CARTIER: ART DECO SAPPHIRE, EMERALD, DIAMOND AND ONYX GIARDENETTO BROOCH, CIRCA 1925The brilliant-cut diamond vase issuing a baguette-cut diamond stem, with cabochon emerald buds and carved sapphire leaves, signed Cartier, numbered 4015, French assay mark, length: 3.1cmFootnotes:Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.Saleroom notices:The catalogue entry should read,CARTIER: ART DECO SAPPHIRE, EMERALD, DIAMOND AND ENAMEL GIARDENETTO BROOCH, CIRCA 1925The carved sapphire leaves accented by emerald cabochon buds, the baguette-cut diamond trunk issuing from a similarly and single-cut diamond pot with black enamel 'soil', signed Cartier, numbered 4015, French assay mark, length: 3.1cmThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
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THREE EMERALD, RUBY AND DIAMOND BROOCHES, CIRCA 1965The bombé petals pavé-set with circular-cut emeralds or rubies, accented by spots of green or red enamel between and brilliant-cut diamond stamens, the other flowerhead with pavé-set brilliant-cut diamond petals and a cushion-shaped emerald stamen, diamonds approximately 4.55 carats total, lengths: 3.0cm - 3.2cm (3)Footnotes:Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
LALIQUE: TOURMALINE, DIAMOND AND PLIQUE-À-JOUR ENAMEL PENDANT NECKLACE, CIRCA 1905Set with two cushion-shaped tourmalines, accented by old brilliant and rose-cut diamonds, decorated with green enamel, between green plique-à-jour enamel wings, suspended from a chain of twisted baton-links decorated with green enamel, mounted in gold, pendant signed Lalique, pendant length 6.0cm, later fitted caseFootnotes:Provenance:Sold Sotheby's London, 3rd December 1998, lot 102.Literature:For a pendant of similar design, see S. Barten, René Lalique Schmuk und Objects d'Art 1890-1910, Munich, 1977, ill.p.344, no.733.René Lalique (1860-1945) was the undisputed master of Art Nouveau jewellery design. Nature was a pivotal theme in his work, his appreciation stemming from time spent in the French countryside during his childhood holidays. Here, Lalique has used plique-à-jour enamel to represent the delicate transparency of dragonfly wings. This intricate process of placing glass between fine windows of metal was initially used in the Middle Ages, but saw a resurgence in the second half of the 19th century and was used masterfully by Art Nouveau jewellers, who elevated the technique to the highest level of quality. Please note, this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
DAVID WEBB: ENAMEL AND DIAMOND-SET SERPENT RINGWith red enamel eyes and green enamel scales, accented by brilliant-cut diamonds, signed Webb, ring size G (sizing spring)Footnotes:The first of David Webb's animal designs appeared in 1957, with Elizabeth Taylor famously buying his 'Dragon' bracelet. The immediate success of the piece lead to the release of further animal themed jewels, including a Zebra bracelet designed in 1963. Throughout the decades, Webb continued to delight with his menagerie of bejewelled animal interpretations, both figurative and mythical, and his 'Kingdom' collection is still in production today.For further information on this lot please visit Bonhams.com
CARTIER: ENAMEL, ONYX AND DIAMOND FOB WATCH/BROOCH, CIRCA 1925Of Persian inspiration, the black enamel pendant with gold arabesque detail, accented by old brilliant, rose and single-cut diamonds, opening to reveal a circular-cut dial with baton hourmarkers, within a bezel of black and white enamel Arabic numerals, the double-sided '6' and '12' elevated on a hinge above the dial, the crown pavé-set with rose-cut diamonds, suspended from an onyx baton surmount with rose-cut diamond terminals, via a black silk cord, mounted in platinum and gold, old brilliant-cut diamonds approximately 1.60 carats total, dial signed Cartier, numbered 252068, French assay mark, caseback signed EWCCo, some enamel loss, length 9.9cmFootnotes:For a page of arabesque patterns taken from a variety of Islamic sources headed, 'Caractéristiques arabes', in a sketchbook attributed to Charles Jacqueau at Cartier, see Rudoe, J. 'Cartier 1900-1939', 1997, ill.p.294, cat 233.Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.Saleroom notices:Please note, the bold line should read, 'Attributed to Cartier' and not as stated online.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
