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Preisdatenbank abonnierenA Continental White Metal and Enamel Powder Compact, early 20th century, of cartouche shape, the hinged lid decorated with a group of two couples fishing on a rocky river, within engraved scrolls and blue enamel border, a mirror to the underside of the lid, the underside engraved with feathery scrolls, 8.7cm wide
A Tortoiseshell and Silver Mounted Striking Carriage Clock, Retailed by J C Vickery, 179, 181, 183 Regent St W, 1904, the tortoiseshell case with silver mounted carrying handle, bun shaped feet, silver mounts with maker's mark "PLB & Co", London 1904, white enamel dial with Roman numerals, signed with retailer's name, twin barrel movement with platform lever escapement and striking on a gong, 17.5cm high (minute hand missing) See illustration
A Mahogany Cased Sudan Clock, circa 1830, the square shaped case with two circular latched covers, circular inner ebony clock case with engraved initials and dated 1833 to the brass back, small suspension loop, 3-inch enamel dial with Roman numerals, frosted gilt finished lever movement signed Shepperley & Pearce, Long Row, Nottingham, No.6206, three-armed steel balance, diamond endstone, outer case 13cm wide, inner clock case 10cm wide See illustration
A French Gilt Metal Striking Mantel Clock, signed Hry Marc a Paris, circa 1880, the drum shaped case flanked by a globe to one side and winged cherub holding a scroll to the other, floral and scrolled base mounted with a floral porcelain plaque, 3-1/2-inch white enamel dial with Roman numerals, signed, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Japy Freres and Hry Marc Paris, numbered 30471, raised upon an ebonised base and beneath a glass dome, 24cm high See illustration
A Gilt Metal and Green Marble Striking Chariot Clock, circa 1860, the chariot pulled by winged horses, mounted upon a green marble base with applied gilt metal mounts and upon paw feet, white enamel Roman chapter ring and dial centre with wheel spokes, twin barrel movement with striking on a bell, movement backplate numbered 934, 52cm wide See illustration
A French Black Slate and Gilt Mounted Striking Mantel Clock, circa 1830, the small arched case with gilt metal mounts, rectangular base raised upon shell formed feet, white enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension, 27.5cm high
A French Boulle Table Clock, signed Balthazard a Paris, circa 1860, the elaborate case applied with gilt brass mounts and finials to the top corners, glazed side panels flanked by figural canted corners, 5-1/2-inch cast dial with Roman enamel cartouches, arched enamel plaque signed Balthazard a Paris, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Raingo Freres and numbered 1135, 49cm high See illustration
An Oval Four Glass Gilt Metal Striking Mantel Clock, circa 1900, the oval shaped case with fluted columns and Corinthian capitals, four bevelled glass sides, swag floral gilt metal decorated borders, white enamel dial with Arabic numerals, twin barrel movement with striking on a gong, movement backplate numbered 63022, twin mercury tube pendulum, 26.5cm high See illustration
A Marble and Spelter Striking Mantel Clock, Duthuit-Boust, Dieppe, the case supported by two spelter winged cherub figures, stepped marble base raised upon turned feet, enamel dial with Arabic numerals and floral swag decoration, twin barrel movement with outside countwheel striking on a bell, 40cm high
An Ormolu and White Marble Striking Mantel Clock with Garniture, circa 1880, the case finely decorated throughout with winged bronze cherubs, mask and floral mounts, D-ended rectangular base rasied upon turned feet, 6-1/2-inch white enamel dial with Arabic numerals, swag floral decoration, twin barrel movement with platform cylinder escapement, outside countwheel striking on a bell, 46cm high, together with a pair of six-light candelabra, decorated with winged cherubs and white marble bases with floral mounts, 54cm high See illustration
A Four Glass Marble Striking Mantel Clock, retailed by A L Esperance, H Godchot, 31 St Marlin, Paris, circa 1890, the case surmounted by a lion, four side columns with gilt metal capitals supporting four-glass central case with bevelled glass, rectangular base with applied gilt metal mounts, raised upon turned feet, 3-3/4-inch white enamel dial with Arabic numerals, twin barrel movement with outside countwheel striking on a bell, twin tube mercury pendulum, 51cm high See illustration
