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Preisdatenbank abonnierenA Regency repeating mahogany bracket clock with brass pineapple finial above a pagoda top, the convex cream enamel dial within brass framed spandrels, the whole on brass ball feet, the sides with brass frets, the movement signed Henry Sleeman, Penzance, to the back plate. (See Illustration)
A good Qianlong period Yixing teapot and cover of cylindrical section, the lid handle with two loose fitted rings, painted in white enamel with a figure fishing in a lake with pagodas, the opposing side foliate decorated with bats, the seal mark to the base reads Dong Fu Han Lin (supervisory office of Han Lin Academy), height 17cm. (See illustration)
J. Hargreaves, Liverpool, no.49546, an 18 carat gold full hunter chronograph pocket watch, the four piece hinged case hallmarked Chester 1886, the white enamel dial with black Roman numerals, outer dial calibrated to 500 units, gold spade hands, and blued steel centre seconds, the three quarter plate English lever movement with pointed tooth escape wheel and tangential pallet, oversprung bimetallic split balance and ruby endstone, the regulator index on the balance cock, the case 54mm diameter
An 18 carat gold full hunter pocket watch, the four piece hinged case hallmarked London 1875, the white enamel dial with black Roman numerals, blued steel spade hands, and subsidiary seconds dial, the three quarter plate English lever movement no.54594, with brass pointed tooth escape wheel and tangential pallets, the bimetallic split balance with fine overcoil Breguet balance spring, and regulator index on the balance cock, the case engine turned overall, an engraved monogram within a shield cartouche to the front cover, 50mm diameter
An 18 carat gold full hunter centre seconds chronograph pocket watch, no.124564, the four piece hinged case hallmarked Chester 1899, the white enamel dial with black Roman numerals, gilt spade hands, and blued steel centre seconds, the three quarter plate fully jewelled English lever movement with bimetallic split balance with Breguet overcoil balance spring, the balance cock and separate cock for the escapement both foliate engraved, the latter with polished steel regulator, the case 60mm diameter, engraved to the front with a monogram
E.J Dent, Watchmaker to the Queen, London, an 18 carat gold open faced pocket watch, no.14116, the two piece case hallmarked 1848, with white enamel dial, black Roman numerals, Breguet hands, and sunken subsidiary dial, the three quarter plate fifteen jewel English lever movement with split bimetallic compensating balance and flat balance spring, engraved balance cock with regulator index and ruby endstone, and winding and set on back plate, the case 45mm diameter
John Roger Arnold, London, an 18 carat gold chronometer pocket watch with `Z` balance, no.1748, the three piece case hallmarked London 1808, casemaker TH (possibly Thomas Hardy), the white enamel dial signed Arnold 1748, with black Roman numerals, outer seconds dial, gilt spade hands, and subsidiary seconds dial, the full plate lever fusee movement signed Jno R Arnold London Inv et Fecit no.1748, balance cock engraved with scrolling foliage and diamond endstone, blued steel helical balance spring and two-arm monometallic `Z` balance with compensation weights, and blued steel maintaining power, the case 55mm diameter, on an 18 carat gold fetter link chain, 77g. Also see Christie`s New York 15 June 2011 lot 145. John Roger Arnold (1769-1843) was the son of John Arnold, one of the most famous British watch and clock makers. In 1783 John Roger started working with his father before moving to Paris as an apprentice to Abraham-Louis Breguet in 1792. He was admitted as a member of the Clockmakers` Company in 1796 and became Master in 1817. After the death of John Arnold senior, John Roger continued on his own, upholding his father`s reputation as one of the leading watch and clock makers of his age.