DAVID WEBB: RUBY, ENAMEL AND DIAMOND-SET PANDA RINGWith cabochon ruby and brilliant-cut diamond cap and red enamel eyes, playing with a brilliant-cut diamond loop, decorated with black and white enamel, signed Webb, ring size KFootnotes:The first of David Webb's animal designs appeared in 1957, with Elizabeth Taylor famously buying his 'Dragon' bracelet. The immediate success of the piece lead to the release of further animal themed jewels, including a Zebra bracelet designed in 1963. Throughout the decades, Webb continued to delight with his menagerie of bejewelled animal interpretations, both figurative and mythical, and his 'Kingdom' collection is still in production today. For further information on this lot please visit Bonhams.com
JANESICSH: LAPIS LAZULI, DIAMOND, ENAMEL AND GEM-SET FOB WATCH/BROOCH, CIRCA 1925The watch case composed of lapis lazuli batons with stepped single-cut diamond accents, the blue enamel base imitating lapis lazuli, decorated with gold geometric detail, within a rose-cut diamond surround, terminating with a carved lapis lazuli and single-cut diamond drop, accented by a black enamel spacer, via a pearl link, the old brilliant and single-cut diamond cover, surmounted by a jade bead between black enamel spacers, lifting to reveal a circular dial with baton hourmarkers, within a bezel of black and white enamel Arabic numerals, the double-sided '6' and '12' elevated on a hinge above the dial, the crown pavé-set with rose-cut diamonds, suspended from a jade bead surmount between black enamel spacers and single-cut diamond foliate terminals issuing carved lapis lazuli 'buds', via a black silk cord with a barrel-shaped rose-cut diamond and black enamel slider, millegrain detail throughout, mounted in platinum and gold, signed Janesicsh, old brilliant and single-cut diamonds approximately 2.70 carats total, French assay marks, length 10.0cmFootnotes:For an illustration of an almost identical lapis lazuli and diamond-set fob watch by Cartier, dated 1925, titled 'Stalactite', set with an emerald bead and suspended from a silk cord necklace see Nadelhoffer, H., Cartier, (1984), p.263, ill.pl.71. The neighbouring design drawing was produced by the horologist, Joseph Vergely. See also Cologni, F., 'The Cartier Collection: Timepieces' (Flammarion: 2006), p.180 for a similar example to the fob watch referenced above, dated 1925, titled 'Pom Pom' by Cartier. The original drawing for this watch design (as referenced above in Nadelhoffer: 1984), is by Joseph Vergely. Vergely made his name at Cartier by exhibiting a special talent for the creation of watches in charming novelty forms. Known affectionately as 'Père Vergely', he was highly regarded by his peers and designed for Cartier, Janesicsh and others.Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
OF ROYAL INTEREST: A COLLECTION OF KEEPSAKES INCLUDING A FOB RING AND PHOTO FRAME, BY CARTIER, 1934-1947The silver frame with reeded exterior and a sapphire sugarloaf thumbpiece, containing a black and white photograph of Mrs Joyce Brittain Jones and another of Mrs Brittain Jones with George II of Greece, the fob key suspending five charms as follows: 1st: Engraved, 'J.B.J.' (for Jack Brittain Jones), maker's mark JC, London hallmark for 9 carat gold. 2nd: An octagonal St Christopher charm, engraved, '2.6.34 + + +', signed Cartier, numbered 5463.3rd: Applied with a crown decorated with polychrome enamel within the blue enamel inscription, 'EYTYXEC 1939'.4th: Applied with a rose-cut diamond Royal cypher for George II of Greece, the reverse inscribed with blue enamel 'EYTYXEC TO 1940'.5th: Engraved, 'EYTYXEC 1947' above an applied crown.6th: The gold egg pendant inlaid with old brilliant-cut diamonds, circular-cut rubies and sapphires.Accompanied by a small medallion charm bearing the Royal cypher of George II of Greece, the reverse engraved, 'EYTYXEC 1937', wrapped in a handwritten note that reads, 'This little gold medal is to bring you good luck & happiness during 1937 with all my fondest love. George [sic]'. Photo frame and fob key