A French Boulle Striking Bracket Clock, circa 1880, the highly elaborate case surmounted by a winged angel, applied gilt metal, scrolled and floral mounts and decorated throughout with boulle work, raised upon scroll shaped feet, 6-1/2-inch cast dial with twelve Roman numeral enamel cartouches, twin barrel movement striking on a gong, movement backplate stamped Vincenti and numbered 17660, sunburst pendulum, 61cm high See illustration
A Gilt Metal and White Marble Striking Mantel Clock with Garniture, circa 1890, the case surmounted by an urn finial, four columns supported on a D-shaped base with floral decorated borders and raised upon turned feet, white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Vincenti and numbered 6119, sunburst pendulum, 43cm high, together with a pair of two-light candelabra, 23cm high See illustration
A Cloisonné Enamel and Gilt Metal Striking Temple Mantel Clock, circa 1890, the case in the form of a temple, with multi-coloured cloisonné enamel depicting floral decoration, circular stepped base raised upon turned feet, gilt coloured dial with Arabic numerals and enamel decorated centre, twin barrel movement with striking on a gong, movement backplate stamped Japy Freres and numbered 8495 48, 40cm high See illustration
A Quarter Striking Vienna Wall Clock, circa 1840, the arched case with pierced cresting, glazed front and side panels with figured bowed corners and inlaid with boxwood stringing, waisted base, 6-1/4-inch white enamel dial with Roman numerals and recessed centre, gilded cast bezel surround, three train movement driven with one weight and two spring barrels striking on two steel gongs, deadbeat escapement, 114cm high See illustration
A Continental Opaque Turquoise Glass Large Vase and Cover on Stand, probably French, circa 1860-70, the ovoid body with concave sided cover with acorn gilded knop, the body painted with three panels depicting a bearded tit, kingfisher and sedge warbler catching insects amongst aquatic plants and grasses, in vivid enamel colours, the body within three black glass lyre supports on spheres, on a concave sided capstan base engraved with anthemion and line detail rubbed with gilt, 67cm high See illustration
A Minton Porcelain Pierced Oval Two-Handled Tureen, circa 1880, with strapwork scrolled handles, key pattern fretted frieze, the lattice pierced frieze punctuated by two roundels painted with portrait heads of pretty young girls, on four Chinese inspired tusk form feet, the whole picked out in turquoise and other enamel colours and gilt, crown and globe mark in gilt, 35.5cm wide
A Pair of St Clement Faience Vases, circa 1890-1900, modelled to imitate napkins folded into trumpets, painted with flowers and insects in vivid enamel colours, issuing from "folded napkin" angular and footed bases, with pink line edges throughout, painted mark St Clement E, 30.5cm high See illustration
A German "Vienna" Porcelain Plate, Lady Smythe & Children, signed Wagner, circa 1880, circular, three children gathered around their mother wearing feather plumed hat, signed, within Art Nouveau floral broad border enriched in gilt, blue printed pseudo Vienna beehive mark, titled in black script, 24.5cm; and A French Porcelain Cabinet Plate, Tour de Marlborough, circa 1880, of bracketed circular shape, centrally painted with a view of the river with figures in a row boat near a swan, within midnight blue border enriched with floral swags in gilt, bearing blue enamel painted crossed Ls mark and DD, title in black script, 24cm diameter (2) See illustration
A Pair of "Sevres" Porcelain Dessert Plates, painted after David Teniers, circa 1880, each of lobed circular shape, one painted with a metal worker in a smithy interior, the other with two peasants near an open fire, bearing signature D Teniers within midnight blue borders enriched with rocaille and shell motifs in gilt, bearing blue enamel crossed Ls mark and B, 23.5cm diameter; and Another Example, painted with two lovers in a woodland glade in the manner of Antoine Watteau, signed Collin, within midnight blue border enclosing three floral sprays in vivid enamels and gilt, printed mark in blue and also red printed Chateau des Tuileries mark, 24.8cm diameter (3)
A Sevres Porcelain Ecuelle, Cover and Stand, circa 1770, each piece with dark blue ground richly gilded, each later painted with six reserves of busy harbour scenes in enamel colours, blue painted interlaced Ls mark enclosing aa over m, the stand 26cm wide, the ecuelle 19.5cm wide See illustration. Provenance: The Wolfe Collection, Tennants Auctioneers, Spring Catalogue Sale, 22-24 April 1998, lot 281. Formerly in the Spencer Copeland Collection.