A 19th century Austro-Hungarian silver and enamel pendant trinket box/watch, circa 1870, the pale blue enamel box painted about the sides with scrolling vines, a classical scene on the base and to the interior, the silver mounted hinged cover .800 standard, Dianakopf mark for 1867-1872, the dial plate hinged beneath and richly enamelled overall, with blue Roman numerals, the French style verge fusee movement with pierced bridged balance cock, and silvered regulator disc, the box 48mm long
Haley & Wilner, a silver full hunter pocket watch, the plain two piece hinged case hallmarked London 1805, the white enamel dial with black Arabic numerals and gold arrow hands, key wound through the dial, the verge fusee movement no.3232, with cylindrical pillars, pierced and engraved balance cock with three armed steel flat balance (missing spring) and diamond endstone, and Tompion type regulator disc, the case 48mm diameter
Bradshaw & Ryley, Coventry, a silver full hunter pocket watch, the four piece hinged case hallmarked Birmingham 1814, maker`s mark JM (incuse italics), the white enamel dial with black Roman numerals, gilt poker hands, and subsidiary seconds dial, the verge fusee movement no.2953, with pierced and finely engraved balance cock, depicting Minerva and her trophy of arms at the foot, diamond endstone, cylindrical pillars, and Tompion type regulator disc, the case 55mm diameter
Richard Holland, Coventry, a silver gilt pair cased pocket watch, the two piece hinged inner case hallmarked London 1779, the white enamel dial with black Roman numerals, outer Arabic seconds hands, and gilt spade hands, the lever fusee movement with cylindrical pillars, fusee winding, flat three armed steel undersprung balance, and Tompion type regulator disc, the outer case with maker`s mark VW incuse, engraved to the back with foliate swags, initials to the centre, the case 50mm diameter
Paul Dupin, London (1710-1767), a gold pair cased quarter repeater pocket watch, the two piece inner case pierced and engraved overall with foliate scrolls, flowers and beasts, the white enamel dial with black Roman numerals, outer Arabic seconds hand, and blued steel Tompion type hands, the verge fusee repeater movement with fusee winding, baluster pillars, pierced and engraved balance cock, flat three armed steel balance, and Tompion type regulator disc, the dust cap engraved `Paul Dupin London`, the outer repousse case depicting Mercury and Proserpine, maker`s mark `DA` incuse italic, 50mm diameter
Dent, 33 Cockspur Street, London, an 18 carat gold open faced pocket watch, the three piece hinged case hallmarked London 1870, with white enamel dial, black Roman numerals, and blued steel spade hands, the nineteen jewel three quarter plate movement with bimetallic split balance and overcoil balance spring, the case 48mm diameter
Grant, Fleet Street, London, (1796-1867), a gold and enamel open faced pocket watch, the French two piece hinged case with blue and yellow enamel work to the back of the case, Paris town mark, the white enamel dial with black Arabic numerals, Recorder style hands, and outer seconds dial, the half plate English lever movement no.4544, with three armed domed steel balance, oversprung, with diamond endstone and English single table roller, wound through the dial, the case 45mm diameter
Grant, Fleet Street, London, an 18 carat gold full hunter pocket watch, circa 1817/18 (date obscured), the three piece hinged case by Thomas Hardy II, Goswell Street, London, with white enamel dial, black Roman numerals, gold spade hands, and subsidiary seconds dial, the fusee movement no.3221, with duplex escapement, foliate pierced and engraved balance cock, a mask at the foot, gold three armed balance and diamond endstone, with polished maintaining power and Tompion type regulator disc, the case engine turned overall, 50mm diameter
OMAS, Return to the Motherland limited edition fountain pen, 5/1997, 1997, with .925 standard silver barrel sculpted in haut-bas relief with the design of a mother and son dragon supporting the emblem of the Chinese pink dolphin (symbol of the love between mother and child) and the Bauhinia flower (symbol of Hong Kong), the band beneath portraying Hong Kong harbour, the cap is decorated with stylised fountains, the cap top engraved `Return to the Motherland` about an enamel Bauhinia flower, with platinum plated 18 carat gold nib, piston filler, in its red leather presentation box, with paperwork and outer card packaging. The Return to the Motherland pen was produced to commemorate the reunification of Hong Kong with China in 1997.
A late Victorian gold, enamel, coral and diamond pendant, circa 1880, the central quatrefoil cluster of corals with rose cut diamond points between, set above blue and white enamel surround in a twisted gold wire border, with a glazed locket to the reverse and a bead work pendant bale, 3.5cm long, on a late Victorian fancy curb link chain with a later bolt ring clasp, 41cm long
A collection of nine Royal Sussex Regiment badges, comprising an officer`s silvered and enamel, an officer`s bronze, a Second World War plastic, a standard bi-metal, a modified bi-metal, two Sussex Yeomanry, a helmet plate centre and a Cinque Ports cap badge, all mounted on individual cards.
A Moroccan nimcha, with slightly curved single edged blade, length approx 88.5cm, retaining much gold damascene floral decoration, steel hilt with drooping quillions with teardrop terminals retaining much gold damascene decoration, plain horn grip, in its white metal mounted brown velvet covered wooden scabbard, the mounts retaining some green and black enamel decoration.
A collection of Chinese Canton enamel, 18th/19th Century, comprising a pair of yellow ground bowls painted with opposing figural landscapes, the yellow ground filled with flowers, a pair of small wine cups painted with figures in a coastal landscape and two small snuff dishes (some faults).
An Edwardian silver and enamel circular box, the hinge lid inset with an enamel panel depicting the Duchess of Devonshire, the reverse detailed `Dhesse Devonshire B.D`, Birmingham 1900 (enamel damaged), together with a Victorian silver card case, Birmingham 1864 by Hilliard Thomason (faults), a silver christening spoons, cased, and two thimbles.
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