both signed Cartier London, fob key with maker's mark JC and London hallmark. Dimensions: fob key 5.0cm x 1.5cm, photo frame 4.2cm x 4.9cm, unassociated Cartier case 6.0cm x 3.5cm x 1.5cm (4)Footnotes:Provenance:Emerald Joyce Henrietta Brittain-Jones née Wallach (1902-1974);Thence by descentLots 1 - 11 belonged to Emerald Joyce Henrietta Brittain Jones née Wallach. Joyce was born in Allahabad, Utter Pradesh, India. Her father, William Wallach, was a Barrister in India. On 19th January 1924, she married Captain Jack Brittain Jones (1899-1975) of the Black Watch (1st Battalion), at a Society wedding at Middle Temple Church in London. In 1927, the couple had a daughter, Pauleen Victoria. By 1931, Jack and his family were living in India where Jack was Aide-de-Camp to Lord Willingdon, Viceroy of India.In 1931, George II of Greece (1890-1947) visited India where he met Jack and Joyce. From 1934, the correspondence from Joyce to George is loving and affectionate, clearly indicating that a deep and meaningful personal relationship had developed between them. In 1935, George II was divorced by his estranged wife, Princess Elisabeth of Romania (1894-1956), who cited desertion. Joyce and Jack also divorced in 1935, citing Jack's adultery. George II had become King of Greece in 1922, but in 1924 Greece declared itself a Republic, and the monarchy was abolished. Eventually the Greek monarchy was restored in 1935 so George returned as King. Joyce and the King then began to lead a very private life together in Greece, often at the Tatoi Palace, the Royal family's summer residence, situated thirty miles from Athens, where George was able to indulge his love of farming. Joyce reportedly knitted, read and sat quietly. She was well-liked by George's sister-in-law, Katherine, and regarded as one of the family. It is reported that Joyce refused to marry George II because she believed that a morganatic marriage, like that of Edward VIII and Mrs Simpson (also divorced), would be damaging to George's position as monarch. In 1941, Germany occupied Greece and George fled to Crete, facing many dangers including his potential capture. A British destroyer transported him into exile in Cairo, Egypt. Later in 1943, Joyce accompanied George to the United States of America as his quiet and inconspicuous companion. Joyce also accompanied George on a visit to South Africa. They had then moved to London, where Joyce engaged in war work as a Fire Warden. Joyce was a particular friend of Princess Marina, Duchess of Kent who was a Greek Princess by birth and a British Princess by marriage to Prince George, Duke of Kent. In 1946, a referendum restored the monarchy, and George II again returned to Greece as King. He desperately wanted Joyce to accompany him to Greece and put pressure on the British Government to permit her to join him. However, the Government was concerned to avoid political difficulties in Greece, and refused permission. Princess Katherine suggested that Joyce could live in Greece as her lady in waiting. Sadly, whilst waiting for a resolution and missing each other, George II died of a heart attack in his office in the Royal Palace in Athens and was buried at Tatoi Palace.For further information on this lot please visit Bonhams.com
ERNESTO PIERRET: RENAISSANCE REVIVAL EMERALD, RUBY, PEARL AND ENAMEL PENDANT AND EARRING SUITEThe table-cut emerald in closed-back setting, between polychrome enamel sea serpents, issuing a pair of similarly-cut rubies within a drilled pearl and black enamel surround, suspending a pearl drop via a detachable table-cut emerald and pearl quatrefoil pendant, decorated throughout with rope-twist, wirework and beaded detail, the earrings en suite, maker's mark EPRT, pearls untested, later chain, later earring fittings, some enamel loss, lengths: pendant 9.0cm, chain 67.0cm, earrings 7.5cm (2)Footnotes:Ernesto Pierret (1824-1898) was born in Paris but moved to Rome as a young man where he trained as a goldsmith. It is possible that he may have been an apprentice in the workshop of Castellani, an idea supported by the clear similarities in styles and subject matter. In 1846 he opened his own shop in Florence, later moving to a Renaissance palazzo at 20 Piazza di Spagna, next to the Spanish Steps in Rome. Today the building is a national monument and regarded as one of the most important historic buildings in Rome. Renamed Palazzo Pierret, his name can still be seen above the entrance. His pieces are marked either with a monogram or signature, both of which are applied to the piece on a small gold plaque or tab.Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.Saleroom notices:Please note, this lot should be dated circa 1870.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