A Meissen Porcelain Pagoda Figure, circa 1730, modelled as a seated chinaman with charming grin, holding a tea bowl and saucer in his right hand, a further tea bowl and teapot in front of him, he wears an open floral robe, later painted overglaze blue crossed swords mark and KJ and three dots, the enamel decoration later, 10.5cm high (some restoration) See illustration. Provenance: The Wolfe Collection, Tennants Auctioneers, Spring Catalogue Sale, 22-24 April 1998, lot 276. Christie's, London, 2 December 1974, lot 207. For a similar example, see Sotheby's, London, 17 June 1997, lot 108.
A Chinese Export Porcelain Saucer Dish, circa 1740, unusually decorated in the Kakiemon palette with a long- tailed bird in the branches of a tree amongst rockwork and chrysanthemums, rice bales and bamboo, a tiger prowling nearby, formalised floret and feather leaved motifs to the rim, 28cm diameter; and Another, circa 1750, painted with scattered peonies and chrysanthemums within a narrow trellis and floret border, in typical enamel colours and gilt, 28cm diameter (2)
A Chinese Cloisonné Enamel Censor and Cover, 19th century, of typical compressed cushion form, the domed cover with pierced dragon knop, dragon shoulder handles, the body worked with three roundels of diverse flowers against a dense lotus and scroll ground, against turquoise, the swept short legs issuing from fo dog masks, 28.5cm high
A Japanese Cloisonné Enamel Squat Baluster Vase, circa 1950-60, attributed to Ando Company, Nagoya, the rims applied with chrome plated mounts, the light green enamel ground worked with four stylised lotus blossoms punctuated by scroll linked fleur-de-lys in tones of blue and white, the foot rim with indistinct stamped mark, 31cm high, in the original wood case
A Victorian Seed Pearl and Enamel Pendant on a Snake Chain, a dumbbell shaped link suspends the scalloped edge oval pendant tiered to a seed pearl inset star motif within a blue enamelled dome, with white dotted enamel throughout, tassels pendant from the base, a picture panel to the reverse, pendant measures 3.2cm by 8.3cm, chain length 43cm, in a fitted case by G & M Crichton of Edinburgh. Not illustrated.
A Swiss Enamel Hase Brooch, the round concave face depicts a coloured enamel portrait of a Nordic Goddess in blue and purple robes wearing a winged helmet, against a red background, measures 3.7cm in diameter, and A Cameo Brooch, the carved shell shows Medusa within a rope and herringbone oval frame, measures 4.8cm by 5.5cm. See illustration-1.5 col.
A 9ct Gold Cushion Shaped Wristwatch, signed Zenith, 1933, frosted gilt finished lever movement numbered 3039816, bimetallic compensation balance with blued overcoil hairspring, micrometer regulator, white enamel dial with Arabic numerals, subsidiary seconds, case with snap-on back, maker's mark "ALD", Birmingham 1933, and numbered 32353, 29mm wide
An 18ct Gold Full Hunting Cased Chronograph Keyless Lever Pocket Watch, 1902, frosted gilt finished lever movement, bimetallic compensation balance with blued overcoil hairspring, white enamel dial with Roman numerals, blued chronograph hand, plain polished case with chronograph stop/start slide to the band, case with maker's mark "SY", Chester 1902, and numbered 90306, 53mm wide See illustration
An 18ct Gold Full Hunting Cased Keyless Lever Pocket Watch, signed West End Watch Co, circa 1890, frosted gilt finished movement, bimetallic compensation balance with blued overcoil hairspring, micrometer regulator, white enamel dial with Roman numerals, subsidiary seconds, case with engine turning, coin edge band and vacant cartouche, case numbered 565620, 51mm wide See illustration
An 18ct Gold Open Faced Chronograph Pocket Watch, 1883, frosted gilt finished lever movement, white enamel dial with Roman numerals and outer fifths of seconds track, centre chronograph hand operated with slide in the band, plain polished case with maker's mark "JR", Chester 1883, 53mm wide See illustration
