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396325 Los(e)/Seite
The following lots 400-405 relate to the football career of George Robinson (Sunderland & Charlton) and comes from a direct descendent of the family George Robinson played for Sunderland AFC during the 1920s having played for Heanor before signing for Sunderland. In 1931 he was transferred to Charlton Athletic, during the iconic Jimmy Seed (Manager) Glicksten (Chairman) Sam Bartram (goalie) era. Was loaned to Burton Town (in the Midland League) during the 1933-34 season. He returned to Charlton 1934/35 season and never looked back. Played a part in Charlton return to the Second Division (1935/6 season) and in Charlton’s promotion to 1st Division 1935/36 season), he only missed one game and achieved the distinction of appearing in the side more times than any other player in the three miracle years. He missed only two of the 126 League games played. Charlton was the first team ever to rise from Third to First Division. Although nearing his retirement, he was part of the squad who went on to win the FA Cup Final against Burnley 1-0 1947 in and after his playing career was over, and went on to become assistant manager at Charlton. George Robinson is also the father-in-law of South African born Eddie Firmani (but from Italian ancestry) who played for Charlton. Eddie Firmani claims much of his success was down to his father-in-law’s patient, dedicated mentoring and invaluable experience. 1923 Heanor Football Club silver and enamel medal: Runners up medal. Note: Heanor Town Football Club owes its humble beginnings to long before their 1883 formation at the Rays Arms Hotel. Teams representing the town and playing under the name of ‘Heanor’ or ‘Heanor Town’ were recorded in 1878, but it was not until a public meeting was called in September 1883 that these fragmented issues were drawn together under one roof and the Club affiliated to the Derbyshire County FA (16grms) in original box
A late 19th century gold and Swiss enamel bangle, brooch and earring suite, circa 1880, the wide hinged bangle with a central polychrome oval plaque depicting a lady in 18th century costume en habille with rose cut diamonds, bangle inner diameter 5.1cm, the oval brooch with a similar lady in 18th century costume, 3.8cm long, and the drop earrings similarly enamelled, 5.2cm long overall
An Edwardian multi gem and enamel necklace, circa 1905, set along the length with fifteen variously cut gemstones of differing hues, including peridot, amethyst, garnet, zircon, citrine, aquamarine and sapphire, all claw set in cut down collets, with graduated white enamel daisy head connections between, on a curb link back chain, to a citrine set box snap clasp, the tongue stamped `18ct`, 54cm long
An Italian enamel, ruby and diamond toucan brooch by Frascarolo, the bird with dark green enamel plumage, a circular cut ruby eye and pave set diamond accents, signed Modele Frascarolo Depose, stamped `18Kt` and `750` with Italian control marks, 3.6cm long. Pierino Frascarolo was born in Milan in 1928. After forming a business partnership with Aldo Lenti, they established a jewellery workshop in the Corso Matteotti in 1948. During the 1960s, Frascarolo became famous for their gold and enamel animal jewellery. Pierino Frascarolo subsequently relocated the business to New York with a new partner, Adriano Gugliada, and traded under the name Frascarolo & Co. Frascarolo died in Valenza in July 1976, aged only forty-eight.
Pierino Frascarolo was born in Milan in 1928. After forming a business partnership with Aldo Lenti, they established a jewellery workshop in the Corso Matteotti in 1948. During the 1960s, Frascarolo became famous for their gold and enamel animal jewellery. Pierino Frascarolo subsequently relocated the business to New York with a new partner, Adriano Gugliada, and traded under the name Frascarolo & Co. Frascarolo died in Valenza in July 1976, aged only forty-eight.
A 1960s enamel and diamond flower brooch, the central cluster of brilliant cut diamonds, approximately 0.40 carats total, claw set in a surround of green enamel petals, to outer textured petals of 18 carat yellow gold, on a textured stem, the whole in 18 carat yellow gold, London 1967, 5.3cm long
Two South Staffordshire enamel patch boxes, late 18th/ early 19th century, the first rectangular, blue overall with a bird to the cover and with floral spandrels, 3.8cm wide; the second cover with a shepherdess and charges, the base pink, 5cm wide; and a circular pill box, 2.2cm diameter (3, faults)
A Viennese silver mounted enamel `Historismus` cornucopia vase, maker`s mark indistinct (`HR`?) and `A` in canted square punch for Vienna, mid-late 19th century, painted with panels of classical scenes, the silver mounts enamelled, supported by a seated bearded figure wearing a crown, on a circular domed base painted with two panels with figures, 17cm (6in) high
A silver gilt and guilloche enamel circular pendant compact, unmarked, probably Austrian, circa 1920, the cover painted with a lake scene, on a light blue ground, the base also blue, 4.3cm (1in) diameter; and a enamel cylindrical scent bottle, early 20th century, painted with a cherub fishing, 5.3cm (2in) high
Edward Prior, London, a silver triple cased pocket watch for the Turkish market, the two piece hinged inner case hallmarked London 1855, incuse maker`s mark TH, with white enamel dial, black `Turkish` numerals, and blued steel beetle and poker hands, the verge fusee movement with pierced scroll pillars and matching stop piece, tapered three arm steel undersprung balance, the balance cock engraved and pierced with foliate scrolls, the disc plate to match, and silver Tompion type regulator disc, the outer tortoiseshell pique case with punched silver borders, the case 65mm diameter, together with winding key
Samuel Cochran, London, a late 18th century verge watch movement with centre seconds, circa 1785, no. 5351, with white enamel dial, black Roman numerals, gold beetle and poker hands, and centre seconds hand, the verge fusee movement with stopwork, cylindrical pillars, flat three armed undersprung steel balance, Tompion type regulator, and finely pierced and engraved balance cock with a large diamond endstone, in a later silver three piece hinged case not adapted for stopwork, hallmarked London 1865, 50mm diameter; together with a silver curb link watch chain with silver sovereign case and watch stand, 3.7 oz gross (the chain and case)
William Wood, 69 Lord Street, Liverpool, an 18 carat gold full hunter chronometer pocket watch, no. 6793, the four piece bassine case by Samuel & Rogers, hallmarked Chester 1862, engraved overall, the white enamel dial with black Roman numerals, fleur-de-lys hands, and subsidiary seconds dial, the half plate movement fully jewelled with richly engraved and pierced top plate, bimetallic split balance, Earnshaw detent escapement, helical balance spring and diamond endstone; the barrel cover, bottom plate, balance cock and separate fourth wheel and escape wheel cocks all foliate engraved, the case 51mm diameter
Massey & Windham, Birchin Lane, London, an 18 carat gold open faced pocket watch, no.1659, the three piece case hallmarked London 1834, with white enamel dial with black Roman numerals, pipping and subsidiary seconds dial, and fine gold Breguet hands, the three quarter plate lever fusee movement with gold domed three armed oversprung balance, ruby endstone, and separate cock for the pointed tooth escapement and tangential lever, the engine turned case 50mm, with 18 carat gold watch chain and locket, 57g gross (chain and locket) Massey & Windham are recorded as working in London between 1833-39.