ENAMEL INSECT PENDANT WATCH, CIRCA 1865Realistically modelled as a scarab, with fine engraved detail throughout and applied legs to the reverse, the spring-loaded enamelled wings opening to reveal a circular dial with Roman numerals, outer minute markers, blued steel hands, mounted in gold, with cabochon ruby eyes, suspended from a fancy-link chain, with winding key, some enamel loss, lengths: pendant 4.7cm, chain 65.5cm, Footnotes:Pocket and fob watches have taken many shapes forms since their conception. In the 16th century there was a trend for unusually shaped watches and clocks shaped like books, animals, insects, flora, fauna and even skulls (Death's head watches). In the late 17th century, with the invention of waistcoats, the pocket watch evolved into its 'typical' flattened circular form. However, in the mid-late 19th century, a taste for the novelty returned and various whimsical designs began to appear. As a sacred symbol and talisman in Ancient Egyptian culture, 'Scarab amulets' became increasingly popular as expeditions to Egypt brought a wealth of visual culture to jewellery designers and casemakers. In ancient Egyptian religion, the sun god Ra was said to roll across the sky each day, and as such the scarab beetle was a symbol for the heavenly cycle, and the concepts of rebirth and regeneration.Please note, this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Hallmarked Silver Cased Pair Cased Pocket Watch, the (cracked) white enamel dial with black Roman numerals and seconds subsidiary dial (hand bent), the movement with decorative scroll pierced balance cock signed "Edwd Manley" "A 1806", with foliate engraved decoration, within plain case (London 1804), later inscribed "Samuel Jolly 1845", within matching pair case (London 1804), initialled "SJ".
A Victorian Hallmarked Silver Hunter Cased Pocket Watch, the white enamel dial with black Roman numerals and seconds subsidiary dial, the movement signed "R.B. Stevenson Liverpool" and numbered "8939", within engine turned case, London 1855; Together with A Graduated Curb Link Albert Chain, to a (later) swivel style clasp, suspending T-bar, hallmarked silver medallion pendant engraed "DBS 1914" and two pocket watch keys.
Late 19th century Swiss lady's yellow metal (585) and enamel fob watch, 'full hunter'-cased, the hinged red enamel, wavy engine-turned and foliage-decorated enamel front door with seed pearl border, enclosing an Arabic dial with gilt minute markers, the plain rear door enclosing a crown-wind movement with Swiss cross and number 5.652, inner door stamped 0.585 1205, 25mm diameter (ex. crown), 38mm inc. suspension loop, 23g gross approx
Barraud & Lunds, London - 18ct gold hunter pocket watch, the signed white enamel dial also numbered 3 over 3540, black Arabic numerals, sunken subsidiary seconds dial, blued steel hands, the four piece hinged case, London 1883, housing a signed and similarly numbered three quarter plate keyless wound movement, 4.9cm diameter, approximately 109g gross inclusive of movement
Enamel and gold devotional pendant, possibly Italian, circa 1550-1600, the scene of the Crucifixion with three Roman soldiers on horseback, one piercing His side with a lance, in the distance is a city, with the motto 'Unica Spes' (Our Only Hope), in plain oval mount (perhaps later) under glass or rock crystal, measuring approximately 32mm x 25mm excluding suspension loopPrivate collection. Bristol. Sold with a copy of Falkiner, Richard, 'Investing in Antique Jewellery', Barrie & Rockliff, The Cresset Press, where a similar example is illustrated p.50 "An Italian 16th century devotional jewel. These normally have figures behind glass or rock crystal".
