', gross weight 91.2g, in original cardboard box
Los 22
An 18ct gold lady's cocktail watch, the gold coloured dial with Arabic numerals, stamped 18 to inside of case, together with a Elem 14ct gold watch circa 1945, the white enamel face with Arabic numerals and subsidiary seconds dial, stamped 14k to inside of case, no strap (2)Provenance: The gold Elem watch was taken from a Japanese soldier in Burma by the vendors' grandfather in World War II
Los 295
An early Eureka electric mahogany lancet form mantel clock, circa early 20th century, the 4.5 inch cream enamel dial with Roman numerals and subsidiary seconds dial, no 7425, patent no 14614, and dated 1906 to movement, 39cm high CONDITION REPORT: Lot 295 - Clock has not been tested but presuming needs battery charged, cannot therefore guarantee working order, wood colour faded, light marks/scratches but overall good condition
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396323 Los(e)/Seite