J. Hargreaves, Liverpool, an 18 carat open faced chronograph pocket watch, the four piece case hallmarked Chester 1894, with white enamel dial, black Roman numerals, outer dial calibrated to 300 units, gilt spade hands, and Breguet centre second hand, the three quarter plate English lever movement with bimetallic split balance, overcoil balance spring, ruby endstone, and regulator index on the balance cock, the case 52mm diameter, with an 18 carat gold fetter and six link watch chain and a gold George III shield-back guinea, 65g gross (chain and guinea)
Dent, London, an 18 carat gold full hunter pocket watch, no. 19671, the four piece case hallmarked London 1854, with a white enamel dial, black Romans numerals, gold spade hands and subsidiary seconds dial, the three quarter plate English lever movement with gold three armed domed balance, overcoiled balance spring, diamond endstone to the balance cock and separate cock to escape wheel and ruby pallets, the outer case engine turned overall, 45mm diameter, together with two colour watch chain, the dog clip clasp stamped `18ct`, the chain 8g, together with key
Bollotte, Paris, an 18 carat gold full hunter quarter repeater pocket watch, no.4520, circa 1820, the four piece hinged case with a white enamel dial, black Roman numerals and blued spade hands, the club tooth lever movement with bimetallic split balance and overcoil balance spring, repeating on gongs, the outer case engine turned overall engraved at the centre with a coat of arms, the case 42mm diameter
An 18 carat gold quarter repeater full hunter fob watch, no.039, circa 1900, the four piece hinged case with white enamel dial, black Roman numerals, gold spade hands, and subsidiary seconds dial, the seventeen jewel Swiss lever movement with bimetallic split balance, overcoil balance spring and club tooth escape wheel, quarter repeating on gongs, the outer case engine turned overall, 35mm diameter, with a rope twist watch chain
A gold and diamond miniature lapel watch, circa 1900, the two piece hinged case with white enamel button hole dial, the bezel set with rose cut diamonds, the white enamel dial with black Arabic numerals (red twelve), the sixteen jewel quality bar lever movement with club tooth escapement, jewelled pallets, bimetallic split balance and flat balance spring, the case 24mm diameter
Baume et Mercier, a lady`s 18 carat gold wristwatch, ref.18259, no.1647369, circa 1999, the two piece screw down canted square case with white enamel dial, black Roman numerals, and blued feuille hands, on a woven link bracelet with fold over clasp, the Baume & Mercier quartz movement cal.5095, ETA976.001, 17cm long overall, in a Baume et Mercier box, together with guarantee
Nineteenth century Empire revival mantel clock with eight day French movement and white enamel dial striking on a bell in an ornate ormolu case decorated with butterflies and rosettes supporting a cast figure of Diana the Huntress on a rectangular base with raised figures of cupid and his supporters standing on four stylised swan feet, 38cm overall height Further images and condition reports available at www.reemandansie.com
Late nineteenth French carriage clock with eight day alarm movement striking on a gong, white enamel dial with subsidiary alarm, dial in a brass case with square section scroll carrying handle, 18cm overall height including handle Further images and condition reports available at www.reemandansie.com
Late nineteenth century French carriage clock with eight day movement and lever escapement, striking on a gong, bearing mark for Henri Jacot, white enamel dial, in brass case with decorative carrying handle, 18cm overall height Further images and condition reports available at www.reemandansie.com
Late nineteenth century French mantel clock in the classical Empire style with eight day movement and external countwheel, striking on a bell. Large floral decorated pendulum. White enamel dial with blue numerals, pierced gilt hands and decorative bezel signed Le Roy à Paris in an ebonised case in the form of a triumphal arch with four brass inlaid pillars, gilded capitals on a rectangular base with four bun feet, 49cm overall Further images and condition reports available at www.reemandansie.com
Nineteenth century carriage clock with eight day alarm movement, signed D H White, enamel dial and subsidiary alarm dial with ornate grape and vine mask in an ornate case with pierced decoration and four fluted pillars, with turned carrying handle on four brass feet, 15cm overall height Further images and condition reports available at www.reemandansie.com

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