Southern Italian carved coral and enamel figural pendant, probably Trapani, 18th or 19th century, modelled as a monk or monastic Saint, perhaps Albert of Trapani, (c. 1240-1307) of the Carmelite Order, with tonsure and robes, arms outstretched and kneeling in sublimation, applied with yellow metal tied rope belt, enamelled armlets at the elbows connected to a short belcher-link chain as pendant, with further enamelled link and single seed pearl drop, the underside with enamelled sunburst matrix as seal, the figure 39mm high, the pendant 64mm inclusive of chain and suspension loop, in original fitted plush-lined hinged cruciform case, 87mm Formerly the property of Sidney John Alexander Churchill MVO, (1862-1921), and thence by descent. Churchill researched the history of gold and silver work in Italy, especially the Two Sicilies, and wrote a number of reference works on Italian Goldsmiths in both English and Italian, when British Consul in Palermo (1898-1909) and Consul-General in Naples (1912-18).
Collection of seventeen mid 18th century and later enamel wine and spirit decanter labels, of cartouche and escutcheon form decorated with floral motifs, each with black lettering on a white ground including a set of five (Benedictine, Claret, Eau de Cologne, Marsala x2), a set of four (Bordeaux, Muscat, Noyau and Vin du Rhin), Malaga, Pando, Porto, Rum, etc, 7.5cm x 5.5cm and smaller (17)
Persian Qajar polychrome enamelled huqqa or ghalian cup fragment, Iran, 19th century, of flared socket form with polychrome enamel decoration, two oval portraits and floral reserves on a gilt-enriched sea green ground, now with pendant chains, [TO MEASURE]Formerly the property of Sidney John Alexander Churchill MVO, (1862-1921), as pictured in the last image (scan of original image retained by the family), and thence by descent.In 1880, Sidney Churchill joined the Persian Telegraph Department of the Indian Civil Service, serving as British Consul in Persia (1886-94). During this entire 14-year period, Churchill collected Middle Eastern manuscripts for the British Museum and objets d'art for the Victoria & Albert Museum.
Late 19th century French brass and champlevé enamel mantel clock, retailed by Finnegans, Manchester, with inscribed gilt 2.25-inch / 5.7cm Arabic chapter ring and enamel rosette centre, the unmarked timepiece movement, numbered 1373, now with verticallly-mounted lever platform escapement, the arched case with free-standing columns on a bow-breakfront base and button feet, 18.5cm high
A collection of Eleven Romano-British bronze and enamel fibulae Circa 2nd Century A.D.Including a lion brooch, an enamelled pecking bird brooch, an enamelled juglet brooch, a lozenge brooch with stylised animal terminals, and a T-shaped brooch with pin intact, mounted on a board 14cm x 22.8cm (11)Footnotes:Provenance:Anonymous sale; Christie's, London, 2 December 1991, lot 180 and 2 May 1996, lot 89.Private collection, UK, acquired at the above sales.For further information on this lot please visit Bonhams.com
A GENTLEMAN'S 18CT GOLD FULL HUNTER MINUTE REPEATING CALENDAR POCKET WATCHthe white enamel dial with Arabic numerals and dark blue steel hands, with four subsidiary dials for day/month/date/seconds and moonphase aperture, the case front engraved with initials, no.77666, the case c.55mm diameter (c.133g gross weight)
CARTIER: A LADY'S 18CT GOLD WRISTWATCHwith manual wind movement, the white enamel dial with black Roman numerals and dark blue steel hands, cabochon crown, on a black leatherette strap with an 18ct gold Cartier deployment clasp, in the original Cartier watch box, no. 033772, the case c.15mm diameter