An 18ct Gold Open Faced Single Push Chronograph Keyless Lever Pocket Watch, 1883, frosted gilt finished lever movement, bimetallic compensation balance with blued overcoil hairspring, white enamel dial with Roman numerals, outer fifths of seconds track, subsidiary seconds, chronograph hand operated by depressing the winding crown, plain polished case, London 1883, 54mm wide See illustration
An 18ct Gold Minute Repeating Full Hunting Cased Keyless Lever Pocket Watch, circa 1890, frosted gilt finished lever movement, bimetallic balance with blued overcoil hairspring, jewelled hammers striking on outer steel gongs and operated by the repeat slide in the band, white enamel dial with Roman numerals, subsidiary seconds, blued spade hands, case with engraved monogram and numbered 3103, 54mm wide See illustration
An 18ct Gold Open Faced Chronograph Keyless Lever Pocket Watch, Retailed by J W Hughes, Runcorn, 1910, frosted gilt finished lever movement, bimetallic compensation balance with blued overcoil hairspring, white enamel dial with Roman numerals, chronograph hand operated with slide in the band, plain polished case, case with maker's mark "SY", Chester 1910, 49mm wide
A Silver Half Hunting Cased Rack Lever Pocket Watch, 1807, gilt finished movement with rack lever escapement, three-armed steel balance, diamond endstone, movement beneath dust cover, white enamel dial with Arabic numerals and smaller central dial, eccentric winding, case with maker's mark "EM", London 1807, 54mm wide
An 18ct Gold, Enamel and Diamond Set Cylinder Pocket Watch, circa 1850, frosted gilt finished cylinder movement signed Badollet, Geneve, gilt coloured dial with Roman numerals and central engraved floral decoration, case with green enamel back and diamond set floral design, 37mm wide, together with fitted case See illustration
A Russian Imperial Silver and Enamel Mounted Rosewood Architectural Three-Division Tea Caddy, Pavel Sazikov, late 19th century, of stepped form, the main lid centred with a dome of coloured enamel work within silver strapwork punctuated by four six-limbed star bosses, within silver strapwork and angle studs, initialled KC, birch lined interior, flanked by smaller compartments with silver "roofed" lids, further conforming decoration to the front, back and sides, the angled frieze with guttae detail, on silver and blue enamel decorated bun feet, various marks, including those of Kostroma, 7cm by 21cm by 11.5cm See illustration
A Swiss Gold and Enamel Vinaigrette, circa 1850, of bracketed rectangular shape, with all-over formalised foliate decoration in gold and green enamel, opening to reveal a small painted enamel plaque beneath a lid depicting vessels on a Swiss lake, the fretting of the sponge cover reflecting that of the lid, 2.5cm wide See illustration
A South Staffordshire Enamel Patch Box "A Trifle from Lincoln", circa 1785, oval, the white enamelled slightly domed lid with a printed depiction of Lincoln Cathedral, on a pink tinted body, 4.8cm wide; and A Victorian Single Division Glazed Stamp Box, London 1900, the sprung-hinged glazed square lid on a half round body, on four sphere feet, 3.2cm (2)
A French 18ct Gold and Enamel Snuffbox, circa 1900, of rectangular shape with pilaster angles, the hinged lid with central scroll edged enamel panel depicting two young women and a young man reclining by a wall, sheep nearby, within a broader frame of engraved and chased scrolls against blue enamel, cushion moulded borders, engraved 750, 8.2cm wide, 107g, gross weight 3.4oz See illustration
A Continental Gold and Enamel Royal Presentation Snuffbox, Given by His Majesty King Victor Emanuel, circa 1905, rectangular, the plain lid with enamel crown and star with monogram in the upper left corner, internally with engraved inscription, 7.5cm, 73g See illustration. Originally from Shapiro & Co, London
A Pair of Russian Gilt Metal and Enamel Travelling Egg Cups, late 19th century, each of typical form, the feet unscrewing to form an egg, champleve enamelled with blue and pink scrolls and trefoils on a turquoise ground, interiors gilt, 5cm high, 7.5cm collapsed, in a red leather fitted case See illustration
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