WALTHAM: A GENTLEMAN'S GOLD-PLATED FULL HUNTER POCKET WATCHwith keyless wind movement, the white enamel dial with black Roman numerals, dark blue steel hands and subsidiary seconds dial, c.42mm diameter; together with another gentleman's gold-plated open face pocket watch by Waltham, with a keyless wind movement, the white enamel dial with black Roman numerals and dark blue steel hands, c.32mm diameter(2)
PATEK PHILIPPE: A GENTLEMAN'S STAINLESS STEEL POCKET WATCH/WRISTWATCHby Carl Luckoff of Germany, with manual wind movement, the white enamel dial with subsidiary seconds dial, black Arabic numerals and dark blue steel hands, with outer red tachymeter with Arabic numerals, the dial signed "Tiffany NY", the contemporary stainless steel case with removable lugs and glass case back, no. 82193, the movement stamped "Tiffany & Co", the case c.34mm diameter, the case thickness 10mm, on a black leather strap
A VICTORIAN OPAL BAR BROOCHwith a central three-leaf clover enclosing a red stone, approx. 5cm in length; an enamel bar brooch set with “pearlsâ€, approx. 3.5cm in length; and a 9ct gold dress ring set with three topaz-coloured stones interspersed with six white stones, on a yellow gold shank, ring size R (c.4.75g gross weight) (3)
A GEORGE III STYLE PASTE BROOCHset with clear and green paste in the form of a flowerhead, formerly a clasp, the cluster approx. 1.7cm x 1.7cm, approx. 4.5cm long (c.6.1g gross weight); together with a George III gold and black enamel mourning ring dated “1807â€, ring size W (c.5.3g); and a ring set with a simulated pearl and a white stone, ring size M (3)
OMEGA: A GENTLEMAN'S 9CT GOLD WRISTWATCHwith manual wind movement, the white enamel dial with subsidiary seconds dial, black Arabic numerals and dark blue steel hands, circa 1940's, the side of the case stamped "Dennison no. 59256", movement no. 8179 713, the case c.32mm diameter, on a brown leather strap
PATEK PHILIPPE: A GENTLEMAN'S STAINLESS STEEL POCKET WATCH/WRISTWATCHby Carl Luckoff of Germany, with manual wind movement, the white enamel dial with subsidiary seconds dial, black Roman numerals and dark blue steel hands, fitted in a contemporary modern stainless steel case, with glass back and removable lugs, the case c.45mm diameter, the case thickness c.10mm, on a brown leather strap, movement no. 64551, with Certificate of Identity and Guarantee of Origin, by Carl Luckoff, Watch Manufacturers, Germany with a later Patek Phillipe, Geneve watch box
A GENTLEMAN'S 18CT GOLD HALF HUNTER POCKET WATCHwith keyless wind movement, the white enamel dial with subsidiary seconds dial, black Roman numerals and dark blue steel hands, no. 1156400, the case c.45mm diameter, with an 18ct yellow and white gold chain link pocket watch chain; and a cheroot case with silver hallmark (c.131g gross weight)
A MEISSEN FIGURE OF A PUG DOGMid 18th century Modelled by J.J.Kaendler, facing to the right, wearing a red collar with yellow bow and gilt bells, seated on a rectangular turquoise cushion with gilt lines and tassels, 11.5cm highProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCONDITION REPORTRestoration to right ear. Restoration and chip to left ear. Some restoration to the yellow bow. Small loss of black enamel around mouth.Restoration to one corner of the base. Minor chip to base. Some wear to the gilding
A MEISSEN FIGURE OF A PUG DOGMid 18th century Modelled by J.J. Kaendler, facing to the right, wearing a puce collar with blue bow and gilt bells, seated on a rectangular cushion with puce foliate scrolls and gilt tassels, 11.5cm highProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCONDITION REPORTMinor loss to black enamel around the mouth.Tail lacking. Restoration to right foreleg. Restoration to the cushion. Minor wear to the gilding.Minor nick to one of the tassels
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